[Calligraphic Specimen

Name: [Calligraphic Specimen
Author: Ömer Sırrı, عمر سرى،, Jāmī, 1414-1492, جامى

İsim	[Calligraphic Specimen
Yazar	Ömer Sırrı, عمر سرى،, Jāmī, 1414-1492, جامى
Yazar Orijinal	عمر سرى، جامى
Basım Tarihi:	1800
Basım Yeri	[Istanbul?] -
Konu	Calligraphy, Persian -- Specimens, Calligraphy, Turkish -- Specimens, Manuscripts, Persian -- Michigan -- Ann Arbor, Manuscripts, Turkish -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Sayfa Sayısı	12
Fiziksel Boyutlar	12 panels : paper ; 343 x 215 (200 x 113) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194797205
Kayıt Numarası	990068053600106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	Possibly between 1800-1843
Notlar	Ms. codex., Title supplied by cataloguer., Incipit: "بسم الله الرحمن الرحيم اعظم اسماء عليم حكيم محترمان حرم انس را تازه حديثست ز عهد قديم...", Explicit: "اثر اميدى ايله عالمده ايلدم بو قطعاتي تحرير اوقور اخوان صفا تاريخن اولدى والا اثر عبد فقير ١١٥٦ ", Colophon: "نوشته شد بقلم شكتسه سيد عمر سرى كيه دار ناظر ديوان دعاوى صانه الله تعالى عن النقايص والمساوى از شاكر دان حضرت استاد مكارم اعتياد صدر والاى روم ايلى مولانا محمد سعد الله افندى الشهير بعرب زاده همه كا مش بادآ آماده", Collation: Twelve 'panels' (mounted leaves) hinged together mainly in dark pink silk ; 'pagination' in red ink, Hindu-Arabic numerals in upper outer corner of panel (frame)., Layout: Written in four lines per page with logograph for "سعي" under each line., Script: Nastaʻlīq (talik) ; exquisite specimen Ottoman calligraphy., Decoration: Written area surrounded by frame of heavy gold and colored bands (mainly in blue and red) set off by white fillets ; each specimen (kıta) set in a frame bordered in gold rules ; two specimens chrysographed ; leaves and floral sprays in blue, lavender, pink, green and gold flank colophon at close., Support: Written area on well-burnished paper (untinted or tinted blue, red, etc. or marbled), set in frames of embossed paper (with vegetal designs) tinted various shades (pale peach, olive green, orange, yellow, turquoise, light blue, red, dark green, etc.) with colors of facing panels matching., Binding: Boards covered in red-brown leather ; Type III binding (without flap) ; board linings and lining of opening and closing panel in light blue coated and textured paper ; upper and lower covers carry exquisite tooled vegetal design (swirling leaves and flowers set off by small rosette stamps surrounding central almond-shaped form) in contrasting shades of gold, set in gold tooled borders (also in contrasting colors) in a series of s-shaped stamps and rosettes ; panels edged in red-brown leather with gold-painted rule borders and hinged together with dark pink silk ; overall in good condition ; repairs in Japanese paper (rebacked)., Origin: As appears in colophon on final panel, executed by Ömer Sırrı, one of the students of Mehmet Sadullah Efendi, known as Arabzade. Date of transcription not specified, but likely during Ömer Sırrı's training and thus before the death of Arabzade Mehmet Sadullah Efendi., Clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 276
Örnek Metin	Exquisite calligraphic specimen employing Jāmī's qaṣīdah on the basmalah for mürekkebât meșki exercises, executed by one of the students of Arabzade Mehmet Sadullah Efendi (d.1843).
Katkıda Bulunanlar	Ömer Sırrı, calligrapher., Jāmī, 1414-1492. Poems. Selection.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI [?], 1967), no.29, p.8, Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.15, p.84, Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17, Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. (New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998), pp.102-103, Çiğ, Kemal. Türk kitap kapları. ([İstanbul]: Yapı ve Kredi Bankası, [1971]), Resim XXX, p.56, Binney, Edwin, 3rd. Turkish treasures from the collection of Edwin Binney, 3rd. (Portland, OR: Portland Art Museum, 1979) no.96, pp.144-145, 169
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).

Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library

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Michigan Üniversitesi Kütüphanesi

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[Calligraphic Specimen

Yazar Ömer Sırrı, عمر سرى،, Jāmī, 1414-1492, جامى

Yazar Orijinal عمر سرى، جامى

Basım Tarihi 1800

Basım Yeri [Istanbul?] -

Konu Calligraphy, Persian -- Specimens, Calligraphy, Turkish -- Specimens, Manuscripts, Persian -- Michigan -- Ann Arbor, Manuscripts, Turkish -- Michigan -- Ann Arbor

Tür Kitap

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Sayfa Sayısı 12

Fiziksel Boyutlar 12 panels : paper ; 343 x 215 (200 x 113) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194797205

Kayıt Numarası 990068053600106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih Possibly between 1800-1843

Notlar Ms. codex., Title supplied by cataloguer., Incipit: "بسم الله الرحمن الرحيم اعظم اسماء عليم حكيم محترمان حرم انس را تازه حديثست ز عهد قديم...", Explicit: "اثر اميدى ايله عالمده ايلدم بو قطعاتي تحرير اوقور اخوان صفا تاريخن اولدى والا اثر عبد فقير ١١٥٦ ", Colophon: "نوشته شد بقلم شكتسه سيد عمر سرى كيه دار ناظر ديوان دعاوى صانه الله تعالى عن النقايص والمساوى از شاكر دان حضرت استاد مكارم اعتياد صدر والاى روم ايلى مولانا محمد سعد الله افندى الشهير بعرب زاده همه كا مش بادآ آماده", Collation: Twelve 'panels' (mounted leaves) hinged together mainly in dark pink silk ; 'pagination' in red ink, Hindu-Arabic numerals in upper outer corner of panel (frame)., Layout: Written in four lines per page with logograph for "سعي" under each line., Script: Nastaʻlīq (talik) ; exquisite specimen Ottoman calligraphy., Decoration: Written area surrounded by frame of heavy gold and colored bands (mainly in blue and red) set off by white fillets ; each specimen (kıta) set in a frame bordered in gold rules ; two specimens chrysographed ; leaves and floral sprays in blue, lavender, pink, green and gold flank colophon at close., Support: Written area on well-burnished paper (untinted or tinted blue, red, etc. or marbled), set in frames of embossed paper (with vegetal designs) tinted various shades (pale peach, olive green, orange, yellow, turquoise, light blue, red, dark green, etc.) with colors of facing panels matching., Binding: Boards covered in red-brown leather ; Type III binding (without flap) ; board linings and lining of opening and closing panel in light blue coated and textured paper ; upper and lower covers carry exquisite tooled vegetal design (swirling leaves and flowers set off by small rosette stamps surrounding central almond-shaped form) in contrasting shades of gold, set in gold tooled borders (also in contrasting colors) in a series of s-shaped stamps and rosettes ; panels edged in red-brown leather with gold-painted rule borders and hinged together with dark pink silk ; overall in good condition ; repairs in Japanese paper (rebacked)., Origin: As appears in colophon on final panel, executed by Ömer Sırrı, one of the students of Mehmet Sadullah Efendi, known as Arabzade. Date of transcription not specified, but likely during Ömer Sırrı's training and thus before the death of Arabzade Mehmet Sadullah Efendi., Clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 276

Örnek Metin Exquisite calligraphic specimen employing Jāmī's qaṣīdah on the basmalah for mürekkebât meșki exercises, executed by one of the students of Arabzade Mehmet Sadullah Efendi (d.1843).

Katkıda Bulunanlar Ömer Sırrı, calligrapher., Jāmī, 1414-1492. Poems. Selection.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI [?], 1967), no.29, p.8, Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.15, p.84, Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17, Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. (New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998), pp.102-103, Çiğ, Kemal. Türk kitap kapları. ([İstanbul]: Yapı ve Kredi Bankası, [1971]), Resim XXX, p.56, Binney, Edwin, 3rd. Turkish treasures from the collection of Edwin Binney, 3rd. (Portland, OR: Portland Art Museum, 1979) no.96, pp.144-145, 169

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).