Calligraphic specimen | مرقع حسن الخط
( مرقع حسن الخط)

Name: Calligraphic specimen | مرقع حسن الخط
Author: Kadızade Mustafa Haşimî, calligrapher | Abdülhamid II, Sultan of the Turks, former owner | قاضى زاده مصطفى الهاشمى، خطاط

İsim	Calligraphic specimen \| مرقع حسن الخط
İsim Orijinal	مرقع حسن الخط
Yazar	Kadızade Mustafa Haşimî, calligrapher \| Abdülhamid II, Sultan of the Turks, former owner \| قاضى زاده مصطفى الهاشمى، خطاط
Yazar Orijinal	قاضى زاده مصطفى الهاشمى، خطاط
Basım Tarihi:	1780 or 1781].
Basım Yeri	- University of Michigan
Konu	Manuscripts, Arabic \| Islamic calligraphy Specimens. \| Writing, Arabic Specimens. \| Calligraphy, Arabic Specimens. \| more \| less
Tür	Kitap
Dil	Arapça
Dijital	Evet
Yazma	Evet
Fiziksel Boyutlar	11 panels : paper ; 170 x 245 (110 x 183) mm.
Kütüphane:	Ortadoğu Dijital Kütüphanesi
Kayıt Numarası	006796309
Lokasyon	University of Michigan
Tarih	1780 or 1781].
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 240 \| Origin: As appears at close, executed by Mustafa el-Haşimî known as Kadızade in 1195 [1780 or 1]. \| Former shelfmark: "550 T. D. M. [i.e. Tammaro De Marinis]" in pencil on upper board lining ; "107" in pencil on recto of opening panel. \| Binding: Pasteboards faced in gold-flecked, pale yellow paper and framed in tan leather (covering board edges / turn-ins and likely spine at one time) now with dark purple leather (and Japanese paper repair) over spine (leather edged framed binding) ; Type III binding (without flap) ; opens vertically ; board linings in magenta paper ; gold rule-borders on leather edging ; overall in fairly good condition ; repairs in Japanese paper ; occasional repair to hinges in same dark purple leather. \| Support: Written area on well-burnished laid paper, pieced, set into an elaborate frame in several different laid papers (pale peach-tinted, pink-tinted, light blue-tinted, orange-tinted, etc. with colors of facing panels matching) and mounted. \| Decoration: Written area (and divisions within) surrounded by gold frame set off by black and white fillets ; written area set into a frame of tinted paper (colors of facing panels match). \| Script: Fine specimen of Ottoman calligraphy ; in thuluth (sülüs) and naskh (nesih). \| Layout: Written in four lines per page ; two large lines thuluth and two smaller centered lines in naskh, constituting two distinct streams of text \| Collation: Eleven 'panels' hinged together with tan leather. \| Colophon: "مشقه اضعف العباد السيد مصطفى الهاشمى المعروف بقاضى زاده سنه ١١٩٥ه" \| Explicit: "وتبارك اسمك وتعالى جدك وجد ثناؤك ولا اله غيرك" \| Incipit: "رب يسر ولا تعسر رب تمم بالخير ا ب ت ج ح د ز ذ ر س ش ص ط ع و ..." \| Title supplied by cataloguer. \| Ms. codex. \| Fine album of calligraphy (muraqqaʻ / murakkaa) in this case a meșk murakkaa or album of meșkler (exercises) employing first (in seventeen kıt'alar) the principal alphabetic exercises (müfredat) and closing with three kıt'alar of mürekkebat exercises employing the alpha-numeric system (abjad / abced hesabı) and a prayer. \| more \| less

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Calligraphic specimen | مرقع حسن الخط

( مرقع حسن الخط)

Yazar Kadızade Mustafa Haşimî, calligrapher | Abdülhamid II, Sultan of the Turks, former owner | قاضى زاده مصطفى الهاشمى، خطاط

Yazar Orijinal قاضى زاده مصطفى الهاشمى، خطاط

Basım Tarihi 1780 or 1781].

Basım Yeri - University of Michigan

Tür Kitap

Dil Arapça

Dijital Evet

Yazma Evet

Fiziksel Boyutlar 11 panels : paper ; 170 x 245 (110 x 183) mm.

Kütüphane Ortadoğu Dijital Kütüphanesi

Kayıt Numarası 006796309

Lokasyon University of Michigan

Tarih 1780 or 1781].

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 240 | Origin: As appears at close, executed by Mustafa el-Haşimî known as Kadızade in 1195 [1780 or 1]. | Former shelfmark: "550 T. D. M. [i.e. Tammaro De Marinis]" in pencil on upper board lining ; "107" in pencil on recto of opening panel. | Binding: Pasteboards faced in gold-flecked, pale yellow paper and framed in tan leather (covering board edges / turn-ins and likely spine at one time) now with dark purple leather (and Japanese paper repair) over spine (leather edged framed binding) ; Type III binding (without flap) ; opens vertically ; board linings in magenta paper ; gold rule-borders on leather edging ; overall in fairly good condition ; repairs in Japanese paper ; occasional repair to hinges in same dark purple leather. | Support: Written area on well-burnished laid paper, pieced, set into an elaborate frame in several different laid papers (pale peach-tinted, pink-tinted, light blue-tinted, orange-tinted, etc. with colors of facing panels matching) and mounted. | Decoration: Written area (and divisions within) surrounded by gold frame set off by black and white fillets ; written area set into a frame of tinted paper (colors of facing panels match). | Script: Fine specimen of Ottoman calligraphy ; in thuluth (sülüs) and naskh (nesih). | Layout: Written in four lines per page ; two large lines thuluth and two smaller centered lines in naskh, constituting two distinct streams of text | Collation: Eleven 'panels' hinged together with tan leather. | Colophon: "مشقه اضعف العباد السيد مصطفى الهاشمى المعروف بقاضى زاده سنه ١١٩٥ه" | Explicit: "وتبارك اسمك وتعالى جدك وجد ثناؤك ولا اله غيرك" | Incipit: "رب يسر ولا تعسر رب تمم بالخير ا ب ت ج ح د ز ذ ر س ش ص ط ع و ..." | Title supplied by cataloguer. | Ms. codex. | Fine album of calligraphy (muraqqaʻ / murakkaa) in this case a meșk murakkaa or album of meșkler (exercises) employing first (in seventeen kıt'alar) the principal alphabetic exercises (müfredat) and closing with three kıt'alar of mürekkebat exercises employing the alpha-numeric system (abjad / abced hesabı) and a prayer. | more | less