[Hilye-yi şerif

Name: [Hilye-yi şerif
Author: Osman, Hâfız, 1642-1698, حافظ عثمان

İsim	[Hilye-yi şerif
Yazar	Osman, Hâfız, 1642-1698, حافظ عثمان
Yazar Orijinal	حافظ عثمان
Basım Tarihi:	1687
Basım Yeri	[Istanbul?] -
Konu	Calligraphy, Ottoman -- Specimens, Calligraphy, Arabic -- Specimens, Writing, Arabic -- Specimens, Islamic calligraphy -- Specimens, Muḥammad, Prophet, -632 -- Early works to 1800, Islam -- Prayers and devotions -- Early works to 1800, Manuscripts, Arabic -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Arapça
Dijital	Evet
Yazma	Evet
Sayfa Sayısı	3
Fiziksel Boyutlar	3 panels : paper ; 147 x 285 mm. opening vertically to 438 x 287 mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194714899
Kayıt Numarası	990067963010106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	Possibly between 1687-1688
Notlar	Ms. (three panels hinged together)., Title supplied by cataloguer., Incipit: "عن علي كان اذا وصف النبي صلى الله عليه وسلم قال لم يكن بالطويل الممغط ولا بالقصير المتردد ...", Explicit: "يقول ناعته لم ار قبله ولا بعده مثله صلى الله عليه وسلم", Colophon: "كتبه اضعف الكتاب عثمان المعروف بحافظ كلام الوهاب سنه تسع وتسعين والف", Collation: Three 'panels' (likely once a single levha, now pieced) hinged together with red-brown leather, opening for display as a levha., Layout: Baș makam with besmele (opening with "انه من سليمان وانه" in small cartouche above "بسم") ; göbek with 9 lines of text ; ayet in a single line ; etek with 4 lines of text., Script: Exquisite specimen of Ottoman calligraphy ; basmalah (besmele), āyah (ayet) and names of the first four caliphs (çiharyâr) in thuluth (sülüs) ; hilye texts (of the göbek and etek) in naskh (nesih)., Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) appears in a rectangular panel above the baş makam, consisting of a semi-circular piece (dome) filled with a depiction of al-Masjid al-Ḥarām at Mecca (kaʻbah visible) and set off by an outer border of swirling vegetal designs in white, lavender, mint green, pink, gold, etc. on a blue ground with heavy gold and black borders and surmounting vertical stalks (tīgh) ; the same vegetal designs fill the area around the göbek and the koltuklar ; a black and gold frame surrounds the uppermost rectangular panel, the baş makam, the square containing the göbek, hilâl (in gold), and names of the çiharyâr, the ayet and the etek ; bands of turquoise and gold surround the circles with names of the çiharyâr ; textual dividers in the form of illuminated rosettes accent the hilye text ; a heavy border in olive green with gold painted floral accents, itself set-off by white fillets and framed by black and gold bands, surrounds the entire levha., Support: European laid paper, well-burnished, pieced and mounted on boards., Binding: The three pieced panels of the levha are mounted on boards backed with silk, edged and hinged together with red-brown leather, unfolding like a triptych but vertically ; some repairs to the edging in purple leather ; minor hinge repairs in Japanese paper., Former shelfmark: "546 T.D.M. [i.e. Tammaro De Marinis]" in pencil on reverse of uppermost panel ; "113" in pencil in border adjacent to illuminated headpiece., Origin: As appears at close, calligraphy executed by ʻUthmān, known as Ḥāfiẓ Kalām al-Wahhāb (i.e. Hafız Osman Efendi) in 1099 [1687 or 8]. Decoration and earlier mounting likely 18th century. Most recent mounting and borders likely 19th century., Inscriptions in pencil "546 T.D.M. [i.e. Tammaro De Marinis]" in pencil on reverse of uppermost panel ; "113" in pencil in border adjacent to illuminated headpiece ; clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 238
Örnek Metin	Exquisite hilye (written depiction of the Prophet) executed by the master who developed this graphic form of the hilye, Hafız Osman Efendi (d.1698). Decoration and mounting later, likely in at least two distinct stages (18th and 19th century).
Katkıda Bulunanlar	Osman, Hâfız, 1642-1698, calligrapher.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.6, p.83, Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17, Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. (New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998), pp.34-37 ; 72-77., Serin, Muhittin. "Amerika Birleşik Devletleri'ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu," Akademik Araştırmalar Dergisi 2, 4-5, (2000)., Schick, İrvin Cemil. "The Iconicity of Islamic calligraphy in Turkey." RES: Anthropology and Aesthetics, no. 53/54 (Spring - Autumn, 2008): 211-224., Gruber, Christiane and Ashley Dimmig. Pearls of Wisdom : The Arts of Islam at the University of Michigan (Ann Arbor, Michigan : Kelsey Museum of Archaeology, 2014), no.58, p.80 f., Rüstem Ünver. "From Auspicious Ornament to State Symbol: The Crescent Moon in Ottoman Art and Architecture." In The Moon: A Voyage Through Time, edited by Christiane Gruber (Toronto: Aga Khan Museum, 2019): 45-55, p.49-50, EI2, "Khaṭṭ." vol. IV, p. 1113, col. 1
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer)	Headpieces (layout features)

Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library

Aramaya Dön

Michigan Üniversitesi Kütüphanesi

Kaynağa git

[Hilye-yi şerif

Yazar Osman, Hâfız, 1642-1698, حافظ عثمان

Yazar Orijinal حافظ عثمان

Basım Tarihi 1687

Basım Yeri [Istanbul?] -

Konu Calligraphy, Ottoman -- Specimens, Calligraphy, Arabic -- Specimens, Writing, Arabic -- Specimens, Islamic calligraphy -- Specimens, Muḥammad, Prophet, -632 -- Early works to 1800, Islam -- Prayers and devotions -- Early works to 1800, Manuscripts, Arabic -- Michigan -- Ann Arbor

Tür Kitap

Dil Arapça

Dijital Evet

Yazma Evet

Sayfa Sayısı 3

Fiziksel Boyutlar 3 panels : paper ; 147 x 285 mm. opening vertically to 438 x 287 mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194714899

Kayıt Numarası 990067963010106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih Possibly between 1687-1688

Notlar Ms. (three panels hinged together)., Title supplied by cataloguer., Incipit: "عن علي كان اذا وصف النبي صلى الله عليه وسلم قال لم يكن بالطويل الممغط ولا بالقصير المتردد ...", Explicit: "يقول ناعته لم ار قبله ولا بعده مثله صلى الله عليه وسلم", Colophon: "كتبه اضعف الكتاب عثمان المعروف بحافظ كلام الوهاب سنه تسع وتسعين والف", Collation: Three 'panels' (likely once a single levha, now pieced) hinged together with red-brown leather, opening for display as a levha., Layout: Baș makam with besmele (opening with "انه من سليمان وانه" in small cartouche above "بسم") ; göbek with 9 lines of text ; ayet in a single line ; etek with 4 lines of text., Script: Exquisite specimen of Ottoman calligraphy ; basmalah (besmele), āyah (ayet) and names of the first four caliphs (çiharyâr) in thuluth (sülüs) ; hilye texts (of the göbek and etek) in naskh (nesih)., Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) appears in a rectangular panel above the baş makam, consisting of a semi-circular piece (dome) filled with a depiction of al-Masjid al-Ḥarām at Mecca (kaʻbah visible) and set off by an outer border of swirling vegetal designs in white, lavender, mint green, pink, gold, etc. on a blue ground with heavy gold and black borders and surmounting vertical stalks (tīgh) ; the same vegetal designs fill the area around the göbek and the koltuklar ; a black and gold frame surrounds the uppermost rectangular panel, the baş makam, the square containing the göbek, hilâl (in gold), and names of the çiharyâr, the ayet and the etek ; bands of turquoise and gold surround the circles with names of the çiharyâr ; textual dividers in the form of illuminated rosettes accent the hilye text ; a heavy border in olive green with gold painted floral accents, itself set-off by white fillets and framed by black and gold bands, surrounds the entire levha., Support: European laid paper, well-burnished, pieced and mounted on boards., Binding: The three pieced panels of the levha are mounted on boards backed with silk, edged and hinged together with red-brown leather, unfolding like a triptych but vertically ; some repairs to the edging in purple leather ; minor hinge repairs in Japanese paper., Former shelfmark: "546 T.D.M. [i.e. Tammaro De Marinis]" in pencil on reverse of uppermost panel ; "113" in pencil in border adjacent to illuminated headpiece., Origin: As appears at close, calligraphy executed by ʻUthmān, known as Ḥāfiẓ Kalām al-Wahhāb (i.e. Hafız Osman Efendi) in 1099 [1687 or 8]. Decoration and earlier mounting likely 18th century. Most recent mounting and borders likely 19th century., Inscriptions in pencil "546 T.D.M. [i.e. Tammaro De Marinis]" in pencil on reverse of uppermost panel ; "113" in pencil in border adjacent to illuminated headpiece ; clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 238

Örnek Metin Exquisite hilye (written depiction of the Prophet) executed by the master who developed this graphic form of the hilye, Hafız Osman Efendi (d.1698). Decoration and mounting later, likely in at least two distinct stages (18th and 19th century).

Katkıda Bulunanlar Osman, Hâfız, 1642-1698, calligrapher.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Brocade of the pen : the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991), no.6, p.83, Zakariya, Mohamed. "Islamic calligraphy: A technical overview." In Brocade of the pen: the art of Islamic writing. Carol Garrett Fisher, ed. (East Lansing, MI: Kresge Art Museum, Michigan State University, 1991): 1-17, Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. (New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998), pp.34-37 ; 72-77., Serin, Muhittin. "Amerika Birleşik Devletleri'ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu," Akademik Araştırmalar Dergisi 2, 4-5, (2000)., Schick, İrvin Cemil. "The Iconicity of Islamic calligraphy in Turkey." RES: Anthropology and Aesthetics, no. 53/54 (Spring - Autumn, 2008): 211-224., Gruber, Christiane and Ashley Dimmig. Pearls of Wisdom : The Arts of Islam at the University of Michigan (Ann Arbor, Michigan : Kelsey Museum of Archaeology, 2014), no.58, p.80 f., Rüstem Ünver. "From Auspicious Ornament to State Symbol: The Crescent Moon in Ottoman Art and Architecture." In The Moon: A Voyage Through Time, edited by Christiane Gruber (Toronto: Aga Khan Museum, 2019): 45-55, p.49-50, EI2, "Khaṭṭ." vol. IV, p. 1113, col. 1

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).

Konular (Diğer) Headpieces (layout features)