Siyer-i Veysî ma Zeyl-i Nabi

Name: Siyer-i Veysî ma Zeyl-i Nabi
Author: Veysî, 1561-1628, اويس بن محمد آلاشهري ويسي, Nabi, 1641 or 1642-1712, نابي

İsim	Siyer-i Veysî ma Zeyl-i Nabi
Yazar	Veysî, 1561-1628, اويس بن محمد آلاشهري ويسي, Nabi, 1641 or 1642-1712, نابي
Yazar Orijinal	اويس بن محمد آلاشهري ويسي نابي
Basım Tarihi:	1700
Konu	Muḥammad, Prophet, -632 -- Early works to 1800, Manuscripts, Turkish -- Michigan -- Ann Arbor
Tür	Kitap
Dil	tur, ota
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	340 leaves : paper ; 242 x 145 (173 x 75) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1354989006
Kayıt Numarası	990068188280106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	18th century (exact date unknown)
Notlar	Ms. codex., Title from opening of added table of contents (p.2)., Incipit: [Siyer-i Veysî] "كنون وقتست كزكلك سخن كوى بسوى ذكر پيغمبر نهم روى" ; [Zeyl-i Nabi] "يا رب سحاب فيضى باران ايله اول فيضله كشت كامى ريان ايله ...", Explicit: [Siyer-i Veysî] "جناب پيغمبرى اولمديغنه دليل جليل لا ينتطح فيه عنزان نابفه سيله [؟] تسليت بخش خاطر عمير اولدقلريدر والله تعالى اعلم بحقايق الامور" ; [Zeyl-i Nabi] "اشتماليله اعلاى درجات امتيازده جلو كر قلنمق شيوۀ خفيۀ تقديردن مستبعد دكلدر والله تعالى اعلم", Collation: i, 34 V(340), ii ; exclusively quinions ; catchwords present ; foliation in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization., Layout: Written in 21 lines per page ; frame-ruled., Script: Nastaʻlīq (talik) ; elegant Turkish hand ; serifless with slight effect of words descending to baseline, elongation of horizontal strokes, mainly closed counters, pointing in conjoined dots ; partially vocalized., Decoration: Brilliant illuminated headpiece (ʻunwān / sarlawḥ) at opening of Siyer-i Veysî on p.20, consisting of rectangular piece with empty gold cartouche flanked by floral motifs in pink, orange, red and yellow on fields of gold, surmounted by scalloped w-shaped piece filled with swirling floral vegetal composition in gold, pale green, pink, yellow, red, etc. on a gold ground, itself surmounted by elaborate vertical stalks (tīgh) in blue with gold and red accents, entire piece set in a well consisting of bands of red with white accents, pink with red accents, and gold interlace ; another illuminated headpiece at opening of second part of Siyer-i Veysî on p.178 ; still another superb illuminated headpiece (ʻunwān / sarlawḥ) at opening of Zeyl-i Nabi on p.320, consisting of rectangular piece with empty gold cartouche flanked by floral motifs in gold and pink, surmounted by scalloped w-shaped piece filled with swirling floral vegetal composition in gold, pale green, pink, orange, etc. on a gold ground, itself surmounted by elaborate vertical stalks (tīgh) in blue with gold and red accents, entire piece set in a well consisting of bands of red with white accents, pink with red accents, and heavy gold interlace ; written area surrounded by heavy gold frame defined by black fillets, divisions within (poetic passages, etc.) defined by narrow faint gold bands outlined by black fillets ; section headings, key words and passages, and occasional vocalization rubricated or overlined in red ; textual dividers in the form of red inverted commas., Support: non-European laid paper with 9 laid lines per cm. (mainly vertical, curved, fairly distinct) and irregular chain lines occasionally visible, some inclusions, beige in color, crisp and transluscent though quite sturdy, highly burnished ; added table of contents mainly on European wove paper, well-burnished (burnisher's marks visible) ; partial offset of upper portion of headpiece in margin of incipit facing page (p.21) ; flyleaves in European laid paper., Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; pastedowns and flyleaves in gold-flecked yellow-tinted paper ; upper and lower covers carry exquisite stamped (with gold-painted orange recessed onlays) mandorla (filled with symmetrical vegetal composition incorporating chī clouds, compare Déroche class. NSd), pendants and cornerpieces with tooled and gold-painted accents (rosettes, strokes, etc.) as well as elaborate guilloché roll borders built up from a series of s-shaped stamps and defined by gold fillets ; sewn in dark pink thread, two stations ; worked chevron endbands in dark pink and thread and with gold sheed, good condition ; overall in fairly good condition with minor abrasion, etc. ; subtle repair to fore edge flap., Former shelfmark: "464 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "٤٥٠" also on verso of front flyleaf., Origin: Lacks dated colophon ; dated inscription on recto of second front flyleaf provides a rough terminus ante quem of 1796 ; paper, decoration, etc. also suggest late 18th century., Inscription on recto of second front flyleaf dated 1 Jumādá I 1211 [ca. 2 November 1796] ; occasional marginal corrections., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 377
Örnek Metin	Elegant copy of Veysî's (d.1628) work on the sīrah of the Prophet through the battle of Badr in two parts, followed by the continuation (dhayl / zeyl) composed by Nâbî (d.1712). Table of contents on added leaves at opening (pp.2-11). Contribution to the cataloguing from H. Mottaghi.
Katkıda Bulunanlar	Nabi, 1641 or 1642-1712. Zeyl-i Nabi.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Ḥājjī Khalīfah. Kashf al-ẓunūn, iii 201, Brit. Mus. Cat. Turkish MSS., p.37, Fihris al-makhṭūṭāt al-Turkīyah al-ʻUthmānīyah allatī iqtanatʹhā Dār al-Kutub al-Qawmīyah mundhu ʻām 1870 ḥattá nihāyat 1980, vol.2, p.27 ff.
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer)	Headpieces (layout features)

