[Mas̲navī-yi ʻIbratʹnāmah va Mas̲navī dar hajv-i yakī az ḥukkām

Name: [Mas̲navī-yi ʻIbratʹnāmah va Mas̲navī dar hajv-i yakī az ḥukkām
Author: Ṣabā, Fatḥ ʻAlī ibn Muḥammad, -1822 or 1823, صبا، فتح على بن محمد

İsim	[Mas̲navī-yi ʻIbratʹnāmah va Mas̲navī dar hajv-i yakī az ḥukkām
Yazar	Ṣabā, Fatḥ ʻAlī ibn Muḥammad, -1822 or 1823, صبا، فتح على بن محمد
Yazar Orijinal	صبا، فتح على بن محمد
Basım Tarihi:	1840
Konu	Iran -- History -- Qajar dynasty, 1794-1925 -- Sources, Persian poetry -- 19th century, Masnavis, Persian -- Early works to 1800, Epic poetry, Persian -- Early works to 1800, Manuscripts, Persian -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Farsça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	40 leaves : paper ; 126 x 94 (88 x 54) mm. bound to 130 x 96 mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194795005
Kayıt Numarası	990068187580106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	Possibly between 1840-1860
Notlar	Ms. codex., Title supplied by cataloguer., Incipit: [ʻIbratʹnāmah] "دیباچه این خجسته دیبا پیرایۀ این پرند زیبا نام ملک الملوک اعظم آرایش چار بالش جم ..." ; [Mas̲navī dar hajv-i yakī az ḥukkām / Tuḥfat al-ʻIrāqayn] "ای طایر عیسی آفرینش چون طایر عیسوی ببینش ...", Explicit: [ʻIbratʹnāmah] "از خلوتیان اثر نیابی در بانانشان بدر نایابی" ; [Mas̲navī dar hajv-i yakī az ḥukkām / Tuḥfat al-ʻIrāqayn] "بادی ز دواهی سماوی چون دیک زناب ابن آوی", Collation: 5 IV(40) ; exclusively quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written in 7 lines per page with written area divided to two lines per page ; frame-ruled., Script: Nastaʻlīq ; elegant hand, small though spacious in a thin to medium line ; characteristically serifless with effect of words descending to baseline, superscripting of letters, elongation and exaggerated thickness of horizontal strokes, pointing mainly in distinct dots, point of final nūn set at opening of wide, angled bowl ; rubricated interlinear glosses in shikastah-nastaʻlīq., Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2, consisting of rectangular piece with basmalah in red set off by gold cloud-bands and gold flanking panels, surmounted by elongated piece with central knotted arabesques (in pink with red and black on a dark blue ground and gold with red and black) surrounded by swirling floral forms in light blue (outlined in dark blue), pink (outlined in lavender), orange, red, bright green and yellow on a gold ground, all set in a heavy well with red band overlaid with delicate repeating vegetal motifs in white, light blue and yellow and a heavy band of gold interlace defined by bright green bands ; written area throughout surrounded by gold frame with outermost blue rule, divisions within and margins defined by narrow gold bands outlined in black ; glosses and opening section heading rubricated (elsewhere division between sections indicated by a line left blank)., Support: European and non-European (likely Persian) laid paper ; bulk of first two gatherings (and a few folia