Kitāb-i Tuhfat al-aḥrār

Name: Kitāb-i Tuhfat al-aḥrār
Author: Jāmī, 1414-1492, جامي

İsim	Kitāb-i Tuhfat al-aḥrār
Yazar	Jāmī, 1414-1492, جامي
Yazar Orijinal	جامي
Basım Tarihi:	1568
Konu	Persian poetry -- 747-1500, Masnavis, Persian -- Early works to 1800, Sufi poetry, Persian -- Early works to 1800, Manuscripts, Persian -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Farsça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	63 leaves ([128] p.) : paper ; 227 x 123 (142 x 61) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	81282234
Kayıt Numarası	990052336590106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	1568
Notlar	Ms. codex., Title from illuminated headpiece (ʻunwān / sarlawḥ) at opening., Incipit: "حامدا لمن جعل جنان کل عارف مخزن اسرار كماله ولسان کل واضح مطلع انوار جماله ...", Explicit: "مهر نه خاتمۀ این خطاب شد رقم خاتم تم الکتاب ", Colophon: "Scribal," triangular, mainly in Arabic, reads: "والحمد لله الكريم الجواد والصلوة على محمد وآله خير العباد وسلم تسليما كثيرا كثيرا فى تاريخ ١٧ شعبان المعظم سنه ٩٧٥ تم تم تم تم تم تم", Collation: i, 7 IV(56), IV-1 (63) ; exclusively quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes front flyleaf)., Layout: Written in 15 lines per page ; frame-ruled., Script: Text written in black nastaʻlīq script (contribution by D. Mancini-Lander)., Decoration: Exquisite illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.4 consisting of rectangular piece with gold cartouche (overlaid with delicate black vegetal designs) carrying title in white riqāʻ "کتاب تحفة الاحرار" set off by similar pendants and accent pieces in black and red on a lapis lazuli ground all covered with swirling vegetal designs in gold with red, yellow, and white floral accents, surrounded by a heavy band of gold interlace defined by red and white (with black crosses) and surmounted by a heavy band of black with further swirling vegetal designs, itself surmounted by a framed triangular piece or hasp in gold and lapis lazuli with similar swirling vegetal designs, all surmounted by vertical stalks (tīgh) in lapis lazuli ; headings and keywords rubricated ; written area surrounded by frame of gold with turquoise and blue rules., Support: non-European (likely Persian) laid paper with 7-8 laid lines per cm. (vertical, curved and somewhat indistinct) and no chain lines clearly visible, well-burnished, dark cream in color ; staining and tide lines., Binding: Pasteboards covered in dark brown leather ; Type III binding (without flap) ; doublures in marbled paper (mainly in pale orange and dark blue) ; upper and lower covers carry stamped and gold-painted mandorla (filled with assymetrical vegetal composition, compare Déroche class. OAi2 1) and pendants as well as gold-painted accents, tooled rosettes and tooled borders (single rule and series of s-shaped stamps) ; sewn in cream thread, two stations ; worked chevron endbands in pale green and brown, fair condition with some damage ; overall in somewhat poor condition with abrasion, lifting and losses of leather, losses at board corners, etc. ; repairs (rehinged) in pink paper., Accompanying materials: Scrap with line in pencil "ديوان شاه نقشبندى قدس سره" (paginated pp.32A-32B)., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 334, Origin: As appears in colophon on p.126, transcription completed 17 Shaʻbān 975 [ca. 16 February 1568]. Authorial colophon preceding scribal colophon (also on p.126) indicates that composition was completed in Ramaḍān (و اتمام انتظام اين نسخه در ماه تسبيح وشهر تراويح منتظم در سلك شهور سنه سته وثمانين وثمان مايه لا زال مباركا على فيه اتفاق افتاد) 886 [1481]., Effaced ownership statement on front flyleaf (p.1) ; ownership statement and octagonal seal impression (both mostly effaced) on 'title page' (p.3) ; scalloped almond-shaped seal impression in upper margin of incipit page (p.4).
Örnek Metin	Tuhfat al-Aḥrār, composed in 886/1481, is the third of seven masnavīs (long poem in rhymed couplets) that make up Jāmī's Haft Awrang (Seven Thrones). This work is a didactic poem, presenting ethical and moral advice in twenty discourses, each accompanied by illustrative anecdotes. The final discourse offers counsel to the poet's own son (contribution by D. Mancini-Lander).
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Browne, v. iii, p. 515-16, 526-8, Rypka, p. 286-8
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer)	Headpieces (layout features)

Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library

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Michigan Üniversitesi Kütüphanesi

Kaynağa git

Kitāb-i Tuhfat al-aḥrār

Yazar Jāmī, 1414-1492, جامي

Yazar Orijinal جامي

Basım Tarihi 1568

Konu Persian poetry -- 747-1500, Masnavis, Persian -- Early works to 1800, Sufi poetry, Persian -- Early works to 1800, Manuscripts, Persian -- Michigan -- Ann Arbor

Tür Kitap

Dil Farsça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 63 leaves ([128] p.) : paper ; 227 x 123 (142 x 61) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 81282234

Kayıt Numarası 990052336590106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih 1568

Notlar Ms. codex., Title from illuminated headpiece (ʻunwān / sarlawḥ) at opening., Incipit: "حامدا لمن جعل جنان کل عارف مخزن اسرار كماله ولسان کل واضح مطلع انوار جماله ...", Explicit: "مهر نه خاتمۀ این خطاب شد رقم خاتم تم الکتاب ", Colophon: "Scribal," triangular, mainly in Arabic, reads: "والحمد لله الكريم الجواد والصلوة على محمد وآله خير العباد وسلم تسليما كثيرا كثيرا فى تاريخ ١٧ شعبان المعظم سنه ٩٧٥ تم تم تم تم تم تم", Collation: i, 7 IV(56), IV-1 (63) ; exclusively quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes front flyleaf)., Layout: Written in 15 lines per page ; frame-ruled., Script: Text written in black nastaʻlīq script (contribution by D. Mancini-Lander)., Decoration: Exquisite illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.4 consisting of rectangular piece with gold cartouche (overlaid with delicate black vegetal designs) carrying title in white riqāʻ "کتاب تحفة الاحرار" set off by similar pendants and accent pieces in black and red on a lapis lazuli ground all covered with swirling vegetal designs in gold with red, yellow, and white floral accents, surrounded by a heavy band of gold interlace defined by red and white (with black crosses) and surmounted by a heavy band of black with further swirling vegetal designs, itself surmounted by a framed triangular piece or hasp in gold and lapis lazuli with similar swirling vegetal designs, all surmounted by vertical stalks (tīgh) in lapis lazuli ; headings and keywords rubricated ; written area surrounded by frame of gold with turquoise and blue rules., Support: non-European (likely Persian) laid paper with 7-8 laid lines per cm. (vertical, curved and somewhat indistinct) and no chain lines clearly visible, well-burnished, dark cream in color ; staining and tide lines., Binding: Pasteboards covered in dark brown leather ; Type III binding (without flap) ; doublures in marbled paper (mainly in pale orange and dark blue) ; upper and lower covers carry stamped and gold-painted mandorla (filled with assymetrical vegetal composition, compare Déroche class. OAi2 1) and pendants as well as gold-painted accents, tooled rosettes and tooled borders (single rule and series of s-shaped stamps) ; sewn in cream thread, two stations ; worked chevron endbands in pale green and brown, fair condition with some damage ; overall in somewhat poor condition with abrasion, lifting and losses of leather, losses at board corners, etc. ; repairs (rehinged) in pink paper., Accompanying materials: Scrap with line in pencil "ديوان شاه نقشبندى قدس سره" (paginated pp.32A-32B)., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 334, Origin: As appears in colophon on p.126, transcription completed 17 Shaʻbān 975 [ca. 16 February 1568]. Authorial colophon preceding scribal colophon (also on p.126) indicates that composition was completed in Ramaḍān (و اتمام انتظام اين نسخه در ماه تسبيح وشهر تراويح منتظم در سلك شهور سنه سته وثمانين وثمان مايه لا زال مباركا على فيه اتفاق افتاد) 886 [1481]., Effaced ownership statement on front flyleaf (p.1) ; ownership statement and octagonal seal impression (both mostly effaced) on 'title page' (p.3) ; scalloped almond-shaped seal impression in upper margin of incipit page (p.4).

Örnek Metin Tuhfat al-Aḥrār, composed in 886/1481, is the third of seven masnavīs (long poem in rhymed couplets) that make up Jāmī's Haft Awrang (Seven Thrones). This work is a didactic poem, presenting ethical and moral advice in twenty discourses, each accompanied by illustrative anecdotes. The final discourse offers counsel to the poet's own son (contribution by D. Mancini-Lander).

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Browne, v. iii, p. 515-16, 526-8, Rypka, p. 286-8

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).

Konular (Diğer) Headpieces (layout features)