[Dīvān

Name: [Dīvān
Author: Ḥāfiẓ, active 14th century, حافظ, Pīr Muḥammad ibn Qāsim al-Kātib, پير محمد بن قاسم الكاتب،

İsim	[Dīvān
Yazar	Ḥāfiẓ, active 14th century, حافظ, Pīr Muḥammad ibn Qāsim al-Kātib, پير محمد بن قاسم الكاتب،
Yazar Orijinal	حافظ پير محمد بن قاسم الكاتب،
Basım Tarihi:	1500
Konu	Persian poetry -- 747-1500, Manuscripts, Persian -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Farsça
Dijital	Hayır
Yazma	Evet
Fiziksel Boyutlar	198 leaves : paper ; 200 x 130 (138 x 74) mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194762463
Kayıt Numarası	990068141280106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	16th century (exact date unknown)
Notlar	Ms. codex., Title supplied by cataloguer., Incipit: ""الا یا ایها الساقی ادر کاسا و ناولها که عشق آسان نمود اول ولی افتاد مشکلها ..., Explicit: "گفتم سخن تو گفت حافظ گفتا شادی همه لطیفه گویان صلوات اعظم قوام دولت و دین آنکه بر درش از بهر خاکبوس نمودی ملک سجود با آن وجود و آن عظمت زیر خاک شد در نصف ماه ذی‌قعد از عرصه‌ی وجود تا کس امید جود ندارد دگر ز کس آمد حروف سال وفاتش امید جود", Colophon: "Scribal," rectangular, Arabic, reads "کتبه الفقیر الحقیر تراب الاقدام پیر محمد بن قاسم الکاتب", Collation: i, IV (8), II (12), IV-1 (19), II (23), 2 IV (39), IV-1 (46), 6 IV (94), III+1 (101), IV (109), IV+1 (118) , IV-1 (125), IV (133), IV-1 (140), IV+1 (149), IV (157), IV+1 (165), 3 IV (189), IV+1 (198), i ; chiefly quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written area in 12 lines per page with written area divided to two columns and at least two lines provided on the diagonal (divided to four hemistiches) ; frame-ruled., Script: Nastaʻlīq ; elegant hand in a medium line ; characteristically serifless with gentle effect of words descending to baseline, superscripting of letters, elongation and exaggerated thickness of horizontal strokes, pointing mainly in distinct dots, shaqq or sarkash on many kāfs dramatically sweeping upward, point of final nūn set at opening of slightly angled bowl., Decoration: Illuminated frontispiece on 'title page' (p.1) in the form of a roundel defined by rules of orange, red and dark blue with radiating vegetal stalks (tīgh) in blue encircling a 12-lobed shamsah bordered in blue, gold and orange and filled with gold arabesques arranged in a series of intersecting arcs on a ground of red, repeated as finispiece on verso of final leaf (p.396) though with fewer encircling rules ; splendid illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of tall w-shaped piece in gold with central pendant carrying "فالله خير حافظا" in white on a ground of dark blue overlaid with delicate vegetal designs in gold, orange, pink and white surrounded by further vegetal designs with floral forms in lavender, orange, light blue, and white and chī clouds in dark blue and gold, all set in a heavy well of interlocking repeated vegetal designs in gold, lavender, pin, orange and white on a black ground flanked by bands of gold, light blue, and dark blue with white crosses ; gold cloud-bands with similar floral designs (text on pp.42-43 accented with similar cloud-bands) and exquisitely executed marginal decoration of delicate floral forms in gold and dark blue with red accents completes illuminated double-page opening (pp.2-3) ; written area throughout gold-flecked and surrounded by frame composed of gold and pistachio / turquoise bands with outermost white and blue rules, divisions within defined by narrow gold bands outlined in black ; illustrated with three nearly full-page paintings (with some smudging to faces) including: prince seated with attendants (including musicians) drinking wine in festive garden scene (p.172), figures pouring and enjoying much wine in merry garden scene (p.231), polo match (p.327) ["Late 16th cent., style of miniatures," note on catalogue card supplied by "Mrs. Suçek" (i.e. Priscilla Soucek)]., Support: non-European (likely Persian) laid paper with roughly 7 laid lines per cm. (horizontal, somewhat indistinct, some curving) and single chain lines irregularly visible, somewhat cloudy formation, thin and transulscent though quite sturdy, mainly tinted a pink to peach color (most heavily in written area with some leaves tinted only in written area, e.g. leaves carrying illustrations and double-page illumination at opening, etc.), crisp and well-burnished ; some breakthrough at frames (typically side nearest gutter) as well as minor repairs., Binding: Pasteboards faced in quite dark purple velvet with red leather of spine and board edges / turn-ins (textile faced, leather edged framed binding) ; Type III binding (without flap) ; rounded spine ; pastedowns and flyleaves in gray / lavender coated and textured paper (embossed with detailed floral vegetal motifs) ; upper and lower covers carry gold-tooled borders on leather edging ; text block has certainly been trimmed ; edges of text block now gold painted in running motifs of alternating large floral forms and saz leaves ; sewn in yellow thread, two stations ; worked chevron endbands in pink and cream, fairly good condition ; overall in good condition with minor abrasion and losses of leather ; likely not original binding., Former shelfmark: "(١٧)" on front flyleaf ; "222 T. De M [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf ; "259" in pencil on 'title page' (p.1)., Accompanying materials: a. Scrap of wove paper with ḥadīth excerpts (likely from al-Baghawī) "قال النبي صلى الله عليه وسلم ان المسلم اذا عاد اخاه المسلم لم يزل في خرفة الجنة حتى يرجع وقال ان الله تعالى يقول يوم القيامة يا ابن آدم مرضت فلم تعدني قال يا رب كيف اعودك وانت رب العالمين قال اما علمت ان عبدي فلانا مرض فلم تعده اما علمت انك لو عدته لو جدتني مصابيح شريف" (between pp.122-123) -- b. Slip of wove paper with verses in Persian (following back flyleaf)., Origin: As appears in colophon on p.395, copied by Pīr Muḥammad ibn Qāsim al-Kātib. Date of transcription not specified. Decoration, etc. suggest 16th century., Inscription in ruqʻah script on verso of front flyleaf seemingly dated 8 Jumādá I 1269 [ca. 17 February 1853] ; four different oval seal impressions on 'title page' (p.1), one repeated twice, each partially effaced or with losses due to trimming, one in name of Shihāb al-Dīn al-Ḥusaynī [?] (شهاب الدين الحسينى), another with Shihāb al-Dīn visible, another with name Ḥusayn (حسين) and possible date 1237 [1821 or 2] ; verses of Niẓāmī (خداوندا در توفيق بگشای نظامی را ره تحقیق بنمای) entered in ruqʻah script also on 'title page' (p.1) ; scribal verses flanking close "درین کتابت من که نظر کنی روزی ..." ; effaced oval seal impression at close on p.395 ; still another oval seal impression (partially cut off) on verso of final leaf (p.396) ; interlinear and marginal glosses and corrections noting variants, meter, meanings in Turkish, etc., particularly in opening section (through p.38) [also noted by Muhammad Isa Waley, see note on catalogue card dated May 14 1980, "Annotations in Turkish and Arabic between lines note the meaning of some words and phrases. One or two strange textual variants. Copied by Pīr Muḥammad Qāsim."]., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 320
Örnek Metin	Elegant copy of the Dīvān of the masterful poet Ḥāfiẓ (Khvājah Shams al-Dīn Muḥammad Shīrāzī, d.1390?). Contributions to the cataloguing from Elizabeth Kunze.
Katkıda Bulunanlar	Pīr Muḥammad ibn Qāsim al-Kātib, scribe.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Cat. Pers. MSS. Brit. Mus., p.627 ff., Islamic art from Michigan collections. Carol G. Fisher and Alan Fisher, Eds. (East Lansing, MI, 1982), no.54, p.99
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer)	Headpieces (layout features)

