al-Risālah al-shamsīyah fī qawāʻid al-manṭiqīyah maʻa sharḥihā | الرسالة الشمسية في قواعد المنطقية مع شرحها | Kütüphane.osmanlica.com
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al-Risālah al-shamsīyah fī qawāʻid al-manṭiqīyah maʻa sharḥihā | الرسالة الشمسية في قواعد المنطقية مع شرحها
( الرسالة الشمسية في قواعد المنطقية مع شرحها)

İsim al-Risālah al-shamsīyah fī qawāʻid al-manṭiqīyah maʻa sharḥihā | الرسالة الشمسية في قواعد المنطقية مع شرحها
İsim Orijinal الرسالة الشمسية في قواعد المنطقية مع شرحها
Yazar Qazwīnī, ʻAlī ibn ʻUmar | قزويني، علي بن عمر
Yazar Orijinal قزويني، علي بن عمر
Basım Tarihi: [1876].
Basım Yeri - University of Michigan
Konu Qazwīnī, ʻAlī ibn ʻUmar, 1203 or 4-1276 or 7. Risālah al-shamsīyah. | Manuscripts, Arabic | Islam Doctrines Early works to 1800. | Logic, medieval Early works to 1800. | more | less
Tür Kitap
Dil Arapça
Dijital Evet
Yazma Evet
Sayfa Sayısı 32
Fiziksel Boyutlar 32 leaves : paper ; 230 x 135 (139 x 67) mm. bound to 235 x 140 mm.
Kütüphane: Ortadoğu Dijital Kütüphanesi
Kayıt Numarası 006795353
Lokasyon University of Michigan
Tarih [1876].
Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 217 | Origin: As appears in colophon on fol.33b-34a, copied, vocalized, and glossed by Mehmet Nuri, known as Niyazi [?], son of İbrahim known as Etham el-Vehbî Efendi. Transcription finished "wa-qad waqaʻa al-farāgh min tabyīḍihā..." in the first tenth [العشر الاول] of Ramaḍān 1293 [September 1876]. | Binding: Pasteboards covered in black leather ; Type III binding (without flap) with Western elements ; pastedowns and flyleaves in shell marbled paper (lavender, blue, red, yellow, and white) ; upper and lower covers bear gold-stamped central panel (oval surrounded by floral vegetal band), floral cornerpieces, and border in architectural design with floral accents ; gold-stamped floral vegetal decoration in bands on spine ; sewn in heavy cream thread, four stations (in lieu of primaries) ; no endbands ; in good condition with minor abrasion, staining, etc. | Support: non-European laid paper ; laid lines running vertically, fairly distinct but with some curving and sagging, spaced roughly 12 laid lines per cm. ; chain lines faintly visible, but quite indistinct ; quite crisp ; fairly translucent ; some inclusions and undissolved fibers visible ; well-burnished ; surfaced tinted to a rosy pink. | Decoration: Illuminated headpiece (ʻunwān) on fol.1b (p.2) consisting of rectangular panel dominated by floral decoration in pinks, greens, red and gold consisting of a central bouquet, encircled by flowers and flanked by swirling leaves and blossoms all on a field of stippled gold ; the piece is bordered by a well in white with red cross pattern ; illuminated headpiece on fol.33b (p.66) consisting of rectangular piece with empty gold cartouche flanked by intertwining floral vegetal decoration (evoking 'arabesque') in gold, white, blue, and red on fields of blue ; piece is surrounded by bands of gold flanking band of white with blue cross pattern ; illuminated headpiece on fol.34a (p.67) consisting of rectangular panel with empty gold cartouche flanked by floral vegetal design in stippled gold on fields of red ; piece is surrounded by bands of gold flanking band of white with blue cross pattern ; frame consisting of a series of gilt bands of varying thickness ; bordering the margin a gilt band outlined by black fillets ; textual dividers in the form of rosettes bordered by three dots (in gold, white and red), large floral pieces in gold, white, and red ; small diagram (a circle divded to quarters) pertaining to a discussion of lunar