Naṣāʼiḥ va ashʻār-i Khvājah ʻAbd Allāh Anṣārī | نصايح و اشعار خواجه عبد الله انصارى
( نصايح و اشعار خواجه عبد الله انصارى)

Name: Naṣāʼiḥ va ashʻār-i Khvājah ʻAbd Allāh Anṣārī | نصايح و اشعار خواجه عبد الله انصارى
Author: Anṣārī al-Harawī, ʻAbd Allāh ibn Muḥammad | انصاري الهروي, عبد الله محمد

İsim	Naṣāʼiḥ va ashʻār-i Khvājah ʻAbd Allāh Anṣārī \| نصايح و اشعار خواجه عبد الله انصارى
İsim Orijinal	نصايح و اشعار خواجه عبد الله انصارى
Yazar	Anṣārī al-Harawī, ʻAbd Allāh ibn Muḥammad \| انصاري الهروي, عبد الله محمد
Yazar Orijinal	انصاري الهروي عبد الله محمد
Basım Tarihi:	[1490-1520].
Basım Yeri	- University of Michigan
Konu	Manuscripts, Persian \| Islamic calligraphy Specimens. \| Writing, Arabic Specimens. \| Calligraphy, Persian Specimens. \| Sufism Early works to 1800. \| Sufism Prayers and devotions Persian. \| more \| less
Tür	Kitap
Dil	Farsça
Dijital	Evet
Yazma	Evet
Sayfa Sayısı	16
Fiziksel Boyutlar	16 leaves : paper ; 232 x 143 (129 x 69) mm. bound to 237 x 143 mm.
Kütüphane:	Ortadoğu Dijital Kütüphanesi
Kayıt Numarası	006805294
Lokasyon	University of Michigan
Tarih	[1490-1520].
Notlar	Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 273 \| Origin: Lacks dated colophon. According to note on 'title page' (fol.1a/p.1) executed by the renowned Timurid calligrapher Sulṭān ʻAlī Mashhadī (d.1520). Relatively consistent with his style and thus likely executed late 15th or early 16th century. Mounting and illumination possibly later in the 16th century. \| Former shelfmark: "٢١" and "216 T. De M. [i.e. Tammaro De Marinis]" in pencil on front flyleaf. \| Binding: Pasteboards covered in red leather ; Western style binding (without flap) ; board linings in shell marbled paper (mainly in lavender, pink, and yellow-green) ; upper and lower covers carry gold-painted rules and tooled border in a series of annular stamps ; now sewn in white thread, four stations ; overall in fairly good condition with some staining and minor abrasion though fully detached from text block ; while cover is not sized to be flush with text block, this appears to have been intentional as adhesive paper pattern on interior of spine matches that on spine of text block. \| Support: non-European (Persian) laid paper ; written area mounted in a frame of exquisite silhouette paper (laid with 6 laid lines per cm., chains occasionally visible, sturdy, well-burnished) in two floral compositions, one with floral vegetal motifs only, the other with bird motifs as well ; recto of each framing leaf in pastel blue and verso in pink (quite possibly composite with leaves of two distinct tints affixed to each other). \| Decoration: Superbly executed illuminated headpiece (ʻunwān / sarlawḥ) at opening on fol.1b (p.2) consisting of a rectangular piece with gold cartouche surrounded by intricate swirling arabesques with floral motifs in gold, white, red, yellow, green, and pink on a lapis lazuli ground with gold accents all bordered in bands of gold, white, blue, red and heavy gold interlace, surmounted by a band of floral vegetal decoration in gold, white, yellow, pink, and red over alternating eight-pointed stars in turquoise and gold on a black ground, itself surmounted by an triangular piece or hasp filled with further swirling arabesques with floral motifs in gold, white, red, pink, yellow, etc. on a gold ground with lapis lazuli accents, all surmounted by vertical stalks (tīgh) in lapis lazuli ; written area gold-flecked and surrounded by frame consisting of bands of gold, blue, red, and turquoise, divisions within defined by narrow gold bands outlined by black fillets ; rich floral vegetal accents appear occasionally flanking text ; compositions of silhouette paper in some leaves outlined in gold (in lower margin of fol.13a (p.25), bird motif in paper, elsewhere enhanced by the illuminator in the same bird theme, has been elaborated as a goat instead). \| Script: Nastaʻlīq ; compact, exquisite hand ; serifless, with slight effect of words descending to baseline, closed counters, and elongated horizontal strokes. \| Layout: Written in 10 lines per page ; frame-ruled. \| Collation: i, 2 III(12), II (16), i ; two ternions and a binion ; pagination in pencil, Western numerals, supplied during cataloguing. \| Explicit: "الهى بحق آنكه ترا حاجت نست رحمت كن برآنكه او را حجت نست تمت الكتاب" \| Incipit: "این چند كلمه است از نصايح و اشعار نديم بارگاه حضرت جبارى خواجه عبد الله انصارى عليه الرحمه و المغفره ای ز دردت بيدلانرا بوی در مال آمده ..." \| Title supplied by cataloguer from opening matter on fol.1b. \| Ms. codex. \| Sublime copy of a selection of maxims and verses by Abū Ismāʻīl ʻAbd Allāh ibn Muḥammad al-Anṣārī al-Harawī (d.481/1089), attributed to the celebrated Timurid calligrapher Sulṭān ʻAlī Mashhadī (d.926/1520, see p.248 in Bayānī, Aḥvāl va āsār-i khūshʹnavīsān : nastaʻlīq navīsān, vol.1 and pp.30-32 in Soucek, "The Arts of Calligraphy"). \| more \| less

