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[İran risalesi

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Yazar Münif Paşa, 1830?-1910, منيف باشا محمد طاهر
Yazar Orijinal منيف باشا محمد طاهر
Basım Tarihi: 1874
Konu Ambassadors -- Turkey -- Biography, Diplomats -- Turkey -- Biography, Turkey -- Foreign relations -- Iran -- 19th century, Iran -- Foreign relations -- Turkey -- 19th century, Qājār, Fatḥ ʻAlī Shāh, Shah of Iran, -1834, Iran -- Court and courtiers -- 19th century, Turkey -- History -- Mahmud II, 1808-1839 -- Sources, Turkey -- History -- Ottoman Empire, 1288-1918 -- Sources, Iran -- History -- Qajar dynasty, 1794-1925 -- Sources, Manuscripts, Turkish -- Michigan -- Ann Arbor
Tür Kitap
Dil tur, ota
Dijital Evet
Yazma Evet
Fiziksel Boyutlar 16 leaves : paper ; 280 x 207 (196 x 134) mm
Kütüphane: Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası 1194734943
Kayıt Numarası 990068221980106381
Lokasyon UM Ann Arbor Libraries, University Library
Tarih 1874
Notlar Ms. codex., Title supplied by cataloguer., Incipit: "فتحعلى شاه زماننده رجال ومأمورين دولت عليه دن ايرانه كلمشن اولان بعض ددانك [ذواتك] تصويرلرى طهرانده شاه مشار اليهك انشا كرده سى اولان نكارستان كوشكى ديوارنده نقش اولنمش اولمغله تصاوير مذكوره و ايران تاريخلرنده بونلره متعلق دسترس اوله بيلديكم بعض معلومات اشبو رساله يه نقل و درج اولندى غرض نقشی است کز ما بازماند که هستی را نمی بینم بقایی فی اواخر سهر صفر من سنة الف ومأتین و واحد و تسعین يسجى زاده سيد عبد الوهاب افندى بيك ايكى يوز يكرمى التى سنه سنده شاكر وحيرت افندىلر دخى رفاقتده اولديغىحالده خاقان خلد آشيان سلطان محمود خان ثانى طرفندن سفارتله فتحعلى شاه نزدينه ارسال اولنوب ...", Explicit: "... اواخر رجبده نامه همايونك جوابنى اخذ ايله عودت ايلديلر", Collation: i, IV (8), 4 I(16), i ; single quaternion followed by composed "single bifolia" hinged together with strips of cloth ; catchwords present ; each painting mounted on the verso of a separate leaf with the recto left blank ; foliation in pencil, Hindu-Arabic numerals, appearing on recto of leaves carrying paintings (begins with ١ on first leaf, p.17) ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written chiefly in 11 lines per page ; frame-ruled (impression of ruling board evident)., Script: Nastaʻlīq ; exquisite hand in a medium line ; characteristically serifless with effect of words gently descending to baseline, elongation and contrasting thickness of horizontal strokes, pointing mainly in distinct but conjoined dots, bowl of nūn wide and angled with dot set just down within., Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of rectangular piece with empty gold cartouch flanked by vegetal motifs in gold on fields of lapiswith bright green and red accents surmounted by a well of red with white crosses flanked by narrow green bands filled with swirling vegetal and floral motifs (saz leaves, etc.) in gold with white, red, blue and green accents set among an empty scalloped medallion and triangular edge pieces to give a vaguely w-shaped effect ; written area throughout surrounded by gold frame with outermost blue rule, margins also outlined in narrow gold bands defined by black fillets ; headings and vocalization in rubricated ; text followed by eight fine watercolor portraits of the envoys (compare figures as they appear in watercolors based on the life-size wall paintings at Nigāristān Palace, see AKM00502 Aga Khan Museum and no.34 in Diba, ed. Royal Persian Paintings: The Qajar Epoch 1785-1925)., Support: Opening gathering in non-European (likely Persian) laid paper with roughly 9 laid lines per cm. (horizontal, curving, somewhat indistinct) and no chain lines plainly visible, cloudy formation, inclusions, dense and fairly thick though transluscent, beige to gray in color, well-sized and burnished ; paintings on sturdy paper now affixed with adhesive to quite