[Yūsuf va Zulaykhā

Name: [Yūsuf va Zulaykhā
Author: Jāmī, 1414-1492, جامي, Ḥasan Mashhadī, active 1637, حسن مشهدی،, Muʻīn Muṣavvir, -approximately 1698, معین مصور،

İsim	[Yūsuf va Zulaykhā
Yazar	Jāmī, 1414-1492, جامي, Ḥasan Mashhadī, active 1637, حسن مشهدی،, Muʻīn Muṣavvir, -approximately 1698, معین مصور،
Yazar Orijinal	جامي حسن مشهدی، معین مصور،
Basım Tarihi:	1637
Konu	Persian poetry -- 747-1500, Manuscripts, Persian -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Farsça
Dijital	Hayır
Yazma	Evet
Fiziksel Boyutlar	114 leaves : paper ; 266 x 175 (218-226 x 92-134) mm. bound to 271 x 175 mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194740467
Kayıt Numarası	990068187620106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	1637
Notlar	Ms. codex., Title supplied by cataloguer., Incipit: "بجوی [به جوی] رفته باز آورد آبش وز آن شد تازه گلزک [گلزار] شبابش", Explicit: "زبان را گوشمال خامشی ده که هست از هر چه گویی خامشی به", Colophon: Triangular, reads "تمت الکتاب بعون الملك الوهاب این چند کلمه شکسته بسته حسب الفرموده وقف [؟] پناه معینای نقاش در بیست و چهارم شهر ذا الحجه الحرام نوشته شد سنه ١٠۴۶ غریب مهجور حسن مشهدی م م م م م م ", Collation: ii, IV-1 (7), IV (15), V (25), IV (33), 2 VI(57), 5 V(107), IV-1 (114), ii ; now many quinions, quaternions and senions ; catchwords originally present but now lost to damage ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written in 18 lines per page with written area divided to two columns ; frame-ruled., Script: Nastaʻlīq ; clear, careful hand in a medium line ; characteristically serifless with effect of words gently descending to baseline, marked elongation and contrasting thickness of horizontal strokes (particularly sīn, shīn, tāʼ, horizontal stroke / foot of kāf, etc.), pointing often in strokes or conjoined dots, shaqq / sar kash of kāf sweeping, bowl of final and free-standing nūn fairly narrow and deep with point sometimes set down within or nearly contiguous with bowl., Decoration: Written area surrounded by gold frame with outermost blue fillet ; columns within defined by red rules ; section headings rubricated or occasionally in blue ink ; illustrated with 13 exquisite miniature paintings in the style of Safavid Isfahan, including: Yūsuf tending the sheep (p.22), Yūsuf praying for the aged Zulaykhā (p.40), Yūsuf for sale on the slave market (p.49), Yūsuf with his brothers (p.68), Yūsuf being lifted out of the pit (p.74), Zulaykhā peering out of the tent to behold the ruler of Egypt (p.128), Zulaykhā arriving to Egypt with the ruler of Egypt while the Egyptians come out with gifts (p.132), the court women of Egypt overcome by Yūsuf's beauty (p.146), Zulaykhā and her nursemaid go at night to the prison where Yūsuf is praying (p.160), Zulaykhā pursuing Yūsuf in the palace (p.165), the infant speaks in defense of Yūsuf (p.180), Yūsuf at prayer in prison when the ruler of Egypt requests his interpretation of his dream (p.190), the anguished and aged Zulaykhā living in a reed hut and worshiping her idol (p.207)., Support: European laid paper in several types ; one type with 10 laid lines per cm. (horizontal), chain lines spaced 24-27 mm. apart (vertical) and watermark of eagle with wings spread and crown above (see p.4, 6, 226, etc. reminiscent of Heawood no.1253) ; another type with 12 laid lines per cm. (horizontal), chain lines spaced 22 mm. apart (vertical), and watermark of crozier in shield / arms with fleur-de-lis and crown above (see p.12, 46, 56, 71, etc. and compare Heawood no.1201) ; another type with 9 laid lines per cm. (horizontal), chain lines only faintly visible and watermark of glove / hand with cuff (roughly 40 mm. tall, see