quarters, etc. in margin of fol.14a (p.27) ; text rubricated with abbreviations and numerals corresponding to gloss, etc. in red. | Script: Two distinct hands, one for the matn and one for the sharḥ, though apparently supplied by the same copyist ; matn supplied in a naskh, splendid Ottoman hand, seriffed with right-sloping head serif on all shafts apart from free-standing alif, slight effect of tilt to the left, kāf mabsūṭah preferred, fully vocalized ; sharḥ (marginal and interlinear) supplied in a a naskh/nastaʻlīq, with letterforms characteristic of nastaʻlīq, very slight effect of slant to right and words gently descending to baseline, mainly closed counters, pointed to convention and not vocalized. | Layout: Written in 13 lines per page ; frame-ruled (impression of ruling board clearly evident, particularly in margin). | Collation: iii, 3 V(30), III(36), iii ; chiefly quinions ; final leaf left blank ; catchwords present ; pagination in pencil, Western numerals supplied during cataloguing. | Colophon: "Scribal," rectangular, reads: "كتبه وشرحه ولكون الاعراب زينة للخط جعله معربا السيد محمد نورى الصوفيه وى المعروف بنيازى [؟] مأذونا من ابيه المرحوم ابراهيم المشهور بادهم الوهبى افندى استأثره الله تعالى بالرحمة والغفران واسكنه الله تعالى في اعلى غرف الجنان وقد وقع الفراغ من تبييضها في العشر الاول من شهر رمضان المبارك لسنة ثلث وتسعين ومأتين والف من هجرة من يرى من قدام وخلف" | Explicit: [al-Risālah al-shamsīyah] "كقولنا كل مثلث فان زواياه مثل مساوية لقائمتين واما محمولاتها فخارجة عن موضوعاتها لامتناع ان يكون جزء الشيء مطلوبا ثبوته بالبرهان" [Sharḥ al-Risālah al-shamsīyah] "فالمثلث الموصوف نوع من المثلث قد تم هذا مع ما بين سطور المتن في العشر الاول من شهر رمضان المبارك لسنة ثلث وتسعين ومائتين والف من هجرة من له العز والشرف" | Incipit: [al-Risālah al-shamsīyah] "الحمد لله الذي ابدع نظام الوجود واخترع ماهيات الاشياء بمقتضى الجود وانشأ بقدرته انواع الجواهر العقلية وافاض برحمته حركات الاجرام الفلكية ... وبعد فهذا كتاب في المنطق سميته بالرسالة الشمسية في القواعد المنطقية ورتبته على مقدمة وثلث مقالات وخاتمة ..." [Sharḥ al-Risālah al-shamsīyah] " الحمد لله الذي جعل ترتيب امورنا المعلومة مؤديا الى جهلنا وكان ظاهرا ... وبعد فيقول الضعيف الضفيف عند الله الغني السيد محمد نورى الصوفيه وى لما كانت الرسالة الشمسية متداولة بين الامثال وكانت رموزاتها محتاجة الى بيان الامثال علقت النظر اليها وجعلتها معربة بالحركات وبينت مراجع ضمائرها بوضع الاشارات وبرزت عيون عطوفها بورع العينيات ورمزت تعلقاتها بميم المتعلقات وكتبت تحت جيمها وبائها او فوقهما المثلات ...قال المص رحمه الله الحمد لله الذي ابدع ..." | Title supplied by cataloguer. | Ms. codex. | Exquisite copy of the treatise on logic by al-Kātibī al-Qazwīnī (d. 675/1276?), fully vocalized and supplied with a gloss (marginal and interlinear) of the copyist's own composition. Three taqrīẓs (taqārīẓ) are included following the colophon. | more | less
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al-Risālah al-shamsīyah fī qawāʻid al-manṭiqīyah maʻa sharḥihā | الرسالة الشمسية في قواعد المنطقية مع شرحها

( الرسالة الشمسية في قواعد المنطقية مع شرحها)
Yazar Qazwīnī, ʻAlī ibn ʻUmar | قزويني، علي بن عمر
Yazar Orijinal قزويني، علي بن عمر
Basım Tarihi [1876].
Basım Yeri - University of Michigan
Konu Qazwīnī, ʻAlī ibn ʻUmar, 1203 or 4-1276 or 7. Risālah al-shamsīyah. | Manuscripts, Arabic | Islam Doctrines Early works to 1800. | Logic, medieval Early works to 1800. | more | less
Tür Kitap
Dil Arapça
Dijital Evet
Yazma Evet
Sayfa Sayısı 32
Fiziksel Boyutlar 32 leaves : paper ; 230 x 135 (139 x 67) mm. bound to 235 x 140 mm.
Kütüphane Ortadoğu Dijital Kütüphanesi
Kayıt Numarası 006795353
Lokasyon University of Michigan
Tarih [1876].
Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 217 | Origin: As appears in colophon on fol.33b-34a, copied, vocalized, and glossed by Mehmet Nuri, known as Niyazi [?], son of İbrahim known as Etham el-Vehbî Efendi. Transcription finished "wa-qad waqaʻa al-farāgh min tabyīḍihā..." in the first tenth [العشر الاول] of Ramaḍān 1293 [September 1876]. | Binding: Pasteboards covered in black leather ; Type III binding (without flap) with Western elements ; pastedowns and flyleaves in shell marbled paper (lavender, blue, red, yellow, and white) ; upper and lower covers bear gold-stamped central panel (oval surrounded by floral vegetal band), floral cornerpieces, and border in architectural design with floral accents ; gold-stamped floral vegetal decoration in bands on spine ; sewn in heavy cream thread, four stations (in lieu of primaries) ; no endbands ; in good condition with minor abrasion, staining, etc. | Support: non-European laid paper ; laid lines running vertically, fairly distinct but with some curving and sagging, spaced roughly 12 laid lines per cm. ; chain lines faintly visible, but quite indistinct ; quite crisp ; fairly translucent ; some inclusions and undissolved fibers visible ; well-burnished ; surfaced tinted to a rosy pink. | Decoration: Illuminated headpiece (ʻunwān) on fol.1b (p.2) consisting of rectangular panel dominated by floral decoration in pinks, greens, red and gold consisting of a central bouquet, encircled by flowers and flanked by swirling leaves and blossoms all on a field of stippled gold ; the piece is bordered by a well in white with red cross pattern ; illuminated headpiece on fol.33b (p.66) consisting of rectangular piece with empty gold cartouche flanked by intertwining floral vegetal decoration (evoking 'arabesque') in gold, white, blue, and red on fields of blue ; piece is surrounded by bands of gold flanking band of white with blue cross pattern ; illuminated headpiece on fol.34a (p.67) consisting of rectangular panel with empty gold cartouche flanked by floral vegetal design in stippled gold on fields of red ; piece is surrounded by bands of gold flanking band of white with blue cross pattern ; frame consisting of a series of gilt bands of varying thickness ; bordering the margin a gilt band outlined by black fillets ; textual dividers in the form of rosettes bordered by three dots (in gold, white and red), large floral pieces in gold, white, and red ; small diagram (a circle divded to quarters) pertaining to a discussion of lunar quarters, etc. in margin of fol.14a (p.27) ; text rubricated with abbreviations and numerals corresponding to gloss, etc. in red. | Script: Two distinct hands, one for the matn and one for the sharḥ, though apparently supplied by the same copyist ; matn supplied in a naskh, splendid Ottoman hand, seriffed with right-sloping head serif on all shafts apart from free-standing alif, slight effect of tilt to the left, kāf mabsūṭah preferred, fully vocalized ; sharḥ (marginal and interlinear) supplied in a a naskh/nastaʻlīq, with letterforms characteristic of nastaʻlīq, very slight effect of slant to right and words gently descending to baseline, mainly closed counters, pointed to convention and not vocalized. | Layout: Written in 13 lines per page ; frame-ruled (impression of ruling board clearly evident, particularly in margin). | Collation: iii, 3 V(30), III(36), iii ; chiefly quinions ; final leaf left blank ; catchwords present ; pagination in pencil, Western numerals supplied during cataloguing. | Colophon: "Scribal," rectangular, reads: "كتبه وشرحه ولكون الاعراب زينة للخط جعله معربا السيد محمد نورى الصوفيه وى المعروف بنيازى [؟] مأذونا من ابيه المرحوم ابراهيم المشهور بادهم الوهبى افندى استأثره الله تعالى بالرحمة والغفران واسكنه الله تعالى في اعلى غرف الجنان وقد وقع الفراغ من تبييضها في العشر الاول من شهر رمضان المبارك لسنة ثلث وتسعين ومأتين والف من هجرة من يرى من قدام وخلف" | Explicit: [al-Risālah al-shamsīyah] "كقولنا كل مثلث فان زواياه مثل مساوية لقائمتين واما محمولاتها فخارجة عن موضوعاتها لامتناع ان يكون جزء الشيء مطلوبا ثبوته بالبرهان" [Sharḥ al-Risālah al-shamsīyah] "فالمثلث الموصوف نوع من المثلث قد تم هذا مع ما بين سطور المتن في العشر الاول من شهر رمضان المبارك لسنة ثلث وتسعين ومائتين والف من هجرة من له العز والشرف" | Incipit: [al-Risālah al-shamsīyah] "الحمد لله الذي ابدع نظام الوجود واخترع ماهيات الاشياء بمقتضى الجود وانشأ بقدرته انواع الجواهر العقلية وافاض برحمته حركات الاجرام الفلكية ... وبعد فهذا كتاب في المنطق سميته بالرسالة الشمسية في القواعد المنطقية ورتبته على مقدمة وثلث مقالات وخاتمة ..." [Sharḥ al-Risālah al-shamsīyah] " الحمد لله الذي جعل ترتيب امورنا المعلومة مؤديا الى جهلنا وكان ظاهرا ... وبعد فيقول الضعيف الضفيف عند الله الغني السيد محمد نورى الصوفيه وى لما كانت الرسالة الشمسية متداولة بين الامثال وكانت رموزاتها محتاجة الى بيان الامثال علقت النظر اليها وجعلتها معربة بالحركات وبينت مراجع ضمائرها بوضع الاشارات وبرزت عيون عطوفها بورع العينيات ورمزت تعلقاتها بميم المتعلقات وكتبت تحت جيمها وبائها او فوقهما المثلات ...قال المص رحمه الله الحمد لله الذي ابدع ..." | Title supplied by cataloguer. | Ms. codex. | Exquisite copy of the treatise on logic by al-Kātibī al-Qazwīnī (d. 675/1276?), fully vocalized and supplied with a gloss (marginal and interlinear) of the copyist's own composition. Three taqrīẓs (taqārīẓ) are included following the colophon. | more | less
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