کتاب گلستان, [قرن 18م؟].
(کتاب گلستان قرن م؟)

Name: کتاب گلستان, [قرن 18م؟].
Author: سعدى, Abdülhamid II, Sultan of the Turks, 1842-1918

İsim	کتاب گلستان, [قرن 18م؟].
İsim Orijinal	کتاب گلستان قرن م؟
Yazar	سعدى, Abdülhamid II, Sultan of the Turks, 1842-1918
Yazar Orijinal	سعدى
Basım Tarihi:	[17--?]
Basım Yeri	- [Place of publication not identified] : [publisher not identified], [17--?].
Konu	Faceted Application of Subject Terminology Manuscripts, Persian Persian poetry Sufi poetry, Persian Michigan—Ann Arbor Early works 747-1500 Library of Congress Subject Headings Persian poetry—747-1500 Sufi poetry, Persian—Early works to 1800 Manuscripts, Persian—Michigan—Ann Arbor Répertoire de Vedettes-Matière Poésie persane—747-1500 Poésie soufie persane—Ouvrages avant 1800 Manuscrits persans—Michigan—Ann Arbor Art & Architecture Thesaurus headpieces (layout features)
Tür	Kitap
Dil	Farsça
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	1 online resource (113 leaves) : paper
Kütüphane:	McGill Üniversitesi Kütüphaneleri
Demirbaş Numarası	1420509051
Kayıt Numarası	1420509051
Tarih	[17--?]
Notlar	Explicit: "خاتمه تمام شد كتاب كلستان و الله المستعان بتوفيق بارى عز اسمه درين جمله چنانكه رسم مؤلفانست از شعر متقدمان بطريق استعارت تلفيقى برفت ... واطلب لنفسك من خير تريد به من بعد ذلك غفرانا لصاحبه." Ms. codex. Title from close on p.229. Collation: ii, 11 V(110), I+1 (113), ii; almost exclusively quinions; catchwords present; pagination in pencil, Western numerals (includes flyleaves). Layout: Written in 15 lines per page; frame-ruled. Script: Nastaʻlīq (talik) ; fine Ottoman hand in a medium line ; serifless with characteristic elongation of horizontal strokes, effect of words descending to baseline, etc. Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.6 consisting of rectangular panel with empty gold cartouche flanked by floral motifs in red-orange, blue, lavender, and gold on fields of blue and gold, surmounted by scalloped semi-circular piece (dome) filled with swirling floral vegetal composition in gold, white, blue, lavender, red-orange, and pink with black outlining on a gold and blue ground, all surmounted by vertical stalks (tīgh) in blue and set into a well / border of red and gold with white accents ; written area surrounded by frame consisting of gold band outlined by black fillets ; keywords chrysographed ; textual dividers in the form of gold discs. Support: non-European laid paper of perhaps two types; one type with 8 laid lines per cm. (horizontal, indistinct), cloudy formation, medium cream in color, well-burnished, quite sturdy; another type with 9 laid lines per cm. (vertical), beige in color, transluscent, sturdy, and from p.65 alternating with pink or blue tinted leaves; some repairs and staining; flyleaves in European laid paper with 10 laid lines per cm. (horizontal), chain lines spaced 28 mm. apart (vertical), and watermarks of lion in shield and eagle with wings spread. Binding: Pasteboards (quite heavy) covered in quite dark red-brown leather; Type II binding (with flap); possibly two-piece binding; doublures in light brown leather; upper and lower covers carry large block-stamped (two impressions with join visible) and gold-painted recessed rectangular panel filled with symmetrical vegetal composition with floral motifs, surrounded by gold-tooled border in a series of s-shaped stamps defined by gold fillets; upper and lower doublures carry stamped, gold-painted (over red leather recessed onlays), central medallion built up of a repeated dome-shaped stamp (two impressions, forming a lozenge shape, also repeated on interior of envelope flap) with interior floral motif and gold-tooled border in a series of s-shaped stamps defined by gold fillets; design continues on envelope flap; sewn mainly in dark pink thread, two stations; worked chevron endbands in dark brown and cream; overall in fair condition with abrasion, staining, lifting and losses of leather, etc.; repairs to board edges, spine (rebacked), and fore edge flap in quite dark brown leather; opening gathering has been resewn in blue thread through spine leather (visible on spine). Former shelfmark: "315 T.D.M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf (p.1). Origin: Lacks dated colophon; decoration, paper, etc. may suggest 18th century. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 304. Incipit: "منت خداى را عز و جل که طاعتش موجب قربتست ..."
Yazar Rolü	Former owner,
Veritabanı	WorldCat
Tür	headpieces (layout features) Early works Early works to 1800. Ouvrages avant 1800.
Sahiplik/Koruma Geçmişi	Inscription in pencil "315 T.D.M. [i.e. Tammaro De Marinis]" on verso of front flyleaf ; a few marginal and interlinear glosses and occasional corrections.
WorldCat Varlığı	View on Worldcat Entities Abdülhamid

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کتاب گلستان, [قرن 18م؟].

