Tefsir-i Cevahirü'l-asdaf

Name: Tefsir-i Cevahirü'l-asdaf
Author: Müftizade Hafız Hüseyin Rüştü, active 1799, مفتى زاده حافظ حسين رشدى،

İsim	Tefsir-i Cevahirü'l-asdaf
Yazar	Müftizade Hafız Hüseyin Rüştü, active 1799, مفتى زاده حافظ حسين رشدى،
Yazar Orijinal	مفتى زاده حافظ حسين رشدى،
Basım Tarihi:	1799
Basım Yeri	[Şebinkarahisar?] -
Konu	Qurʼan -- Commentaries -- Early works to 1800, Manuscripts, Turkish -- Michigan -- Ann Arbor
Tür	Kitap
Dil	tur, ota
Dijital	Hayır
Yazma	Evet
Fiziksel Boyutlar	216 leaves : paper ; 210 x 145 (160 x 95) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194742608
Kayıt Numarası	990068188180106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	1799
Notlar	Ms. codex., Title from inscription on 'title page' (p.1)., Incipit: "الحمد الله الذي انزل كلامه المتين بالروح الامين بلسان عربي مبين ليكون للعالمين بشيرا و نذيرا وانه لكتاب عزيز لا يأتيه الباطل من بين يديه ولا من خلفه تنزيل من حكيم حميد جلّ الله خبيرا ... اما بعد چون سلطان اعظم و پادشاه معظم ... سلطان بن سلطان السلطان ابو الفتح اسفنديار بن بايازيد خان خلد الله سلطانه ... اشارت قلديلر سلطان زادۀ اعظم ... ابراهيم چلبى ايچون ... بو ضعيف ... كلام الله تفسيرنى تركيجه ترجمه ايدم اولندن اخرنه ... ", Explicit: "من الجنة والناس جنيلردن دخى ادم اوغلنلرندن بعضلر ايدر شيطان ادمدن دخى اولورنجه كه جنيلردن اولور پس ايكسنيك دخى شرّندن الله صغنمق كركدر وحده لا شريك له", Colophon: "Scribal," triangular, reads "قد وقع الفراغ من تحرير هذ التفسير الشريف اللطيف بعون الله الملك المعين على يد احقر العباد اعنى به السيد حافظ حسين الرشدي العريف بمفتي زاده كاتب محكمۀ قره حصار شرقي من تلاميذ استاذ المكرّم المعروف بقرا خواجه افندي غفر الله له ولوالديه وهو الرابع من التفاسير التي كتبها بعون الله تعالى وقت العصر في يوم الخميس من ... شهر ذي القعدة الشريفة لسنه ثلث عشرة ومائتين والف من هجرة من له العز والشرف وقد كتبت هذا التفسير في عشرة اشهر مع كثرة اشتغال امور الدنيا خالصا لوجه الله الكريم ...م", Collation: i, 21 V(210), III (216), i ; almost exclusively quinions ; final leaf left blank ; oblique catchwords on the verso of each leaf ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written in 29 lines per page ; frame-ruled., Script: Naskh ; quite neatly formed, compact Otttoman hand in a narrow line ; serifed with right-sloping serifs on many ascenders (especially ṭāʼ, ẓāʼ, lām and free-standing alif), effect of inclination to the left, curvilinear descenders, pointing mainly in conjoined or distinct dots, some superscripting and free assimilation of letters (final nūn, final hāʼ with preceding rāʼ, etc.), point of final nūn usually assimilated with bowl ; Qurʼānic passages fully vocalized., Decoration: Elegant illuminated w-shaped headpiece (ʻunwān / sarlawḥ) at opening on p.2 on with vegetal designs of light blue, light pink, white, and orange flowers on field of gold and blue, set in a well consisting of a band of orange with black crosses and a band of yellow with red crosses and surmounted by delicate vertical stalks (tīgh) in blue separated by outlines of vegetal designs in red ; written area of incipit and facing page surrounded by frame consisting of a very thick gold band bordered by inner gold and black bands and outer fillets of black and red, with illuminated marginal decoration in large floral motifs surrounding the frame ; elsewhere written area surrounded by similar frame consisting of heavy gold band defined by black and red fillets ; Qūrʼānic passages and keywords rubricated ; illuminated marginal decorations in the form of rosettes, mandorlas, roundels