Hüsn-ü hat risalesi | حسن خط رساله سى
( حسن خط رساله سى)

Name: Hüsn-ü hat risalesi | حسن خط رساله سى
Author: Mehmet bin Tacettin | محمد بن تاج الدين

İsim	Hüsn-ü hat risalesi \| حسن خط رساله سى
İsim Orijinal	حسن خط رساله سى
Yazar	Mehmet bin Tacettin \| محمد بن تاج الدين
Yazar Orijinal	محمد بن تاج الدين
Basım Tarihi:	ca. 1772].
Basım Yeri	- University of Michigan
Konu	Manuscripts, Turkish \| Writing, Arabic Technique Early works to 1800. \| Calligraphy, Turkish Technique Early works to 1800. \| Islamic calligraphy Technique Early works to 1800. \| more \| less
Tür	Kitap
Dil	Osmanlıca
Dijital	Evet
Yazma	Evet
Sayfa Sayısı	28
Fiziksel Boyutlar	28 leaves : paper ; 222 x 160 (129 x 78) mm.
Kütüphane:	Ortadoğu Dijital Kütüphanesi
Kayıt Numarası	006822263
Lokasyon	University of Michigan
Tarih	ca. 1772].
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 401 \| Origin: As appears in colophon, copy executed by Mehmet Vasfi (i.e. Kebecizade Mehmet Vasfi Efendi, d. 1831) student of Ebubekir Raşit Efendi (d.1782). Date of transcription not specified, though date in watermark suggests ca. 1772 ; decoration, hand, etc. are consistent with late 18th century dating. \| Former shelfmark: "469 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf. \| Binding: Pasteboards covered in dark royal blue leather ; Type III binding (without flap) ; pastedowns and flyleaves in sky blue surface-dyed, textured and coated paper (embossed with scrolling vegetal designs) ; upper and lower covers carry central gold-flecked cartouche with gold-painted cornerpieces and stamped borders of gold defined by gold fillets ; sewn in pale yellow thread, two stations ; overall in fairly good condition with minor abrasion ; repairs in blue Japanese paper. \| Support: European laid paper with 11 laid lines per cm. (vertical), chain lines spaced 23-24 mm. apart (horizontal), and watermarks of griffin [?], "FIN DE LA SONE EN DAUPHINE" and "1772" ; well-sized and burnished, thin and crisp though sturdy, buff (dull yellow) in color. \| Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of a composition of vegetal forms (resembling plumes) in white with shades of lavender, blue, pink, etc. accents surmounted by floral forms in shades of pink with green leaves, all on a gold ground set in a well defined by red and yellow interlace ; written area of incipit and facing page surrounded by a heavy gold frame with inner and outer gold bands defined by black fillets and outermost blue fillet ; written area elsewhere surrounded by a narrower gold frame defined by black fillets with outermost blue fillet ; textual dividers in the form of illuminated rosettes with red and blue accents ; keywords and headings rubricated ; circles (or hāʼ evoking familiar rhomboid dots) and lines indicating size, proportion and angle for the large sample letters entered in the margins are also rubricated. \| Script: Naskh (nesih) and thluth (sülüs) ; exquisite specimen of Ottoman calligraphy executed by Kebecizade Mehmet Vasfi Efendi (d. 1831). \| Layout: Written in 9 lines per page ; frame-ruled. \| Collation: i, 2 V(20), IV (28), i ; two quinions followed by a quaternion ; catchwords present. \| Colophon: "Scribal," triangular, reads "كتبه اضعف الكتاب محمد الوصفى المعروف بحافظ القرآن من تلاميذ ابو بكر راشد افندى غفر الله لهما" \| Explicit: "وبرى معكوسه در راجعه داخى ديرلر بونلر كبى"" \| Incipit: "حمد بى عد وثناء لا يعد اول خالق اللوح والقلمه كه كاف ونون ايله جمله كائنات وممكناتى وار ... تراشيدن قلم وشناختن اولا حسن خط يازنلر قلمك اعلاسين ومركبك رعناسين وكاغدك زيباسين كورمك كركدر ..." \| Title supplied by cataloguer. \| Ms. codex. \| Exquisite copy of a treatise on calligraphy (addressing chiefly nesih and sülüs) attributed to Tacbeyzade [Taçbeyzade, Tacizade, Taczade] Mehmet bin Tacettin [Mehmed b.Taceddin] (d.1587) executed by the calligrapher Kebecizade Mehmet Vasfi Efendi (d. 1831). The text opens with preparing the pen and the origins of the scripts and their names (returning to Ibn al-Bawwāb and Yāqūt al-Mustaʻṣamī with some sayings attributed to them), followed by the müfredat (single and double letters) and the mürekkebat (words and phrases of more than two letters). Sample letters marked with the proper proportions and angles are provided in the margins. \| more \| less

Kaynağa git Ortadoğu Dijital Kütüphanesi Digital Library of the Middle East

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Ortadoğu Dijital Kütüphanesi

Kaynağa git

Hüsn-ü hat risalesi | حسن خط رساله سى

( حسن خط رساله سى)

Yazar Mehmet bin Tacettin | محمد بن تاج الدين

Yazar Orijinal محمد بن تاج الدين

Basım Tarihi ca. 1772].

