نویسنده
فردوسی، فردوسی، عبدالقادر ساواجی قزوینی، پ. اواخر قرن شانزدهم؟، عبدالقادر ساوجی قزوینی
نویسنده اورجینال
فردوسي عبد القادر ساوجى القزوينى
تاریخ انتشار
1575
محل انتشار
[هند؟] -
موضوع
شعر حماسی، فارسی -- آثار اولیه تا 1800، نسخه های خطی، فارسی -- میشیگان -- آن آربور
نوع
كتاب
زبان
فارسی
دیجیتال
بله
نسخه خطی
بله
ابعاد فیزیکی
617 leaves : paper, ill. ; 335 x 210 (236 x 123) mm
کتابخانه
کتابخانه دانشگاه میشیگان
شناسه دارایی کتابخانه
1194843284
شماره ثبت
990068057350106381
محل کتابخانه
کتابخانه های UM Ann Arbor، کتابخانه دانشگاه
تاریخ
احتمالاً بین 1575-1625
یادداشتها
Ms. codex., Title from colophon on p.1236., Incipit: "بنام خدواند جان و خرد کزین برتر اندیشه می نگذرد [بر گذرد]...", Explicit: "هر آنکس که دارد هش و رای [و] دین پس از مرگ بر من کند به آفرین", Colophon: "Scribal," rectangular, reads "تمت تمام شد کتاب شاه نامه بتاریخ هفتم ماه جماد الآخر کاتبه فقیر الحقیر عبد القادر ساوجی القزوینی سنة تحریر یافت [؟]", Collation: ii, IV+1 (9), 6 V(69), III (75), V+1 (86), 4 V(126), II (130), 2 V(150), IV (158), 3 V(188), V-1 (197), 6 V(257), V-1 (266), 2 V(286), V-1 (295), 4 V(335), III+3 (344), 6 V(404), II (408), 3 V(438), V-1 (447), 7 V(517), IV (525), 9 V(615), I (617), ii ; chiefly quinions ; middle of the quire marks in the form of middle of the quire marks in the form of oblique strokes in black ink, upper outer corner of the right-hand leaf, lower-outer corner of the left-hand leaf ; catchwords present (though occasionally lost to trimming) ; pagination in pencil, Western numerals, supplied during digitization., Layout: "Organized in 4 columns with 25 lines on each page" - from description of F. Abdullaeva., Script: Nastʻalīq ; compact, elegant Persianate hand in a medium line ; serifless, with effect of words descending to baseline, elongation and contrasting thickness of horizontal strokes, pointing mainly in distinct dots., Decoration: "The manuscript has three ʻunwāns (double page illumination at the beginning of the most important chapters) and one sarlawḥ (initial illumination in the beginning of the book), and 14 miniatures in local Indian style. The text is therefore not very heavily illustrated, an average of one picture every 40 folios or so, though the distribution of paintings is rather irregular, the gaps ranging from 6 folios to 135, and as is common, with no illustrations in the 'historical' section of the poem, after the establishment of the Sāsānian dynasty under Ardashīr. Ten of the 14 paintings illustrate episodes occurring in the lifetime of the main hero, Rustam, and include several of the most frequently illustrated scences" - from description of F. Abdullaeva (see p.30 in "An unknown Shāhnāma from Ann Arbor") ; as reported by F. Abdullaeva, Philippa Vaughan proposes for the paintings the "sub-Imperial" Mughal style of the first quarter of the 17th century with influence of the palette of the Kashmīrī school, particularly the use of bright pink, orange and light green in combination ; headings rubricated ; written area and devisions within outlined by a gold frame defined by black fillets., Support: non-European (likely Indian) laid paper with roughly 9 laid lines per cm. (both horizontal and vertical orientation found in different leaves), somewhat indistinct, some curving, no regular chain lines plainly visible, medium cream in color, thin and crisp though sturdy, lightly burnished ; minor breakthrough at frames in a few leaves., Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap, though now lost), likely two-piece binding (seam of overlapping flanges visible at spine) ; pastedowns and flyleaves in dark blue textured, coated paper (embossed with scrolling vegetal design) ; upper and lower covers carry stamped (orange-red recessed onlays) and gold-painted central lozenge (filled with vegetal composition, compare Déroche class. OSd), pendants and cornerpieces with gold-painted accents and borders with outermost guilloché roll ; edges of text block gold-painted with floral designs ; sewn in red thread, two stations ; worked chevron endbands in yellow and red ; overall in fair condition with loss of flap and minor abrasion, lifting and losses of leather, delamination of boards, staining, etc. ; housed in box for protection., Former shelfmark: "153 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf., Origin: As appears in colophon on p.1236, copied by ʻAbd al-Qādir Sāvajī al-Qazvīnī with transcription completed 7 Jumādá II in an unspecified year. F. Abdullaeva, Oleg Akimushkin, and Philippa Vaughan refer the manuscript's production to the latter 16th or early 17th century. "As for the place of origin, the scribe was evidently of Iranian background and training, even if living in India, while the paintings are clearly to be distinguished as Indian. It seems that the calligrapher and painter (there were at least two of them) did not work in the same period" - from description of F. Abdullaeva., Effaced seal impressions (large circular and oval) and statements on 'title page' (p.3) ; finger tabs in mauve silk (partially lost) mark various sections ; collation statement on back flyleaf (p.1237) "عدد اوراق ٦٣٢" ; fairly clean copy., Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 280
متن نمونه
نسخه ای باشکوه از حماسه معروف فردوسی (متوفی 1020) که با 14 مینیاتور مصور شده است. شرح مفصلی از نسخه خطی و مینیاتورهای فیروزا اول عبداللهوا ("شاهنامه ناشناخته ای از آن آربور" منتشر شده در Manuscripta Orientalia, vol.11, no.1, March 2005, pp.28-60).
Katkıda Bulunanlar
ʻAbd al-Qādir Sāvajī al-Qazvīnī, fl. late 16th century?, scribe.
Son Dizinleme Tarihi
20251210
Biçim
Book, Manuscript, Available Online
Koleksiyonda
Abdul Hamid Collection.
Referanslar
Abdullaeva, F. "An unknown Shāhnāma from Ann Arbor," Manuscripta Orientalia, 11, no. i (2005), pp. 28-60., Abdullaeva, F. "Divine, Human and Demonic: Iconographic Flexibility in the Depiction of Rustam and Ashkabus", In Shahnama Studies I, ed. Ch. Melville, Pembroke Papers 5, Cambridge, 2006, pp. 203-219., Cat. Pers. MSS. Brit. Mus., p. 533 ff.
Elde Ediliş
Acquired by purchase (funds donated by Horace Rackham).