Kaynağa git Michigan Üniversitesi Kütüphanesi University of Michigan Library

Aramaya Dön

Michigan Üniversitesi Kütüphanesi

Kaynağa git

[Dīvān

Yazar Ḥāfiẓ, active 14th century, حافظ, Pīr Muḥammad ibn Qāsim al-Kātib, پير محمد بن قاسم الكاتب،

Yazar Orijinal حافظ پير محمد بن قاسم الكاتب،

Basım Tarihi 1500

Konu Persian poetry -- 747-1500, Manuscripts, Persian -- Michigan -- Ann Arbor

Tür Kitap

Dil Farsça

Dijital Hayır

Yazma Evet

Fiziksel Boyutlar 198 leaves : paper ; 200 x 130 (138 x 74) mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194762463

Kayıt Numarası 990068141280106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih 16th century (exact date unknown)

Notlar Ms. codex., Title supplied by cataloguer., Incipit: ""الا یا ایها الساقی ادر کاسا و ناولها که عشق آسان نمود اول ولی افتاد مشکلها ..., Explicit: "گفتم سخن تو گفت حافظ گفتا شادی همه لطیفه گویان صلوات اعظم قوام دولت و دین آنکه بر درش از بهر خاکبوس نمودی ملک سجود با آن وجود و آن عظمت زیر خاک شد در نصف ماه ذی‌قعد از عرصه‌ی وجود تا کس امید جود ندارد دگر ز کس آمد حروف سال وفاتش امید جود", Colophon: "Scribal," rectangular, Arabic, reads "کتبه الفقیر الحقیر تراب الاقدام پیر محمد بن قاسم الکاتب", Collation: i, IV (8), II (12), IV-1 (19), II (23), 2 IV (39), IV-1 (46), 6 IV (94), III+1 (101), IV (109), IV+1 (118) , IV-1 (125), IV (133), IV-1 (140), IV+1 (149), IV (157), IV+1 (165), 3 IV (189), IV+1 (198), i ; chiefly quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing., Layout: Written area in 12 lines per page with written area divided to two columns and at least two lines provided on the diagonal (divided to four hemistiches) ; frame-ruled., Script: Nastaʻlīq ; elegant hand in a medium line ; characteristically serifless with gentle effect of words descending to baseline, superscripting of letters, elongation and exaggerated thickness of horizontal strokes, pointing mainly in distinct dots, shaqq or sarkash on many kāfs dramatically sweeping upward, point of final nūn set at opening of slightly angled bowl., Decoration: Illuminated frontispiece on 'title page' (p.1) in the form of a roundel defined by rules of orange, red and dark blue with radiating vegetal stalks (tīgh) in blue encircling a 12-lobed shamsah bordered in blue, gold and orange and filled with gold arabesques arranged in a series of intersecting arcs on a ground of red, repeated as finispiece on verso of final leaf (p.396) though with fewer encircling rules ; splendid illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of tall w-shaped piece in gold with central pendant carrying "فالله خير حافظا" in white on a ground of dark blue overlaid with delicate vegetal designs in gold, orange, pink and white surrounded by further vegetal designs with floral forms in lavender, orange, light blue, and white and chī clouds in dark blue and gold, all set in a heavy well of interlocking repeated vegetal designs in gold, lavender, pin, orange and white on a black ground flanked by bands of gold, light blue, and dark blue with white crosses ; gold cloud-bands with similar floral designs (text on pp.42-43 accented with similar cloud-bands) and exquisitely executed marginal decoration of delicate floral forms in gold and dark blue with red accents completes illuminated double-page opening (pp.2-3) ; written area throughout gold-flecked and surrounded by frame composed of gold and pistachio / turquoise bands with outermost white and blue rules, divisions within defined by narrow gold bands outlined in black ; illustrated with three nearly full-page paintings (with some smudging to faces) including: prince seated with attendants (including musicians) drinking wine in festive garden scene (p.172), figures pouring and enjoying much wine in merry garden scene (p.231), polo match (p.327) ["Late 16th cent., style of miniatures," note on catalogue card supplied by "Mrs. Suçek" (i.e. Priscilla