Khulāṣat al-Khamsah | خلاصة الخمسه
( خلاصة الخمسه)

Name: Khulāṣat al-Khamsah | خلاصة الخمسه
Author: Niẓāmī Ganjavī | نظامي گنجوي

İsim	Khulāṣat al-Khamsah \| خلاصة الخمسه
İsim Orijinal	خلاصة الخمسه
Yazar	Niẓāmī Ganjavī \| نظامي گنجوي
Yazar Orijinal	نظامي گنجوي
Basım Tarihi:	[1548].
Basım Yeri	- University of Michigan
Konu	Manuscripts, Persian \| Persian poetry 747-1500. \| Epic poetry, Persian Early works to 1800. \| more \| less
Tür	Kitap
Dil	Farsça
Dijital	Evet
Yazma	Evet
Sayfa Sayısı	46
Fiziksel Boyutlar	46 leaves : paper ; 190 x 115 (125 x 55) mm.
Kütüphane:	Ortadoğu Dijital Kütüphanesi
Kayıt Numarası	006806324
Lokasyon	University of Michigan
Tarih	[1548].
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 289 \| Origin: According to colophon on fol.45a, copying finished in Shawwāl 955 [November-December 1548]. Copyist is not named. \| Accompanying materials: \| Binding: Pasteboard covered in red-brown leather and marbled paper; Type III binding (without flap); doublures covered in yellow laid paper (chain lines 22 mm apart; 16 laid lines per 20 mm); not original to codex; in good condition. \| Support: non-European (Persian) laid paper with laid lines running horizontally at roughly 9 laid lines per cm., chain lines not visible. \| Decoration: Illuminated frontispiece (fol.1b-2a) features vegetal designs, executed in lapis lazuli and gold, which are nearly mirror-images of each other; consist of three, linked, vertically-oriented, circular patterns of vines emerging from a large, seven-pointed leaf at the center of the central circular figure; the workmanship is of the highest caliber; illuminated headpiece on incipit page (fol.2b) consists of a single lapis-lazuli arched semi-circular piece dominated by two cartouches in gold; the lower carries the title of the work, the upper one carries a small, light-blue and gold flower, which serves as the anchor-point for a gold, circular pattern of vines that rotate out from that figure and surround the cartouche beneath it; vines are ornamented with tiny golden leaves and pink, red, green, and black flowers; upward slopes of the arch are mirrored by two thick bands of gold at the bottom of the headpiece, which serve to further frame the cartouche; entire headpiece is framed by a thick band containing a golden braid, adorned with small figures in light-blue, green, red, pink, and brown that recall precious stones; a thinner frame in lapis-lazuli embellished with tiny white stars surrounds the headpiece and entire opening of fol.2b-3a; text of opening (dībāchah) is decorated with golden cloud-bands that are further enhanced with tiny red, green, blue, and pink flowers; throught, text is bordered by frame in lapis-lazuli and gold band; chapter headings and titles are framed with a single gold band; hemistiches are separated by two fine golden bands, spaced 4 mm apart. \| Script: Nasta‘līq; single hand. \| Layout: Written in 14 lines per page; single column of text with panel for each hemistich. \| Collation: i, IV-1 (7), IV (15), V (25), III (31), IV (39), III+1 (46); catchwords present; pagination in pencil, Western numerals. \| Colophon: "Scribal," rectangular, reads: "تمت الکتاب بعون الله الملك الوهاب في تاريخ شهر شوال سنه خمس و خمسين و تسعمايه الهجريه غريق رحمت يزدان کسى ام که کاتب را باحمدی کند شاد" \| Explicit: "با هستگی کار عالم بساز که در کار کرمى نيايد بكار" \| Incipit: "بعد از حمد باری تعالى عز اسمه و در دو بهترين کاينات محمد مصطفى صلى الله عليه و آله و سلم بر اصحاب دين و دولت و ارباب ملك و مكنت" \| Title from headpiece on fol.2b. \| Ms. codex. \| Excerpts from the five masnavis of Niẓāmī known as the Khamsah. compiler is not known. The work is divided into 37 chapters (باب) each addressing a subject relating to piety, ethics, or etiquette and containing verses from one or more of the five masnavis illustrating that chapter's topic. Table of contents of fol.3b-4a outlines the list of chapter topics. For a similar abridgement of Khamsah-i Niẓāmī, see Isl. Ms. 288. Description provided by Derek Mancini-Lander. \| more \| less
Zaman Dilimi	747-1500

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Khulāṣat al-Khamsah | خلاصة الخمسه

( خلاصة الخمسه)

Yazar Niẓāmī Ganjavī | نظامي گنجوي

Yazar Orijinal نظامي گنجوي

Basım Tarihi [1548].

