Ḥadīqah-ʼi Ḥakīm Sanāyī

Name: Ḥadīqah-ʼi Ḥakīm Sanāyī
Author: Sanāʼī al-Ghaznavī, Abū al-Majd Majdūd ibn Ādam, -approximately 1150, سنائيى الغزنوى، ابو المجد مجدود بن آدم

İsim	Ḥadīqah-ʼi Ḥakīm Sanāyī
Yazar	Sanāʼī al-Ghaznavī, Abū al-Majd Majdūd ibn Ādam, -approximately 1150, سنائيى الغزنوى، ابو المجد مجدود بن آدم
Yazar Orijinal	سنائيى الغزنوى، ابو المجد مجدود بن آدم
Basım Tarihi:	1500
Konu	Sufi poetry, Persian, Masnavis, Persian -- Early works to 1800, Persian poetry -- 747-1500, Manuscripts, Persian -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Farsça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	38 leaves : paper ; 231 x 155 (118-121 x 70-73) mm. bound to 231 x 161 mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194815681
Kayıt Numarası	990068057690106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	16th century (exact date unknown)
Notlar	Ms. codex., Title from inscriptions on front flyleaf and fol.1a., Incipit: "ای درون پرور برون آرای ای خرد بخش [بیخرد] بخشای", Explicit: "من وفایی ندیده ام ز خسان گر تو بینی سلام من برسان ... چون مصفا شوی زرزق وزفن مرد گر دی اگر چه هستی زن", Collation: iii, 4 III (24), II (28), IV (36), I (38), ii ; chiefly ternions ; catchwords present., Layout: Written in 11 lines per page ; single column divided to two columns to set off poetry ; frame-ruled., Script: Nastaʻlīq ; sans serif ; characteristic descent of words to baseline along with superscript of final words and letters at end of many lines ; characteristic letterforms ; contrast in thickness of horizontal and vertical strokes ; horizontal strokes often elongated., Decoration: Illuminated headpiece (ʻunwān) on fol.1a consisting of rectangular piece surmounted by triangular or hasp piece ; rectangular piece carries lobed central lozenge in gold, with flanking pieces in gold and red all on a field of lapis lazuli with floral vegetal pattern in black, red, yellow, white, and lavender ; bordered in bands of white, blue, and gold (with swirling pattern) ; surmounted by triangular piece or hasp in gold and lapis lazuli with same floral vegetal pattern ; surmounted by vertical stalks (tīgh) ; a band of black with same floral vegetal pattern and flanking bands of red and gold separates the two pieces ; simple illuminated headpieces throughout and at close consisting of rectangular piece with central gold cartouche (empty) flanked by almond-shaped pieces in black or red on fields of lapis lazuli with swirling vegetal motif bordered in bands of gold and red ; "tailpiece" accompanied by flanking rectangular pieces with swirling floral vegetal pattern in black, red, yellow, white and lavender on fields of gold, bordered in blue ; written area surrounded by a frame consisting of a series of bands varying in color according to tint of surrounding leaf ; for lighter colored leaves the frame is in green, gold, black and blue and for darker colored leaves the frame is in blue, gold, black and red ; simple gold bands outlined by black fillets frame columns within written area., Support: non-European laid paper (untinted but gold-flecked) set in tinted leaves of non-European (likely Persian) laid paper, mainly alternating shades of blue (often toward green) and yellow, occasionally pink ; laid lines of set-in written area running horizontally spaced roughly 7 laid lines per cm. ; laid lines of tinted leaves running