[Aṣḥāb Badr ...etc.

Name: [Aṣḥāb Badr ...etc.
Author: Hakkakzade Hafız Feyzullah, active 1785, حكاك زاده حافظ فيض الله،

İsim	[Aṣḥāb Badr ...etc.
Yazar	Hakkakzade Hafız Feyzullah, active 1785, حكاك زاده حافظ فيض الله،
Yazar Orijinal	حكاك زاده حافظ فيض الله،
Basım Tarihi:	1785
Konu	Muḥammad, Prophet, -632 -- Friends and associates -- Early works to 1800, Badr, Battle of, Badr Ḥunayn, Saudi Arabia, 624 -- Early works to 1800, Muḥammad, Prophet, -632 -- Friends and associates -- Prayers and devotions -- Early works to 1800, Islam -- Prayers and devotions -- Early works to 1800, Calligraphy, Ottoman -- Specimens, Calligraphy, Arabic -- Specimens, Writing, Arabic -- Specimens, Islamic calligraphy -- Specimens, Manuscripts, Arabic -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Arapça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	46 leaves : paper ; 200 x 140 (132 x 84) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194726482
Kayıt Numarası	990067962540106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	Possibly between 1785-1786
Notlar	Ms. codex., Title supplied by cataloguer., Colophon: "Scribal," reads: "كتبه المذنب حافظ فيض الله المعروف بحكاك زاده لسنة مأتين وألف من هجرة من له العز والشرف", Collation: iii, 4 V(40), III (46), iii ; quinions and a ternion ; traces of catchwords (often cut off) ; foliation in black ink, Hindu-Arabic numerals, appears at center head of the recto of some leaves (see p.25, etc.) and lower center of the verso of other leaves (see p.48, etc.) ; pagination in pencil, Western numerals, supplied during digitization (some flyleaves paginated)., Layout: For text listing the Companions, written area divided to eight panels, two columns with four panels in each column ; within each panel appears a Companion's name and benediction (tarḍiyah) in roughly three lines, for a total of eight Companions per page ; text of the munājāt written in 9 lines per page ; frame-ruled., Script: Exquisite specimen of Ottoman calligraphy ; a splendid naskh, seriffed, with characteristic tilt to the left, and sweeping tails on final yāʼ, alif maqṣūrah, and nūn ; fully vocalized., Decoration: Brilliant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.6 consisting of w-shaped piece with cartouche carrying title "هذا اصحاب بدر" in red and accented by scalloped domes in gold against a field of blue all overlaid with swirling vegetal pattern in white, pink, yellow, blue, mint green, etc. ; entire piece is set in a well of green, gold, and white bands with red and gold accents and is surmounted by vertical stalks (tīgh) ; simpler illuminated tailpieces flanking close of Aṣḥāb Badr and Aṣḥāb Badr min al-shuhadāʼon p.52 and p.65, and at opening of Aṣḥāb Badr min al-shuhadāʼ (p.52) and Munājāt aṣḥāb Badr (p.65) fine illuminated headpieces carrying the titles in red ; superbly executed illuminated tailpiece accenting close of the munājāt and colophon on p.95, consisting of cloud-bands in gold, some overlaid with vegetal decoration, as well as narrow rectangular panel with swirling vegetal