Music; piyyuṭ T-S K5.41

İsim	Music; piyyuṭ T-S K5.41
Basım Tarihi:	12th century
Basım Yeri	- Cambridge University Library
Tür	Kitap
Dil	İbranice
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	Leaf: (height: 16.4 cm, width: 12.5 cm)
Kütüphane:	Ortadoğu Dijital Kütüphanesi
Demirbaş Numarası	T-S K5.41
Kayıt Numarası	cambridge_genizah-17383
Lokasyon	Cambridge University Library
Tarih	12th century
Notlar	Musical notation of the piyyuṭim ברוך הגבר and ועדה מה in the hand of Obadiah the Proselyte (Johannes of Oppido, an Italian priest, who converted to Judaism in 1102 CE). The Cairo Genizah contains several of his transcriptions, the best known are his Lombardic neumatic notations to piyyuṭim, with formulas characteristic of the Gregorian chant. The stave is ruled with a hard point on one side, and rubricated on the other. Each line of the stave is marked with Hebrew letters, alef to he, from top to bottom. Obadiah has provided us with the first written musical settings to Jewish liturgical poetry, but scholars are at odds about the degree to which he was responsible for their composition. \| Condition: torn, holes, slightly rubbed \| Layout: 10 lines (recto); 7 lines (verso) \| more \| less
Parçası Olduğu	The Taylor-Schechter Genizah Collection
Malzeme	Paper

Kaynağa git Ortadoğu Dijital Kütüphanesi Digital Library of the Middle East

Aramaya Dön

Ortadoğu Dijital Kütüphanesi

Kaynağa git

Music; piyyuṭ T-S K5.41

Basım Tarihi 12th century

Basım Yeri - Cambridge University Library

Tür Kitap

Dil İbranice

Dijital Evet

Yazma Evet

Fiziksel Boyutlar Leaf: (height: 16.4 cm, width: 12.5 cm)

Kütüphane Ortadoğu Dijital Kütüphanesi

Demirbaş Numarası T-S K5.41

Kayıt Numarası cambridge_genizah-17383

Lokasyon Cambridge University Library

Tarih 12th century

Notlar Musical notation of the piyyuṭim ברוך הגבר and ועדה מה in the hand of Obadiah the Proselyte (Johannes of Oppido, an Italian priest, who converted to Judaism in 1102 CE). The Cairo Genizah contains several of his transcriptions, the best known are his Lombardic neumatic notations to piyyuṭim, with formulas characteristic of the Gregorian chant. The stave is ruled with a hard point on one side, and rubricated on the other. Each line of the stave is marked with Hebrew letters, alef to he, from top to bottom. Obadiah has provided us with the first written musical settings to Jewish liturgical poetry, but scholars are at odds about the degree to which he was responsible for their composition. | Condition: torn, holes, slightly rubbed | Layout: 10 lines (recto); 7 lines (verso) | more | less

Parçası Olduğu The Taylor-Schechter Genizah Collection

Malzeme Paper