p.14, 32, 88, 162, etc.) ; another type with larger glove / hand watermark (roughly 60 mm. tall, see p.92, 96, 102, 118, etc.), 9 laid lines per cm. (horizontal) and distinct chain lines spaced 25 mm. apart ; still further types with three different examples of the cross in inverted teardrop shape watermark (compare Croix nos.1-2, 45 in Velkov, Les filigranes dans les documents ottomans), mainly with no additional motif (see p.58, 70, 120, 126, etc., 10 laid lines per cm., chain lines spaced 25-27 mm. apart) but also with "BP" below (see p.60, 134, etc., 11-12 laid lines per cm., chain lines spaced 25 mm. apart) and additional motifs above and below (see p.164, 174, etc.) ; pastedowns and flyleaves in another European laid paper with roughly 9 laid lines per cm. (horizontal), chain lines spaced 26 mm. apart (vertical), and three crescents watermark (65 mm. long, perpendicular to chains, see front flyleaf) ; extensive repairs (fills, etc.) in wove paper ; moisture damage, losses to acid burn and possibly fire., Binding: Boards covered in brown leather ; Type III binding (without flap) ; pastedowns and flyleaves in block-printed paper (faux marbled design in blue, yellow, green and red) ; upper and lower covers carry stamped and gold-painted mandorla (filled with symmetrical vegetal composition) and pendants as well as tooled and gold-painted accents and border in greek key design ; now sewn in white thread, four stations ; worked chevron endbands in red and white ; overall in fairly good condition with some abrasion, staining, etc. ; ill-fitting and likely not original to text block., Former shelfmark: "539" in pencil on verso of front flyleaf., Accompanying materials: According to catalogue card, once contained slip with "Divan par Gharib Mahadjour l'an. 1036.", Origin: As appears in colophon at close on p.228, paintings attributed to Āqā Muʻīnā-yī Naqqāsh. Likely copied by Ḥasan Mashhadī and completed 24 Dhū al- Ḥijjah 1046 [ca. 19 May 1637]., Small rectangular seal impression on p.185 ; scribal verses flanking colophon "گر بهم بر زده بینی خط من عیب مکن که مرا گردش ایام بهم بر زده است" ; small oval seal impression (now effaced) below colophon ; statement at close in name Muḥammad Ṣāliḥ son of Ḥājj Amīn (محمد صالح ولد مرحوم حاج امين) reads "این نوشتم تا بماند یادگار من نمانم خط بماند روزگار این خط محمد صالح ولد مرحوم حاج امین" ; fairly clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 358
Örnek Metin	Fine though acephalous, extensively damaged and repaired copy of Yūsuf va Zulaykhā, the fifth of the seven mas̲navīs of Jāmī (d.1492) collected under the title Haft awrang, illustrated with 13 exquisite illustrations attributed to the Safavid painter Muʻīn Muṣavvir (d. ca. 1698).
Katkıda Bulunanlar	Ḥasan Mashhadī, active 1637, scribe., Muʻīn Muṣavvir, -approximately 1698, illustrator.
Son Dizinleme Tarihi	20251211
Biçim	Book, Manuscript
Koleksiyonda	Abdul Hamid Collection.
Referanslar	University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI, 1967), no.49, p.13, Farhad, Massumeh. "The Art of Mu'in Musavvir: a mirror of his times." In Persian masters: five centuries of painting, edited by Sheila Canby (Bombay: Marg Publications, c1990): 113-128., Brosh, Na'ama and Rachel Milstein. Biblical stories in Islamic painting. Jerusalem: The Israel Museum, 1991., Velkov, Asparouh. Les Filigranes dans les documents Ottomans: divers types d'images. Sofia: Éditions "Texte - A. Trayanov", 2005., Heawood, Edward. Watermarks mainly of the 17th and 18th centuries. Hilversum: The Paper Publications Society, 1950 (Monumenta Chartae Papyraceae, vol. I)
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).

Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library

Aramaya Dön

Michigan Üniversitesi Kütüphanesi

Kaynağa git

[Yūsuf va Zulaykhā

Yazar Jāmī, 1414-1492, جامي, Ḥasan Mashhadī, active 1637, حسن مشهدی،, Muʻīn Muṣavvir, -approximately 1698, معین مصور،

Yazar Orijinal جامي حسن مشهدی، معین مصور،

Basım Tarihi 1637

Konu Persian poetry -- 747-1500, Manuscripts, Persian -- Michigan -- Ann Arbor

Tür Kitap

Dil Farsça

Dijital Hayır

Yazma Evet

Fiziksel Boyutlar 114 leaves : paper ; 266 x 175 (218-226 x 92-134) mm. bound to 271 x 175 mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194740467

Kayıt Numarası 990068187620106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih 1637

Notlar Ms. codex., Title supplied by cataloguer., Incipit: "بجوی [به جوی] رفته باز آورد آبش وز آن شد تازه گلزک [گلزار] شبابش", Explicit: "زبان را گوشمال خامشی ده که هست از هر چه گویی خامشی به", Colophon: Triangular, reads "تمت الکتاب بعون الملك الوهاب این چند کلمه شکسته بسته حسب الفرموده وقف [؟] پناه معینای نقاش در بیست و چهارم شهر ذا الحجه الحرام نوشته شد سنه ١٠۴۶ غریب مهجور حسن مشهدی م م م م م م ", Collation: ii, IV-1 (7), IV (15), V (25), IV (33), 2 VI(57), 5 V(107), IV-1 (114), ii ; now many quinions, quaternions and senions ; catchwords originally present but now lost to damage ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written in 18 lines per page with written area divided to two columns ; frame-ruled., Script: Nastaʻlīq ; clear, careful hand in a medium line ; characteristically serifless with effect of words gently descending to baseline, marked elongation and contrasting thickness of horizontal strokes (particularly sīn, shīn, tāʼ, horizontal stroke / foot of kāf, etc.), pointing often in strokes or conjoined dots, shaqq / sar kash of kāf sweeping, bowl of final and free-standing nūn fairly narrow and deep with point sometimes set down within or nearly contiguous with bowl., Decoration: Written area surrounded by gold frame with outermost blue fillet ; columns within defined by red rules ; section headings rubricated or occasionally in blue ink ; illustrated with 13 exquisite miniature paintings in the style of Safavid Isfahan, including: Yūsuf tending the sheep (p.22), Yūsuf praying for the aged Zulaykhā (p.40), Yūsuf for sale on the slave market (p.49), Yūsuf with his brothers (p.68), Yūsuf being lifted out of the pit (p.74), Zulaykhā peering out of the tent to behold the ruler of Egypt (p.128), Zulaykhā arriving to Egypt with the ruler of Egypt while the Egyptians come out with gifts (p.132), the court women of Egypt overcome by Yūsuf's beauty (p.146), Zulaykhā and her nursemaid go at night to the prison where Yūsuf is praying (p.160), Zulaykhā pursuing Yūsuf in the palace (p.165), the infant speaks in defense of Yūsuf (p.180), Yūsuf at prayer in prison when the ruler of Egypt requests his interpretation of his dream (p.190), the anguished and aged Zulaykhā living in a reed hut and worshiping her idol (p.207)., Support: European laid paper in several types ; one type with 10 laid lines per cm. (horizontal), chain lines spaced 24-27 mm. apart (vertical) and watermark of eagle with wings spread and crown above (see p.4, 6, 226, etc. reminiscent of Heawood no.1253) ; another type with 12 laid lines per cm. (horizontal), chain lines spaced 22 mm. apart (vertical), and watermark of crozier in shield / arms with fleur-de-lis and crown above (see p.12, 46, 56, 71, etc. and compare Heawood no.1201) ; another type with 9 laid lines per cm. (horizontal), chain lines only faintly visible and watermark of glove / hand with cuff (roughly 40 mm. tall, see p.14, 32, 88, 162, etc.) ; another type with larger glove / hand watermark (roughly 60 mm. tall, see p.92, 96, 102, 118, etc.), 9 laid lines per cm. (horizontal) and distinct chain lines spaced 25 mm. apart ; still further types with three different examples of the cross in inverted teardrop shape watermark (compare Croix nos.1-2, 45 in Velkov, Les filigranes dans les documents ottomans), mainly with no additional motif (see p.58, 70, 120, 126, etc., 10 laid lines per cm., chain lines spaced 25-27 mm. apart) but also with "BP" below (see p.60, 134, etc., 11-12 laid lines per cm., chain lines spaced 25 mm. apart) and additional motifs above and below (see p.164, 174, etc.) ; pastedowns and flyleaves in another European laid paper with roughly 9 laid lines per cm. (horizontal), chain lines spaced 26 mm. apart (vertical), and three crescents watermark (65 mm. long, perpendicular to chains, see front flyleaf) ; extensive repairs (fills, etc.) in wove paper ; moisture damage, losses to acid burn and possibly fire., Binding: Boards covered in brown leather ; Type III binding (without flap) ; pastedowns and flyleaves in block-printed paper (faux marbled design in blue, yellow, green and red) ; upper and lower covers carry stamped and gold-painted mandorla (filled with symmetrical vegetal composition) and pendants as well as tooled and gold-painted accents and border in greek key design ; now sewn in white thread, four stations ; worked chevron endbands in red and white ; overall in fairly good condition with some abrasion, staining, etc. ; ill-fitting and likely not original to text block., Former shelfmark: "539" in pencil on verso of front flyleaf., Accompanying materials: According to catalogue card, once contained slip with "Divan par Gharib Mahadjour l'an. 1036.", Origin: As appears in colophon at close on p.228, paintings attributed to Āqā Muʻīnā-yī Naqqāsh. Likely copied by Ḥasan Mashhadī and completed 24 Dhū al- Ḥijjah 1046 [ca. 19 May 1637]., Small rectangular seal impression on p.185 ; scribal verses flanking colophon "گر بهم بر زده بینی خط من عیب مکن که مرا گردش ایام بهم بر زده است" ; small oval seal impression (now effaced) below colophon ; statement at close in name Muḥammad Ṣāliḥ son of Ḥājj Amīn (محمد صالح ولد مرحوم حاج امين) reads "این نوشتم تا بماند یادگار من نمانم خط بماند روزگار این خط محمد صالح ولد مرحوم حاج امین" ; fairly clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 358