of other gatherings) in European laid paper with roughly 9 laid lines per cm. (horizontal), and single chain lines (vertical) spaced 23-26 mm. apart, with no watermark distinctly visible (perhaps lost in folding / trimming), heavily sized and burnished to glossy, sturdy though transluscent, cream in color ; folia of other gatherings chiefly in non-European (likely Persian) laid paper with roughly 6 laid lines per cm. (vertical, somewhat diffuse and indistinct) and no chain lines clearly visible, cloudy formation, inclusions, heavily sized and burnished, sturdy though transluscent, dark cream in color ; some staining, excess adhesive, repairs, cockling., Binding: Pasteboards covered in light brown leather ; Type III binding (without flap) ; likely two-piece binding (seam of overlapping flanges visible at spine) ; board linings in yellow wove paper, hinges in yellow wove paper of a lighter shade, flyleaves (now pasted to opening and closing leaves) in magenta wove paper ; upper and lower covers blind-tooled in mitred-panel style with outer border in a series of s-shaped stamps framed by double rules ; sewn in white thread, two stations, somewhat tightly bound ; worked chevron endbands in yellow and red, good condition ; overall in good condition with minor abrasion and staining., Former shelfmark: "503 T. De M. [i.e. Tammaro De Marinis]" in pencil on upper board lining ; "(٩)" on 'title page' (flyleaf pasted to recto of opening leaf, p.1)., Origin: Lacks dated colophon ; decoration, etc. suggest mid to late 19th century., Note on final leaf entered by one Abū al-Qāsim ; extensive interlinear and marginal glosses., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 357
Örnek Metin	Elegant, pocket-sized copy of two satirical mas̲navīs from the collected works (kullīyāt / dīvān-i ashʻār) of Ṣabā-yi Kāshānī, Fatḥ ʻAlī Khān known as Malik al-Shuʻarāʼ (d.1822 or 3), namely the ʻIbratʹnāmah, denouncing individuals making mischief during the reign of Fatḥ ʻAlī Shāh Qājār (r.1797-1834) followed (as though it were simply another section of the preceding) by Mas̲navī dar hajv-i yakī az ḥukkām also called Tuḥfat al-ʻIrāqayn.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Āghā Buzurg al-Ṭihrānī. al-Dharīʻah ilá taṣānīf al-Shīʻah, v.19 p.244, EI2, "Ṣabā , Fatḥ ʻAlī Ḵẖān," vol. VIII, p. 665, col. 2, Cat. Pers. MSS. Brit. Mus., p. 722, Dīvān-i ashʻār-i Malik al-Shuʻarāʼ Fatḥ ʻAlī Khān Ṣabā. Muḥammad ʻAlī Najātī, Ed. ([Tehran]: Iqbal. 1962), pp.757-778 ; 779-783, Mottaghi, Hossein. "Guzīdah-i az dastʹnavīsʹhā-yi ṭanz, hazl, hajv va muḥāzirāt-i adabī, mawjud dar Kitabkhānah-yi Majlis-i Shūrā-yi Islāmī, Tihrān." Payām-i Bahāristān (Tehran), dawrah II, I, 4 (Tābistān 1388 [Summer 2009]): 656-728, p.703, no.15304, متقی،حسین. "گزیده ای از دستنویس های طنز، هزل، هجو و محاضرات ادبی موجود در کتابخانه ی مجلس شورای اسلامی." پیام بهارستان، دوره دوم، (تابستان 1388 - شماره 4): 656-728
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer)	Headpieces (layout features)

