[al-Risālah al-shamsīyah fī qawāʻid al-manṭiqīyah maʻa sharḥihā

Name: [al-Risālah al-shamsīyah fī qawāʻid al-manṭiqīyah maʻa sharḥihā
Author: Qazwīnī, ʻAlī ibn ʻUmar, 1203 or 1204-1276 or 1277, قزويني، علي بن عمر, Mehmet Nuri Niyazi, active 1876, محمد نورى نيازى, Mehmet Nuri Niyazi, active 1876, محمد نورى نيازى،, Şehri Emin Efendizade Mehmet Reşat, active 1893, شهرى امين افندى زاده محمد رشاد،

İsim	[al-Risālah al-shamsīyah fī qawāʻid al-manṭiqīyah maʻa sharḥihā
Yazar	Qazwīnī, ʻAlī ibn ʻUmar, 1203 or 1204-1276 or 1277, قزويني، علي بن عمر, Mehmet Nuri Niyazi, active 1876, محمد نورى نيازى, Mehmet Nuri Niyazi, active 1876, محمد نورى نيازى،, Şehri Emin Efendizade Mehmet Reşat, active 1893, شهرى امين افندى زاده محمد رشاد،
Yazar Orijinal	قزويني، علي بن عمر محمد نورى نيازى محمد نورى نيازى، شهرى امين افندى زاده محمد رشاد،
Basım Tarihi:	1876
Konu	Qazwīnī, ʻAlī ibn ʻUmar, 1203 or 1204-1276 or 1277. Shamsīyah, Logic, Medieval -- Early works to 1800, Islam -- Doctrines -- Early works to 1800, Manuscripts, Arabic -- Michigan -- Ann Arbor
Tür	Kitap
Dil	Arapça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	32 leaves : paper ; 230 x 135 (139 x 67) mm. bound to 235 x 140 mm
Kütüphane:	Michigan Üniversitesi Kütüphanesi
Demirbaş Numarası	1194844309
Kayıt Numarası	990067953530106381
Lokasyon	UM Ann Arbor Libraries, University Library
Tarih	1876
Notlar	Ms. codex., Title supplied by cataloguer., Incipit: [al-Risālah al-shamsīyah] "الحمد لله الذي ابدع نظام الوجود واخترع ماهيات الاشياء بمقتضى الجود وانشأ بقدرته انواع الجواهر العقلية وافاض برحمته حركات الاجرام الفلكية ... وبعد فهذا كتاب في المنطق سميته بالرسالة الشمسية في القواعد المنطقية ورتبته على مقدمة وثلث مقالات وخاتمة ..." [Sharḥ al-Risālah al-shamsīyah] " الحمد لله الذي جعل ترتيب امورنا المعلومة مؤديا الى جهلنا وكان ظاهرا ... وبعد فيقول الضعيف الضفيف عند الله الغني السيد محمد نورى الصوفيه وى لما كانت الرسالة الشمسية متداولة بين الامثال وكانت رموزاتها محتاجة الى بيان الامثال علقت النظر اليها وجعلتها معربة بالحركات وبينت مراجع ضمائرها بوضع الاشارات وبرزت عيون عطوفها بورع العينيات ورمزت تعلقاتها بميم المتعلقات وكتبت تحت جيمها وبائها او فوقهما المثلات ...قال المص رحمه الله الحمد لله الذي ابدع ...", Explicit: [al-Risālah al-shamsīyah] "كقولنا كل مثلث فان زواياه مثل مساوية لقائمتين واما محمولاتها فخارجة عن موضوعاتها لامتناع ان يكون جزء الشيء مطلوبا ثبوته بالبرهان" [Sharḥ al-Risālah al-shamsīyah] "فالمثلث الموصوف نوع من المثلث قد تم هذا مع ما بين سطور المتن في العشر الاول من شهر رمضان المبارك لسنة ثلث وتسعين ومائتين والف من هجرة من له العز والشرف", Colophon: "Scribal," rectangular, reads: "كتبه وشرحه ولكون الاعراب زينة للخط جعله معربا السيد محمد نورى الصوفيه وى المعروف بنيازى [؟] مأذونا من ابيه المرحوم ابراهيم المشهور بادهم الوهبى افندى استأثره الله تعالى بالرحمة والغفران واسكنه الله تعالى في اعلى غرف الجنان وقد وقع الفراغ من تبييضها في العشر الاول من شهر رمضان المبارك لسنة ثلث وتسعين ومأتين والف من هجرة من يرى من قدام وخلف", Collation: iii, 3 V(30), III(36), iii ; chiefly quinions ; final leaf left blank ; catchwords present ; pagination in pencil, Western numerals supplied during cataloguing., Layout: Written in 13 lines per page ; frame-ruled (impression of ruling board clearly evident, particularly in margin)., Script: Two distinct hands, one for the matn and one for the sharḥ, though apparently supplied by the same copyist ; matn supplied in a naskh, splendid Ottoman hand, seriffed with right-sloping head serif on all shafts apart from free-standing alif, slight effect of tilt to the left, kāf mabsūṭah preferred, fully vocalized ; sharḥ (marginal and interlinear) supplied in a a naskh/nastaʻlīq, with letterforms characteristic of nastaʻlīq, very slight effect of slant to right and words gently descending to baseline, mainly closed counters, pointed to convention and not vocalized., Decoration: Illuminated headpiece (ʻunwān) on