Munājāt-i Ḥaz̤rat-i ʻAlī

Name: Munājāt-i Ḥaz̤rat-i ʻAlī
Author: ʻAlī ibn Abī Ṭālib, Caliph, approximately 600-661, علي بن ابي طالب, خليفة, Muḥammad Zakarīyā Samarqandī, محمد زكريا سمرقندى

İsim	Munājāt-i Ḥaz̤rat-i ʻAlī
Yazar	ʻAlī ibn Abī Ṭālib, Caliph, approximately 600-661, علي بن ابي طالب, خليفة, Muḥammad Zakarīyā Samarqandī, محمد زكريا سمرقندى
Yazar Orijinal	علي بن ابي طالب خليفة محمد زكريا سمرقندى
Basım Tarihi:	1700
Konu	Arabic poetry -- 622-750, Islam -- Prayers and devotions -- Early works to 1800, Calligraphy, Arabic -- Specimens, Calligraphy, Persian -- Specimens, Writing, Arabic -- Specimens, Manuscripts, Arabic -- Michigan -- Ann Arbor, Manuscripts, Persian -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	8 leaves : paper ; 226 x 155 (120 x 66) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194777182
Kayıt Numarası	990068149050106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	18th century (exact date unknown)
Notlar	Ms. codex., Title from colophon., Incipit: "لك الحمد يا ذا الجود والمجد والعلى تباركت تعطي من تشاء وتمنع ای صاحب جود مر ترا حمد و ثنا هستی تو بزرگوار با مجد و علا ...", Explicit: "وناجاك اخيار ببابك ركع يا رب ز توبر رسول صلوه سلام ... بر در كه تو ركوع آرند و قيام", Colophon: "Scribal," reads "تمت نسخۀ مناجات حضرت علي رضي الله تعالى عنه على يد اضعف الحقير العبد المذنب الحاج محمد زكرياى سمرقندى غفر له", Collation: ii, 4 I(8) ; catchwords present., Layout: Written mainly in 4 lines of verse and 8 lines of elucidation per page, with lines of verse flanking lines of elucidation (written on the diagonal)., Script: Nastaʻlīq ; verses in a large, exquisite Indian style hand with elongation and somewhat exaggerated constrast in thickness between horizontal and vertical strokes ; elucidation in much smaller and compact hand., Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of rectangular piece with empty gold cartouche flanked by swirling arabesque in gold with floral motifs in orange-red and pink all on a light-blue ground, surmounted by a scalloped semi-circular piece (dome) filled with same manner of swirling arabesque and floral motifs (in gold, orange-red, pink) on a light-blue ground, itself surmounted by vertical stalks (tīgh) in gold with light-blue accents, and entire piece set in a heavy well of gold ; written area throughout surrounded by heavy frame in a series of narrow gold bands outlined by black fillets ; margin and panels within the written area also outlined in gold bands ; in the first few leaves (through fol.4a), elucidation in Persian surrounded by border evoking the design of the ʻunwān / sarlawḥ, a band of the same falls at the center of the written area ; written area (including outlined margin) gold-flecked to varying degrees., Support: European and non-European (likely Persian or Indian) laid paper, all highly sized and burnished ; bifolia appear to be composed of two leaves laminated together and mould markings are therefore difficult to examine in all but the second to last bifolium (which also carries a watermark, difficult to make out) ; some leaves tinted (green-blue / aquamarine and pale yellow ) with facing pages in the same color ; opening added bifolium (serving as flyleaves) in a paper with 8 laid lines per cm. (vertical, quite distinct) and no chain lines or watermarks visible), beige in color., Binding: Pasteboards (thin, semi-limp) faced in blue-green textile with dark red leather over spine and edges / turn-ins (textile faced, leather edged, framed binding) ; Type III binding (without flap) ; board linings in untinted laid paper ; sewn in red thread, two stations ; overall in fair condition with minor staining and abrasion, sewing failing, cover detached at spine, etc., Former shelfmark: "543 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on upper board lining ; "111" inscribed in pencil on 'title page' (recto of leaf carrying incipit page)., Origin: As appears in colophon at close, copy executed by al-Ḥājj Muḥammad Zakarīyā-yi Samarqandī. Date of transcription not specified ; paper, etc. may suggest 18th century., Clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 442
Örnek Metin	Elegant copy of the qaṣīdah in ʻayn, Munājāt ʻAlī, from the dīwān attributed to ʻAlī ibn Abī Ṭālib (ca. 600-661), accompanied by elucidation in Persian, possibly of Ḥaqīrī Tabrīzī (see al-Dharīʻah no.6860, vol.22, pp.237-238). Contributions to the cataloguing from Abbas Zarei Mehrvarz and Hossein Mottaghi.
Katkıda Bulunanlar	Muḥammad Zakarīyā Samarqandī, scribe, calligrapher.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Āghā Buzurg al-Ṭihrānī. al-Dharīʻah ilá taṣānīf al-Shīʻah, no.6860, vol.22, pp.237-238, Brockelmann, C. GAL, I 43 f.
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).

