[Hüsn-ü hat risalesi

Name: [Hüsn-ü hat risalesi
Author: Mehmet bin Tacettin, -1587, محمد بن تاج الدين, Kebecizade Mehmet Vasfi Efendi, -1831, كبجى زاده محمد وصفى افندى،

İsim	[Hüsn-ü hat risalesi
Yazar	Mehmet bin Tacettin, -1587, محمد بن تاج الدين, Kebecizade Mehmet Vasfi Efendi, -1831, كبجى زاده محمد وصفى افندى،
Yazar Orijinal	محمد بن تاج الدين كبجى زاده محمد وصفى افندى،
Basım Tarihi:	1772
Basım Yeri	[Istanbul?] -
Konu	Islamic calligraphy -- Turkey -- Technique -- Early works to 1800, Calligraphy, Turkish -- Technique -- Early works to 1800, Writing, Arabic -- Technique -- Early works to 1800, Manuscripts, Turkish -- Michigan -- Ann Arbor
Tür	Kitap
Dil	tur, ota
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	28 leaves : paper ; 222 x 160 (129 x 78) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1354989181
Kayıt Numarası	990068222630106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	1772
Notlar	Ms. codex., Title supplied by cataloguer., Incipit: "حمد بى عد وثناء لا يعد اول خالق اللوح والقلمه كه كاف ونون ايله جمله كائنات وممكناتى وار ... تراشيدن قلم وشناختن اولا حسن خط يازنلر قلمك اعلاسين ومركبك رعناسين وكاغدك زيباسين كورمك كركدر ...", Explicit: "وبرى معكوسه در راجعه داخى ديرلر بونلر كبى"", Colophon: "Scribal," triangular, reads "كتبه اضعف الكتاب محمد الوصفى المعروف بحافظ القرآن من تلاميذ ابو بكر راشد افندى غفر الله لهما", Collation: i, 2 V(20), IV (28), i ; two quinions followed by a quaternion ; catchwords present., Layout: Written in 9 lines per page ; frame-ruled., Script: Naskh (nesih) and thluth (sülüs) ; exquisite specimen of Ottoman calligraphy executed by Kebecizade Mehmet Vasfi Efendi (d. 1831)., Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of a composition of vegetal forms (resembling plumes) in white with shades of lavender, blue, pink, etc. accents surmounted by floral forms in shades of pink with green leaves, all on a gold ground set in a well defined by red and yellow interlace ; written area of incipit and facing page surrounded by a heavy gold frame with inner and outer gold bands defined by black fillets and outermost blue fillet ; written area elsewhere surrounded by a narrower gold frame defined by black fillets with outermost blue fillet ; textual dividers in the form of illuminated rosettes with red and blue accents ; keywords and headings rubricated ; circles (or hāʼ evoking familiar rhomboid dots) and lines indicating size, proportion and angle for the large sample letters entered in the margins are also rubricated., Support: European laid paper with 11 laid lines per cm. (vertical), chain lines spaced 23-24 mm. apart (horizontal), and watermarks of griffin [?], "FIN DE LA SONE EN DAUPHINE" and "1772" ; well-sized and burnished, thin and crisp though sturdy, buff (dull yellow) in color., Binding: Pasteboards covered in dark royal blue leather ; Type III binding (without flap) ; pastedowns and flyleaves in sky blue surface-dyed, textured and coated paper (embossed with scrolling vegetal designs) ; upper and lower covers carry central gold-flecked cartouche