decoration in shades of blue, yellow, white, and pink on a blue ground and a larger rectangular panel reminiscent of book cover design in shades of gold, pink, blue, yellow, mint green, etc. surrounded by heavy interlace border ; written area surrounded by heavy gold frame accented by narrower gold, black and red fillets ; eight panels outlined by narrow gold band ; textual dividers in the form of elaborate illuminated rosettes with accents in white, red, blue, pink, etc. appear in the text of the munājāt ; titles and benediction (tarḍiyah) following each Companion's name rubricated., Support: non-European laid paper with 9 laid lines per cm. (horizontal, fairly distinct), thin, crisp and transluscent though sturdy, heavily sized and burnished to glossy, beige in color ; pastedowns and flyleaves in European laid paper., Binding: Pasteboards covered in red leather ; Type II binding (with flap) ; pastedowns and flyleaves in silver-flecked olive-green tinted European laid paper ; upper and lower covers carry central lozenge-shaped panel in gold- and silver-tooled semé pattern of rosette stamps along with decorative border on black and red leathers consisting of two guilloché rolls accented by gold fillets ; design continues on flap ; accompanied by slipcase with tail edge and pentagonal flap (carrying title) and woven pull tape, also covered in red leather (lined in yellow paper) with scalloped mandorla and pendants filled with tooled / cut and gold-filled vegetal composition over black leather onlays, as well as rosette stamp and stroke accents and guilloché roll border flanked by gold fillets ; sewn in pink thread, four stations ; worked chevron endbands in pink and cream, good condition ; overall in good condition with only minor abrasion at edges, repairs to joints and hinges in Japanese paper ; both volume and slipcase housed in custom box., Former shelfmark: "476 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "40" inscribed in pencil on 'title page' (p.5)., Origin: As appears in colophon on p.95, executed by Hakkakzade Hafız Feyzullah with transcription completed in the year 1200 [1785 or 6]., Inscriptions in pencil on verso of front flyleaf "476 T. De M. [i.e. Tammaro De Marinis]" and 'title page' (p.5) "40" ; clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 233
Örnek Metin	Exquisite calligraphic specimen in the hand of Hakkakzade Hafız Feyzullah, employing a listing of the ṣaḥābah or Companions of the Prophet who took part in the battle of Badr, followed by a prayer (munājāt) addressed to them.
Katkıda Bulunanlar	Hakkakzade Hafız Feyzullah, active 1785, calligrapher.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Serin, Muhittin. "Amerika Birleşik Devletleri'ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu," Akademik Araştırmalar Dergisi 2, 4-5, (2000)., Binney, Edwin, 3rd. Turkish treasures from the collection of Edwin Binney, 3rd. (Portland, OR, Portland Art Museum, 1979), no. 76, pp.114-115.
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer)	Headpieces (layout features)

