Marifetname

Name: Marifetname
Author: Erzurumlu İbrâhim Hakkı, 1703-1780?, ارضروملى ابراهيم حقي, ارضروملى ابراهيم حقى, Seyit Ubeydullah bin Seyit Feyzullah, active 1822, سيد عبيد الله بن سيد فيض الله

İsim	Marifetname
Yazar	Erzurumlu İbrâhim Hakkı, 1703-1780?, ارضروملى ابراهيم حقي, ارضروملى ابراهيم حقى, Seyit Ubeydullah bin Seyit Feyzullah, active 1822, سيد عبيد الله بن سيد فيض الله
Yazar Orijinal	ارضروملى ابراهيم حقي ارضروملى ابراهيم حقى سيد عبيد الله بن سيد فيض الله
Basım Tarihi:	1822
Konu	Encyclopedias and dictionaries, Turkish -- Early works to 1800, Astronomy -- Early works to 1800, Qurʼan -- Geography -- Early works to 1800, Islam -- Doctrines -- Early works to 1800, Sufism -- Doctrines -- Early works to 1800, Manuscripts, Turkish -- Michigan -- Ann Arbor
Tür	Kitap
Dil	tur, ota
Dijital	Hayır
Yazma	Evet
Fiziksel Boyutlar	327 leaves : paper ; 275 x 155 (210 x 95) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194750452
Kayıt Numarası	990068222550106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	1822
Notlar	Ms. codex., Title from colophon (p.649)., Incipit: "حمد بى حد و شكر بى عد و ثناى مؤيد بر واحد فرد احد حضرتلرينه اولسونكه ...", Explicit: "سحانك لا اله الا انت الواحد الاحد الفرد الصمد يا كريم برحمتك يا ارحم الراحمين ختمت هذ الكتاب بمناجات العارفين نظم حقي يه اولمز اوغلدر بو كتاب اكدرر خير ايله اتى بى حساب كيم بونى اوقورسه مردكار اولور كيمكه فهم ايلر او بر خوردار اولور بو كتابى اوقيانى يازانى معرفت كنجيله باى ايت يا غني", Colophon: "Authorial," triangular, reads "تأليف هذا الكتاب وقع فى تاريخ غقع ١١٧٠ نفع الله من به انتفع ..." ; "Scribal," triangular, reads "قد تم تحرير هذا الكتاب المستطاب المقبول المرغوب عند اولى الالباب بعناية الله الملك الوهاب المسمى بمعرفتنامه... من تأليفات العالم العامل ... السيد الحاج الشيخ ابراهيم الحقى ...الساكن في بلدة ارضروم... كتبه الفقير الحقير الضعيف السيد عبيد الله الفهيم بن السيد قيض الله المنير المرحوم المغفور نور الله قبره من تلاميذ السيد الحاج محمد تيمور الكمالى الارضرو [الارضرومى ؟] صان الله تعالى اهلها عن الهموم والغموم و عفى عنهم... تحريرا هذا الكتاب المستطاب سبع مرات ميسرا بعناية رب النعيم فى سنة سبع وثلاثين ومائتين والف من هجرة من له العز والسعادة والشرف فى يوم الجمعة من شهر رمضان المعظم حامدا لله تعالى ومصليا على نبيه هو اصل الموجودات و افضل مخلوقات اللهم اغفر لى ولوالدى و لجميع المؤمنين و المؤمنات برحمتك يا ارحم الراحمين والحمد لله رب العالمين فى ٢٧ ر سنه ١٢٣٧", Collation: V (10), VI (22), 28 V (302), 2 VI (326), i ; chiefly quinions ; opening leaves of table of contents (pp.2-3) ruled but left blank ; oblique catchwords on the verso of each leaf ; foliated with Hindu-Arabic numerals in red ink next to the upper-left corner of the written area ; pagination in pencil, Western numerals, supplied during cataloguing, Layout: Written in 37 lines per page ; occasionally divided into multiple columns for verse and tables ; frame-ruled., Script: Naskh ; somewhat compact, elegant Ottoman hand in a thin line ; partially seriffed with tear-drop head-serifs on most ascenders excluding free-standing alif, slight effect of tilt to the left, curvilinear descenders, both open and closed counters, pointing mainly in strokes rather than distinct dots ; colophon in a compact, freely ligatured riqāʻ (rika)., Decoration: Elegant illuminated titlepiece set in double-page illumination at opening (pp.22-23), consisting of rectangular headpieces (ʻunwān / sarlawḥ) with gold cartouches carrying title and verse in white at the top and bottom of each frame with vegetal and floral designs in pale green, pale blue, orange, pink, red and black surrounded by a lavender border with black crosses ; four roundels (two on each page) carrying opening text set off by cloud-bands ; roundels surrounded by vegetal and floral designs in pale green, pale blue, orange, pink, red and lavender and separated by a rectangular field in gold with a pale blue border ; roundels and title fields flanked by heavy bands of interlace in gold with orange and green accents ; entire piece bordered in marginal decoration evoking a series of scalloped domes or semi-circular fields in blue and gold with lavender and orange floral accents with vertical stalks (tīgh) in red and green ; text of written area surrounded by frame consisting of a heavy gold band outlined with black fillets and surrounded by an outer red fillet ; keywords and section headings rubricated ; textual dividers in the form of rubricated inverted commas ; illustrations of cosmic maps with Kaʻbah and Ḥaram at Jerusalem on pp.46-47 (compare British Library Or. 12964, fol.23b-23a, reproduced in Milstein, "The evolution of a visual motif: the Temple and the Kaʻba," pp.37-38), charts and diagrams of the different levels of being, the celestial spheres, the earth, lunar cycles, eclipses, fixed stars, and other astronomical topics on pp.70, 71, 78, 81, 115, 118-121, 137-140, 149, 150, 163-165, 174-178, 187, 194 ; two maps of the world signed by السيد حسين الفني (es-Seyyid Hüseyin el-Fenni) on pp. 177-178., Support: European laid paper of at least 4 