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Sharḥ Risālat Ibn Zaydūn | شرح رسالة ابن زيدون
( شرح رسالة ابن زيدون)

İsim Sharḥ Risālat Ibn Zaydūn | شرح رسالة ابن زيدون
İsim Orijinal شرح رسالة ابن زيدون
Yazar Ṣafadī, Khalīl ibn Aybak | صفدي, خليل بن ايبك
Yazar Orijinal صفدي خليل بن ايبك
Basım Tarihi: [16--?].
Basım Yeri - University of Michigan
Konu Ibn Zaydūn, Aḥmad ibn ʻAbd Allāh, 1003 or 4-1071. Risālah al-jiddīyah. | Manuscripts, Arabic | Arabic prose literature Early works to 1800. | more | less
Tür Kitap
Dil Arapça
Dijital Evet
Yazma Evet
Sayfa Sayısı 158
Fiziksel Boyutlar 158 leaves : paper ; 197 x 140 ( 135-155 x 90) mm. bound to 200 x 145 mm.
Kütüphane: Ortadoğu Dijital Kütüphanesi
Kayıt Numarası 006805675
Lokasyon University of Michigan
Tarih [16--?].
Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 651 | Origin: No formal colophon; paper would suggest 17th century. | Accompanying materials: a. Inventory cataloguing slip in hand of Winifred Smeaton Thomas. -- b. Acquisitions slip from Yahuda. | Former Shelfmark: From spine label and inscription on inner front cover, "IL 197" (likely supplied by Yahuda, see acquisitions slip). | Binding: Assembled from two odd covers, each cut down to fit this text block ; upper cover consisting of pasteboards faced in deep brown leather with edge repairs and spine in red leather, traces of what appear to be earlier edge repairs in tan leather ; upper doublure in quite dark brown leather ; lower cover in light red-brown leather with same repairs at edges and spine (both earlier tan leather and red leather) ; lower board lining in yellow laid paper ; composed Type III binding (without flap), mismatched assembly from two odd covers ; upper cover bears blind-tooled decorative pattern (out of center) formed from a series of s-shaped, cross, and rosette-like stamps, s-shaped stamps delineate a central mandorla and pendants, as well as fill the border, cross shaped stamps are used for corner pieces, rosette-like stamps form accents ; upper doublure bears scalloped mandorla (again, now off center) with floral vegetal pattern (without chi clouds, exhibiting horizontal symmetry - Déroche class. OSh) ; lower cover bears scalloped mandorla (out of center) with vegetal pattern (compare Déroche class. OSd 8 and OSd 6) ; much worn chevron endbands in red and green, sewing difficult to examine but appears to be in white thread, two sewing stations ; in fair to poor condition, with much abrasion, cracking and losses of leather (particularly lower cover) even exposing boards ; boards are severely delaminating ; some moisture damage ; cover still well-attached however. | Support: Several European laid papers ; first quire (left blank) and final quire (left blank) in European laid paper (likely machine laid), unburnished, with "GIOVANNI GHIGLIOTTI" and crest/scrollwork partially visible (likely early 19th century), chain lines running horizontally spaced roughly 27 mm. apart and laid lines spaced roughly 15 laid lines per cm. also in the horizontal, appearing to form a cross-hatch ; next laid paper (16th or 17th cent. European paper) shows roughly 8 laid lines per cm. (vertical), chain lines (horizontal) evenly spaced roughly 28 mm. apart, all fairly distinct and straight, some inclusions and undissolved fibers, scarcely burnished if at all ; another European laid paper with watermarks (see fol.149-150/p.298-300 appears to be coat of arms with cross and initials below "CSP"? "GSR"?) and countermarks ("PA"? see fol.10, 11, 21, 72, etc.) partially visible with chain lines running horizontally and spaced roughly 22 mm. apart, laid lines spaced 12-13 laid lines per cm. ; another European laid paper with chain lines spaced 30-32 mm. apart and laid lines roughly 10-11 laid lines