fol.1b (p.2) consisting of rectangular panel dominated by floral decoration in pinks, greens, red and gold consisting of a central bouquet, encircled by flowers and flanked by swirling leaves and blossoms all on a field of stippled gold ; the piece is bordered by a well in white with red cross pattern ; illuminated headpiece on fol.33b (p.66) consisting of rectangular piece with empty gold cartouche flanked by intertwining floral vegetal decoration (evoking 'arabesque') in gold, white, blue, and red on fields of blue ; piece is surrounded by bands of gold flanking band of white with blue cross pattern ; illuminated headpiece on fol.34a (p.67) consisting of rectangular panel with empty gold cartouche flanked by floral vegetal design in stippled gold on fields of red ; piece is surrounded by bands of gold flanking band of white with blue cross pattern ; frame consisting of a series of gilt bands of varying thickness ; bordering the margin a gilt band outlined by black fillets ; textual dividers in the form of rosettes bordered by three dots (in gold, white and red), large floral pieces in gold, white, and red ; small diagram (a circle divded to quarters) pertaining to a discussion of lunar quarters, etc. in margin of fol.14a (p.27) ; text rubricated with abbreviations and numerals corresponding to gloss, etc. in red., Support: non-European laid paper ; laid lines running vertically, fairly distinct but with some curving and sagging, spaced roughly 12 laid lines per cm. ; chain lines faintly visible, but quite indistinct ; quite crisp ; fairly translucent ; some inclusions and undissolved fibers visible ; well-burnished ; surfaced tinted to a rosy pink., Binding: Pasteboards covered in black leather ; Type III binding (without flap) with Western elements ; pastedowns and flyleaves in shell marbled paper (lavender, blue, red, yellow, and white) ; upper and lower covers bear gold-stamped central panel (oval surrounded by floral vegetal band), floral cornerpieces, and border in architectural design with floral accents ; gold-stamped floral vegetal decoration in bands on spine ; sewn in heavy cream thread, four stations (in lieu of primaries) ; no endbands ; in good condition with minor abrasion, staining, etc., Origin: As appears in colophon on fol.33b-34a, copied, vocalized, and glossed by Mehmet Nuri, known as Niyazi [?], son of İbrahim known as Etham el-Vehbî Efendi. Transcription finished "wa-qad waqaʻa al-farāgh min tabyīḍihā..." in the first tenth [العشر الاول] of Ramaḍān 1293 [September 1876]., Possible former inventory marks include inscription in pencil, front flyleaf "523 T. De M [i.e. Tammaro De Marinis]" and on fol.1a "90" ; on fol.1a ownership statement in black ink in name of one Şehri [?] Emin Efendizade Mehmet Reşat ( شهرى امين افندى زاده سيد محمد رشاد ) dated 21 Jumādá II 1304 [ca. 17 March 1887], reads "استصحبه الفقير الى الله تعالى الغني القدير شهرى [؟] امين افندى زاده سيد محمد رشاد ... ۲۱ ج سنة ١٣٠٤" accompanied by oval seal impression "السيد محمد رشاد" (compare statement in Isl. Ms. 411)., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 217
Örnek Metin	Exquisite copy of the treatise on logic by al-Kātibī al-Qazwīnī (d. 675/1276?), fully vocalized and supplied with a gloss (marginal and interlinear) of the copyist's own composition. Three taqrīẓs (taqārīẓ) are included following the colophon.
Katkıda Bulunanlar	Mehmet Nuri Niyazi, active 1876. Sharḥ al-Risālah al-shamsīyah., Mehmet Nuri Niyazi, active 1876, scribe., Şehri Emin Efendizade Mehmet Reşat, active 1893, former owner.
Son Dizinleme Tarihi	20251210
Biçim	Book, Manuscript, Available Online
Koleksiyonda	Abdul Hamid Collection.
Referanslar	Brockelmann, C. GAL, I, 466 ; S I, 845
Elde Ediliş	Acquired by purchase (funds donated by Horace Rackham).
Konular (Diğer)	Headpieces (layout features)

