Dīvān-i Khvājah Ḥāfiẓ-i Shīrāzī

Name: Dīvān-i Khvājah Ḥāfiẓ-i Shīrāzī
Author: Ḥāfiẓ, active 14th century, حافظ

İsim	Dīvān-i Khvājah Ḥāfiẓ-i Shīrāzī
Yazar	Ḥāfiẓ, active 14th century, حافظ
Yazar Orijinal	حافظ
Basım Tarihi:	1570
Konu	Persian poetry -- 747-1500, Manuscripts, Persian -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Farsça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	159 leaves : paper ; 228 x 140 (173 x 86) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194738686
Kayıt Numarası	990068141270106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	Possibly between 1570-1620
Notlar	Ms. codex., Title from illuminated headpiece at opening on p.2., Incipit: "الا یا ایها الساقی ادر کاسا و ناولها که عشق آسان نمود اول ولی افتاد مشکلها ...", Explicit: "گفتی که تو را شوم مدار اندیشه دل خوش کن و بر صبر گمار اندیشه کو صبر و چه دل انچه دلش میخوانی یك قطره خونست و هزار اندیشه تمت الکتاب", Collation: i, III+3 (9), 10 IV(89), 2 III(101), 4 IV(133), III (139), IV (147), III (153), III-2 (157), I (159), i ; chiefly quaternions ; catchwords present (though often cut off) ; pagination in pencil, Western numerals, supplied during digitization (skips two pages between pp.5-6)., Layout: Written in 16 lines per page ; written area often divided to two columns to set-off poetry ; frame-ruled., Script: Nastaʻlīq ; elegant hand ; serifless, with effect of words descending to baseline, closed counters, elongated horizontal strokes, somewhat exaggerated contrast in thickness of horizontal and vertical strokes., Decoration: Splendidly executed illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of large rectangular piece with gold cartouche carrying the title in white ( "ديوان خواجه حافظ شيرازى" ) surrounded by swirling arabesque with floral accents in red, yellow, white, pink, light blue, red-orange, etc. on fields of blue (lapis lazuli) and gold (approaching lapis lazuli) with red border, surmounted by tall (vertically elongated) scalloped w-shaped piece filled with same manner of swirling arabesque with floral accents (carnation, etc.) in green, yellow, white, light pink, light blue, and red-orange on fields of blue (lapis lazuli) and gold, itself set into a well of red ; incipit and facing page carry finely executed illuminated marginal decoration in the form of swirling vegetal composition with large serrated sāz leaves and floral motifs in gold with blue and red accents ; written area throughout surrounded by a frame of gold bands defined by black fillets and outer blue and red rules ; text of incipit and facing page set off with gold cloud-bands ; occasional floral accents in green, red, white, light pink, gold etc. appear occasionally between sections of text., Support: non-European (likely Persian or Indian) laid paper with 9 laid lines per cm. (horizontal) and no chain lines visible, sturdy though thin and transluscent, well-burnished ; repair to opening leaf / 'title page' in European laid paper with coat of arms watermark (consisting of cross flanked by lions above two circles)., Binding: Pasteboards covered in black leather (pebbled quality of shagreen) ; Type III binding (without flap), possibly two-piece; board linings (pastedowns) in light pink-tinted laid paper, flyleaves in gold-flecked pink-tinted laid paper ; upper and lower covers carry stamped and gold-painted scalloped mandorla (filled with vegetal composition surrounding two seated gazelles, recessed inlay) with pendants and gold-painted accents and borders ; sewn in light yellow thread, two stations ; worked chevron endbands in pale yellow and pale pink [?], tailband almost gone, headband damaged ; overall in somewhat poor condition with abrasion, staining, delamination of boards, lifting and losses of leather (inlay of upper mandorla), etc. ; edging (repair) in quite dark brown to black leather., Former shelfmark: "82 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on upper board lining., Origin: Lacks dated colophon ; decoration, etc. suggest late 16th or early 17th century., Inscription in pencil on upper board lining "82 T. De M. [i.e. Tammaro De Marinis]" ; on 'title page' (p.1) poetic statement entered by al-Sayyid Muḥammad Saʻīd ʻAbd al-Qadīr [?] ( السيد محمد سعيد عبد القدير ) and seal impression in name of al-Sayyid Muḥammad ʻIlmī [ʻAlamī ?] ( السيد محمد علمى ) dated 1281 [?] [1864 or 5] ; relatively clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 319
Örnek Metin	Elegant copy of the Dīvān of the masterful poet Ḥāfiẓ (Khvājah Shams al-Dīn Muḥammad Shīrāzī, d.1390?).
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Cat. Pers. MSS. Brit. Mus., p.627 ff.
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer)	Headpieces (layout features)

Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library

Aramaya Dön

Michigan Üniversitesi Kütüphanesi

Kaynağa git

Dīvān-i Khvājah Ḥāfiẓ-i Shīrāzī

Yazar Ḥāfiẓ, active 14th century, حافظ

Yazar Orijinal حافظ

Basım Tarihi 1570

Konu Persian poetry -- 747-1500, Manuscripts, Persian -- Michigan -- Ann Arbor

Tür Kitap

Dil Farsça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 159 leaves : paper ; 228 x 140 (173 x 86) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194738686

Kayıt Numarası 990068141270106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih Possibly between 1570-1620

Notlar Ms. codex., Title from illuminated headpiece at opening on p.2., Incipit: "الا یا ایها الساقی ادر کاسا و ناولها که عشق آسان نمود اول ولی افتاد مشکلها ...", Explicit: "گفتی که تو را شوم مدار اندیشه دل خوش کن و بر صبر گمار اندیشه کو صبر و چه دل انچه دلش میخوانی یك قطره خونست و هزار اندیشه تمت الکتاب", Collation: i, III+3 (9), 10 IV(89), 2 III(101), 4 IV(133), III (139), IV (147), III (153), III-2 (157), I (159), i ; chiefly quaternions ; catchwords present (though often cut off) ; pagination in pencil, Western numerals, supplied during digitization (skips two pages between pp.5-6)., Layout: Written in 16 lines per page ; written area often divided to two columns to set-off poetry ; frame-ruled., Script: Nastaʻlīq ; elegant hand ; serifless, with effect of words descending to baseline, closed counters, elongated horizontal strokes, somewhat exaggerated contrast in thickness of horizontal and vertical strokes., Decoration: Splendidly executed illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of large rectangular piece with gold cartouche carrying the title in white ( "ديوان خواجه حافظ شيرازى" ) surrounded by swirling arabesque with floral accents in red, yellow, white, pink, light blue, red-orange, etc. on fields of blue (lapis lazuli) and gold (approaching lapis lazuli) with red border, surmounted by tall (vertically elongated) scalloped w-shaped piece filled with same manner of swirling arabesque with floral accents (carnation, etc.) in green, yellow, white, light pink, light blue, and red-orange on fields of blue (lapis lazuli) and gold, itself set into a well of red ; incipit and facing page carry finely executed illuminated marginal decoration in the form of swirling vegetal composition with large serrated sāz leaves and floral motifs in gold with blue and red accents ; written area throughout surrounded by a frame of gold bands defined by black fillets and outer blue and red rules ; text of incipit and facing page set off with gold cloud-bands ; occasional floral accents in green, red, white, light pink, gold etc. appear occasionally between sections of text., Support: non-European (likely Persian or Indian) laid paper with 9 laid lines per cm. (horizontal) and no chain lines visible, sturdy though thin and transluscent, well-burnished ; repair to opening leaf / 'title page' in European laid paper with coat of arms watermark (consisting of cross flanked by lions above two circles)., Binding: Pasteboards covered in black leather (pebbled quality of shagreen) ; Type III binding (without flap), possibly two-piece; board linings (pastedowns) in light pink-tinted laid paper, flyleaves in gold-flecked pink-tinted laid paper ; upper and lower covers carry stamped and gold-painted scalloped mandorla (filled with vegetal composition surrounding two seated gazelles, recessed inlay) with pendants and gold-painted accents and borders ; sewn in light yellow thread, two stations ; worked chevron endbands in pale yellow and pale pink [?], tailband almost gone, headband damaged ; overall in somewhat poor condition with abrasion, staining, delamination of boards, lifting and losses of leather (inlay of upper mandorla), etc. ; edging (repair) in quite dark brown to black leather., Former shelfmark: "82 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on upper board lining., Origin: Lacks dated colophon ; decoration, etc. suggest late 16th or early 17th century., Inscription in pencil on upper board lining "82 T. De M. [i.e. Tammaro De Marinis]" ; on 'title page' (p.1) poetic statement entered by al-Sayyid Muḥammad Saʻīd ʻAbd al-Qadīr [?] ( السيد محمد سعيد عبد القدير ) and seal impression in name of al-Sayyid Muḥammad ʻIlmī [ʻAlamī ?] ( السيد محمد علمى ) dated 1281 [?] [1864 or 5] ; relatively clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 319

Örnek Metin Elegant copy of the Dīvān of the masterful poet Ḥāfiẓ (Khvājah Shams al-Dīn Muḥammad Shīrāzī, d.1390?).

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Cat. Pers. MSS. Brit. Mus., p.627 ff.

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).

Konular (Diğer) Headpieces (layout features)