(کتاب گلستان قرن م؟)

Yazar سعدى, Abdülhamid II, Sultan of the Turks, 1842-1918

Yazar Orijinal سعدى

Basım Tarihi [17--?]

Basım Yeri - [Place of publication not identified] : [publisher not identified], [17--?].

Konu Faceted Application of Subject Terminology Manuscripts, Persian Persian poetry Sufi poetry, Persian Michigan—Ann Arbor Early works 747-1500 Library of Congress Subject Headings Persian poetry—747-1500 Sufi poetry, Persian—Early works to 1800 Manuscripts, Persian—Michigan—Ann Arbor Répertoire de Vedettes-Matière Poésie persane—747-1500 Poésie soufie persane—Ouvrages avant 1800 Manuscrits persans—Michigan—Ann Arbor Art & Architecture Thesaurus headpieces (layout features)

Tür Kitap

Dil Farsça

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar 1 online resource (113 leaves) : paper

Kütüphane McGill Üniversitesi Kütüphaneleri

Demirbaş Numarası 1420509051

Kayıt Numarası 1420509051

Tarih [17--?]

Notlar Explicit: "خاتمه تمام شد كتاب كلستان و الله المستعان بتوفيق بارى عز اسمه درين جمله چنانكه رسم مؤلفانست از شعر متقدمان بطريق استعارت تلفيقى برفت ... واطلب لنفسك من خير تريد به من بعد ذلك غفرانا لصاحبه." Ms. codex. Title from close on p.229. Collation: ii, 11 V(110), I+1 (113), ii; almost exclusively quinions; catchwords present; pagination in pencil, Western numerals (includes flyleaves). Layout: Written in 15 lines per page; frame-ruled. Script: Nastaʻlīq (talik) ; fine Ottoman hand in a medium line ; serifless with characteristic elongation of horizontal strokes, effect of words descending to baseline, etc. Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.6 consisting of rectangular panel with empty gold cartouche flanked by floral motifs in red-orange, blue, lavender, and gold on fields of blue and gold, surmounted by scalloped semi-circular piece (dome) filled with swirling floral vegetal composition in gold, white, blue, lavender, red-orange, and pink with black outlining on a gold and blue ground, all surmounted by vertical stalks (tīgh) in blue and set into a well / border of red and gold with white accents ; written area surrounded by frame consisting of gold band outlined by black fillets ; keywords chrysographed ; textual dividers in the form of gold discs. Support: non-European laid paper of perhaps two types; one type with 8 laid lines per cm. (horizontal, indistinct), cloudy formation, medium cream in color, well-burnished, quite sturdy; another type with 9 laid lines per cm. (vertical), beige in color, transluscent, sturdy, and from p.65 alternating with pink or blue tinted leaves; some repairs and staining; flyleaves in European laid paper with 10 laid lines per cm. (horizontal), chain lines spaced 28 mm. apart (vertical), and watermarks of lion in shield and eagle with wings spread. Binding: Pasteboards (quite heavy) covered in quite dark red-brown leather; Type II binding (with flap); possibly two-piece binding; doublures in light brown leather; upper and lower covers carry large block-stamped (two impressions with join visible) and gold-painted recessed rectangular panel filled with symmetrical vegetal composition with floral motifs, surrounded by gold-tooled border in a series of s-shaped stamps defined by gold fillets; upper and lower doublures carry stamped, gold-painted (over red leather recessed onlays), central medallion built up of a repeated dome-shaped stamp (two impressions, forming a lozenge shape, also repeated on interior of envelope flap) with interior floral motif and gold-tooled border in a series of s-shaped stamps defined by gold fillets; design continues on envelope flap; sewn mainly in dark pink thread, two stations; worked chevron endbands in dark brown and cream; overall in fair condition with abrasion, staining, lifting and losses of leather, etc.; repairs to board edges, spine (rebacked), and fore edge flap in quite dark brown leather; opening gathering has been resewn in blue thread through spine leather (visible on spine). Former shelfmark: "315 T.D.M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf (p.1). Origin: Lacks dated colophon; decoration, paper, etc. may suggest 18th century. Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 304. Incipit: "منت خداى را عز و جل که طاعتش موجب قربتست ..."

Yazar Rolü Former owner,

Veritabanı WorldCat

Tür headpieces (layout features) Early works Early works to 1800. Ouvrages avant 1800.

Sahiplik/Koruma Geçmişi Inscription in pencil "315 T.D.M. [i.e. Tammaro De Marinis]" on verso of front flyleaf ; a few marginal and interlinear glosses and occasional corrections.

WorldCat Varlığı View on Worldcat Entities Abdülhamid