Basım Yeri - University of Michigan

Tür Kitap

Dil Osmanlıca

Dijital Evet

Yazma Evet

Sayfa Sayısı 28

Fiziksel Boyutlar 28 leaves : paper ; 222 x 160 (129 x 78) mm.

Kütüphane Ortadoğu Dijital Kütüphanesi

Kayıt Numarası 006822263

Lokasyon University of Michigan

Tarih ca. 1772].

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 401 | Origin: As appears in colophon, copy executed by Mehmet Vasfi (i.e. Kebecizade Mehmet Vasfi Efendi, d. 1831) student of Ebubekir Raşit Efendi (d.1782). Date of transcription not specified, though date in watermark suggests ca. 1772 ; decoration, hand, etc. are consistent with late 18th century dating. | Former shelfmark: "469 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf. | Binding: Pasteboards covered in dark royal blue leather ; Type III binding (without flap) ; pastedowns and flyleaves in sky blue surface-dyed, textured and coated paper (embossed with scrolling vegetal designs) ; upper and lower covers carry central gold-flecked cartouche with gold-painted cornerpieces and stamped borders of gold defined by gold fillets ; sewn in pale yellow thread, two stations ; overall in fairly good condition with minor abrasion ; repairs in blue Japanese paper. | Support: European laid paper with 11 laid lines per cm. (vertical), chain lines spaced 23-24 mm. apart (horizontal), and watermarks of griffin [?], "FIN DE LA SONE EN DAUPHINE" and "1772" ; well-sized and burnished, thin and crisp though sturdy, buff (dull yellow) in color. | Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of a composition of vegetal forms (resembling plumes) in white with shades of lavender, blue, pink, etc. accents surmounted by floral forms in shades of pink with green leaves, all on a gold ground set in a well defined by red and yellow interlace ; written area of incipit and facing page surrounded by a heavy gold frame with inner and outer gold bands defined by black fillets and outermost blue fillet ; written area elsewhere surrounded by a narrower gold frame defined by black fillets with outermost blue fillet ; textual dividers in the form of illuminated rosettes with red and blue accents ; keywords and headings rubricated ; circles (or hāʼ evoking familiar rhomboid dots) and lines indicating size, proportion and angle for the large sample letters entered in the margins are also rubricated. | Script: Naskh (nesih) and thluth (sülüs) ; exquisite specimen of Ottoman calligraphy executed by Kebecizade Mehmet Vasfi Efendi (d. 1831). | Layout: Written in 9 lines per page ; frame-ruled. | Collation: i, 2 V(20), IV (28), i ; two quinions followed by a quaternion ; catchwords present. | Colophon: "Scribal," triangular, reads "كتبه اضعف الكتاب محمد الوصفى المعروف بحافظ القرآن من تلاميذ ابو بكر راشد افندى غفر الله لهما" | Explicit: "وبرى معكوسه در راجعه داخى ديرلر بونلر كبى"" | Incipit: "حمد بى عد وثناء لا يعد اول خالق اللوح والقلمه كه كاف ونون ايله جمله كائنات وممكناتى وار ... تراشيدن قلم وشناختن اولا حسن خط يازنلر قلمك اعلاسين ومركبك رعناسين وكاغدك زيباسين كورمك كركدر ..." | Title supplied by cataloguer. | Ms. codex. | Exquisite copy of a treatise on calligraphy (addressing chiefly nesih and sülüs) attributed to Tacbeyzade [Taçbeyzade, Tacizade, Taczade] Mehmet bin Tacettin [Mehmed b.Taceddin] (d.1587) executed by the calligrapher Kebecizade Mehmet Vasfi Efendi (d. 1831). The text opens with preparing the pen and the origins of the scripts and their names (returning to Ibn al-Bawwāb and Yāqūt al-Mustaʻṣamī with some sayings attributed to them), followed by the müfredat (single and double letters) and the mürekkebat (words and phrases of more than two letters). Sample letters marked with the proper proportions and angles are provided in the margins. | more | less