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[al-Risālah al-shamsīyah fī qawāʻid al-manṭiqīyah maʻa sharḥihā

Yazar Qazwīnī, ʻAlī ibn ʻUmar, 1203 or 1204-1276 or 1277, قزويني، علي بن عمر, Mehmet Nuri Niyazi, active 1876, محمد نورى نيازى, Mehmet Nuri Niyazi, active 1876, محمد نورى نيازى،, Şehri Emin Efendizade Mehmet Reşat, active 1893, شهرى امين افندى زاده محمد رشاد،

Yazar Orijinal قزويني، علي بن عمر محمد نورى نيازى محمد نورى نيازى، شهرى امين افندى زاده محمد رشاد،

Basım Tarihi 1876

Konu Qazwīnī, ʻAlī ibn ʻUmar, 1203 or 1204-1276 or 1277. Shamsīyah, Logic, Medieval -- Early works to 1800, Islam -- Doctrines -- Early works to 1800, Manuscripts, Arabic -- Michigan -- Ann Arbor

Tür Kitap

Dil Arapça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 32 leaves : paper ; 230 x 135 (139 x 67) mm. bound to 235 x 140 mm

Kütüphane Michigan Üniversitesi Kütüphanesi

Demirbaş Numarası 1194844309

Kayıt Numarası 990067953530106381

Lokasyon UM Ann Arbor Libraries, University Library

Tarih 1876

Notlar Ms. codex., Title supplied by cataloguer., Incipit: [al-Risālah al-shamsīyah] "الحمد لله الذي ابدع نظام الوجود واخترع ماهيات الاشياء بمقتضى الجود وانشأ بقدرته انواع الجواهر العقلية وافاض برحمته حركات الاجرام الفلكية ... وبعد فهذا كتاب في المنطق سميته بالرسالة الشمسية في القواعد المنطقية ورتبته على مقدمة وثلث مقالات وخاتمة ..." [Sharḥ al-Risālah al-shamsīyah] " الحمد لله الذي جعل ترتيب امورنا المعلومة مؤديا الى جهلنا وكان ظاهرا ... وبعد فيقول الضعيف الضفيف عند الله الغني السيد محمد نورى الصوفيه وى لما كانت الرسالة الشمسية متداولة بين الامثال وكانت رموزاتها محتاجة الى بيان الامثال علقت النظر اليها وجعلتها معربة بالحركات وبينت مراجع ضمائرها بوضع الاشارات وبرزت عيون عطوفها بورع العينيات ورمزت تعلقاتها بميم المتعلقات وكتبت تحت جيمها وبائها او فوقهما المثلات ...قال المص رحمه الله الحمد لله الذي ابدع ...", Explicit: [al-Risālah al-shamsīyah] "كقولنا كل مثلث فان زواياه مثل مساوية لقائمتين واما محمولاتها فخارجة عن موضوعاتها لامتناع ان يكون جزء الشيء مطلوبا ثبوته بالبرهان" [Sharḥ al-Risālah al-shamsīyah] "فالمثلث الموصوف نوع من المثلث قد تم هذا مع ما بين سطور المتن في العشر الاول من شهر رمضان المبارك لسنة ثلث وتسعين ومائتين والف من هجرة من له العز والشرف", Colophon: "Scribal," rectangular, reads: "كتبه وشرحه ولكون الاعراب زينة للخط جعله معربا السيد محمد نورى الصوفيه وى المعروف بنيازى [؟] مأذونا من ابيه المرحوم ابراهيم المشهور بادهم الوهبى افندى استأثره الله تعالى بالرحمة والغفران واسكنه الله تعالى في اعلى غرف الجنان وقد وقع الفراغ من تبييضها في العشر الاول من شهر رمضان المبارك لسنة ثلث وتسعين ومأتين والف من هجرة من يرى من قدام وخلف", Collation: iii, 3 V(30), III(36), iii ; chiefly quinions ; final leaf left blank ; catchwords present ; pagination in pencil, Western numerals supplied during cataloguing., Layout: Written in 13 lines per page ; frame-ruled (impression of ruling board clearly evident, particularly in margin)., Script: Two distinct hands, one for the matn and one for the sharḥ, though apparently supplied by the same copyist ; matn supplied in a naskh, splendid Ottoman hand, seriffed with right-sloping head serif on all shafts apart from free-standing alif, slight effect of tilt to the left, kāf mabsūṭah preferred, fully vocalized ; sharḥ (marginal and interlinear) supplied in a a naskh/nastaʻlīq, with letterforms characteristic of nastaʻlīq, very slight effect of slant to right and words gently descending to baseline, mainly closed counters, pointed to convention and not vocalized., Decoration: Illuminated headpiece (ʻunwān) on fol.1b (p.2) consisting of rectangular panel dominated by floral decoration in pinks, greens, red and gold consisting of a central bouquet, encircled by flowers and flanked