Dīvān-i Kalīm | دیوان کلیم،
( دیوان کلیم،)

Name: Dīvān-i Kalīm | دیوان کلیم،
Author: Kalīm, Abū Ṭālib | كليم, ابو طالب

İsim	Dīvān-i Kalīm \| دیوان کلیم،
İsim Orijinal	دیوان کلیم،
Yazar	Kalīm, Abū Ṭālib \| كليم, ابو طالب
Yazar Orijinal	كليم ابو طالب
Basım Tarihi:	[1673?].
Basım Yeri	- University of Michigan
Konu	Manuscripts, Persian \| Persian poetry 1500-1796. \| more \| less
Tür	Kitap
Dil	Farsça
Dijital	Evet
Yazma	Evet
Sayfa Sayısı	252
Fiziksel Boyutlar	252 leaves : paper ; 240 x 130 (145 x 60) mm.
Kütüphane:	Ortadoğu Dijital Kütüphanesi
Kayıt Numarası	006816050
Lokasyon	University of Michigan
Tarih	[1673?].
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 340 \| Origin: According to colophon on p.503, supposedly copied by Muḥammad Masīḥ Shīrāzī with transcription completed 17 Muḥarram "٨٠۴" [ca. 27 August 1401], which seems impossible given Kalīm's dates ; 17 Muḥarram 1084 [i.e. ca. 4 May 1673] may have been intended. Ownership statement on 'title page' (p.1) provides a terminus ante quem of 1684. \| Former shelfmark: "121 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf. \| Binding: Pasteboards covered in black leather seemingly covered with lacquer ; Type II binding (with flap) ; two-piece binding (overlapping flanges visible at spine) ; doublures in dark red leather gold-tooled with oval central ornament, crosses above and below, corner accents and border (all built up of small annular stamp) defined by gold rules ; upper and lower covers carry stamped central lozenge, pendants and cornerpieces (central lozenge and cornerpieces filled with composition of vegetal designs surrounding bird) painted red and bronze-gold and layered with lacquer, as well as border in gold-painted vegetal designs defined by gold fillets ; sewn in golden yellow and blue thread, two stations ; worked chevron endbands in golden yellow and blue thread ; overall in somewhat poor condition with envelope flap almost fully detached from fore edge flap (losses at joint), some lifting and losses of lacquer and leather, abrasion, losses and delamination of boards at edges, etc. \| Support: non-European (likely Persian) laid paper with roughly 9 laid lines per cm. (vertical, somewhat indistinct) and irregular chain lines visible, dense and sturdy though thin, well-burnished, dark cream in color ; flyleaves in European laid paper ; extensive pest damage in final seven leaves ; flyleaves in European laid paper. \| Decoration: Superb illuminated double-page opening on p.2-3 with headpiece (ʻunwān / sarlawḥ) consisting of rectangular piece with empty gold cartouche flanked by gold pendants surrounded by delicate floral vegetal decoration in orange, yellow, lavender, white, and red on a lapis and gold ground, surmounted by elongated scalloped dome filled with chi cloud and floral motifs in gold, orange, light blue, white, lavender, etc. surrounding pink pendants, all set in a well of now dark brownish blue with white accents flanked by narrow blue and gold bands ; marginal decoration of gold-painted plants and animals (lion, fox, rabbit, phoenix, antelope, etc.) completes the double-page illumination ; another exquisite illuminated headpiece at opening of ghazals on p.250 ; written area throughout surrounded by gold frame with blue outermost rule, divisions within defined by narrow gold bands ; text of written area of double page opening set off by gold cloud-bands, elsewhere flecked with gold ; gold-painted vegetal and animal decoration at close of some sections (see pp.249 and 491). \| Script: Nastaʻlīq ; elegant hand in a medium line, compactly filling the line ; characteristically serifless, with effect of words descending to baseline, elongation of horizontal strokes, pointing in conjoined dots, point of final nūn set down in wide, slightly angled bowl. \| Layout: Written in 17 lines per page with written area often divided to two columns ; frame-ruled. \| Collation: i, 9 IV(72), III (78), 9 IV(150), III (156), 6 IV(204), III+1 (211), 2 IV(227), IV+1 (236), 2 IV(252), i ; chiefly quaternions ; oblique catchwords on the verso of each leaf ; pagination in pencil, Western numerals, supplied during cataloguing. \| Colophon: "Scribal," triangular, reads "بتاریخ هفدهم شهر محرم الحرام سنه ٨٠۴ سمت تحریر یافت علی ید الاحقر بل اللاشی محمد مسیح شیرازی م م م" \| Explicit: " آرایش روزگار امروز ازوست بر روی زمانه زلف پر پیچ و خمیست" \| Incipit: "ش‍وق‌ ه‍ر ک‍س‌ را ک‍ه‌ در راه‌ طل‍ب‌ س‍ر م‍ی‍ده‍د گ‍ر در آرد اول‌ از پ‍ا آخ‍رش‌ پ‍رم‍ی‍هد ..." \| Title supplied by cataloguer. \| Ms. codex. \| Elegant copy of the collected poems of Kalīm Abū Ṭālib (d. 1651). Descriptive contributions from Nick Krabbenhoeft. \| more \| less
Zaman Dilimi	1500-1796

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Dīvān-i Kalīm | دیوان کلیم،

( دیوان کلیم،)

Yazar Kalīm, Abū Ṭālib | كليم, ابو طالب

Yazar Orijinal كليم ابو طالب

Basım Tarihi [1673?].