with gold-painted cornerpieces and stamped borders of gold defined by gold fillets ; sewn in pale yellow thread, two stations ; overall in fairly good condition with minor abrasion ; repairs in blue Japanese paper., Former shelfmark: "469 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf., Origin: As appears in colophon, copy executed by Mehmet Vasfi (i.e. Kebecizade Mehmet Vasfi Efendi, d. 1831) student of Ebubekir Raşit Efendi (d.1782). Date of transcription not specified, though date in watermark suggests ca. 1772 ; decoration, hand, etc. are consistent with late 18th century dating., Clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 401
Örnek Metin	Exquisite copy of a treatise on calligraphy (addressing chiefly nesih and sülüs) attributed to Tacbeyzade [Taçbeyzade, Tacizade, Taczade] Mehmet bin Tacettin [Mehmed b.Taceddin] (d.1587) executed by the calligrapher Kebecizade Mehmet Vasfi Efendi (d. 1831). The text opens with preparing the pen and the origins of the scripts and their names (returning to Ibn al-Bawwāb and Yāqūt al-Mustaʻṣimī with some sayings attributed to them), followed by the müfredat (single and double letters) and the mürekkebat (words and phrases of more than two letters). Sample letters marked with the proper proportions and angles are provided in the margins.
Katkıda Bulunanlar	Kebecizade Mehmet Vasfi Efendi, -1831, calligrapher, scribe.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Taczâde, Mehmed bin Taceddin. Risale-yi hüsn-i hat : manuscript, 1603 or 4. MS Arab 9, Houghton Library, Harvard University, Cambridge, Mass., Soucek, Priscilla. "Handlist" for The Islamic Book: Arabic, Persian and Turkish Manuscripts Exhibition, Library, University of Michigan, Ann Arbor, Mich., November 1978, typescript., Islamic art from Michigan collections. Carol G. Fisher and Alan Fisher, Eds. (East Lansing, MI, 1982), no.60, p.103., Rado, Şevket. Türk hattatları : XV. yüzyıldan günümüze kadar gelmiş ünlü hattatların hayatları ve yazılarından örnekler. (Istanbul : Yayın Matbaacılık Ticaret Limited Şti., [1984?]), p.78 and p.202., Tüfekçioğlu, Abdülhamit. "Mehmed b. Tâceddin ve Hüsn-i Hat Risalesi hakkında," Kubbealtı Akademi Mecmuası, XXVI, 1 (Ocak 1997): 45-48., Schick, Irvin Cemil. "Tâczâde Risâlesi'ne göre sülüs hattına dair bazı istılâhat." In M. Uğur Derman armağanı : altmışbeşinci yaşı münasebetiyle sunulmuş tebliğler. Irvin Cemil Schick, Ed. (İstanbul : Sabancı Universitesi, 2000): 456-482., Bayat, Ali Haydar. Açıklamalı hüsn-i hat bibliyografyası : yazmalar, kitaplar, makaleler, kitaplarda hatla ilgili bölümler, dış ülkelerdeki yayınlar. İstanbul : İslam Tarih, Sanat ve Kültür Araştırma Merkezi, 2002., Blair, Sheila. Islamic calligraphy. (Edinburgh: Edinburgh University Press, 2006), pp.477-479, Fig. 11.1, Gruber, Christiane and Ashley Dimmig. Pearls of Wisdom : The Arts of Islam at the University of Michigan (Ann Arbor, Michigan : Kelsey Museum of Archaeology, 2014), no.2, p.28 f.
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer)	Headpieces (layout features)

Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library

Aramaya Dön

Michigan Üniversitesi Kütüphanesi

Kaynağa git

[Hüsn-ü hat risalesi

Yazar Mehmet bin Tacettin, -1587, محمد بن تاج الدين, Kebecizade Mehmet Vasfi Efendi, -1831, كبجى زاده محمد وصفى افندى،

Yazar Orijinal محمد بن تاج الدين كبجى زاده محمد وصفى افندى،

Basım Tarihi 1772

Basım Yeri [Istanbul?] -

Konu Islamic calligraphy -- Turkey -- Technique -- Early works to 1800, Calligraphy, Turkish -- Technique -- Early works to 1800, Writing, Arabic -- Technique -- Early works to 1800, Manuscripts, Turkish -- Michigan -- Ann Arbor

Tür Kitap

Dil tur, ota

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 28 leaves : paper ; 222 x 160 (129 x 78) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1354989181

Kayıt Numarası 990068222630106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih 1772

Notlar Ms. codex., Title supplied by cataloguer., Incipit: "حمد بى عد وثناء لا يعد اول خالق اللوح والقلمه كه كاف ونون ايله جمله كائنات وممكناتى وار ... تراشيدن قلم وشناختن اولا حسن خط يازنلر قلمك اعلاسين ومركبك رعناسين وكاغدك زيباسين كورمك كركدر ...", Explicit: "وبرى معكوسه در راجعه داخى ديرلر بونلر كبى"", Colophon: "Scribal," triangular, reads "كتبه اضعف الكتاب محمد الوصفى المعروف بحافظ القرآن من تلاميذ ابو بكر راشد افندى غفر الله لهما", Collation: i, 2 V(20), IV (28), i ; two quinions followed by a quaternion ; catchwords present., Layout: Written in 9 lines per page ; frame-ruled., Script: Naskh (nesih) and thluth (sülüs) ; exquisite specimen of Ottoman calligraphy executed by Kebecizade Mehmet Vasfi Efendi (d. 1831)., Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of a composition of vegetal forms (resembling plumes) in white with shades of lavender, blue, pink, etc. accents surmounted by floral forms in shades of pink with green leaves, all on a gold ground set in a well defined by red and yellow interlace ; written area of incipit and facing page surrounded by a heavy gold frame with inner and outer gold bands defined by black fillets and outermost blue fillet ; written area elsewhere surrounded by a narrower gold frame defined by black fillets with outermost blue fillet ; textual dividers in the form of illuminated rosettes with red and blue accents ; keywords and headings rubricated ; circles (or hāʼ evoking familiar rhomboid dots) and lines indicating size, proportion and angle for the large sample letters entered in the margins are also rubricated., Support: European laid paper with 11 laid lines per cm. (vertical), chain lines spaced 23-24 mm. apart (horizontal), and watermarks of griffin [?], "FIN DE LA SONE EN DAUPHINE" and "1772" ; well-sized and burnished, thin and crisp though sturdy, buff (dull yellow) in color., Binding: Pasteboards covered in dark royal blue leather ; Type III binding (without flap) ; pastedowns and flyleaves in sky blue surface-dyed, textured and coated paper (embossed with scrolling vegetal designs) ; upper and lower covers carry central gold-flecked cartouche with gold-painted cornerpieces and stamped borders of gold defined by gold fillets ; sewn in pale yellow thread, two stations ; overall in fairly good condition with minor abrasion ; repairs in blue Japanese paper., Former shelfmark: "469 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf., Origin: As appears in colophon, copy executed by Mehmet Vasfi (i.e. Kebecizade Mehmet Vasfi Efendi, d. 1831) student of Ebubekir Raşit Efendi (d.1782). Date of transcription not specified, though date in watermark suggests ca. 1772 ; decoration, hand, etc. are consistent with late 18th century dating., Clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 401

Örnek Metin Exquisite copy of a treatise on calligraphy (addressing chiefly nesih and sülüs) attributed to Tacbeyzade [Taçbeyzade, Tacizade, Taczade] Mehmet bin Tacettin [Mehmed b.Taceddin] (d.1587) executed by the calligrapher Kebecizade Mehmet Vasfi Efendi (d. 1831). The text opens with preparing the pen and the origins of the scripts and their names (returning to Ibn al-Bawwāb and Yāqūt al-Mustaʻṣimī with some sayings attributed to them), followed by the müfredat (single and double letters) and the mürekkebat (words and phrases of more than two letters). Sample letters marked with the proper proportions and angles are provided in the margins.

Katkıda Bulunanlar Kebecizade Mehmet Vasfi Efendi, -1831, calligrapher, scribe.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Taczâde, Mehmed bin Taceddin. Risale-yi hüsn-i hat : manuscript, 1603 or 4. MS Arab 9, Houghton Library, Harvard University, Cambridge, Mass., Soucek, Priscilla. "Handlist" for The Islamic Book: Arabic, Persian and Turkish Manuscripts Exhibition, Library, University of Michigan, Ann Arbor, Mich., November 1978, typescript., Islamic art from Michigan collections. Carol G. Fisher and Alan Fisher, Eds. (East Lansing, MI, 1982), no.60, p.103., Rado, Şevket. Türk hattatları : XV. yüzyıldan günümüze kadar gelmiş ünlü hattatların hayatları ve yazılarından örnekler. (Istanbul : Yayın Matbaacılık Ticaret Limited Şti., [1984?]), p.78 and p.202., Tüfekçioğlu, Abdülhamit. "Mehmed b. Tâceddin ve Hüsn-i Hat Risalesi hakkında," Kubbealtı Akademi Mecmuası, XXVI, 1 (Ocak 1997): 45-48., Schick, Irvin Cemil. "Tâczâde Risâlesi'ne göre sülüs hattına dair bazı istılâhat." In M. Uğur Derman armağanı : altmışbeşinci yaşı münasebetiyle sunulmuş tebliğler. Irvin Cemil Schick, Ed. (İstanbul : Sabancı Universitesi, 2000): 456-482., Bayat, Ali Haydar. Açıklamalı hüsn-i hat bibliyografyası : yazmalar, kitaplar, makaleler, kitaplarda hatla ilgili bölümler, dış ülkelerdeki yayınlar. İstanbul : İslam Tarih, Sanat ve Kültür Araştırma Merkezi, 2002., Blair, Sheila. Islamic calligraphy. (Edinburgh: Edinburgh University Press, 2006), pp.477-479, Fig. 11.1, Gruber, Christiane and Ashley Dimmig. Pearls of Wisdom : The Arts of Islam at the University of Michigan (Ann Arbor, Michigan : Kelsey Museum of Archaeology, 2014), no.2, p.28 f.

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).

Konular (Diğer) Headpieces (layout features)