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[دىوان عاشق, 1232ه, 1817م].
(دىوان عاشق ه م)

İsim [دىوان عاشق, 1232ه, 1817م].
İsim Orijinal دىوان عاشق ه م
Yazar عاشق اصفهاني, محمد d. 1768 or 9., Abdülhamid II, Sultan of the Turks, 1842-1918
Yazar Orijinal عاشق اصفهاني محمد
Basım Tarihi: 1817]
Basım Yeri - [Iṣfahān, 1817].
Konu Faceted Application of Subject Terminology Manuscripts, Persian Persian poetry Michigan—Ann Arbor 1500-1796 Library of Congress Subject Headings Persian poetry—1500-1796 Manuscripts, Persian—Michigan—Ann Arbor Répertoire de Vedettes-Matière Poésie persane—1500-1796 Manuscrits persans—Michigan—Ann Arbor Art & Architecture Thesaurus headpieces (layout features)
Tür Kitap
Dil Farsça
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar 1 online resource (272 leaves) : paper
Kütüphane: McGill Üniversitesi Kütüphaneleri
Demirbaş Numarası 1420508889
Kayıt Numarası 1420508889
Tarih 1817]
Notlar Script: Shikastah (shikastah-nastaʻlīq / شكسته نستعليق); elegant hand; serifless with sweeping elongated horizontal strokes, free assimilation of letters, misplaced (or distant, or unexpectedly combined) pointing, uncurved final yāʼ, etc. Ms. codex. Title supplied by cataloguer. Collation: 34 IV(272); exclusively quaternions; catchwords present; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves). Layout: Written in 16 lines per page with written area mainly divided to two columns; frame-ruled. Decoration: Elaborate illuminated headpiece (ʻunwān / sarlawḥ ) at opening on p.4 consisting of rectangular piece with gold cartouche carrying the basmalah in blue flanked by floral vegetal designs (in gold, red-orange, blue, white, etc.) on fields of blue (approaching lapis lazuli), red and gold, surmounted by large w-shaped piece filled with swirling arabesque and floral motifs in gold, red-orange, pink, white, blue, etc. on grounds of gold, red, and blue (approaching lapis lazuli), w-shaped piece bordered in a row of lozenges with similar floral vegetal design, entire piece set into a heavy well of gold interlace bordered in red bands with white accents ; illuminated marginal decoration of incipit and facing page consisting of swirling vegetal composition with large sāz leaves and floral forms in gold with black outline ; written area throughout set off with gold cloud-bands ; vegetal composition in gold fills band dividing two columns of written area or flanking centered text ; written area (and margin) framed by gold bands outlined in black fillets. Support: non-European (Persian) laid paper with 9-10 laid lines per cm. (horizontal) and chain lines only faintly visible roughly 20 mm. apart (vertical), gray in color, crisp and transluscent though sturdy, quite well-burnished; many bifolia split; minor pest and moisture damage. Binding: Heavy pasteboards covered in painted lacquerwork, spine in dark brown leather; Type III binding (without flap); two-piece binding with overlapping flanges plainly visible at spine (spine leather detaching with second layer of leather visible looking on spine from lower cover); doublures in fine painted lacquerwork of swirling floral vegetal composition in gold on a dark green ground surrounded by vegetal border in green and gold on a dark red ground with flanking gold fillets (composition of upper doublure mirrors that of lower doublure); upper and lower covers bear paintings of nearly identical floral composition in mirror image to one another on a dark red background, namely a central cluster of peonies, poppies, tulips, etc. with iris, roses, poppies, and other floral forms all in shades of pink, light blue, lavender, and white with leaves in various shades of green, and surrounded by decorative band of floral vegetal motifs on a dark green ground framed in gold-painted borders; sewn in lime green thread, two stations, sewing failing, many gatherings loose; worked chevron endbands in lime green and pink, fairly good condition; overall in fair condition with some abrasion and losses to lacquerwork and pasteboard, etc.; housed in box for protection. Former shelfmark: "199 T.D.M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf (p.1); "25 /10 " inscribed in ink on 'title page' (p.3). Origin: As appears in colophon on p.543, copied by Aḥmad Jaʻfar [?] with transcription completed Rabīʻ I 1232 [January-February 1817] in Iṣfahān. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 285. Incipit: "زهى مثالى که چون جمالت نبسته نقشى زمانه زىبا بخنده شىرىن ببذله شکر بغمزه لىلى بعشوه سلمى ..." Explicit: "طاقش بى رواق چشم خوبان آمد اىن روى که ر نشىن عالم آمد ..." Colophon: "Scribal," rectangular, reads " ... شهر ربيع الاول ١٢٣٢ در دار [؟] السلطنه اصفهان ... اين كتاب مستطاب ... بخط احمد [؟] جعفر ..."
Yazar Rolü Former owner,
Veritabanı WorldCat
Tür headpieces (layout features)
Sahiplik/Koruma Geçmişi Traces of effaced seal impressions on opening leaf (p.1) ; fairly clean copy.