by swirling leaves and blossoms all on a field of stippled gold ; the piece is bordered by a well in white with red cross pattern ; illuminated headpiece on fol.33b (p.66) consisting of rectangular piece with empty gold cartouche flanked by intertwining floral vegetal decoration (evoking 'arabesque') in gold, white, blue, and red on fields of blue ; piece is surrounded by bands of gold flanking band of white with blue cross pattern ; illuminated headpiece on fol.34a (p.67) consisting of rectangular panel with empty gold cartouche flanked by floral vegetal design in stippled gold on fields of red ; piece is surrounded by bands of gold flanking band of white with blue cross pattern ; frame consisting of a series of gilt bands of varying thickness ; bordering the margin a gilt band outlined by black fillets ; textual dividers in the form of rosettes bordered by three dots (in gold, white and red), large floral pieces in gold, white, and red ; small diagram (a circle divded to quarters) pertaining to a discussion of lunar quarters, etc. in margin of fol.14a (p.27) ; text rubricated with abbreviations and numerals corresponding to gloss, etc. in red., Support: non-European laid paper ; laid lines running vertically, fairly distinct but with some curving and sagging, spaced roughly 12 laid lines per cm. ; chain lines faintly visible, but quite indistinct ; quite crisp ; fairly translucent ; some inclusions and undissolved fibers visible ; well-burnished ; surfaced tinted to a rosy pink., Binding: Pasteboards covered in black leather ; Type III binding (without flap) with Western elements ; pastedowns and flyleaves in shell marbled paper (lavender, blue, red, yellow, and white) ; upper and lower covers bear gold-stamped central panel (oval surrounded by floral vegetal band), floral cornerpieces, and border in architectural design with floral accents ; gold-stamped floral vegetal decoration in bands on spine ; sewn in heavy cream thread, four stations (in lieu of primaries) ; no endbands ; in good condition with minor abrasion, staining, etc., Origin: As appears in colophon on fol.33b-34a, copied, vocalized, and glossed by Mehmet Nuri, known as Niyazi [?], son of İbrahim known as Etham el-Vehbî Efendi. Transcription finished "wa-qad waqaʻa al-farāgh min tabyīḍihā..." in the first tenth [العشر الاول] of Ramaḍān 1293 [September 1876]., Possible former inventory marks include inscription in pencil, front flyleaf "523 T. De M [i.e. Tammaro De Marinis]" and on fol.1a "90" ; on fol.1a ownership statement in black ink in name of one Şehri [?] Emin Efendizade Mehmet Reşat ( شهرى امين افندى زاده سيد محمد رشاد ) dated 21 Jumādá II 1304 [ca. 17 March 1887], reads "استصحبه الفقير الى الله تعالى الغني القدير شهرى [؟] امين افندى زاده سيد محمد رشاد ... ۲۱ ج سنة ١٣٠٤" accompanied by oval seal impression "السيد محمد رشاد" (compare statement in Isl. Ms. 411)., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 217

Örnek Metin Exquisite copy of the treatise on logic by al-Kātibī al-Qazwīnī (d. 675/1276?), fully vocalized and supplied with a gloss (marginal and interlinear) of the copyist's own composition. Three taqrīẓs (taqārīẓ) are included following the colophon.

Katkıda Bulunanlar Mehmet Nuri Niyazi, active 1876. Sharḥ al-Risālah al-shamsīyah., Mehmet Nuri Niyazi, active 1876, scribe., Şehri Emin Efendizade Mehmet Reşat, active 1893, former owner.

Son Dizinleme Tarihi 20251210

Biçim Book, Manuscript, Available Online

Koleksiyonda Abdul Hamid Collection.

Referanslar Brockelmann, C. GAL, I, 466 ; S I, 845

Elde Ediliş Acquired by purchase (funds donated by Horace Rackham).

Konular (Diğer) Headpieces (layout features)