Örnek Metin Fine though acephalous, extensively damaged and repaired copy of Yūsuf va Zulaykhā, the fifth of the seven mas̲navīs of Jāmī (d.1492) collected under the title Haft awrang, illustrated with 13 exquisite illustrations attributed to the Safavid painter Muʻīn Muṣavvir (d. ca. 1698).

Katkıda Bulunanlar Ḥasan Mashhadī, active 1637, scribe., Muʻīn Muṣavvir, -approximately 1698, illustrator.

Son Dizinleme Tarihi 20251211

Biçim Book, Manuscript

Koleksiyonda Abdul Hamid Collection.

Referanslar University of Michigan Library. Manuscripts & papyri : an exhibition arranged for the XXVII International Congress of Orientalists, Ann Arbor, Michigan, August 13-19, 1967. (Ann Arbor, MI, 1967), no.49, p.13, Farhad, Massumeh. "The Art of Mu'in Musavvir: a mirror of his times." In Persian masters: five centuries of painting, edited by Sheila Canby (Bombay: Marg Publications, c1990): 113-128., Brosh, Na'ama and Rachel Milstein. Biblical stories in Islamic painting. Jerusalem: The Israel Museum, 1991., Velkov, Asparouh. Les Filigranes dans les documents Ottomans: divers types d'images. Sofia: Éditions "Texte - A. Trayanov", 2005., Heawood, Edward. Watermarks mainly of the 17th and 18th centuries. Hilversum: The Paper Publications Society, 1950 (Monumenta Chartae Papyraceae, vol. I)

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).