Hebrew Bible

İsim	Hebrew Bible
Basım Tarihi:	Fourteenth to fifteenth century
Basım Yeri	- Cambridge University Library
Tür	Kitap
Dil	İbranice
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	Leaf: (height: 270 mm, width: 210 mm)
Kütüphane:	Ortadoğu Dijital Kütüphanesi
Demirbaş Numarası	MS Add.652
Kayıt Numarası	cambridge_hebrew-6
Lokasyon	Cambridge University Library
Tarih	Fourteenth to fifteenth century
Notlar	Illuminated Hebrew Bible (Pentateuch and Hagiographa) with full Tiberian vocalisation and cantillation (gaʿya is rare; rafe occurs over quiescent he and alef), masora parva and magna (often in the form of micrographic geometric designs, flora and even fauna). The stars of David (which occur occasionally at the end of books, for instance, at the end of Leviticus, f. 89v), seder and paraša markers in the Pentateuch are all gilded or rubricated. Other rubrics (e.g. the rubric noting the middle of a biblical book) are also treated decoratively (e.g., the micrographic lion at the end of the book of Daniel, f. 315v). The word in the text to which masoretic notes refer is marked with two tiny supralinear dots, side by side. Omissions from the text are given by the naqdan (presumably) in the margin, using larger letters than the masora and marking them with a supralinear dot, for example לשרת at Exodus 39:26, f. 66v. Crude taggim (‘crowns’) have been added to a number of letters in Genesis 1, including בראשית. These are probably not the work of the original scribe or naqdan. The pentateuchal text and non-poetic hagiographa are written throughout in 2 columns, with the exception of the poetical parts of the Torah, which are written either text over space (The Song of the Sea, Exodus 15:1-18, ff. 47r-v) or space over space (The Song of Moses, Deuteronomy 32:1-43, ff. 143v-144v). Schiller-Szinessy (vol. i p. 24) writes: ‘The text is a model of beauty and correctness and in strict accordance with the מסרת.’ \| Condition: Stained and some leaves are damaged on the outer or lower margins; some repairs \| Layout: 26 lines in 2 columns; pricked in the inner margins, and probably originally in the outer margins too. \| more \| less
Parçası Olduğu	Hebrew Manuscripts Collection
Malzeme	Parchment

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Ortadoğu Dijital Kütüphanesi

Hebrew Bible

Basım Tarihi Fourteenth to fifteenth century

Basım Yeri - Cambridge University Library

Tür Kitap

Dil İbranice

Dijital Evet

Yazma Evet

Fiziksel Boyutlar Leaf: (height: 270 mm, width: 210 mm)

Kütüphane Ortadoğu Dijital Kütüphanesi

Demirbaş Numarası MS Add.652

Kayıt Numarası cambridge_hebrew-6

Lokasyon Cambridge University Library

Tarih Fourteenth to fifteenth century

Notlar Illuminated Hebrew Bible (Pentateuch and Hagiographa) with full Tiberian vocalisation and cantillation (gaʿya is rare; rafe occurs over quiescent he and alef), masora parva and magna (often in the form of micrographic geometric designs, flora and even fauna). The stars of David (which occur occasionally at the end of books, for instance, at the end of Leviticus, f. 89v), seder and paraša markers in the Pentateuch are all gilded or rubricated. Other rubrics (e.g. the rubric noting the middle of a biblical book) are also treated decoratively (e.g., the micrographic lion at the end of the book of Daniel, f. 315v). The word in the text to which masoretic notes refer is marked with two tiny supralinear dots, side by side. Omissions from the text are given by the naqdan (presumably) in the margin, using larger letters than the masora and marking them with a supralinear dot, for example לשרת at Exodus 39:26, f. 66v. Crude taggim (‘crowns’) have been added to a number of letters in Genesis 1, including בראשית. These are probably not the work of the original scribe or naqdan. The pentateuchal text and non-poetic hagiographa are written throughout in 2 columns, with the exception of the poetical parts of the Torah, which are written either text over space (The Song of the Sea, Exodus 15:1-18, ff. 47r-v) or space over space (The Song of Moses, Deuteronomy 32:1-43, ff. 143v-144v). Schiller-Szinessy (vol. i p. 24) writes: ‘The text is a model of beauty and correctness and in strict accordance with the מסרת.’ | Condition: Stained and some leaves are damaged on the outer or lower margins; some repairs | Layout: 26 lines in 2 columns; pricked in the inner margins, and probably originally in the outer margins too. | more | less

Parçası Olduğu Hebrew Manuscripts Collection

Malzeme Parchment