Soucek)]., Support: non-European (likely Persian) laid paper with roughly 7 laid lines per cm. (horizontal, somewhat indistinct, some curving) and single chain lines irregularly visible, somewhat cloudy formation, thin and transulscent though quite sturdy, mainly tinted a pink to peach color (most heavily in written area with some leaves tinted only in written area, e.g. leaves carrying illustrations and double-page illumination at opening, etc.), crisp and well-burnished ; some breakthrough at frames (typically side nearest gutter) as well as minor repairs., Binding: Pasteboards faced in quite dark purple velvet with red leather of spine and board edges / turn-ins (textile faced, leather edged framed binding) ; Type III binding (without flap) ; rounded spine ; pastedowns and flyleaves in gray / lavender coated and textured paper (embossed with detailed floral vegetal motifs) ; upper and lower covers carry gold-tooled borders on leather edging ; text block has certainly been trimmed ; edges of text block now gold painted in running motifs of alternating large floral forms and saz leaves ; sewn in yellow thread, two stations ; worked chevron endbands in pink and cream, fairly good condition ; overall in good condition with minor abrasion and losses of leather ; likely not original binding., Former shelfmark: "(١٧)" on front flyleaf ; "222 T. De M [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf ; "259" in pencil on 'title page' (p.1)., Accompanying materials: a. Scrap of wove paper with ḥadīth excerpts (likely from al-Baghawī) "قال النبي صلى الله عليه وسلم ان المسلم اذا عاد اخاه المسلم لم يزل في خرفة الجنة حتى يرجع وقال ان الله تعالى يقول يوم القيامة يا ابن آدم مرضت فلم تعدني قال يا رب كيف اعودك وانت رب العالمين قال اما علمت ان عبدي فلانا مرض فلم تعده اما علمت انك لو عدته لو جدتني مصابيح شريف" (between pp.122-123) -- b. Slip of wove paper with verses in Persian (following back flyleaf)., Origin: As appears in colophon on p.395, copied by Pīr Muḥammad ibn Qāsim al-Kātib. Date of transcription not specified. Decoration, etc. suggest 16th century., Inscription in ruqʻah script on verso of front flyleaf seemingly dated 8 Jumādá I 1269 [ca. 17 February 1853] ; four different oval seal impressions on 'title page' (p.1), one repeated twice, each partially effaced or with losses due to trimming, one in name of Shihāb al-Dīn al-Ḥusaynī [?] (شهاب الدين الحسينى), another with Shihāb al-Dīn visible, another with name Ḥusayn (حسين) and possible date 1237 [1821 or 2] ; verses of Niẓāmī (خداوندا در توفيق بگشای نظامی را ره تحقیق بنمای) entered in ruqʻah script also on 'title page' (p.1) ; scribal verses flanking close "درین کتابت من که نظر کنی روزی ..." ; effaced oval seal impression at close on p.395 ; still another oval seal impression (partially cut off) on verso of final leaf (p.396) ; interlinear and marginal glosses and corrections noting variants, meter, meanings in Turkish, etc., particularly in opening section (through p.38) [also noted by Muhammad Isa Waley, see note on catalogue card dated May 14 1980, "Annotations in Turkish and Arabic between lines note the meaning of some words and phrases. One or two strange textual variants. Copied by Pīr Muḥammad Qāsim."]., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 320

Örnek Metin Elegant copy of the Dīvān of the masterful poet Ḥāfiẓ (Khvājah Shams al-Dīn Muḥammad Shīrāzī, d.1390?). Contributions to the cataloguing from Elizabeth Kunze.

Katkıda Bulunanlar Pīr Muḥammad ibn Qāsim al-Kātib, scribe.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript

Koleksiyonda Abdul Hamid Collection.

Referanslar Cat. Pers. MSS. Brit. Mus., p.627 ff., Islamic art from Michigan collections. Carol G. Fisher and Alan Fisher, Eds. (East Lansing, MI, 1982), no.54, p.99

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).

Konular (Diğer) Headpieces (layout features)