types ; first type with roughly 8 laid lines per cm. (horizontal) and chain lines spaced roughly 27 mm. apart (vertical), burnished, thin and crisp with countermark "IMG" (or "IMC") and watermark of three hats, mainly top hats with feathers (resembling tea cups) arranged in a triangle (see p.46, 65 and compare Eineder no.707 etc.) ; second type with roughly 12 laid lines per cm. (horizontal) and chain lines spaced roughly 29 mm. apart (vertical), burnished, thin and crisp with partial watermark of "T" next to a six-pointed star surmounted by a fleur-de-lis (p.170) ; third type with roughly 13 laid lines per cm. (horizontal) and chain lines spaced roughly 27 mm. apart (vertical), burnished, thin crisp, watermark of lion with front paw raised (passant) and countermark of the same image but smaller (p.172,178) ; fourth type with roughly 12 laid lines per cm. (horizontal) and chain lines spaced roughly 27 mm. apart (vertical), well burnished, thin and crisp with countermark of "GIUSTI" and watermark of a hand holding scales in a shield (p.366, 384) ; paper inconsistently oriented with laid lines vertically and horizontally., Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; doublures in textured red paper with crackled gold pattern ; upper and lower covers carry blind-stamped (with leather onlays) and gold-painted scalloped mandorla (featuring a six-pointed star or seal of Solomon with "يا الله" and 1216 [1801 or 2] inside and vegetal motifs surrounding) and pendants as well as a heavy border consisting of a gilded s-stamped design bordered by thin, gilded bands ; design continues on flap ; sewn in orange yellow thread, two stations ; worked chevron endbands in red and yellow ; overall in fair-to-poor condition with some abrasion and hinge leather cracking, likely not original to text and somewhat ill-fitting (too small)., Former shelfmark: "385 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on opening leaf of table of contents (p.1)., Accompanying materials: Loose slip (125 x 125 mm.) with two inscribed circles, "ودود باسط" written repeatedly between the circles in red and black ink (between pp.468-9)., Origin: As appears in colophon on p.649, copied by al-Sayyid ʻUbayd Allāh al-Fahīm ibn al-Sayyid Fayḍ Allāh al-Munīr (Seyit Ubeydullah bin Seyit Feyzullah) with transcription (تحرير) completed in 27 Ramaḍān 1237 [ca. 17 June 1822]. As appears in preceding authorial colophon (also on p.648) composition completed in 1170 [1756 or 7]., Inscription in pencil "385 T. De M. [i.e. Tammaro De Marinis]" on opening leaf of table of contents (p.1) ; collation marks (mainly بلغ) ; occasional marginal corrections with accompanying signes de renvoi., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 397
Örnek Metin	Elegant copy of the classical encyclopedic work by Erzurumlu (Erzurumî) İbrâhim Hakkı (d.1780) addressing topics chosen from geography, astronomy and the natural sciences, as well as theology and Sufism. Table of contents at opening (pp.4-20). Followed by a copy of brief letter from İbrâhim Hakkı to one of his brethren (pp.650-651). Descriptive contributions from Nick Krabbenhoeft.
Katkıda Bulunanlar	Erzurumlu İbrâhim Hakkı, 1703-1780? Mektup İbrâhim Hakkı ilâ bazı ihvanih., Seyit Ubeydullah bin Seyit Feyzullah, active 1822, scribe.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Eineder, The Ancient Paper-mills of the Former Austro-Hungarian Empire and their Watermarks, (Hilversum: Paper Publications Society, 1960), plate 190-191, Brit. Mus. Catalogue of Turkish MSS, p.115, University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI [?], 1967): no.69, p.19, Islamic art from Michigan collections. Carol G. Fisher and Alan Fisher, Eds. (East Lansing, MI: Kresge Art Gallery, Michigan State University, 1982), p.102, no.58, Fisher, Carol G. and Alan Fisher. "Illustrations of Mecca and Medina in Islamic Manuscripts." In Islamic art from Michigan collections, Eds. Carol G. Fisher and Alan Fisher (East Lansing, MI: Kresge Art Gallery, Michigan State University, 1982): 40-47, Karamustafa, Ahmet T. "Cosmographical Diagrams." In Cartography in the Traditional Islamic and South Asian Societies, Ed. J.B. Harley and David Woodward. History of Cartography volume 2, book 1 (Chicago: University of Chicago Press, 1992): 71-89, Milstein, Rachel. "The evolution of a visual motif: the Temple and the Kaʻba." In Israel Oriental Studies XIX, Eds. Albert Arazi, Joseph Sadan, and David J. Wasserstein. (Tel Aviv: Eisenbrauns, 1999): 23-48, Gruber, Christiane and Ashley Dimmig. Pearls of Wisdom : The Arts of Islam at the University of Michigan (Ann Arbor, Michigan : Kelsey Museum of Archaeology, 2014), no.73, p.94 ff, Gruber, Christiane. "Signs of the Hour: Eschatological Imagery in Islamic Book Arts." Ars Orientalis 44 (2014): 41-60, The Moon: A Voyage Through Time, edited by Christiane Gruber (Toronto: Aga Khan Museum, 2019): p.136-7 (Cat. no. 29), 138-9 (Cat. no. 30)
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).

Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library

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Michigan Üniversitesi Kütüphanesi

Kaynağa git

Marifetname

Yazar Erzurumlu İbrâhim Hakkı, 1703-1780?, ارضروملى ابراهيم حقي, ارضروملى ابراهيم حقى, Seyit Ubeydullah bin Seyit Feyzullah, active 1822, سيد عبيد الله بن سيد فيض الله

Yazar Orijinal ارضروملى ابراهيم حقي ارضروملى ابراهيم حقى سيد عبيد الله بن سيد فيض الله

Basım Tarihi 1822

Konu Encyclopedias and dictionaries, Turkish -- Early works to 1800, Astronomy -- Early works to 1800, Qurʼan -- Geography -- Early works to 1800, Islam -- Doctrines -- Early works to 1800, Sufism -- Doctrines -- Early works to 1800, Manuscripts, Turkish -- Michigan -- Ann Arbor

Tür Kitap

Dil tur, ota

Dijital Hayır

Yazma Evet

Fiziksel Boyutlar 327 leaves : paper ; 275 x 155 (210 x 95) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194750452

Kayıt Numarası 990068222550106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih 1822

Notlar Ms. codex., Title from colophon (p.649)., Incipit: "حمد بى حد و شكر بى عد و ثناى مؤيد بر واحد فرد احد حضرتلرينه اولسونكه ...", Explicit: "سحانك لا اله الا انت الواحد الاحد الفرد الصمد يا كريم برحمتك يا ارحم الراحمين ختمت هذ الكتاب بمناجات العارفين نظم حقي يه اولمز اوغلدر بو كتاب اكدرر خير ايله اتى بى حساب كيم بونى اوقورسه مردكار اولور كيمكه فهم ايلر او بر خوردار اولور بو كتابى اوقيانى يازانى معرفت كنجيله باى ايت يا غني", Colophon: "Authorial," triangular, reads "تأليف هذا الكتاب وقع فى تاريخ غقع ١١٧٠ نفع الله من به انتفع ..." ; "Scribal," triangular, reads "قد تم تحرير هذا الكتاب المستطاب المقبول المرغوب عند اولى الالباب بعناية الله الملك الوهاب المسمى بمعرفتنامه... من تأليفات العالم العامل ... السيد الحاج الشيخ ابراهيم الحقى ...الساكن في بلدة ارضروم... كتبه الفقير الحقير الضعيف السيد عبيد الله الفهيم بن السيد قيض الله المنير المرحوم المغفور نور الله قبره من تلاميذ السيد الحاج محمد تيمور الكمالى الارضرو [الارضرومى ؟] صان الله تعالى اهلها عن الهموم والغموم و عفى عنهم... تحريرا هذا الكتاب المستطاب سبع مرات ميسرا بعناية رب النعيم فى سنة سبع وثلاثين ومائتين والف من هجرة من له العز والسعادة والشرف فى يوم الجمعة من شهر رمضان المعظم حامدا لله تعالى ومصليا على نبيه هو اصل الموجودات و افضل مخلوقات اللهم اغفر لى ولوالدى و لجميع المؤمنين و المؤمنات برحمتك يا ارحم الراحمين والحمد لله رب العالمين فى ٢٧ ر سنه ١٢٣٧", Collation: V (10), VI (22), 28 V (302), 2 VI (326), i ; chiefly quinions ; opening leaves of table of contents (pp.2-3) ruled but left blank ; oblique catchwords on the verso of each leaf ; foliated with Hindu-Arabic numerals in red ink next to the upper-left corner of the written area ; pagination in pencil, Western numerals, supplied during cataloguing, Layout: Written in 37 lines per page ; occasionally divided into multiple columns for verse and tables ; frame-ruled., Script: Naskh ; somewhat compact, elegant Ottoman hand in a thin line ; partially seriffed with tear-drop head-serifs on most ascenders excluding free-standing alif, slight effect of tilt to the left, curvilinear descenders, both open and closed counters, pointing mainly in strokes rather than distinct dots ; colophon in a compact, freely ligatured riqāʻ (rika)., Decoration: Elegant illuminated titlepiece set in double-page illumination at opening (pp.22-23), consisting of rectangular headpieces (ʻunwān / sarlawḥ) with gold cartouches carrying title and verse in white at the top and bottom of each frame with vegetal and floral designs in pale green, pale blue, orange, pink, red and black surrounded by a lavender border with black crosses ; four roundels (two on each page) carrying opening text set off by cloud-bands ; roundels surrounded by vegetal and floral designs in pale green, pale blue, orange, pink, red and lavender and separated by a rectangular field in gold with a pale blue border ; roundels and title fields flanked by heavy