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Siyer-i Veysî ma Zeyl-i Nabi

Yazar Veysî, 1561-1628, اويس بن محمد آلاشهري ويسي, Nabi, 1641 or 1642-1712, نابي

Yazar Orijinal اويس بن محمد آلاشهري ويسي نابي

Basım Tarihi 1700

Konu Muḥammad, Prophet, -632 -- Early works to 1800, Manuscripts, Turkish -- Michigan -- Ann Arbor

Tür Kitap

Dil tur, ota

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 340 leaves : paper ; 242 x 145 (173 x 75) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1354989006

Kayıt Numarası 990068188280106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih 18th century (exact date unknown)

Notlar Ms. codex., Title from opening of added table of contents (p.2)., Incipit: [Siyer-i Veysî] "كنون وقتست كزكلك سخن كوى بسوى ذكر پيغمبر نهم روى" ; [Zeyl-i Nabi] "يا رب سحاب فيضى باران ايله اول فيضله كشت كامى ريان ايله ...", Explicit: [Siyer-i Veysî] "جناب پيغمبرى اولمديغنه دليل جليل لا ينتطح فيه عنزان نابفه سيله [؟] تسليت بخش خاطر عمير اولدقلريدر والله تعالى اعلم بحقايق الامور" ; [Zeyl-i Nabi] "اشتماليله اعلاى درجات امتيازده جلو كر قلنمق شيوۀ خفيۀ تقديردن مستبعد دكلدر والله تعالى اعلم", Collation: i, 34 V(340), ii ; exclusively quinions ; catchwords present ; foliation in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization., Layout: Written in 21 lines per page ; frame-ruled., Script: Nastaʻlīq (talik) ; elegant Turkish hand ; serifless with slight effect of words descending to baseline, elongation of horizontal strokes, mainly closed counters, pointing in conjoined dots ; partially vocalized., Decoration: Brilliant illuminated headpiece (ʻunwān / sarlawḥ) at opening of Siyer-i Veysî on p.20, consisting of rectangular piece with empty gold cartouche flanked by floral motifs in pink, orange, red and yellow on fields of gold, surmounted by scalloped w-shaped piece filled with swirling floral vegetal composition in gold, pale green, pink, yellow, red, etc. on a gold ground, itself surmounted by elaborate vertical stalks (tīgh) in blue with gold and red accents, entire piece set in a well consisting of bands of red with white accents, pink with red accents, and gold interlace ; another illuminated headpiece at opening of second part of Siyer-i Veysî on p.178 ; still another superb illuminated headpiece (ʻunwān / sarlawḥ) at opening of Zeyl-i Nabi on p.320, consisting of rectangular piece with empty gold cartouche flanked by floral motifs in gold and pink, surmounted by scalloped w-shaped piece filled with swirling floral vegetal composition in gold, pale green, pink, orange, etc. on a gold ground, itself surmounted by elaborate vertical stalks (tīgh) in blue with gold and red accents, entire piece set in a well consisting of bands of red with white accents, pink with red accents, and heavy gold interlace ; written area surrounded by heavy gold frame defined by black fillets, divisions within (poetic passages, etc.) defined by narrow faint gold bands outlined by black fillets ; section headings, key words and passages, and occasional vocalization rubricated or overlined in red ; textual dividers in the form of red inverted commas., Support: non-European laid paper with 9 laid lines per cm. (mainly vertical, curved, fairly distinct) and irregular chain lines occasionally visible, some inclusions, beige in color, crisp and transluscent though quite sturdy, highly burnished ; added table of contents mainly on European wove paper, well-burnished (burnisher's marks visible) ; partial offset of upper portion of headpiece in margin of incipit facing page (p.21) ; flyleaves in European laid paper., Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; pastedowns and flyleaves in gold-flecked yellow-tinted paper ; upper and lower covers carry exquisite stamped (with gold-painted orange recessed onlays) mandorla (filled with symmetrical vegetal composition incorporating chī clouds, compare Déroche class. NSd), pendants and cornerpieces with tooled and gold-painted accents (rosettes, strokes, etc.) as well as elaborate guilloché roll borders built up from a series of s-shaped stamps and defined by gold fillets ; sewn in dark pink thread, two stations ; worked chevron endbands in dark pink and thread and with gold sheed, good condition ; overall in fairly good condition with minor abrasion, etc. ; subtle repair to fore edge flap., Former shelfmark: "464 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "٤٥٠" also on verso of front flyleaf., Origin: Lacks dated colophon ; dated inscription on recto of second front flyleaf provides a rough terminus ante quem of 1796 ; paper, decoration, etc. also suggest late 18th century., Inscription on recto of second front flyleaf dated 1 Jumādá I 1211 [ca. 2 November 1796] ; occasional marginal corrections., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 377

Örnek Metin Elegant copy of Veysî's (d.1628) work on the sīrah of the Prophet through the battle of Badr in two parts, followed by the continuation (dhayl / zeyl) composed by Nâbî (d.1712). Table of contents on added leaves at opening (pp.2-11). Contribution to the cataloguing from H. Mottaghi.

Katkıda Bulunanlar Nabi, 1641 or 1642-1712. Zeyl-i Nabi.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Ḥājjī Khalīfah. Kashf al-ẓunūn, iii 201, Brit. Mus. Cat. Turkish MSS., p.37, Fihris al-makhṭūṭāt al-Turkīyah al-ʻUthmānīyah allatī iqtanatʹhā Dār al-Kutub al-Qawmīyah mundhu ʻām 1870 ḥattá nihāyat 1980, vol.2, p.27 ff.

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).

Konular (Diğer) Headpieces (layout features)