Mirrors of entrapment and emancipation : Forugh Farrokhzad and Sylvia Plath / Leila Rahimi Bahmany. | Kütüphane.osmanlica.com

Mirrors of entrapment and emancipation : Forugh Farrokhzad and Sylvia Plath / Leila Rahimi Bahmany.

İsim Mirrors of entrapment and emancipation : Forugh Farrokhzad and Sylvia Plath / Leila Rahimi Bahmany.
Basım Tarihi: 2015
Basım Yeri - Leiden University Press
Konu Farrukhzād, Furūgh -- Criticism and interpretation., Farrukhzаѕd, Furuѕgh -- Criticism and interpretation., Plath, Sylvia -- Criticism and interpretation., Reflection (Philosophy) in literature., Women authors, Iranian -- Biography.
Tür Kitap
Dil İngilizce
Dijital Evet
Yazma Hayır
Sayfa Sayısı 381
Fiziksel Boyutlar 1 electronic resource (381 pages).
Kütüphane: Üniversite Koleji Dublin Kütüphanesi
Demirbaş Numarası 9789400602076 ePDF, 9400602073, 9789400602083 ePub, 9400602081, 9087282249 (pbk.), 9789087282240 (pbk.), 9789087282967 (electronic bk.), 9087282966 (electronic bk.)
Kayıt Numarası b2849290
Lokasyon In collection: Ebook Central Diversity, Equity, & Inclusion
Tarih 2015
Notlar This work is licensed by Knowledge Unlatched under a Creative Commons license https://creativecommons.org/licenses/by-nc/4.0/legalcode
Örnek Metin This study explores the rich diversity of the meanings associated with the mirror and reflection in literature by women. To illustrate some of these meanings, the author draws upon the mirror imagery and the psycho-emotional experience of specular reflection in the works of the Persian poet Forugh Farrokhzad (1935-1967) and the American poet Sylvia Plath (1932-1963). These two poets astutely employed mirror images for the realization as well as for communication of their turbulent psycho-emotional states to their readers, thereby capturing and conveying the essence of women desperately trapped among the antithetical images of the twentieth-century womanhood. The impossibility of reconciling these contradictory images is manifested at times in their failure to recognize their own mirror-images. For them, the mirror becomes a heterotopic site of entrapment or a utopian space of emancipation.
Erişim Open Access
Bibliyografya Includes bibliographical references and index.
Seri Iranian studies series, Iranian studies series (Leiden, Netherlands)
Kaynağa git Üniversite Koleji Dublin Kütüphanesi University College Dublin Library
University College Dublin Library Üniversite Koleji Dublin Kütüphanesi
Kaynağa git

Mirrors of entrapment and emancipation : Forugh Farrokhzad and Sylvia Plath / Leila Rahimi Bahmany.

Basım Tarihi 2015
Basım Yeri - Leiden University Press
Konu Farrukhzād, Furūgh -- Criticism and interpretation., Farrukhzаѕd, Furuѕgh -- Criticism and interpretation., Plath, Sylvia -- Criticism and interpretation., Reflection (Philosophy) in literature., Women authors, Iranian -- Biography.
Tür Kitap
Dil İngilizce
Dijital Evet
Yazma Hayır
Sayfa Sayısı 381
Fiziksel Boyutlar 1 electronic resource (381 pages).
Kütüphane Üniversite Koleji Dublin Kütüphanesi
Demirbaş Numarası 9789400602076 ePDF, 9400602073, 9789400602083 ePub, 9400602081, 9087282249 (pbk.), 9789087282240 (pbk.), 9789087282967 (electronic bk.), 9087282966 (electronic bk.)
Kayıt Numarası b2849290
Lokasyon In collection: Ebook Central Diversity, Equity, & Inclusion
Tarih 2015
Notlar This work is licensed by Knowledge Unlatched under a Creative Commons license https://creativecommons.org/licenses/by-nc/4.0/legalcode
Örnek Metin This study explores the rich diversity of the meanings associated with the mirror and reflection in literature by women. To illustrate some of these meanings, the author draws upon the mirror imagery and the psycho-emotional experience of specular reflection in the works of the Persian poet Forugh Farrokhzad (1935-1967) and the American poet Sylvia Plath (1932-1963). These two poets astutely employed mirror images for the realization as well as for communication of their turbulent psycho-emotional states to their readers, thereby capturing and conveying the essence of women desperately trapped among the antithetical images of the twentieth-century womanhood. The impossibility of reconciling these contradictory images is manifested at times in their failure to recognize their own mirror-images. For them, the mirror becomes a heterotopic site of entrapment or a utopian space of emancipation.
Erişim Open Access
Bibliyografya Includes bibliographical references and index.
Seri Iranian studies series, Iranian studies series (Leiden, Netherlands)
University College Dublin Library
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