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Munājāt-i Ḥaz̤rat-i ʻAlī

Yazar ʻAlī ibn Abī Ṭālib, Caliph, approximately 600-661, علي بن ابي طالب, خليفة, Muḥammad Zakarīyā Samarqandī, محمد زكريا سمرقندى

Yazar Orijinal علي بن ابي طالب خليفة محمد زكريا سمرقندى

Basım Tarihi 1700

Konu Arabic poetry -- 622-750, Islam -- Prayers and devotions -- Early works to 1800, Calligraphy, Arabic -- Specimens, Calligraphy, Persian -- Specimens, Writing, Arabic -- Specimens, Manuscripts, Arabic -- Michigan -- Ann Arbor, Manuscripts, Persian -- Michigan -- Ann Arbor

Tür Kitap

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 8 leaves : paper ; 226 x 155 (120 x 66) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194777182

Kayıt Numarası 990068149050106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih 18th century (exact date unknown)

Notlar Ms. codex., Title from colophon., Incipit: "لك الحمد يا ذا الجود والمجد والعلى تباركت تعطي من تشاء وتمنع ای صاحب جود مر ترا حمد و ثنا هستی تو بزرگوار با مجد و علا ...", Explicit: "وناجاك اخيار ببابك ركع يا رب ز توبر رسول صلوه سلام ... بر در كه تو ركوع آرند و قيام", Colophon: "Scribal," reads "تمت نسخۀ مناجات حضرت علي رضي الله تعالى عنه على يد اضعف الحقير العبد المذنب الحاج محمد زكرياى سمرقندى غفر له", Collation: ii, 4 I(8) ; catchwords present., Layout: Written mainly in 4 lines of verse and 8 lines of elucidation per page, with lines of verse flanking lines of elucidation (written on the diagonal)., Script: Nastaʻlīq ; verses in a large, exquisite Indian style hand with elongation and somewhat exaggerated constrast in thickness between horizontal and vertical strokes ; elucidation in much smaller and compact hand., Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of rectangular piece with empty gold cartouche flanked by swirling arabesque in gold with floral motifs in orange-red and pink all on a light-blue ground, surmounted by a scalloped semi-circular piece (dome) filled with same manner of swirling arabesque and floral motifs (in gold, orange-red, pink) on a light-blue ground, itself surmounted by vertical stalks (tīgh) in gold with light-blue accents, and entire piece set in a heavy well of gold ; written area throughout surrounded by heavy frame in a series of narrow gold bands outlined by black fillets ; margin and panels within the written area also outlined in gold bands ; in the first few leaves (through fol.4a), elucidation in Persian surrounded by border evoking the design of the ʻunwān / sarlawḥ, a band of the same falls at the center of the written area ; written area (including outlined margin) gold-flecked to varying degrees., Support: European and non-European (likely Persian or Indian) laid paper, all highly sized and burnished ; bifolia appear to be composed of two leaves laminated together and mould markings are therefore difficult to examine in all but the second to last bifolium (which also carries a watermark, difficult to make out) ; some leaves tinted (green-blue / aquamarine and pale yellow ) with facing pages in the same color ; opening added bifolium (serving as flyleaves) in a paper with 8 laid lines per cm. (vertical, quite distinct) and no chain lines or watermarks visible), beige in color., Binding: Pasteboards (thin, semi-limp) faced in blue-green textile with dark red leather over spine and edges / turn-ins (textile faced, leather edged, framed binding) ; Type III binding (without flap) ; board linings in untinted laid paper ; sewn in red thread, two stations ; overall in fair condition with minor staining and abrasion, sewing failing, cover detached at spine, etc., Former shelfmark: "543 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on upper board lining ; "111" inscribed in pencil on 'title page' (recto of leaf carrying incipit page)., Origin: As appears in colophon at close, copy executed by al-Ḥājj Muḥammad Zakarīyā-yi Samarqandī. Date of transcription not specified ; paper, etc. may suggest 18th century., Clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 442

Örnek Metin Elegant copy of the qaṣīdah in ʻayn, Munājāt ʻAlī, from the dīwān attributed to ʻAlī ibn Abī Ṭālib (ca. 600-661), accompanied by elucidation in Persian, possibly of Ḥaqīrī Tabrīzī (see al-Dharīʻah no.6860, vol.22, pp.237-238). Contributions to the cataloguing from Abbas Zarei Mehrvarz and Hossein Mottaghi.

Katkıda Bulunanlar Muḥammad Zakarīyā Samarqandī, scribe, calligrapher.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Āghā Buzurg al-Ṭihrānī. al-Dharīʻah ilá taṣānīf al-Shīʻah, no.6860, vol.22, pp.237-238, Brockelmann, C. GAL, I 43 f.

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).