heavy, opaque sheets of paper, cream in color., Binding: Pasteboards covered in painted lacquerwork with brown leather over spine ; Type III binding (without flap) ; two-piece binding (overlapping flanges visible at spine, exterior and interior) ; doublures each in painted lacquerwork, a solid red field ; upper and lower covers carry paintings depicting each of two gates of Tehran (Darvāzah-i Dawlat on upper cover, Darvāzah-i Nāṣirīyah on lower cover) as indicated by inscriptions "دروازه دولت در طهران" and "دروازه ناصريه در طهران" ; sewn in cream thread, eight and four stations ; overall in fairly good condition with minor losses of lacquer and paint., Former shelfmark: "156 [or 256 ?] T. De M. [i.e. Tammaro De Marinis]" and "254" in pencil on verso of front flyleaf., Origin: As appears at close of preface (p.2), composed end of Ṣafar 1291 [1874]. This copy likely executed shortly afterward., At close of preface (p.2), author's signature now effaced (compare other manuscripts İstanbul Üniversitesi Kütüphanesi TY 4422 and Arkeoloji Müzesi Kütüphanesi TY No: 401) ; clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 392
Örnek Metin Exquisite copy of a short treatise composed by Mehmet Tahir Münif Paşa (d.1910) (see p.28-29, Ek I (147-152), Ek V, Ek VIII in Akın, Münif Paşa ve Türk kültür tarihindeki yeri and p.435-436 in Budak, Batılılaşma sürecinde çok yönlü bir Osmanlı aydını : Münif Paşa) chiefly on envoys sent from the Ottoman sultan Mahmud II (r.1808 to 1839) to the court of Fatḥ ʻAlī Shāh Qājār (r.1797-1834) and depicted in the wall paintings at Nigāristān Palace. Accompanied by fine watercolor portraits of these individuals and other envoys at the court. Addressed in the text are the ambassador Yescizade [Yasincizade] Seyyid Abdülvehhab Efendi (Seyit Abdülvahap Efendi) (d.1833), the ambassador Celalüddin Efendi, Aburrahman Paşa-yı Baban, and Süleyman Efendi. Addressed in the portraits are Abdülvahap Efendi, his attachés Hayret Efendi and Șakir Efendi and his serkatip, Celalüddin Efendi, Aburrahman Paşa-yı Baban, Shaykh Muḥammad (ambassador of Saʻūd ibn ʻAbd al-ʻAzīz), and ʻUwayf ibn al-Sayyid al-Ḥaḍramī (envoy of the governor of Yemen).
Son Dizinleme Tarihi 20251210
Biçim Book, Manuscript, Biography, Available Online
Koleksiyonda Abdul Hamid Collection.
Referanslar University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI [?], 1967), no.33, p.9, Akın, Âdem. Münif Paşa ve Türk kültür tarihindeki yeri. Ankara : Atatürk Kültür Merkezi, 1999., Akın, Âdem. "Münif Paşa ve 'İran Risalesi'" Bilge 28 (2000): 150-154., Başkurt, A. Çağrı. Musavver Süferâ: Münîf Paşa'nın İran Risâlesi Tahran 1874. İstanbul: Libra Kitapçılık ve Yayıncılık, 2020., Bilim, Cahit. "Elçi, M. Seyid Abdülvahab Efendi, Yazar, Sef.aret Tercümanı Bozoklu Osman Şakir Efendi Musavver İran Sefaretnamesi." OTAM: Ankara Üniversitesi Osmanlı Tarihi Araştırma ve Uygulama Merkezi Dergisi, 13 (2002): 261-286., Budak, Ali. Batılılaşma sürecinde çok yönlü bir Osmanlı aydını : Münif Paşa. Cağaloğlu, İstanbul : Kitabevi, 2004., Mango, A. J., " Münīf Pas̲h̲a," In EI2, İstanbul Üniversitesi Kütüphanesi, ms. TY 4422, İstanbul Üniversitesi Kütüphanesi, ms. TY 9363, İstanbul Arkeoloji Müzesi Kütüphanesi, ms. TY 401, Diba, Layla S. "Images of power and the power of images: intention and response in early Qajar painting (1785-1834)." In Royal Persian paintings: the Qajar epoch, 1785-1925, edited by Layla S. Diba with Maryam Ekhtiar (London: Tauris, in association with Brooklyn Museum of Art, 1998): 30-49., Royal Persian Paintings: The Qajar Epoch 1785-1925, edited by Layla S. Diba with Maryam Ekhtiar (London: Taurus in association with Brooklyn Museum of Art, 1998), no.38, p.174-5
Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer) Headpieces (layout features)
Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library