per cm., "MA" countermark visible (see fol.51 and fol.90), as well as "M" (or "MA"?) with trefoil (fol.89), and "CA?" with trefoil (fol.66 and fol.96) ; some leather burn and ink/pigment burn to breakthrough where "green" appears. | Decoration: Textual dividers in the form of discs, three dots, etc. ; text rubricated with key words, section headings, textual dividers, etc. in red ; in a few sections a "green" ink is used rather than red. | Script: In three main hands ; hand changes back and forth several times as different sections of the text are supplied in different hands : hand [1] (p.17-50) hand [2] (p.51-52) hand [1] (p.53-60) hand [2] (p.61-82) hand [1] (p.83-108) hand [2] (p.109-141) hand [3] (p.142-166) hand [1] (p.167-192) hand [3] (p.193-308) ; hand [1] Naskh, neat Syrian (?) hand, sans serif, mainly open counters, kāf mashkūlah preferred, rounded with occasional swooping descenders, the lām alif al-warrāqīyah preferred ; hand [2] Naskh, small Syrian (?) hand, virtually serifless, quite rounded, mainly closed counters ; hand [3] Naskh, bold Syrian (?) hand, mainly serifless, though occasional right-sloping head serifs on lām and free standing alif (or alif of lām alif ligature), strong vertical character, mix of open and closed counters, effect of slight variation in line thickness between horizontal and vertical strokes in a few instances ; section headings appear in a fine tawqīʻ, occasionally highly ligatured (see fol.85b-88b/p.170-176). | Layout: Written in 19 to 21 lines per page ; mainly single column, often divided to two columns or a narrower central column to set off verses of poetry ; frame-ruled with impression of ruling board clearly evident. | Collation: IV (8), V-2 (16), I (18), III (24), II (28), 2 (30), V (40), I+1 (43), V+1 (54), 2 V(74), V-1 (96), II (87), V-1 (96), V+2 (108), III (114), 4 V(154), II (158) ; mainly an assortment of odd (anomalous) quinions ; appears to have been assembled from several ms. copies ; in several instances the catchwords do not match but "missing text" often appears elsewhere in the ms. ; first and last quire blank and apparently added later, perhaps for supplying missing text at head and tail ; middle of the quire marks in the form of strokes in black ink in upper outer corner of right-hand leaf ; catchwords present ; pagination in pencil Western numerals supplied during cataloguing. | Explicit: "وقال عتيق بن محمد الوراق التميمي المغربي كلما ذنب ابدي وجهه حجة فهو ملي بالحجج كيف لا يفرط في اجرامه من متى من شاء من الذنب خرج وقال احمد بن ابي فنن" | Incipit: "بالحاكم العدل اضحى الدين معتليا نجل العلا وسليل السادة الصلحا ما زلزلت مصر من كيد يراد بها وانما رقصت من عدله فرحا" | Title from inscription on fol.1a (p.1). | Ms. composite codex. | Odd copy of al-Ṣafadī's commentary on Ibn Zaydūn's famous epistle, al-Risālah al-Jiddīyah. Acephalous and incomplete with an arrangement inconsistent with that of published editions. Begins just before the 15th قول of the epistle (see p.67 of the 1969 Cairo ed.). Appears to have been assembled from roughly three manuscript copies. | more | less
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Sharḥ Risālat Ibn Zaydūn | شرح رسالة ابن زيدون

( شرح رسالة ابن زيدون)
Yazar Ṣafadī, Khalīl ibn Aybak | صفدي, خليل بن ايبك
Yazar Orijinal صفدي خليل بن ايبك
Basım Tarihi [16--?].
Basım Yeri - University of Michigan
Konu Ibn Zaydūn, Aḥmad ibn ʻAbd Allāh, 1003 or 4-1071. Risālah al-jiddīyah. | Manuscripts, Arabic | Arabic prose literature Early works to 1800. | more | less
Tür Kitap
Dil Arapça
Dijital Evet
Yazma Evet
Sayfa Sayısı 158
Fiziksel Boyutlar 158 leaves : paper ; 197 x 140 ( 135-155 x 90) mm. bound to 200 x 145 mm.
Kütüphane Ortadoğu Dijital Kütüphanesi
Kayıt Numarası 006805675
Lokasyon University of Michigan
Tarih [16--?].
Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 651 | Origin: No formal colophon; paper would suggest 17th century. | Accompanying materials: a. Inventory cataloguing slip in hand of Winifred Smeaton Thomas. -- b. Acquisitions slip from Yahuda. | Former Shelfmark: From spine label and inscription on inner front cover, "IL 197" (likely supplied by Yahuda, see acquisitions slip). | Binding: Assembled from two odd covers, each cut down to fit this text block ; upper cover consisting of pasteboards faced in deep brown leather with edge repairs and spine in red leather, traces of what appear to be earlier edge repairs in tan leather ; upper doublure in quite dark brown leather ; lower cover in light red-brown leather with same repairs at edges and spine (both earlier tan leather and red leather) ; lower board lining in yellow laid paper ; composed Type III binding (without flap), mismatched assembly from two odd covers ; upper cover bears blind-tooled decorative pattern (out of center) formed from a series of s-shaped, cross, and rosette-like stamps, s-shaped stamps delineate a central mandorla and pendants, as well as fill the border, cross shaped stamps are used for corner pieces, rosette-like stamps form accents ; upper doublure bears scalloped mandorla (again, now off center) with floral vegetal pattern (without chi clouds, exhibiting horizontal symmetry - Déroche class. OSh) ; lower cover bears scalloped mandorla (out of center) with vegetal pattern (compare Déroche class. OSd 8 and OSd 6) ; much worn chevron endbands in red and green, sewing difficult to examine but appears to be in white thread, two sewing stations ; in fair to poor condition, with much abrasion, cracking and losses of leather (particularly lower cover) even exposing boards ; boards are severely delaminating ; some moisture damage ; cover still well-attached however. | Support: Several European laid papers ; first quire (left blank) and final quire (left blank) in European laid paper (likely machine laid), unburnished, with "GIOVANNI GHIGLIOTTI" and crest/scrollwork partially visible (likely early 19th century), chain lines running horizontally spaced roughly 27 mm. apart and laid lines spaced roughly 15 laid lines per cm. also in the horizontal, appearing to form a cross-hatch ; next laid paper (16th or 17th cent. European paper) shows roughly 8 laid lines per cm. (vertical), chain lines (horizontal) evenly spaced roughly 28 mm. apart, all fairly distinct and straight, some inclusions and undissolved fibers, scarcely burnished if at all ; another European laid paper with watermarks (see fol.149-150/p.298-300 appears to be coat of arms with cross and initials below "CSP"? "GSR"?) and countermarks ("PA"? see fol.10, 11, 21, 72, etc.) partially visible with chain lines running horizontally and spaced roughly 22 mm. apart, laid lines spaced 12-13 laid lines per cm. ; another European laid paper with chain lines spaced 30-32 mm. apart and laid lines roughly 10-11 laid lines per cm., "MA" countermark visible (see fol.51 and fol.90), as well as "M" (or "MA"?) with trefoil (fol.89), and "CA?" with trefoil (fol.66 and fol.96) ; some leather burn and ink/pigment burn to breakthrough where "green" appears. | Decoration: Textual dividers in the form of discs, three dots, etc. ; text rubricated with key words, section headings, textual dividers, etc. in red ; in a few sections a "green" ink is used rather than red. | Script: In three main hands ; hand changes back and forth several times as different sections of the text are supplied in different hands : hand [1] (p.17-50) hand [2] (p.51-52) hand [1] (p.53-60) hand [2] (p.61-82) hand [1] (p.83-108) hand [2] (p.109-141) hand [3] (p.142-166) hand [1] (p.167-192) hand [3] (p.193-308) ; hand [1] Naskh, neat Syrian (?) hand, sans serif, mainly open counters, kāf mashkūlah preferred, rounded with occasional swooping descenders, the lām alif al-warrāqīyah preferred ; hand [2] Naskh, small Syrian (?) hand, virtually serifless, quite rounded, mainly closed counters ; hand [3] Naskh, bold Syrian (?) hand, mainly serifless, though occasional right-sloping head serifs on lām and free standing alif (or alif of lām alif ligature), strong vertical character, mix of open and closed counters, effect of slight variation in line thickness between horizontal and vertical strokes in a few instances ; section headings appear in a fine tawqīʻ, occasionally highly ligatured (see fol.85b-88b/p.170-176). | Layout: Written in 19 to 21 lines per page ; mainly single column, often divided to two columns or a narrower central column to set off verses of poetry ; frame-ruled with impression of ruling board clearly evident. | Collation: IV (8), V-2 (16), I (18), III (24), II (28), 2 (30), V (40), I+1 (43), V+1 (54), 2 V(74), V-1 (96), II (87), V-1 (96), V+2 (108), III (114), 4 V(154), II (158) ; mainly an assortment of odd (anomalous) quinions ; appears to have been assembled from several ms. copies ; in several instances the catchwords do not match but "missing text" often appears elsewhere in the ms. ; first and last quire blank and apparently added later, perhaps for supplying missing text at head and tail ; middle of the quire marks in the form of strokes in black ink in upper outer corner of right-hand leaf ; catchwords present ; pagination in pencil Western numerals supplied during cataloguing. | Explicit: "وقال عتيق بن محمد الوراق التميمي المغربي كلما ذنب ابدي وجهه حجة فهو ملي بالحجج كيف لا يفرط في اجرامه من متى من شاء من الذنب خرج وقال احمد بن ابي فنن" | Incipit: "بالحاكم العدل اضحى الدين معتليا نجل العلا وسليل السادة الصلحا ما زلزلت مصر من كيد يراد بها وانما رقصت من عدله فرحا" | Title from inscription on fol.1a (p.1). | Ms. composite codex. | Odd copy of al-Ṣafadī's commentary on Ibn Zaydūn's famous epistle, al-Risālah al-Jiddīyah. Acephalous and incomplete with an arrangement inconsistent with that of published editions. Begins just before the 15th قول of the epistle (see p.67 of the 1969 Cairo ed.). Appears to have been assembled from roughly three manuscript copies. | more | less
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