vertically spaced roughly 8-10 laid lines per cm. with curving and sagging ; chain lines difficult to view but may be sporadic short lengths ; a few inclusions ; well-burnished and smooth ; flyleaves of several paper types - European laid paper, non-European (likely Persian) laid paper (decorative silhouette paper), and Persian or Indian laid paper of no earlier than late 18th century., Binding: Pasteboards covered in painted lacquerwork ; Type II binding (with flap) ; spine and fore edge flap in dark brown leather ; doublures and interior of envelope flap in red brown (dark red) leather with recessed inlays of paper in lapis lazuli, light blue, yellow, and green with filigree in brown and black leather ; upper and lower covers bear painted lacquerwork design in gold, green, red, black, and dark red of nearly identical composition ; design consists of scalloped central mandorla (reminiscent of Déroche class. OSd 8), pendants, and corner pieces with border consisting of a series of lozenges ; all are filled with an elaborate swirling floral vegetal design ; upper and lower doublures bear central scalloped mandorla, pendants and corner pieces in leather filigree (black and brown) and recessed paper inlays (lapis lazuli, green, light blue, and yellow) surrounded by simple gold-painted border accents ; interior of envelope flap continues design of doublures ; sewn in white and blue green threads (intertwined), two stations ; worked endbands in blue green, white and pink (traces) ; in poor condition with extensive abrasion to covers resulting in loss of lacquer and paint ; spine leather lifting and detaching from text block, upper cover detacing ; some pest damage ; boards delaminating ; endbands nearly gone ; paper label pasted to upper cover (no writing) ; currently housed in envelope., Origin: Lacks dated colophon ; hand, paper, etc. may suggest 16th century. Date in seal impression provides an approximate terminus ante quem of 1107 [1695 or 1696] depending on the elapsed time between the making of the seal and its impression in the ms., Several former owners' marks including: inscription in pencil on front flyleaf "237 T. De M. [i.e. Tammaro De Marinis]", inscription in black ink on front flyleaf reading "السيد محمد رشدي حافظ قران ابن احمد نائب وكيل انقرة [؟] ...", and three seal impressions, two oval and one rectangular, appearing on fol.1a, fol.38a and elsewhere ; one of the oval seal impressions appears to be dated 1107 [1695 or 1696] (see fol.38a) ; front flyleaf, verses and saying attributed to the Prophet "انا مدينة الصدق وابو بكر اساسها وانا مدينة العدل وعمر حيطانها وانا مدينة الحياء وعثمان سقفها وانا مدينة العلم وعلي بابها" ; a few effaced inscriptions on front flyleaf and fol.1a ; on back flyleaf a collation statement reading "جمله اوراق ٣٨" and statement in Ottoman Turkish in name of İzzet Bey Efendi (عزت بك افندى، here rendered "عززت") and date "بيك اوجيوز طقسان بش" (i.e. 1395) though 1295 [1878] may have been intended., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 281
Örnek Metin	Exquisite manuscript containing what appears to be excerpts from the mystical mathawī (mas̲navī) of Sanāʼī, Ḥadīqat al-ḥaqīqah wa-sharīʻat al-ṭarīqah.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Cat. Pers. MSS. Brit. Mus., p. 549
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer)	Headpieces (layout features)

Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library

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Michigan Üniversitesi Kütüphanesi

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Ḥadīqah-ʼi Ḥakīm Sanāyī

Yazar Sanāʼī al-Ghaznavī, Abū al-Majd Majdūd ibn Ādam, -approximately 1150, سنائيى الغزنوى، ابو المجد مجدود بن آدم

Yazar Orijinal سنائيى الغزنوى، ابو المجد مجدود بن آدم

Basım Tarihi 1500

Konu Sufi poetry, Persian, Masnavis, Persian -- Early works to 1800, Persian poetry -- 747-1500, Manuscripts, Persian -- Michigan -- Ann Arbor

Tür Kitap

Dil Farsça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 38 leaves : paper ; 231 x 155 (118-121 x 70-73) mm. bound to 231 x 161 mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194815681

Kayıt Numarası 990068057690106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih 16th century (exact date unknown)

Notlar Ms. codex., Title from inscriptions on front flyleaf and fol.1a., Incipit: "ای درون پرور برون آرای ای خرد بخش [بیخرد] بخشای", Explicit: "من وفایی ندیده ام ز خسان گر تو بینی سلام من برسان ... چون مصفا شوی زرزق وزفن مرد گر دی اگر چه هستی زن", Collation: iii, 4 III (24), II (28), IV (36), I (38), ii ; chiefly ternions ; catchwords present., Layout: Written in 11 lines per page ; single column divided to two columns to set off poetry ; frame-ruled., Script: Nastaʻlīq ; sans serif ; characteristic descent of words to baseline along with superscript of final words and letters at end of many lines ; characteristic letterforms ; contrast in thickness of horizontal and vertical strokes ; horizontal strokes often elongated., Decoration: Illuminated headpiece (ʻunwān) on fol.1a consisting of rectangular piece surmounted by triangular or hasp piece ; rectangular piece carries lobed central lozenge in gold, with flanking pieces in gold and red all on a field of lapis lazuli with floral vegetal pattern in black, red, yellow, white, and lavender ; bordered in bands of white, blue, and gold (with swirling pattern) ; surmounted by triangular piece or hasp in gold and lapis lazuli with same floral vegetal pattern ; surmounted by vertical stalks (tīgh) ; a band of black with same floral vegetal pattern and flanking bands of red and gold separates the two pieces ; simple illuminated headpieces throughout and at close consisting of rectangular piece with central gold cartouche (empty) flanked by almond-shaped pieces in black or red on fields of lapis lazuli with swirling vegetal motif bordered in bands of gold and red ; "tailpiece" accompanied by flanking rectangular pieces with swirling floral vegetal pattern in black, red, yellow, white and lavender on fields of gold, bordered in blue ; written area surrounded by a frame consisting of a series of bands varying in color according to tint of surrounding leaf ; for lighter colored leaves the frame is in green, gold, black and blue and for darker colored leaves the frame is in blue, gold, black and red ; simple gold bands outlined by black fillets frame columns within written area., Support: non-European laid paper (untinted but gold-flecked) set in tinted leaves of non-European (likely Persian) laid paper, mainly alternating shades of blue (often toward green) and yellow, occasionally pink ; laid lines of set-in written area running horizontally spaced roughly 7 laid lines per cm. ; laid lines of tinted leaves running vertically spaced roughly 8-10 laid lines per cm. with curving and sagging ; chain lines difficult to view but may be sporadic short lengths ; a few inclusions ; well-burnished and smooth ; flyleaves of several paper types - European laid paper, non-European (likely Persian) laid paper (decorative silhouette paper), and Persian or Indian laid paper of no earlier than late 18th century., Binding: Pasteboards covered in painted lacquerwork ; Type II binding (with flap) ; spine and fore edge flap in dark brown leather ; doublures and interior of envelope flap in red brown (dark red) leather with recessed inlays of paper in lapis lazuli, light blue, yellow, and green with filigree in brown and black leather ; upper and lower covers bear painted lacquerwork design in gold, green, red, black, and dark red of nearly identical composition ; design consists of scalloped central mandorla (reminiscent of Déroche class. OSd 8), pendants, and corner pieces with border consisting of a series of lozenges ; all are filled with an elaborate swirling floral vegetal design ; upper and lower doublures bear central scalloped mandorla, pendants and corner pieces in leather filigree (black and brown) and recessed paper inlays (lapis lazuli, green, light blue, and yellow) surrounded by simple gold-painted border accents ; interior of envelope flap continues design of doublures ; sewn in white and blue green threads (intertwined), two stations ; worked endbands in blue green, white and pink (traces) ; in poor condition with extensive abrasion to covers resulting in loss of lacquer and paint ; spine leather lifting and detaching from text block, upper cover detacing ; some pest damage ; boards delaminating ; endbands nearly gone ; paper label pasted to upper cover (no writing) ; currently housed in envelope., Origin: Lacks dated colophon ; hand, paper, etc. may suggest 16th century. Date in seal impression provides an approximate terminus ante quem of 1107 [1695 or 1696] depending on the elapsed time between the making of the seal and its impression in the ms., Several former owners' marks including: inscription in pencil on front flyleaf "237 T. De M. [i.e. Tammaro De Marinis]", inscription in black ink on front flyleaf reading "السيد محمد رشدي حافظ قران ابن احمد نائب وكيل انقرة [؟] ...", and three seal impressions, two oval and one rectangular, appearing on fol.1a, fol.38a and elsewhere ; one of the oval seal impressions appears to be dated 1107 [1695 or 1696] (see fol.38a) ; front flyleaf, verses and saying attributed to the Prophet "انا مدينة الصدق وابو بكر اساسها وانا مدينة العدل وعمر حيطانها وانا مدينة الحياء وعثمان سقفها وانا مدينة العلم وعلي بابها" ; a few effaced inscriptions on front flyleaf and fol.1a ; on back flyleaf a collation statement reading "جمله اوراق ٣٨" and statement in Ottoman Turkish in name of İzzet Bey Efendi (عزت بك افندى، here rendered "عززت") and date "بيك اوجيوز طقسان بش" (i.e. 1395) though 1295 [1878] may have been intended., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 281

Örnek Metin Exquisite manuscript containing what appears to be excerpts from the mystical mathawī (mas̲navī) of Sanāʼī, Ḥadīqat al-ḥaqīqah wa-sharīʻat al-ṭarīqah.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Cat. Pers. MSS. Brit. Mus., p. 549

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).

Konular (Diğer) Headpieces (layout features)