bands of interlace in gold with orange and green accents ; entire piece bordered in marginal decoration evoking a series of scalloped domes or semi-circular fields in blue and gold with lavender and orange floral accents with vertical stalks (tīgh) in red and green ; text of written area surrounded by frame consisting of a heavy gold band outlined with black fillets and surrounded by an outer red fillet ; keywords and section headings rubricated ; textual dividers in the form of rubricated inverted commas ; illustrations of cosmic maps with Kaʻbah and Ḥaram at Jerusalem on pp.46-47 (compare British Library Or. 12964, fol.23b-23a, reproduced in Milstein, "The evolution of a visual motif: the Temple and the Kaʻba," pp.37-38), charts and diagrams of the different levels of being, the celestial spheres, the earth, lunar cycles, eclipses, fixed stars, and other astronomical topics on pp.70, 71, 78, 81, 115, 118-121, 137-140, 149, 150, 163-165, 174-178, 187, 194 ; two maps of the world signed by السيد حسين الفني (es-Seyyid Hüseyin el-Fenni) on pp. 177-178., Support: European laid paper of at least 4 types ; first type with roughly 8 laid lines per cm. (horizontal) and chain lines spaced roughly 27 mm. apart (vertical), burnished, thin and crisp with countermark "IMG" (or "IMC") and watermark of three hats, mainly top hats with feathers (resembling tea cups) arranged in a triangle (see p.46, 65 and compare Eineder no.707 etc.) ; second type with roughly 12 laid lines per cm. (horizontal) and chain lines spaced roughly 29 mm. apart (vertical), burnished, thin and crisp with partial watermark of "T" next to a six-pointed star surmounted by a fleur-de-lis (p.170) ; third type with roughly 13 laid lines per cm. (horizontal) and chain lines spaced roughly 27 mm. apart (vertical), burnished, thin crisp, watermark of lion with front paw raised (passant) and countermark of the same image but smaller (p.172,178) ; fourth type with roughly 12 laid lines per cm. (horizontal) and chain lines spaced roughly 27 mm. apart (vertical), well burnished, thin and crisp with countermark of "GIUSTI" and watermark of a hand holding scales in a shield (p.366, 384) ; paper inconsistently oriented with laid lines vertically and horizontally., Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; doublures in textured red paper with crackled gold pattern ; upper and lower covers carry blind-stamped (with leather onlays) and gold-painted scalloped mandorla (featuring a six-pointed star or seal of Solomon with "يا الله" and 1216 [1801 or 2] inside and vegetal motifs surrounding) and pendants as well as a heavy border consisting of a gilded s-stamped design bordered by thin, gilded bands ; design continues on flap ; sewn in orange yellow thread, two stations ; worked chevron endbands in red and yellow ; overall in fair-to-poor condition with some abrasion and hinge leather cracking, likely not original to text and somewhat ill-fitting (too small)., Former shelfmark: "385 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on opening leaf of table of contents (p.1)., Accompanying materials: Loose slip (125 x 125 mm.) with two inscribed circles, "ودود باسط" written repeatedly between the circles in red and black ink (between pp.468-9)., Origin: As appears in colophon on p.649, copied by al-Sayyid ʻUbayd Allāh al-Fahīm ibn al-Sayyid Fayḍ Allāh al-Munīr (Seyit Ubeydullah bin Seyit Feyzullah) with transcription (تحرير) completed in 27 Ramaḍān 1237 [ca. 17 June 1822]. As appears in preceding authorial colophon (also on p.648) composition completed in 1170 [1756 or 7]., Inscription in pencil "385 T. De M. [i.e. Tammaro De Marinis]" on opening leaf of table of contents (p.1) ; collation marks (mainly بلغ) ; occasional marginal corrections with accompanying signes de renvoi., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 397