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[Mas̲navī-yi ʻIbratʹnāmah va Mas̲navī dar hajv-i yakī az ḥukkām

Yazar Ṣabā, Fatḥ ʻAlī ibn Muḥammad, -1822 or 1823, صبا، فتح على بن محمد

Yazar Orijinal صبا، فتح على بن محمد

Basım Tarihi 1840

Konu Iran -- History -- Qajar dynasty, 1794-1925 -- Sources, Persian poetry -- 19th century, Masnavis, Persian -- Early works to 1800, Epic poetry, Persian -- Early works to 1800, Manuscripts, Persian -- Michigan -- Ann Arbor

Tür Kitap

Dil Farsça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 40 leaves : paper ; 126 x 94 (88 x 54) mm. bound to 130 x 96 mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194795005

Kayıt Numarası 990068187580106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih Possibly between 1840-1860

Notlar Ms. codex., Title supplied by cataloguer., Incipit: [ʻIbratʹnāmah] "دیباچه این خجسته دیبا پیرایۀ این پرند زیبا نام ملک الملوک اعظم آرایش چار بالش جم ..." ; [Mas̲navī dar hajv-i yakī az ḥukkām / Tuḥfat al-ʻIrāqayn] "ای طایر عیسی آفرینش چون طایر عیسوی ببینش ...", Explicit: [ʻIbratʹnāmah] "از خلوتیان اثر نیابی در بانانشان بدر نایابی" ; [Mas̲navī dar hajv-i yakī az ḥukkām / Tuḥfat al-ʻIrāqayn] "بادی ز دواهی سماوی چون دیک زناب ابن آوی", Collation: 5 IV(40) ; exclusively quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written in 7 lines per page with written area divided to two lines per page ; frame-ruled., Script: Nastaʻlīq ; elegant hand, small though spacious in a thin to medium line ; characteristically serifless with effect of words descending to baseline, superscripting of letters, elongation and exaggerated thickness of horizontal strokes, pointing mainly in distinct dots, point of final nūn set at opening of wide, angled bowl ; rubricated interlinear glosses in shikastah-nastaʻlīq., Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2, consisting of rectangular piece with basmalah in red set off by gold cloud-bands and gold flanking panels, surmounted by elongated piece with central knotted arabesques (in pink with red and black on a dark blue ground and gold with red and black) surrounded by swirling floral forms in light blue (outlined in dark blue), pink (outlined in lavender), orange, red, bright green and yellow on a gold ground, all set in a heavy well with red band overlaid with delicate repeating vegetal motifs in white, light blue and yellow and a heavy band of gold interlace defined by bright green bands ; written area throughout surrounded by gold frame with outermost blue rule, divisions within and margins defined by narrow gold bands outlined in black ; glosses and opening section heading rubricated (elsewhere division between sections indicated by a line left blank)., Support: European and non-European (likely Persian) laid paper ; bulk of first two gatherings (and a few folia of other gatherings) in European laid paper with roughly 9 laid lines per cm. (horizontal), and single chain lines (vertical) spaced 23-26 mm. apart, with no watermark distinctly visible (perhaps lost in folding / trimming), heavily sized and burnished to glossy, sturdy though transluscent, cream in color ; folia of other gatherings chiefly in non-European (likely Persian) laid paper with roughly 6 laid lines per cm. (vertical, somewhat diffuse and indistinct) and no chain lines clearly visible, cloudy formation, inclusions, heavily sized and burnished, sturdy though transluscent, dark cream in color ; some staining, excess adhesive, repairs, cockling., Binding: Pasteboards covered in light brown leather ; Type III binding (without flap) ; likely two-piece binding (seam of overlapping flanges visible at spine) ; board linings in yellow wove paper, hinges in yellow wove paper of a lighter shade, flyleaves (now pasted to opening and closing leaves) in magenta wove paper ; upper and lower covers blind-tooled in mitred-panel style with outer border in a series of s-shaped stamps framed by double rules ; sewn in white thread, two stations, somewhat tightly bound ; worked chevron endbands in yellow and red, good condition ; overall in good condition with minor abrasion and staining., Former shelfmark: "503 T. De M. [i.e. Tammaro De Marinis]" in pencil on upper board lining ; "(٩)" on 'title page' (flyleaf pasted to recto of opening leaf, p.1)., Origin: Lacks dated colophon ; decoration, etc. suggest mid to late 19th century., Note on final leaf entered by one Abū al-Qāsim ; extensive interlinear and marginal glosses., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 357

Örnek Metin Elegant, pocket-sized copy of two satirical mas̲navīs from the collected works (kullīyāt / dīvān-i ashʻār) of Ṣabā-yi Kāshānī, Fatḥ ʻAlī Khān known as Malik al-Shuʻarāʼ (d.1822 or 3), namely the ʻIbratʹnāmah, denouncing individuals making mischief during the reign of Fatḥ ʻAlī Shāh Qājār (r.1797-1834) followed (as though it were simply another section of the preceding) by Mas̲navī dar hajv-i yakī az ḥukkām also called Tuḥfat al-ʻIrāqayn.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Āghā Buzurg al-Ṭihrānī. al-Dharīʻah ilá taṣānīf al-Shīʻah, v.19 p.244, EI2, "Ṣabā , Fatḥ ʻAlī Ḵẖān," vol. VIII, p. 665, col. 2, Cat. Pers. MSS. Brit. Mus., p. 722, Dīvān-i ashʻār-i Malik al-Shuʻarāʼ Fatḥ ʻAlī Khān Ṣabā. Muḥammad ʻAlī Najātī, Ed. ([Tehran]: Iqbal. 1962), pp.757-778 ; 779-783, Mottaghi, Hossein. "Guzīdah-i az dastʹnavīsʹhā-yi ṭanz, hazl, hajv va muḥāzirāt-i adabī, mawjud dar Kitabkhānah-yi Majlis-i Shūrā-yi Islāmī, Tihrān." Payām-i Bahāristān (Tehran), dawrah II, I, 4 (Tābistān 1388 [Summer 2009]): 656-728, p.703, no.15304, متقی،حسین. "گزیده ای از دستنویس های طنز، هزل، هجو و محاضرات ادبی موجود در کتابخانه ی مجلس شورای اسلامی." پیام بهارستان، دوره دوم، (تابستان 1388 - شماره 4): 656-728

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).

Konular (Diğer) Headpieces (layout features)