Annotations on "Sadīdī"
(حاشيه بر سديدي)

İsim	Annotations on "Sadīdī"
İsim Orijinal	حاشيه بر سديدي
Basım Yeri	- [publisher not identified]
Tür	Kitap
Dil	Arapça
Dijital	Hayır
Yazma	Hayır
Fiziksel Boyutlar	1 online resource.
Kütüphane:	Kongre Kütüphanesi
Demirbaş Numarası	2021667353
Kayıt Numarası	22057407
Örnek Metin	Ḥāshiya Bar Sadīdī (Annotations on Sadīdī) is a volume of annotations on the commentary by Sadid al-Din ibn Masʻud Kazaruni (died 1357) on al-Mūjiz fī al-ṭibb (Epitome of medicine). The latter was a well-known medical text written by Ibn ʻAli ibn Abi al-Ḥazm Ibn al-Nafis (circa 1210-88) as an abstract of its author's own commentary on al-Qānūn fī al-ṭibb (Canon of medicine) by Ibn Sina (980--1037, known in the West as Avicenna). The work therefore highlights the rich tradition of commentary on medical and scientific texts in Islamic civilization, in which a canonical text (in this case Ibn Sina's widely celebrated Canon of Medicine) would be the subject of commentaries by subsequent generations of scholars. These commentaries then would become well-respected works in their own right. In this case, Ibn al-Nafis's epitome of his own commentary became an authoritative text and was in turn the subject of a commentary by Sadid al-Din Kazaruni in a work commonly referred to as al-Mughnī fī sharḥ al-mūjiz (The sufficient commentary on al-Mūjiz). The final stage of commentary linking the Ḥāshiya Bar Sadīdī to its source material would have been by the unknown author of this work, who took fragments of Sadid al-Din's text (generally consisting of several words) and discussed them in great detail. It is possible that the reader was expected to know the text of al-Mughnī fī sharḥ al-mūjiz by heart, or more likely, that the reader would have had the benefit of referring to Sadid al-Din's text directly while reading the Ḥāshiya. The collected annotations all refer to the third fann ("art" or section) of Sadid al-Din's work, starting with diseases of the eye and ending with the diseases of the extremities. The text stops abruptly in the middle of a discussion regarding the treatment of gout. Serving as the only illustration of this work is a line drawing offering a schematized rendition of the main muscle groups of the abdomen. The author of this work is unknown, but the presence of occasional Persian expressions embedded in the Arabic indicates that he knew Persian. Sadid al-Din's original text has been indicated by a superposed line, in addition to a preceding qaulahu (His words [are]). Among the other quoted medical authorities are Burhan al-Din Nafis ibn ʻIwad al-Kirmani (died 1449), who served as court physician under Ulugh Beg and who is occasionally, and somewhat confusingly, referred to in the text as al-Nafis (Ibn al-Nafis himself is referred to as al-Qarashi, signifying that his forebears were members of the Quraysh tribe). Also quoted is Muhammad Husayn ʻUqayli Khurasani, a Persian physician who lived in the Indian subcontinent, and who flourished in the mid to late 18th century; thus this copy could not have been produced before the late 18th century.
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Annotations on "Sadīdī"

(حاشيه بر سديدي)

Basım Yeri - [publisher not identified]

Tür Kitap

Dil Arapça

Dijital Hayır

Yazma Hayır

Fiziksel Boyutlar 1 online resource.

Kütüphane Kongre Kütüphanesi

Demirbaş Numarası 2021667353

Kayıt Numarası 22057407

Örnek Metin Ḥāshiya Bar Sadīdī (Annotations on Sadīdī) is a volume of annotations on the commentary by Sadid al-Din ibn Masʻud Kazaruni (died 1357) on al-Mūjiz fī al-ṭibb (Epitome of medicine). The latter was a well-known medical text written by Ibn ʻAli ibn Abi al-Ḥazm Ibn al-Nafis (circa 1210-88) as an abstract of its author's own commentary on al-Qānūn fī al-ṭibb (Canon of medicine) by Ibn Sina (980--1037, known in the West as Avicenna). The work therefore highlights the rich tradition of commentary on medical and scientific texts in Islamic civilization, in which a canonical text (in this case Ibn Sina's widely celebrated Canon of Medicine) would be the subject of commentaries by subsequent generations of scholars. These commentaries then would become well-respected works in their own right. In this case, Ibn al-Nafis's epitome of his own commentary became an authoritative text and was in turn the subject of a commentary by Sadid al-Din Kazaruni in a work commonly referred to as al-Mughnī fī sharḥ al-mūjiz (The sufficient commentary on al-Mūjiz). The final stage of commentary linking the Ḥāshiya Bar Sadīdī to its source material would have been by the unknown author of this work, who took fragments of Sadid al-Din's text (generally consisting of several words) and discussed them in great detail. It is possible that the reader was expected to know the text of al-Mughnī fī sharḥ al-mūjiz by heart, or more likely, that the reader would have had the benefit of referring to Sadid al-Din's text directly while reading the Ḥāshiya. The collected annotations all refer to the third fann ("art" or section) of Sadid al-Din's work, starting with diseases of the eye and ending with the diseases of the extremities. The text stops abruptly in the middle of a discussion regarding the treatment of gout. Serving as the only illustration of this work is a line drawing offering a schematized rendition of the main muscle groups of the abdomen. The author of this work is unknown, but the presence of occasional Persian expressions embedded in the Arabic indicates that he knew Persian. Sadid al-Din's original text has been indicated by a superposed line, in addition to a preceding qaulahu (His words [are]). Among the other quoted medical authorities are Burhan al-Din Nafis ibn ʻIwad al-Kirmani (died 1449), who served as court physician under Ulugh Beg and who is occasionally, and somewhat confusingly, referred to in the text as al-Nafis (Ibn al-Nafis himself is referred to as al-Qarashi, signifying that his forebears were members of the Quraysh tribe). Also quoted is Muhammad Husayn ʻUqayli Khurasani, a Persian physician who lived in the Indian subcontinent, and who flourished in the mid to late 18th century; thus this copy could not have been produced before the late 18th century.

Sınıflandırma 610

Tür text