[Calligraphic specimen

Name: [Calligraphic specimen
Author: Şeyh Hamdullah, 1436 or 1437-1519 or 1520, شيخ حمد الله،

İsim	[Calligraphic specimen
Yazar	Şeyh Hamdullah, 1436 or 1437-1519 or 1520, شيخ حمد الله،
Yazar Orijinal	شيخ حمد الله،
Basım Tarihi:	1485
Basım Yeri	[Istanbul] -
Konu	Khosrow I, King of Persia, -579 -- Quotations, Hadith -- Texts -- Early works to 1800, Calligraphy, Ottoman -- Specimens, Calligraphy, Arabic -- Specimens, Writing, Arabic -- Specimens, Islamic calligraphy -- Specimens, Manuscripts, Arabic -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Arapça
Dijital	Evet
Yazma	Evet
Sayfa Sayısı	12
Fiziksel Boyutlar	12 panels : paper ; 238 x 175 (129 x 95) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194681588
Kayıt Numarası	990067963490106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	Possibly between 1485-1520
Notlar	Ms. codex., Title supplied by cataloguer., Incipit: [thuluth] "بسم الله الرحمن الرحيم قال النبي صلى الله عليه وسلم سئل كسرى انوشروان ما ..." ; [naskh] "بسم الله الرحمن الرحيم وبه ثقتي وسئل كسرى ما بالكم اليوم اذ كنتم احق بتعليم الناس اشد استغلالا بالتعلم ...", Explicit: [thuluth] "الخط الحسن نزهة العين وريحانة القلوب انه ولي الهداية والتوفيق" ; [naskh] "اذا استشرت الجاهل اختار لك الباطل", Colophon: "Scribal," reads: "كتبها حمد الله المعروف بابن الشيخ حامدا الله تعالى على نعمه ومصليا على نبيه محمد واله الطيبين الطاهرين اجمعين", Collation: Twelve 'panels' hinged together in accordion format ; panels are numbered on the verso with Hindu-Arabic numerals in black ink beginning with ٣., Layout: Written mainly in 6 or 9 lines per page, a large line of thuluth and 5 or 8 compact lines of naskh (alternating pages carrying 5 or 8 lines) with lines in thuluth and those in naskh constituting two distinct streams of text ; written area divided into upper panel accommodating the large line and centered lower panel accommodating the more compact lines ; 8 lines of naskh mainly written on the diagonal., Script: Exquisite specimen of Ottoman calligraphy ; large line of each page in thuluth ; lines of each page in naskh ; fully vocalized ; each continues a distinct stream of text., Decoration: Gold-flecked or painted decorative papers often flank lower panel carrying lines of naskh ; written area (and panels within) surrounded by frames consisting of gold and red-orange rules ; textual dividers in the form of illuminated rosettes., Support: Well-burnished laid paper (repaired in many places) pieced and set into an elaborate frame of decorative papers, the outermost being richly colored marbled paper of several types and adjacent to it a border of pieced colored papers, some also gold-flecked ; other decorative papers fill the remaining areas surrounding the text ; specimens and borders mounted on leaves of well-burnished European laid paper., Binding: Pasteboards covered in dark red-brown leather ; hinged together with red-brown leather in accordion format ; doublures in dark slate blue leather with border and area of mandorla and cornerpieces (on reverse) gold-flecked and lined in gold ; upper and lower covers carry superb stamped and gold-painted mandorla (filled with vegetal decoration, compare Déroche class. NSd 7), pendants and cornerpieces, along with gold-painted accents and tooled border in a series of s-shaped stamps approaching a guilloché roll ; overall in good condition with only minor abrasion and lifting of leather at board edges., Former shelfmark: "335 T. De M. [i.e. Tammaro De Marinis]" on verso of final panel ; "100" inscriped in pencil at opening., Origin: In colophon, attributed to "Ḥamd Allāh al-maʻrūf bi-Ibn al-Shaykh," Şeyh Hamdullah of Amasya, with date of transcription is not specified. Colophon is questionable though attribution for most of the kıta'lar is likely accurate would suggest completion in the late 15th or early 16th century. Pieced and mounted at a later date, even late 16th or 17th century, with some repairs and replacements supplied., Inscriptions in pencil at opening "100" and on verso of final panel "335 T. De M. [i.e. Tammaro De Marinis]" ; possible inventory mark also on verso of final panel ; clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 244
Örnek Metin	Superb album of calligraphy (muraqqaʻ or murakkaa) employing mainly hadīth pertaining to sentiments of Kisrá Anūshirvān (Khosrow or Khusraw I, d.579), with most of the kıt'alar executed by the celebrated Ottoman calligrapher Şeyh Hamdullah of Amasya (d.1520).
Katkıda Bulunanlar	Şeyh Hamdullah, 1436 or 1437-1519 or 1520, calligrapher.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. (New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998), pp.46-49., Serin, Muhittin. "Amerika Birleşik Devletleri'ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu," Akademik Araştırmalar Dergisi 2, 4-5, (2000)., Serin, Muhittin. Hat sanatı ve meşhur hattatlar. Istanbul : Kubbealtı Neşriyâtı, 1999, pp.99-108
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).

Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library

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Michigan Üniversitesi Kütüphanesi

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[Calligraphic specimen

Yazar Şeyh Hamdullah, 1436 or 1437-1519 or 1520, شيخ حمد الله،

Yazar Orijinal شيخ حمد الله،

Basım Tarihi 1485

Basım Yeri [Istanbul] -

Konu Khosrow I, King of Persia, -579 -- Quotations, Hadith -- Texts -- Early works to 1800, Calligraphy, Ottoman -- Specimens, Calligraphy, Arabic -- Specimens, Writing, Arabic -- Specimens, Islamic calligraphy -- Specimens, Manuscripts, Arabic -- Michigan -- Ann Arbor

Tür Kitap

Dil Arapça

Dijital Evet

Yazma Evet

Sayfa Sayısı 12

Fiziksel Boyutlar 12 panels : paper ; 238 x 175 (129 x 95) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194681588

Kayıt Numarası 990067963490106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih Possibly between 1485-1520

Notlar Ms. codex., Title supplied by cataloguer., Incipit: [thuluth] "بسم الله الرحمن الرحيم قال النبي صلى الله عليه وسلم سئل كسرى انوشروان ما ..." ; [naskh] "بسم الله الرحمن الرحيم وبه ثقتي وسئل كسرى ما بالكم اليوم اذ كنتم احق بتعليم الناس اشد استغلالا بالتعلم ...", Explicit: [thuluth] "الخط الحسن نزهة العين وريحانة القلوب انه ولي الهداية والتوفيق" ; [naskh] "اذا استشرت الجاهل اختار لك الباطل", Colophon: "Scribal," reads: "كتبها حمد الله المعروف بابن الشيخ حامدا الله تعالى على نعمه ومصليا على نبيه محمد واله الطيبين الطاهرين اجمعين", Collation: Twelve 'panels' hinged together in accordion format ; panels are numbered on the verso with Hindu-Arabic numerals in black ink beginning with ٣., Layout: Written mainly in 6 or 9 lines per page, a large line of thuluth and 5 or 8 compact lines of naskh (alternating pages carrying 5 or 8 lines) with lines in thuluth and those in naskh constituting two distinct streams of text ; written area divided into upper panel accommodating the large line and centered lower panel accommodating the more compact lines ; 8 lines of naskh mainly written on the diagonal., Script: Exquisite specimen of Ottoman calligraphy ; large line of each page in thuluth ; lines of each page in naskh ; fully vocalized ; each continues a distinct stream of text., Decoration: Gold-flecked or painted decorative papers often flank lower panel carrying lines of naskh ; written area (and panels within) surrounded by frames consisting of gold and red-orange rules ; textual dividers in the form of illuminated rosettes., Support: Well-burnished laid paper (repaired in many places) pieced and set into an elaborate frame of decorative papers, the outermost being richly colored marbled paper of several types and adjacent to it a border of pieced colored papers, some also gold-flecked ; other decorative papers fill the remaining areas surrounding the text ; specimens and borders mounted on leaves of well-burnished European laid paper., Binding: Pasteboards covered in dark red-brown leather ; hinged together with red-brown leather in accordion format ; doublures in dark slate blue leather with border and area of mandorla and cornerpieces (on reverse) gold-flecked and lined in gold ; upper and lower covers carry superb stamped and gold-painted mandorla (filled with vegetal decoration, compare Déroche class. NSd 7), pendants and cornerpieces, along with gold-painted accents and tooled border in a series of s-shaped stamps approaching a guilloché roll ; overall in good condition with only minor abrasion and lifting of leather at board edges., Former shelfmark: "335 T. De M. [i.e. Tammaro De Marinis]" on verso of final panel ; "100" inscriped in pencil at opening., Origin: In colophon, attributed to "Ḥamd Allāh al-maʻrūf bi-Ibn al-Shaykh," Şeyh Hamdullah of Amasya, with date of transcription is not specified. Colophon is questionable though attribution for most of the kıta'lar is likely accurate would suggest completion in the late 15th or early 16th century. Pieced and mounted at a later date, even late 16th or 17th century, with some repairs and replacements supplied., Inscriptions in pencil at opening "100" and on verso of final panel "335 T. De M. [i.e. Tammaro De Marinis]" ; possible inventory mark also on verso of final panel ; clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 244

Örnek Metin Superb album of calligraphy (muraqqaʻ or murakkaa) employing mainly hadīth pertaining to sentiments of Kisrá Anūshirvān (Khosrow or Khusraw I, d.579), with most of the kıt'alar executed by the celebrated Ottoman calligrapher Şeyh Hamdullah of Amasya (d.1520).

Katkıda Bulunanlar Şeyh Hamdullah, 1436 or 1437-1519 or 1520, calligrapher.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. (New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998), pp.46-49., Serin, Muhittin. "Amerika Birleşik Devletleri'ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu," Akademik Araştırmalar Dergisi 2, 4-5, (2000)., Serin, Muhittin. Hat sanatı ve meşhur hattatlar. Istanbul : Kubbealtı Neşriyâtı, 1999, pp.99-108

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).