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[Aṣḥāb Badr ...etc.

Yazar Hakkakzade Hafız Feyzullah, active 1785, حكاك زاده حافظ فيض الله،

Yazar Orijinal حكاك زاده حافظ فيض الله،

Basım Tarihi 1785

Konu Muḥammad, Prophet, -632 -- Friends and associates -- Early works to 1800, Badr, Battle of, Badr Ḥunayn, Saudi Arabia, 624 -- Early works to 1800, Muḥammad, Prophet, -632 -- Friends and associates -- Prayers and devotions -- Early works to 1800, Islam -- Prayers and devotions -- Early works to 1800, Calligraphy, Ottoman -- Specimens, Calligraphy, Arabic -- Specimens, Writing, Arabic -- Specimens, Islamic calligraphy -- Specimens, Manuscripts, Arabic -- Michigan -- Ann Arbor

Tür Kitap

Dil Arapça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 46 leaves : paper ; 200 x 140 (132 x 84) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194726482

Kayıt Numarası 990067962540106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih Possibly between 1785-1786

Notlar Ms. codex., Title supplied by cataloguer., Colophon: "Scribal," reads: "كتبه المذنب حافظ فيض الله المعروف بحكاك زاده لسنة مأتين وألف من هجرة من له العز والشرف", Collation: iii, 4 V(40), III (46), iii ; quinions and a ternion ; traces of catchwords (often cut off) ; foliation in black ink, Hindu-Arabic numerals, appears at center head of the recto of some leaves (see p.25, etc.) and lower center of the verso of other leaves (see p.48, etc.) ; pagination in pencil, Western numerals, supplied during digitization (some flyleaves paginated)., Layout: For text listing the Companions, written area divided to eight panels, two columns with four panels in each column ; within each panel appears a Companion's name and benediction (tarḍiyah) in roughly three lines, for a total of eight Companions per page ; text of the munājāt written in 9 lines per page ; frame-ruled., Script: Exquisite specimen of Ottoman calligraphy ; a splendid naskh, seriffed, with characteristic tilt to the left, and sweeping tails on final yāʼ, alif maqṣūrah, and nūn ; fully vocalized., Decoration: Brilliant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.6 consisting of w-shaped piece with cartouche carrying title "هذا اصحاب بدر" in red and accented by scalloped domes in gold against a field of blue all overlaid with swirling vegetal pattern in white, pink, yellow, blue, mint green, etc. ; entire piece is set in a well of green, gold, and white bands with red and gold accents and is surmounted by vertical stalks (tīgh) ; simpler illuminated tailpieces flanking close of Aṣḥāb Badr and Aṣḥāb Badr min al-shuhadāʼon p.52 and p.65, and at opening of Aṣḥāb Badr min al-shuhadāʼ (p.52) and Munājāt aṣḥāb Badr (p.65) fine illuminated headpieces carrying the titles in red ; superbly executed illuminated tailpiece accenting close of the munājāt and colophon on p.95, consisting of cloud-bands in gold, some overlaid with vegetal decoration, as well as narrow rectangular panel with swirling vegetal decoration in shades of blue, yellow, white, and pink on a blue ground and a larger rectangular panel reminiscent of book cover design in shades of gold, pink, blue, yellow, mint green, etc. surrounded by heavy interlace border ; written area surrounded by heavy gold frame accented by narrower gold, black and red fillets ; eight panels outlined by narrow gold band ; textual dividers in the form of elaborate illuminated rosettes with accents in white, red, blue, pink, etc. appear in the text of the munājāt ; titles and benediction (tarḍiyah) following each Companion's name rubricated., Support: non-European laid paper with 9 laid lines per cm. (horizontal, fairly distinct), thin, crisp and transluscent though sturdy, heavily sized and burnished to glossy, beige in color ; pastedowns and flyleaves in European laid paper., Binding: Pasteboards covered in red leather ; Type II binding (with flap) ; pastedowns and flyleaves in silver-flecked olive-green tinted European laid paper ; upper and lower covers carry central lozenge-shaped panel in gold- and silver-tooled semé pattern of rosette stamps along with decorative border on black and red leathers consisting of two guilloché rolls accented by gold fillets ; design continues on flap ; accompanied by slipcase with tail edge and pentagonal flap (carrying title) and woven pull tape, also covered in red leather (lined in yellow paper) with scalloped mandorla and pendants filled with tooled / cut and gold-filled vegetal composition over black leather onlays, as well as rosette stamp and stroke accents and guilloché roll border flanked by gold fillets ; sewn in pink thread, four stations ; worked chevron endbands in pink and cream, good condition ; overall in good condition with only minor abrasion at edges, repairs to joints and hinges in Japanese paper ; both volume and slipcase housed in custom box., Former shelfmark: "476 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "40" inscribed in pencil on 'title page' (p.5)., Origin: As appears in colophon on p.95, executed by Hakkakzade Hafız Feyzullah with transcription completed in the year 1200 [1785 or 6]., Inscriptions in pencil on verso of front flyleaf "476 T. De M. [i.e. Tammaro De Marinis]" and 'title page' (p.5) "40" ; clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 233

Örnek Metin Exquisite calligraphic specimen in the hand of Hakkakzade Hafız Feyzullah, employing a listing of the ṣaḥābah or Companions of the Prophet who took part in the battle of Badr, followed by a prayer (munājāt) addressed to them.

Katkıda Bulunanlar Hakkakzade Hafız Feyzullah, active 1785, calligrapher.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Serin, Muhittin. "Amerika Birleşik Devletleri'ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu," Akademik Araştırmalar Dergisi 2, 4-5, (2000)., Binney, Edwin, 3rd. Turkish treasures from the collection of Edwin Binney, 3rd. (Portland, OR, Portland Art Museum, 1979), no. 76, pp.114-115.

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).

Konular (Diğer) Headpieces (layout features)