Basım Yeri - University of Michigan

Konu Manuscripts, Persian | Persian poetry 1500-1796. | more | less

Tür Kitap

Dil Farsça

Dijital Evet

Yazma Evet

Sayfa Sayısı 252

Fiziksel Boyutlar 252 leaves : paper ; 240 x 130 (145 x 60) mm.

Kütüphane Ortadoğu Dijital Kütüphanesi

Kayıt Numarası 006816050

Lokasyon University of Michigan

Tarih [1673?].

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 340 | Origin: According to colophon on p.503, supposedly copied by Muḥammad Masīḥ Shīrāzī with transcription completed 17 Muḥarram "٨٠۴" [ca. 27 August 1401], which seems impossible given Kalīm's dates ; 17 Muḥarram 1084 [i.e. ca. 4 May 1673] may have been intended. Ownership statement on 'title page' (p.1) provides a terminus ante quem of 1684. | Former shelfmark: "121 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf. | Binding: Pasteboards covered in black leather seemingly covered with lacquer ; Type II binding (with flap) ; two-piece binding (overlapping flanges visible at spine) ; doublures in dark red leather gold-tooled with oval central ornament, crosses above and below, corner accents and border (all built up of small annular stamp) defined by gold rules ; upper and lower covers carry stamped central lozenge, pendants and cornerpieces (central lozenge and cornerpieces filled with composition of vegetal designs surrounding bird) painted red and bronze-gold and layered with lacquer, as well as border in gold-painted vegetal designs defined by gold fillets ; sewn in golden yellow and blue thread, two stations ; worked chevron endbands in golden yellow and blue thread ; overall in somewhat poor condition with envelope flap almost fully detached from fore edge flap (losses at joint), some lifting and losses of lacquer and leather, abrasion, losses and delamination of boards at edges, etc. | Support: non-European (likely Persian) laid paper with roughly 9 laid lines per cm. (vertical, somewhat indistinct) and irregular chain lines visible, dense and sturdy though thin, well-burnished, dark cream in color ; flyleaves in European laid paper ; extensive pest damage in final seven leaves ; flyleaves in European laid paper. | Decoration: Superb illuminated double-page opening on p.2-3 with headpiece (ʻunwān / sarlawḥ) consisting of rectangular piece with empty gold cartouche flanked by gold pendants surrounded by delicate floral vegetal decoration in orange, yellow, lavender, white, and red on a lapis and gold ground, surmounted by elongated scalloped dome filled with chi cloud and floral motifs in gold, orange, light blue, white, lavender, etc. surrounding pink pendants, all set in a well of now dark brownish blue with white accents flanked by narrow blue and gold bands ; marginal decoration of gold-painted plants and animals (lion, fox, rabbit, phoenix, antelope, etc.) completes the double-page illumination ; another exquisite illuminated headpiece at opening of ghazals on p.250 ; written area throughout surrounded by gold frame with blue outermost rule, divisions within defined by narrow gold bands ; text of written area of double page opening set off by gold cloud-bands, elsewhere flecked with gold ; gold-painted vegetal and animal decoration at close of some sections (see pp.249 and 491). | Script: Nastaʻlīq ; elegant hand in a medium line, compactly filling the line ; characteristically serifless, with effect of words descending to baseline, elongation of horizontal strokes, pointing in conjoined dots, point of final nūn set down in wide, slightly angled bowl. | Layout: Written in 17 lines per page with written area often divided to two columns ; frame-ruled. | Collation: i, 9 IV(72), III (78), 9 IV(150), III (156), 6 IV(204), III+1 (211), 2 IV(227), IV+1 (236), 2 IV(252), i ; chiefly quaternions ; oblique catchwords on the verso of each leaf ; pagination in pencil, Western numerals, supplied during cataloguing. | Colophon: "Scribal," triangular, reads "بتاریخ هفدهم شهر محرم الحرام سنه ٨٠۴ سمت تحریر یافت علی ید الاحقر بل اللاشی محمد مسیح شیرازی م م م" | Explicit: " آرایش روزگار امروز ازوست بر روی زمانه زلف پر پیچ و خمیست" | Incipit: "ش‍وق‌ ه‍ر ک‍س‌ را ک‍ه‌ در راه‌ طل‍ب‌ س‍ر م‍ی‍ده‍د گ‍ر در آرد اول‌ از پ‍ا آخ‍رش‌ پ‍رم‍ی‍هد ..." | Title supplied by cataloguer. | Ms. codex. | Elegant copy of the collected poems of Kalīm Abū Ṭālib (d. 1651). Descriptive contributions from Nick Krabbenhoeft. | more | less

Zaman Dilimi 1500-1796