Basım Yeri - University of Michigan

Konu Manuscripts, Persian | Persian poetry 747-1500. | Epic poetry, Persian Early works to 1800. | more | less

Tür Kitap

Dil Farsça

Dijital Evet

Yazma Evet

Sayfa Sayısı 46

Fiziksel Boyutlar 46 leaves : paper ; 190 x 115 (125 x 55) mm.

Kütüphane Ortadoğu Dijital Kütüphanesi

Kayıt Numarası 006806324

Lokasyon University of Michigan

Tarih [1548].

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 289 | Origin: According to colophon on fol.45a, copying finished in Shawwāl 955 [November-December 1548]. Copyist is not named. | Accompanying materials: | Binding: Pasteboard covered in red-brown leather and marbled paper; Type III binding (without flap); doublures covered in yellow laid paper (chain lines 22 mm apart; 16 laid lines per 20 mm); not original to codex; in good condition. | Support: non-European (Persian) laid paper with laid lines running horizontally at roughly 9 laid lines per cm., chain lines not visible. | Decoration: Illuminated frontispiece (fol.1b-2a) features vegetal designs, executed in lapis lazuli and gold, which are nearly mirror-images of each other; consist of three, linked, vertically-oriented, circular patterns of vines emerging from a large, seven-pointed leaf at the center of the central circular figure; the workmanship is of the highest caliber; illuminated headpiece on incipit page (fol.2b) consists of a single lapis-lazuli arched semi-circular piece dominated by two cartouches in gold; the lower carries the title of the work, the upper one carries a small, light-blue and gold flower, which serves as the anchor-point for a gold, circular pattern of vines that rotate out from that figure and surround the cartouche beneath it; vines are ornamented with tiny golden leaves and pink, red, green, and black flowers; upward slopes of the arch are mirrored by two thick bands of gold at the bottom of the headpiece, which serve to further frame the cartouche; entire headpiece is framed by a thick band containing a golden braid, adorned with small figures in light-blue, green, red, pink, and brown that recall precious stones; a thinner frame in lapis-lazuli embellished with tiny white stars surrounds the headpiece and entire opening of fol.2b-3a; text of opening (dībāchah) is decorated with golden cloud-bands that are further enhanced with tiny red, green, blue, and pink flowers; throught, text is bordered by frame in lapis-lazuli and gold band; chapter headings and titles are framed with a single gold band; hemistiches are separated by two fine golden bands, spaced 4 mm apart. | Script: Nasta‘līq; single hand. | Layout: Written in 14 lines per page; single column of text with panel for each hemistich. | Collation: i, IV-1 (7), IV (15), V (25), III (31), IV (39), III+1 (46); catchwords present; pagination in pencil, Western numerals. | Colophon: "Scribal," rectangular, reads: "تمت الکتاب بعون الله الملك الوهاب في تاريخ شهر شوال سنه خمس و خمسين و تسعمايه الهجريه غريق رحمت يزدان کسى ام که کاتب را باحمدی کند شاد" | Explicit: "با هستگی کار عالم بساز که در کار کرمى نيايد بكار" | Incipit: "بعد از حمد باری تعالى عز اسمه و در دو بهترين کاينات محمد مصطفى صلى الله عليه و آله و سلم بر اصحاب دين و دولت و ارباب ملك و مكنت" | Title from headpiece on fol.2b. | Ms. codex. | Excerpts from the five masnavis of Niẓāmī known as the Khamsah. compiler is not known. The work is divided into 37 chapters (باب) each addressing a subject relating to piety, ethics, or etiquette and containing verses from one or more of the five masnavis illustrating that chapter's topic. Table of contents of fol.3b-4a outlines the list of chapter topics. For a similar abridgement of Khamsah-i Niẓāmī, see Isl. Ms. 288. Description provided by Derek Mancini-Lander. | more | less

Zaman Dilimi 747-1500