WorldCat Varlığı View on Worldcat Entities Abdülhamid
Kaynağa git McGill Üniversitesi Kütüphaneleri McGill University Libraries
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[دىوان عاشق, 1232ه, 1817م].

(دىوان عاشق ه م)
Yazar عاشق اصفهاني, محمد d. 1768 or 9., Abdülhamid II, Sultan of the Turks, 1842-1918
Yazar Orijinal عاشق اصفهاني محمد
Basım Tarihi 1817]
Basım Yeri - [Iṣfahān, 1817].
Konu Faceted Application of Subject Terminology Manuscripts, Persian Persian poetry Michigan—Ann Arbor 1500-1796 Library of Congress Subject Headings Persian poetry—1500-1796 Manuscripts, Persian—Michigan—Ann Arbor Répertoire de Vedettes-Matière Poésie persane—1500-1796 Manuscrits persans—Michigan—Ann Arbor Art & Architecture Thesaurus headpieces (layout features)
Tür Kitap
Dil Farsça
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar 1 online resource (272 leaves) : paper
Kütüphane McGill Üniversitesi Kütüphaneleri
Demirbaş Numarası 1420508889
Kayıt Numarası 1420508889
Tarih 1817]
Notlar Script: Shikastah (shikastah-nastaʻlīq / شكسته نستعليق); elegant hand; serifless with sweeping elongated horizontal strokes, free assimilation of letters, misplaced (or distant, or unexpectedly combined) pointing, uncurved final yāʼ, etc. Ms. codex. Title supplied by cataloguer. Collation: 34 IV(272); exclusively quaternions; catchwords present; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves). Layout: Written in 16 lines per page with written area mainly divided to two columns; frame-ruled. Decoration: Elaborate illuminated headpiece (ʻunwān / sarlawḥ ) at opening on p.4 consisting of rectangular piece with gold cartouche carrying the basmalah in blue flanked by floral vegetal designs (in gold, red-orange, blue, white, etc.) on fields of blue (approaching lapis lazuli), red and gold, surmounted by large w-shaped piece filled with swirling arabesque and floral motifs in gold, red-orange, pink, white, blue, etc. on grounds of gold, red, and blue (approaching lapis lazuli), w-shaped piece bordered in a row of lozenges with similar floral vegetal design, entire piece set into a heavy well of gold interlace bordered in red bands with white accents ; illuminated marginal decoration of incipit and facing page consisting of swirling vegetal composition with large sāz leaves and floral forms in gold with black outline ; written area throughout set off with gold cloud-bands ; vegetal composition in gold fills band dividing two columns of written area or flanking centered text ; written area (and margin) framed by gold bands outlined in black fillets. Support: non-European (Persian) laid paper with 9-10 laid lines per cm. (horizontal) and chain lines only faintly visible roughly 20 mm. apart (vertical), gray in color, crisp and transluscent though sturdy, quite well-burnished; many bifolia split; minor pest and moisture damage. Binding: Heavy pasteboards covered in painted lacquerwork, spine in dark brown leather; Type III binding (without flap); two-piece binding with overlapping flanges plainly visible at spine (spine leather detaching with second layer of leather visible looking on spine from lower cover); doublures in fine painted lacquerwork of swirling floral vegetal composition in gold on a dark green ground surrounded by vegetal border in green and gold on a dark red ground with flanking gold fillets (composition of upper doublure mirrors that of lower doublure); upper and lower covers bear paintings of nearly identical floral composition in mirror image to one another on a dark red background, namely a central cluster of peonies, poppies, tulips, etc. with iris, roses, poppies, and other floral forms all in shades of pink, light blue, lavender, and white with leaves in various shades of green, and surrounded by decorative band of floral vegetal motifs on a dark green ground framed in gold-painted borders; sewn in lime green thread, two stations, sewing failing, many gatherings loose; worked chevron endbands in lime green and pink, fairly good condition; overall in fair condition with some abrasion and losses to lacquerwork and pasteboard, etc.; housed in box for protection. Former shelfmark: "199 T.D.M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf (p.1); "25 /10 " inscribed in ink on 'title page' (p.3). Origin: As appears in colophon on p.543, copied by Aḥmad Jaʻfar [?] with transcription completed Rabīʻ I 1232 [January-February 1817] in Iṣfahān. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 285. Incipit: "زهى مثالى که چون جمالت نبسته نقشى زمانه زىبا بخنده شىرىن ببذله شکر بغمزه لىلى بعشوه سلمى ..." Explicit: "طاقش بى رواق چشم خوبان آمد اىن روى که ر نشىن عالم آمد ..." Colophon: "Scribal," rectangular, reads " ... شهر ربيع الاول ١٢٣٢ در دار [؟] السلطنه اصفهان ... اين كتاب مستطاب ... بخط احمد [؟] جعفر ..."
Yazar Rolü Former owner,
Veritabanı WorldCat
Tür headpieces (layout features)
Sahiplik/Koruma Geçmişi Traces of effaced seal impressions on opening leaf (p.1) ; fairly clean copy.
WorldCat Varlığı View on Worldcat Entities Abdülhamid
McGill University Libraries
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