and other forms with pink, turquoise, black, lavender, and red accents on fields of gold set off by vertical stalks (tīgh) in blue mark the opening of each juzʼ., Support: European laid paper of at least three types ; first, a type with roughly 10 laid lines per cm. (vertical) and chain lines (horizontal) spaced roughly 18 mm. apart, burnished, thin and crisp with watermark of a quadruped (possibly a lion) statant (see pp. 110-112, etc.) ; second, a type with roughly 10 laid lines per cm. (vertical) and chain lines (horizontal) spaced roughly 30 mm. apart, burnished, thick though crisp ; third, a type with roughly 10 laid lines per cm. (vertical) and chain lines (horizontal) spaced roughly 29 mm. apart, well burnished to glossy, thin and crisp with watermark of an eagle with wings displayed and surmounted by a crown (see pp. 424, 429, etc.) ; moisture damage pp.10-47 and to a lesser degree pp.52-89 ; text easily legible but ink stains tide lines visible., Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap) ; pastedowns and flyleaves in coated and textured (chevron pattern) wove paper in royal blue with a field of gold dots and eight-pointed stars ; upper and lower covers carry blind-stamped (with orange and gold painted onlays) mandorla (filled with vegetal composition, compare Déroche class. NSd 9), pendants and cornerpieces, surrounded by a band of stamped lozenges (with orange, red and gold painted paper onlays) defined by a band of gold-painted tooled discs and stamped chain design outlined in gold-painted bands ; design continues on envelope where two lozenges feature the inscription "لا يمسه الا المطهرون تنزيل من رب العالمين" and inscription on fore edge flap carries the signature of the illuminator / guilder (müzehhib) "ذهبه الحاج علي" ; sewn in gold-colored thread, two stations ; worked chevron endbands in red and white thread, good condition ; overall in fair condition with some abrasion, lifting and cracking of leather (especially at hinge), etc. ; repairs to the left side of the upper cover., Former shelfmark: "105 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf., Accompanying materials: Inserted slip of white wove paper with writing in dark red ink., Origin: As appears in colophon on p.429, copied by al-Sayyid Ḥāfiẓ Ḥusayn al-Rushdī known as Muftīʻzādah (Müftizade Hafız Hüseyin Rüştü / Rüşdî), secretary (kâtip) of the court (mahkeme) in Karahisar-i Şarki (Şebinkarahisar) with transcription completed in ten months (due to getting caught up in other "worldly affairs") on 5 [?] Dhū al-Qaʻdah 1213 [ca. 10 April 1799]. According to a note on the 'title page' (p.1) "بدأت فى غرۀ محرم ١٢١٣", the copyist began the transcript 1 Muḥarram 1213 [ca. 15 June 1798]. He also indicates in the colophon that this is the fourth tafsīr which he has copied., Fairly clean copy, only one or two marginal corrections., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 367
Örnek Metin	Elegant copy of a concise, anonymous commentary on the Qurʼān composed for Emir İsfendiyar b. Bayezit (d.1440) of the İsfendiyaroğlu of Kastamonu. Descriptive contributions from Nick Krabbenhoeft.
Katkıda Bulunanlar	Müftizade Hafız Hüseyin Rüştü, active 1799, scribe.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Cat. Turk. MSS. Brit. Mus. p.3, Ḥājjī Khalīfah. Kashf al-ẓunūn (ed. Istanbul, 1941), vol.1, 612, Mordtmann, J.H. "Isfendiyār Og̲h̲lu." In EI2, vol.IV, p.108, col.1
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).

Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library

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Michigan Üniversitesi Kütüphanesi

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Tefsir-i Cevahirü'l-asdaf

Yazar Müftizade Hafız Hüseyin Rüştü, active 1799, مفتى زاده حافظ حسين رشدى،

Yazar Orijinal مفتى زاده حافظ حسين رشدى،

Basım Tarihi 1799

Basım Yeri [Şebinkarahisar?] -

Konu Qurʼan -- Commentaries -- Early works to 1800, Manuscripts, Turkish -- Michigan -- Ann Arbor

Tür Kitap

Dil tur, ota

Dijital Hayır

Yazma Evet

Fiziksel Boyutlar 216 leaves : paper ; 210 x 145 (160 x 95) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194742608

Kayıt Numarası 990068188180106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih 1799

Notlar Ms. codex., Title from inscription on 'title page' (p.1)., Incipit: "الحمد الله الذي انزل كلامه المتين بالروح الامين بلسان عربي مبين ليكون للعالمين بشيرا و نذيرا وانه لكتاب عزيز لا يأتيه الباطل من بين يديه ولا من خلفه تنزيل من حكيم حميد جلّ الله خبيرا ... اما بعد چون سلطان اعظم و پادشاه معظم ... سلطان بن سلطان السلطان ابو الفتح اسفنديار بن بايازيد خان خلد الله سلطانه ... اشارت قلديلر سلطان زادۀ اعظم ... ابراهيم چلبى ايچون ... بو ضعيف ... كلام الله تفسيرنى تركيجه ترجمه ايدم اولندن اخرنه ... ", Explicit: "من الجنة والناس جنيلردن دخى ادم اوغلنلرندن بعضلر ايدر شيطان ادمدن دخى اولورنجه كه جنيلردن اولور پس ايكسنيك دخى شرّندن الله صغنمق كركدر وحده لا شريك له", Colophon: "Scribal," triangular, reads "قد وقع الفراغ من تحرير هذ التفسير الشريف اللطيف بعون الله الملك المعين على يد احقر العباد اعنى به السيد حافظ حسين الرشدي العريف بمفتي زاده كاتب محكمۀ قره حصار شرقي من تلاميذ استاذ المكرّم المعروف بقرا خواجه افندي غفر الله له ولوالديه وهو الرابع من التفاسير التي كتبها بعون الله تعالى وقت العصر في يوم الخميس من ... شهر ذي القعدة الشريفة لسنه ثلث عشرة ومائتين والف من هجرة من له العز والشرف وقد كتبت هذا التفسير في عشرة اشهر مع كثرة اشتغال امور الدنيا خالصا لوجه الله الكريم ...م", Collation: i, 21 V(210), III (216), i ; almost exclusively quinions ; final leaf left blank ; oblique catchwords on the verso of each leaf ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written in 29 lines per page ; frame-ruled., Script: Naskh ; quite neatly formed, compact Otttoman hand in a narrow line ; serifed with right-sloping serifs on many ascenders (especially ṭāʼ, ẓāʼ, lām and free-standing alif), effect of inclination to the left, curvilinear descenders, pointing mainly in conjoined or distinct dots, some superscripting and free assimilation of letters (final nūn, final hāʼ with preceding rāʼ, etc.), point of final nūn usually assimilated with bowl ; Qurʼānic passages fully vocalized., Decoration: Elegant illuminated w-shaped headpiece (ʻunwān / sarlawḥ) at opening on p.2 on with vegetal designs of light blue, light pink, white, and orange flowers on field of gold and blue, set in a well consisting of a band of orange with black crosses and a band of yellow with red crosses and surmounted by delicate vertical stalks (tīgh) in blue separated by outlines of vegetal designs in red ; written area of incipit and facing page surrounded by frame consisting of a very thick gold band bordered by inner gold and black bands and outer fillets of black and red, with illuminated marginal decoration in large floral motifs surrounding the frame ; elsewhere written area surrounded by similar frame consisting of heavy gold band defined by black and red fillets ; Qūrʼānic passages and keywords rubricated ; illuminated marginal decorations in the form of