Örnek Metin Elegant copy of the classical encyclopedic work by Erzurumlu (Erzurumî) İbrâhim Hakkı (d.1780) addressing topics chosen from geography, astronomy and the natural sciences, as well as theology and Sufism. Table of contents at opening (pp.4-20). Followed by a copy of brief letter from İbrâhim Hakkı to one of his brethren (pp.650-651). Descriptive contributions from Nick Krabbenhoeft.

Katkıda Bulunanlar Erzurumlu İbrâhim Hakkı, 1703-1780? Mektup İbrâhim Hakkı ilâ bazı ihvanih., Seyit Ubeydullah bin Seyit Feyzullah, active 1822, scribe.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript

Koleksiyonda Abdul Hamid Collection.

Referanslar Eineder, The Ancient Paper-mills of the Former Austro-Hungarian Empire and their Watermarks, (Hilversum: Paper Publications Society, 1960), plate 190-191, Brit. Mus. Catalogue of Turkish MSS, p.115, University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI [?], 1967): no.69, p.19, Islamic art from Michigan collections. Carol G. Fisher and Alan Fisher, Eds. (East Lansing, MI: Kresge Art Gallery, Michigan State University, 1982), p.102, no.58, Fisher, Carol G. and Alan Fisher. "Illustrations of Mecca and Medina in Islamic Manuscripts." In Islamic art from Michigan collections, Eds. Carol G. Fisher and Alan Fisher (East Lansing, MI: Kresge Art Gallery, Michigan State University, 1982): 40-47, Karamustafa, Ahmet T. "Cosmographical Diagrams." In Cartography in the Traditional Islamic and South Asian Societies, Ed. J.B. Harley and David Woodward. History of Cartography volume 2, book 1 (Chicago: University of Chicago Press, 1992): 71-89, Milstein, Rachel. "The evolution of a visual motif: the Temple and the Kaʻba." In Israel Oriental Studies XIX, Eds. Albert Arazi, Joseph Sadan, and David J. Wasserstein. (Tel Aviv: Eisenbrauns, 1999): 23-48, Gruber, Christiane and Ashley Dimmig. Pearls of Wisdom : The Arts of Islam at the University of Michigan (Ann Arbor, Michigan : Kelsey Museum of Archaeology, 2014), no.73, p.94 ff, Gruber, Christiane. "Signs of the Hour: Eschatological Imagery in Islamic Book Arts." Ars Orientalis 44 (2014): 41-60, The Moon: A Voyage Through Time, edited by Christiane Gruber (Toronto: Aga Khan Museum, 2019): p.136-7 (Cat. no. 29), 138-9 (Cat. no. 30)

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).