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[İran risalesi

Yazar Münif Paşa, 1830?-1910, منيف باشا محمد طاهر
Yazar Orijinal منيف باشا محمد طاهر
Basım Tarihi 1874
Konu Ambassadors -- Turkey -- Biography, Diplomats -- Turkey -- Biography, Turkey -- Foreign relations -- Iran -- 19th century, Iran -- Foreign relations -- Turkey -- 19th century, Qājār, Fatḥ ʻAlī Shāh, Shah of Iran, -1834, Iran -- Court and courtiers -- 19th century, Turkey -- History -- Mahmud II, 1808-1839 -- Sources, Turkey -- History -- Ottoman Empire, 1288-1918 -- Sources, Iran -- History -- Qajar dynasty, 1794-1925 -- Sources, Manuscripts, Turkish -- Michigan -- Ann Arbor
Tür Kitap
Dil tur, ota
Dijital Evet
Yazma Evet
Fiziksel Boyutlar 16 leaves : paper ; 280 x 207 (196 x 134) mm
Kütüphane Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası 1194734943
Kayıt Numarası 990068221980106381
Lokasyon UM Ann Arbor Libraries, University Library
Tarih 1874
Notlar Ms. codex., Title supplied by cataloguer., Incipit: "فتحعلى شاه زماننده رجال ومأمورين دولت عليه دن ايرانه كلمشن اولان بعض ددانك [ذواتك] تصويرلرى طهرانده شاه مشار اليهك انشا كرده سى اولان نكارستان كوشكى ديوارنده نقش اولنمش اولمغله تصاوير مذكوره و ايران تاريخلرنده بونلره متعلق دسترس اوله بيلديكم بعض معلومات اشبو رساله يه نقل و درج اولندى غرض نقشی است کز ما بازماند که هستی را نمی بینم بقایی فی اواخر سهر صفر من سنة الف ومأتین و واحد و تسعین يسجى زاده سيد عبد الوهاب افندى بيك ايكى يوز يكرمى التى سنه سنده شاكر وحيرت افندىلر دخى رفاقتده اولديغىحالده خاقان خلد آشيان سلطان محمود خان ثانى طرفندن سفارتله فتحعلى شاه نزدينه ارسال اولنوب ...", Explicit: "... اواخر رجبده نامه همايونك جوابنى اخذ ايله عودت ايلديلر", Collation: i, IV (8), 4 I(16), i ; single quaternion followed by composed "single bifolia" hinged together with strips of cloth ; catchwords present ; each painting mounted on the verso of a separate leaf with the recto left blank ; foliation in pencil, Hindu-Arabic numerals, appearing on recto of leaves carrying paintings (begins with ١ on first leaf, p.17) ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written chiefly in 11 lines per page ; frame-ruled (impression of ruling board evident)., Script: Nastaʻlīq ; exquisite hand in a medium line ; characteristically serifless with effect of words gently descending to baseline, elongation and contrasting thickness of horizontal strokes, pointing mainly in distinct but conjoined dots, bowl of nūn wide and angled with dot set just down within., Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of rectangular piece with empty gold cartouch flanked by vegetal motifs in gold on fields of lapiswith bright green and red accents surmounted by a well of red with white crosses flanked by narrow green bands filled with swirling vegetal and floral motifs (saz leaves, etc.) in gold with white, red, blue and green accents set among an empty scalloped medallion and triangular edge pieces to give a vaguely w-shaped effect ; written area throughout surrounded by gold frame with outermost blue rule, margins also outlined in narrow gold bands defined by black fillets ; headings and vocalization in rubricated ; text followed by eight fine watercolor portraits of the envoys (compare figures as they appear in watercolors based on the life-size wall paintings at Nigāristān Palace, see AKM00502 Aga Khan Museum and no.34 in Diba, ed. Royal Persian Paintings: The Qajar Epoch 1785-1925)., Support: Opening gathering in non-European (likely Persian) laid paper with roughly 9 laid lines per cm. (horizontal, curving, somewhat indistinct) and no chain lines plainly visible, cloudy formation, inclusions, dense and fairly thick though transluscent, beige to gray in color, well-sized and burnished ; paintings on sturdy paper now affixed with adhesive to quite heavy, opaque sheets of paper, cream in