Calligraphic Specimen | مرقع حسن الخط
( مرقع حسن الخط)

İsim	Calligraphic Specimen \| مرقع حسن الخط
İsim Orijinal	مرقع حسن الخط
Yazar	Abdülhamid II, Sultan of the Turks, former owner \| Jāmī \| Ömer Sırrı, calligrapher \| جامى \| عمر سرى، خطاط
Yazar Orijinal	جامى عمر سرى، خطاط
Basım Tarihi:	1800-1843?].
Basım Yeri	- University of Michigan
Konu	Manuscripts, Turkish \| Manuscripts, Persian \| Calligraphy, Turkish Specimens. \| Calligraphy, Persian Specimens. \| more \| less
Tür	Kitap
Dil	fas,ota,tur
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	12 panels : paper ; 343 x 215 (200 x 113) mm.
Kütüphane:	Ortadoğu Dijital Kütüphanesi
Kayıt Numarası	006805360
Lokasyon	University of Michigan
Tarih	1800-1843?].
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 276 \| Origin: As appears in colophon on final panel, executed by Ömer Sırrı, one of the students of Mehmet Sadullah Efendi, known as Arabzade. Date of transcription not specified, but likely during Ömer Sırrı's training and thus before the death of Arabzade Mehmet Sadullah Efendi. \| Binding: Boards covered in red-brown leather ; Type III binding (without flap) ; board linings and lining of opening and closing panel in light blue coated and textured paper ; upper and lower covers carry exquisite tooled vegetal design (swirling leaves and flowers set off by small rosette stamps surrounding central almond-shaped form) in contrasting shades of gold, set in gold tooled borders (also in contrasting colors) in a series of s-shaped stamps and rosettes ; panels edged in red-brown leather with gold-painted rule borders and hinged together with dark pink silk ; overall in good condition ; repairs in Japanese paper (rebacked). \| Support: Written area on well-burnished paper (untinted or tinted blue, red, etc. or marbled), set in frames of embossed paper (with vegetal designs) tinted various shades (pale peach, olive green, orange, yellow, turquoise, light blue, red, dark green, etc.) with colors of facing panels matching. \| Decoration: Written area surrounded by frame of heavy gold and colored bands (mainly in blue and red) set off by white fillets ; each specimen (kıta) set in a frame bordered in gold rules ; two specimens chrysographed ; leaves and floral sprays in blue, lavender, pink, green and gold flank colophon at close. \| Script: Nastaʻlīq (talik) ; exquisite specimen Ottoman calligraphy. \| Layout: Written in four lines per page with logograph for "سعي" under each line. \| Collation: Twelve 'panels' (mounted leaves) hinged together mainly in dark pink silk ; 'pagination' in red ink, Hindu-Arabic numerals in upper outer corner of panel (frame). \| Colophon: "نوشته شد بقلم شكتسه سيد عمر سرى كيه دار ناظر ديوان دعاوى صانه الله تعالى عن النقايص والمساوى از شاكر دان حضرت استاد مكارم اعتياد صدر والاى روم ايلى مولانا محمد سعد الله افندى الشهير بعرب زاده همه كا مش بادآ آماده" \| Explicit: "اثر اميدى ايله عالمده ايلدم بو قطعاتي تحرير اوقور اخوان صفا تاريخن اولدى والا اثر عبد فقير ١١٥٦ " \| Incipit: "بسم الله الرحمن الرحيم اعظم اسماء عليم حكيم محترمان حرم انس را تازه حديثست ز عهد قديم..." \| Title supplied by cataloguer. \| Ms. codex. \| Exquisite calligraphic specimen employing Jāmī's qaṣīdah on the basmalah for mürekkebât meșki exercises, executed by one of the students of Arabzade Mehmet Sadullah Efendi (d.1843). \| more \| less

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Calligraphic Specimen | مرقع حسن الخط

( مرقع حسن الخط)

Yazar Abdülhamid II, Sultan of the Turks, former owner | Jāmī | Ömer Sırrı, calligrapher | جامى | عمر سرى، خطاط

Yazar Orijinal جامى عمر سرى، خطاط

Basım Tarihi 1800-1843?].

Basım Yeri - University of Michigan

Tür Kitap

Dil fas,ota,tur

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 12 panels : paper ; 343 x 215 (200 x 113) mm.

Kütüphane Ortadoğu Dijital Kütüphanesi

Kayıt Numarası 006805360

Lokasyon University of Michigan

Tarih 1800-1843?].

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 276 | Origin: As appears in colophon on final panel, executed by Ömer Sırrı, one of the students of Mehmet Sadullah Efendi, known as Arabzade. Date of transcription not specified, but likely during Ömer Sırrı's training and thus before the death of Arabzade Mehmet Sadullah Efendi. | Binding: Boards covered in red-brown leather ; Type III binding (without flap) ; board linings and lining of opening and closing panel in light blue coated and textured paper ; upper and lower covers carry exquisite tooled vegetal design (swirling leaves and flowers set off by small rosette stamps surrounding central almond-shaped form) in contrasting shades of gold, set in gold tooled borders (also in contrasting colors) in a series of s-shaped stamps and rosettes ; panels edged in red-brown leather with gold-painted rule borders and hinged together with dark pink silk ; overall in good condition ; repairs in Japanese paper (rebacked). | Support: Written area on well-burnished paper (untinted or tinted blue, red, etc. or marbled), set in frames of embossed paper (with vegetal designs) tinted various shades (pale peach, olive green, orange, yellow, turquoise, light blue, red, dark green, etc.) with colors of facing panels matching. | Decoration: Written area surrounded by frame of heavy gold and colored bands (mainly in blue and red) set off by white fillets ; each specimen (kıta) set in a frame bordered in gold rules ; two specimens chrysographed ; leaves and floral sprays in blue, lavender, pink, green and gold flank colophon at close. | Script: Nastaʻlīq (talik) ; exquisite specimen Ottoman calligraphy. | Layout: Written in four lines per page with logograph for "سعي" under each line. | Collation: Twelve 'panels' (mounted leaves) hinged together mainly in dark pink silk ; 'pagination' in red ink, Hindu-Arabic numerals in upper outer corner of panel (frame). | Colophon: "نوشته شد بقلم شكتسه سيد عمر سرى كيه دار ناظر ديوان دعاوى صانه الله تعالى عن النقايص والمساوى از شاكر دان حضرت استاد مكارم اعتياد صدر والاى روم ايلى مولانا محمد سعد الله افندى الشهير بعرب زاده همه كا مش بادآ آماده" | Explicit: "اثر اميدى ايله عالمده ايلدم بو قطعاتي تحرير اوقور اخوان صفا تاريخن اولدى والا اثر عبد فقير ١١٥٦ " | Incipit: "بسم الله الرحمن الرحيم اعظم اسماء عليم حكيم محترمان حرم انس را تازه حديثست ز عهد قديم..." | Title supplied by cataloguer. | Ms. codex. | Exquisite calligraphic specimen employing Jāmī's qaṣīdah on the basmalah for mürekkebât meșki exercises, executed by one of the students of Arabzade Mehmet Sadullah Efendi (d.1843). | more | less