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Naṣāʼiḥ va ashʻār-i Khvājah ʻAbd Allāh Anṣārī | نصايح و اشعار خواجه عبد الله انصارى

( نصايح و اشعار خواجه عبد الله انصارى)

Yazar Anṣārī al-Harawī, ʻAbd Allāh ibn Muḥammad | انصاري الهروي, عبد الله محمد

Yazar Orijinal انصاري الهروي عبد الله محمد

Basım Tarihi [1490-1520].

Basım Yeri - University of Michigan

Tür Kitap

Dil Farsça

Dijital Evet

Yazma Evet

Sayfa Sayısı 16

Fiziksel Boyutlar 16 leaves : paper ; 232 x 143 (129 x 69) mm. bound to 237 x 143 mm.

Kütüphane Ortadoğu Dijital Kütüphanesi

Kayıt Numarası 006805294

Lokasyon University of Michigan

Tarih [1490-1520].

Notlar Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 273 | Origin: Lacks dated colophon. According to note on 'title page' (fol.1a/p.1) executed by the renowned Timurid calligrapher Sulṭān ʻAlī Mashhadī (d.1520). Relatively consistent with his style and thus likely executed late 15th or early 16th century. Mounting and illumination possibly later in the 16th century. | Former shelfmark: "٢١" and "216 T. De M. [i.e. Tammaro De Marinis]" in pencil on front flyleaf. | Binding: Pasteboards covered in red leather ; Western style binding (without flap) ; board linings in shell marbled paper (mainly in lavender, pink, and yellow-green) ; upper and lower covers carry gold-painted rules and tooled border in a series of annular stamps ; now sewn in white thread, four stations ; overall in fairly good condition with some staining and minor abrasion though fully detached from text block ; while cover is not sized to be flush with text block, this appears to have been intentional as adhesive paper pattern on interior of spine matches that on spine of text block. | Support: non-European (Persian) laid paper ; written area mounted in a frame of exquisite silhouette paper (laid with 6 laid lines per cm., chains occasionally visible, sturdy, well-burnished) in two floral compositions, one with floral vegetal motifs only, the other with bird motifs as well ; recto of each framing leaf in pastel blue and verso in pink (quite possibly composite with leaves of two distinct tints affixed to each other). | Decoration: Superbly executed illuminated headpiece (ʻunwān / sarlawḥ) at opening on fol.1b (p.2) consisting of a rectangular piece with gold cartouche surrounded by intricate swirling arabesques with floral motifs in gold, white, red, yellow, green, and pink on a lapis lazuli ground with gold accents all bordered in bands of gold, white, blue, red and heavy gold interlace, surmounted by a band of floral vegetal decoration in gold, white, yellow, pink, and red over alternating eight-pointed stars in turquoise and gold on a black ground, itself surmounted by an triangular piece or hasp filled with further swirling arabesques with floral motifs in gold, white, red, pink, yellow, etc. on a gold ground with lapis lazuli accents, all surmounted by vertical stalks (tīgh) in lapis lazuli ; written area gold-flecked and surrounded by frame consisting of bands of gold, blue, red, and turquoise, divisions within defined by narrow gold bands outlined by black fillets ; rich floral vegetal accents appear occasionally flanking text ; compositions of silhouette paper in some leaves outlined in gold (in lower margin of fol.13a (p.25), bird motif in paper, elsewhere enhanced by the illuminator in the same bird theme, has been elaborated as a goat instead). | Script: Nastaʻlīq ; compact, exquisite hand ; serifless, with slight effect of words descending to baseline, closed counters, and elongated horizontal strokes. | Layout: Written in 10 lines per page ; frame-ruled. | Collation: i, 2 III(12), II (16), i ; two ternions and a binion ; pagination in pencil, Western numerals, supplied during cataloguing. | Explicit: "الهى بحق آنكه ترا حاجت نست رحمت كن برآنكه او را حجت نست تمت الكتاب" | Incipit: "این چند كلمه است از نصايح و اشعار نديم بارگاه حضرت جبارى خواجه عبد الله انصارى عليه الرحمه و المغفره ای ز دردت بيدلانرا بوی در مال آمده ..." | Title supplied by cataloguer from opening matter on fol.1b. | Ms. codex. | Sublime copy of a selection of maxims and verses by Abū Ismāʻīl ʻAbd Allāh ibn Muḥammad al-Anṣārī al-Harawī (d.481/1089), attributed to the celebrated Timurid calligrapher Sulṭān ʻAlī Mashhadī (d.926/1520, see p.248 in Bayānī, Aḥvāl va āsār-i khūshʹnavīsān : nastaʻlīq navīsān, vol.1 and pp.30-32 in Soucek, "The Arts of Calligraphy"). | more | less