color., Binding: Pasteboards covered in painted lacquerwork with brown leather over spine ; Type III binding (without flap) ; two-piece binding (overlapping flanges visible at spine, exterior and interior) ; doublures each in painted lacquerwork, a solid red field ; upper and lower covers carry paintings depicting each of two gates of Tehran (Darvāzah-i Dawlat on upper cover, Darvāzah-i Nāṣirīyah on lower cover) as indicated by inscriptions "دروازه دولت در طهران" and "دروازه ناصريه در طهران" ; sewn in cream thread, eight and four stations ; overall in fairly good condition with minor losses of lacquer and paint., Former shelfmark: "156 [or 256 ?] T. De M. [i.e. Tammaro De Marinis]" and "254" in pencil on verso of front flyleaf., Origin: As appears at close of preface (p.2), composed end of Ṣafar 1291 [1874]. This copy likely executed shortly afterward., At close of preface (p.2), author's signature now effaced (compare other manuscripts İstanbul Üniversitesi Kütüphanesi TY 4422 and Arkeoloji Müzesi Kütüphanesi TY No: 401) ; clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 392
Örnek Metin Exquisite copy of a short treatise composed by Mehmet Tahir Münif Paşa (d.1910) (see p.28-29, Ek I (147-152), Ek V, Ek VIII in Akın, Münif Paşa ve Türk kültür tarihindeki yeri and p.435-436 in Budak, Batılılaşma sürecinde çok yönlü bir Osmanlı aydını : Münif Paşa) chiefly on envoys sent from the Ottoman sultan Mahmud II (r.1808 to 1839) to the court of Fatḥ ʻAlī Shāh Qājār (r.1797-1834) and depicted in the wall paintings at Nigāristān Palace. Accompanied by fine watercolor portraits of these individuals and other envoys at the court. Addressed in the text are the ambassador Yescizade [Yasincizade] Seyyid Abdülvehhab Efendi (Seyit Abdülvahap Efendi) (d.1833), the ambassador Celalüddin Efendi, Aburrahman Paşa-yı Baban, and Süleyman Efendi. Addressed in the portraits are Abdülvahap Efendi, his attachés Hayret Efendi and Șakir Efendi and his serkatip, Celalüddin Efendi, Aburrahman Paşa-yı Baban, Shaykh Muḥammad (ambassador of Saʻūd ibn ʻAbd al-ʻAzīz), and ʻUwayf ibn al-Sayyid al-Ḥaḍramī (envoy of the governor of Yemen).
Son Dizinleme Tarihi 20251210
Biçim Book, Manuscript, Biography, Available Online
Koleksiyonda Abdul Hamid Collection.
Referanslar University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI [?], 1967), no.33, p.9, Akın, Âdem. Münif Paşa ve Türk kültür tarihindeki yeri. Ankara : Atatürk Kültür Merkezi, 1999., Akın, Âdem. "Münif Paşa ve 'İran Risalesi'" Bilge 28 (2000): 150-154., Başkurt, A. Çağrı. Musavver Süferâ: Münîf Paşa'nın İran Risâlesi Tahran 1874. İstanbul: Libra Kitapçılık ve Yayıncılık, 2020., Bilim, Cahit. "Elçi, M. Seyid Abdülvahab Efendi, Yazar, Sef.aret Tercümanı Bozoklu Osman Şakir Efendi Musavver İran Sefaretnamesi." OTAM: Ankara Üniversitesi Osmanlı Tarihi Araştırma ve Uygulama Merkezi Dergisi, 13 (2002): 261-286., Budak, Ali. Batılılaşma sürecinde çok yönlü bir Osmanlı aydını : Münif Paşa. Cağaloğlu, İstanbul : Kitabevi, 2004., Mango, A. J., " Münīf Pas̲h̲a," In EI2, İstanbul Üniversitesi Kütüphanesi, ms. TY 4422, İstanbul Üniversitesi Kütüphanesi, ms. TY 9363, İstanbul Arkeoloji Müzesi Kütüphanesi, ms. TY 401, Diba, Layla S. "Images of power and the power of images: intention and response in early Qajar painting (1785-1834)." In Royal Persian paintings: the Qajar epoch, 1785-1925, edited by Layla S. Diba with Maryam Ekhtiar (London: Tauris, in association with Brooklyn Museum of Art, 1998): 30-49., Royal Persian Paintings: The Qajar Epoch 1785-1925, edited by Layla S. Diba with Maryam Ekhtiar (London: Taurus in association with Brooklyn Museum of Art, 1998), no.38, p.174-5
Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer) Headpieces (layout features)
University of Michigan Library
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