Yazar
Martin, Nelle, Park, Jenny Yoshida, 1980-, Abbadi, Jinane, artist, author, printer of plates.
Basım Tarihi
2018
Basım Yeri
San Diego, California -
Brighton Press
Konu
Artists' books -- California -- San Diego -- Specimens, Artists' books, Marginality, Social, in literature, Orientalism in literature, California -- San Diego
Tür
Kitap
Dil
ara,eng
Dijital
Hayır
Yazma
Hayır
Fiziksel Boyutlar
34 cm
Kütüphane
Wesleyan Üniversitesi Kütüphanesi
Demirbaş Numarası
OCLC : (OCoLC)1082269335
Kayıt Numarası
alma9932272751103768
Lokasyon
Available at WU - Special Collections & Archives Artist's Book Oversize + (SC&A Reading Room use only) (B755 S643 2018)
Tarih
2018
Notlar
Bound using an Islamic binding structure inspired by traditional Moroccan binding styles, with leather spine, back, and fore-edge flap. The front cover is paste-paper covered board. In grey cloth clamshell box with plastic clasps; printed paper spine label; lined with yellow paper., Wesleyan copy: Number 26 of the limited, signed edition of 40. In clamshell box, as issued., "Speaking subaltern is artist Jinane Abbadi's response, in words and images, to the Orientalist texts of various European authors written during the colonial occupation of Arab countries in the nineteenth and twentieth centuries. The multiplate chine collé etchings were printed by the artist. The English text was set in Baskerville and printed on Twinrocker handmade paper. The Arabic text was set in Diwani, recomposed by the artist, and printed on Kozo paper that was printed with Smegh. Smegh is a traditional water-based ink made in Morocco from a mixture of charred bull horn and earth pigment sifted to a fine consistency and mixed with water. The mixture is then left to dry until it hardens into usable form. All of the letterpress printing was done by Nelle Martin. Jenny Yoshida Park collaborated on the typography. Lisa Van Pelt bound the book and designed the enclosure. Speaking subaltern was published by Brighon Press, in a limited edition of 40 signed and numbered copies with four additional artists' proofs, in 2018."--Colophon., Excerpts from bell hooks, Marginality as site of resistance (1970) ; The Earl of Cromer, Modern Egypt (1908) ; Flaubert, Flaubert in Egypt (1849) ; de Nerval, Journey to the Orient (1851) ; Jules Ferry, Speech before the French Chamber of Deputies (1884) ; Renan, Sorbonne University (1883) ; Flaubert to Louise Colet (1846) ; Montagnac, Lettres d'un soldat (1843), Bound using an Islamic binding structure inspired by traditional Moroccan binding styles, with leather spine, back, and fore-edge flap. The front cover is paste-paper covered board., Based on the author's 2011 MFA project, San Diego State University., Includes bibliographical references., In English with illustrations using Arabic calligraphy.
Tür
chine appliqué prints, etchings (prints), Specimens, Islamic bindings (Binding), Flap bindings (Binding), Leather bindings (Binding), Clamshell boxes (Binding), Artists' books, Kozo fibers (Paper), Typefaces (Type evidence) -- Diwani, Typefaces (Type evidence) -- Baskerville