rosettes, mandorlas, roundels and other forms with pink, turquoise, black, lavender, and red accents on fields of gold set off by vertical stalks (tīgh) in blue mark the opening of each juzʼ., Support: European laid paper of at least three types ; first, a type with roughly 10 laid lines per cm. (vertical) and chain lines (horizontal) spaced roughly 18 mm. apart, burnished, thin and crisp with watermark of a quadruped (possibly a lion) statant (see pp. 110-112, etc.) ; second, a type with roughly 10 laid lines per cm. (vertical) and chain lines (horizontal) spaced roughly 30 mm. apart, burnished, thick though crisp ; third, a type with roughly 10 laid lines per cm. (vertical) and chain lines (horizontal) spaced roughly 29 mm. apart, well burnished to glossy, thin and crisp with watermark of an eagle with wings displayed and surmounted by a crown (see pp. 424, 429, etc.) ; moisture damage pp.10-47 and to a lesser degree pp.52-89 ; text easily legible but ink stains tide lines visible., Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap) ; pastedowns and flyleaves in coated and textured (chevron pattern) wove paper in royal blue with a field of gold dots and eight-pointed stars ; upper and lower covers carry blind-stamped (with orange and gold painted onlays) mandorla (filled with vegetal composition, compare Déroche class. NSd 9), pendants and cornerpieces, surrounded by a band of stamped lozenges (with orange, red and gold painted paper onlays) defined by a band of gold-painted tooled discs and stamped chain design outlined in gold-painted bands ; design continues on envelope where two lozenges feature the inscription "لا يمسه الا المطهرون تنزيل من رب العالمين" and inscription on fore edge flap carries the signature of the illuminator / guilder (müzehhib) "ذهبه الحاج علي" ; sewn in gold-colored thread, two stations ; worked chevron endbands in red and white thread, good condition ; overall in fair condition with some abrasion, lifting and cracking of leather (especially at hinge), etc. ; repairs to the left side of the upper cover., Former shelfmark: "105 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf., Accompanying materials: Inserted slip of white wove paper with writing in dark red ink., Origin: As appears in colophon on p.429, copied by al-Sayyid Ḥāfiẓ Ḥusayn al-Rushdī known as Muftīʻzādah (Müftizade Hafız Hüseyin Rüştü / Rüşdî), secretary (kâtip) of the court (mahkeme) in Karahisar-i Şarki (Şebinkarahisar) with transcription completed in ten months (due to getting caught up in other "worldly affairs") on 5 [?] Dhū al-Qaʻdah 1213 [ca. 10 April 1799]. According to a note on the 'title page' (p.1) "بدأت فى غرۀ محرم ١٢١٣", the copyist began the transcript 1 Muḥarram 1213 [ca. 15 June 1798]. He also indicates in the colophon that this is the fourth tafsīr which he has copied., Fairly clean copy, only one or two marginal corrections., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 367

Örnek Metin Elegant copy of a concise, anonymous commentary on the Qurʼān composed for Emir İsfendiyar b. Bayezit (d.1440) of the İsfendiyaroğlu of Kastamonu. Descriptive contributions from Nick Krabbenhoeft.

Katkıda Bulunanlar Müftizade Hafız Hüseyin Rüştü, active 1799, scribe.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript

Koleksiyonda Abdul Hamid Collection.

Referanslar Cat. Turk. MSS. Brit. Mus. p.3, Ḥājjī Khalīfah. Kashf al-ẓunūn (ed. Istanbul, 1941), vol.1, 612, Mordtmann, J.H. "Isfendiyār Og̲h̲lu." In EI2, vol.IV, p.108, col.1

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).