T'oros Roslin Gospels

İsim	T'oros Roslin Gospels
Basım Tarihi:	1262 (Medieval)
Basım Yeri	- The Walters Art Museum
Konu	Culture: Christian; Byzantine; Armenian \| more \| less
Tür	Kitap
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	Dimensions: H: 11 3/4 x W: 9 1/16 x D: 4 3/8 in. (29.85 x 23.02 x 11.11 cm)
Kütüphane:	Ortadoğu Dijital Kütüphanesi
Demirbaş Numarası	W.539
Kayıt Numarası	walters-8115
Lokasyon	The Walters Art Museum
Tarih	1262 (Medieval)
Notlar	This manuscript was made in 1262 by Toros Roslin, the celebrated illuminator who extended the iconographic repertoire by defining a narrative Gospel cycle beyond the traditional portraits of the Evangelists. This signed manuscript was created at the scriptorium of Hromkla, which became the leading artistic center of Armenian Cilicia under the rule of Catholicos Constantine I (1221-1267). As an extensive colophon starting on fol. 406v explains, Toros created this manuscript under commission from the nephew of Constantine, a priest also named Toros. It is one of seven known manuscripts bearing Toros Roslins signature, and it is the most sumptuous of them all, with 15 miniatures and 67 smaller illustrations. The style of the images suggests that Toros had several assistants helping with the illustrations, though the overall quality remains extremely high. The manuscript was long cherished within the Armenian church. Even in the seventeenth century, its illumination served as a model for Armenian scribes, particularly Bargham and his son Mikayel; see Jerusalem, Armenian Patriarchate, no. 3438 and Washington DC, Freer Gallery, Ms. 36.15; in the latter manuscript, Mikayel explicitly refers to the excellent scribe Toros, surnamed Roslin.For the latest information about this object, illuminated manuscripts, visit art.thewalters.org. \| Dynasty: \| Inscriptions: \| Reign: \| Style: Armenian \| more \| less
Parçası Olduğu	BYZ, MSS \| Manuscripts
Malzeme	ink and pigments on well finished, medium weight parchment covered with brown stamped leather decorated with jeweled and nielloed metal-gilt plaques

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T'oros Roslin Gospels

Basım Tarihi 1262 (Medieval)

Basım Yeri - The Walters Art Museum

Konu Culture: Christian; Byzantine; Armenian | more | less

Tür Kitap

Dil Belirlenmemiş dil

Dijital Evet

Yazma Evet

Fiziksel Boyutlar Dimensions: H: 11 3/4 x W: 9 1/16 x D: 4 3/8 in. (29.85 x 23.02 x 11.11 cm)

Kütüphane Ortadoğu Dijital Kütüphanesi

Demirbaş Numarası W.539

Kayıt Numarası walters-8115

Lokasyon The Walters Art Museum

Tarih 1262 (Medieval)

Notlar This manuscript was made in 1262 by Toros Roslin, the celebrated illuminator who extended the iconographic repertoire by defining a narrative Gospel cycle beyond the traditional portraits of the Evangelists. This signed manuscript was created at the scriptorium of Hromkla, which became the leading artistic center of Armenian Cilicia under the rule of Catholicos Constantine I (1221-1267). As an extensive colophon starting on fol. 406v explains, Toros created this manuscript under commission from the nephew of Constantine, a priest also named Toros. It is one of seven known manuscripts bearing Toros Roslins signature, and it is the most sumptuous of them all, with 15 miniatures and 67 smaller illustrations. The style of the images suggests that Toros had several assistants helping with the illustrations, though the overall quality remains extremely high. The manuscript was long cherished within the Armenian church. Even in the seventeenth century, its illumination served as a model for Armenian scribes, particularly Bargham and his son Mikayel; see Jerusalem, Armenian Patriarchate, no. 3438 and Washington DC, Freer Gallery, Ms. 36.15; in the latter manuscript, Mikayel explicitly refers to the excellent scribe Toros, surnamed Roslin.For the latest information about this object, illuminated manuscripts, visit art.thewalters.org. | Dynasty: | Inscriptions: | Reign: | Style: Armenian | more | less

Parçası Olduğu BYZ, MSS | Manuscripts

Malzeme ink and pigments on well finished, medium weight parchment covered with brown stamped leather decorated with jeweled and nielloed metal-gilt plaques