Light readings : a photography critic's writings, 1968-1978 / A.D. Coleman.

İsim	Light readings : a photography critic's writings, 1968-1978 / A.D. Coleman.
Basım Tarihi:	1979
Basım Yeri	New York - Oxford University Press, 1979.
Konu	Photographic criticism., Photography, Artistic
Tür	Kitap
Dil	Arapça
Dijital	Hayır
Yazma	Hayır
Sayfa Sayısı	283
Fiziksel Boyutlar	24 cm
Kütüphane:	The Institute for Advanced Study (IAS)
Kayıt Numarası	3100001~!118636~!4866
Lokasyon	HS-SS Stacks
Tarih	1979
Notlar	Includes bibliographical references and index., Also issued online.. Includes bibliographical references and index., Also issued online.. 118636. xvi, 283 pages, 16 unnumbered leaves of plates : illustrations ; 24 cm
İçindekiler	1968. Latent image -- Paul Strand (I) -- Jerry Uelsmann (I) -- Christmas gift: "Harlem on my mind" -- Richard Kirstel (I): "pas de deux" -- Critique -- 1970. James Van DerZee -- Roy DeCarava: "Thru black eyes" -- "Photography into sculpture": sheer anarchy, or a step forward? -- Inside the museum, infinity goes up on trial -- Holography: a prophecy -- The horrors of Hiroshima -- Roger Minick: Delta west -- Robert Heinecken: a man for all dimensions -- Bruce Davidson: East 100th Street -- Duane Michals (I): Sequences -- Richard Kirstel (II): Is this the Scopes trial of photography? -- 1971. Jerry Uelsmann (II): he captures dreams, visions, hallucinations -- Les Krims: four photographs that drove a man to crime -- Fundi: the nuances of the moment -- Peter Bunnell: money, space, and time, or the curator as juggler -- Jan Van Raay: the crest of a tidal wave -- Photography and conceptual art -- Harvey Stromberg: the sneakiest show in town -- Diane Arbus (I): the mirror is broken -- "I have a blind spot about color photographs" -- Larry Clark: Tulsa -- Danny Seymour: A loud song -- Michael Abramson: Palante -- More on color: readers speak out -- A manifesto for photography education., 1972. Danny Lyon and Geoff Winningham: barred doors, bared mats -- Paul Strand (II) -- Bernadette Mayer: "Memory" -- Thomas Barrow and Charles Gatewood -- Duane Michals (II): The journey of the spirit after death -- Who will be the replacements? -- Bea Nettles -- Judy Dater -- Beuford Smith: he records the texture of black life -- Not seeing Atget for the trees -- Robert Frank: The lines of my hand -- Ed Ruscha (I): "My books end up in the trash" -- Ed Ruscha (II): "I'm not really a photographer" -- Van Deren Coke: The painter and the photograph -- Ansel Adams: let me make one thing perfectly clear -- Robert D'Alessandro: New York's funky epiphanies -- Diane Arbus (II): her portraits are self-portraits -- Bob Adelman and Susan Hall: Down home -- 1973. Robert Delford Brown: an introduction -- Life may have died, but photography lives on -- Ralph Gibson: Deja-vu -- Minor White: Octave of prayer (I) -- Minor White: Octave of prayer (II) -- Michael Lesy (I): Wisconsin death trip -- Must they "progress" so fast? -- Shouldn't we be more concerned? -- "Photography: recent acquisitions" -- Clarence John Laughlin -- Bill Dane -- Emmet Gowin., 1974. Julio Mitchel -- W. Eugene Smith: "Minamata" -- Michael Martone: Dark light -- New Japanese photography -- Paul Diamond -- Abigail Heyman and Imogen Cunningham -- "From today, painting is dead": a requiem -- Art critics: our weakest link -- Reinventing photography -- 1975. My camera in the olive grove: prolegomena to the legitimization of photography by the academy -- Because it feels so good when I stop: concerning a continuing personal encounter with photography criticism -- 1976. Where's the money? -- The indigenous vision of Manuel Alvarez Bravo -- On plagiarism -- "Violated" instants: Lucas Samaras and Les Krims -- Novel pictures: the photofiction of Wright Morris -- The directorial mode: notes toward a definition -- 1977. Humanizing history: Michael Lesy's Real life -- Visual recycling: Irving Penn's "Street material" -- Lament for the walking wounded -- 1978. No future for you? Speculations on the next decade in photography.
İçindekiler (Liste)	1968. Latent image -- Paul Strand (I) -- Jerry Uelsmann (I) -- Christmas gift: "Harlem on my mind" -- Richard Kirstel (I): "pas de deux" -- Critique -- 1970. James Van DerZee -- Roy DeCarava: "Thru black eyes" -- "Photography into sculpture": sheer anarchy, or a step forward? -- Inside the museum, infinity goes up on trial -- Holography: a prophecy -- The horrors of Hiroshima -- Roger Minick: Delta west -- Robert Heinecken: a man for all dimensions -- Bruce Davidson: East 100th Street -- Duane Michals (I): Sequences -- Richard Kirstel (II): Is this the Scopes trial of photography? -- 1971. Jerry Uelsmann (II): he captures dreams, visions, hallucinations -- Les Krims: four photographs that drove a man to crime -- Fundi: the nuances of the moment -- Peter Bunnell: money, space, and time, or the curator as juggler -- Jan Van Raay: the crest of a tidal wave -- Photography and conceptual art -- Harvey Stromberg: the sneakiest show in town -- Diane Arbus (I): the mirror is broken -- "I have a blind spot about color photographs" -- Larry Clark: Tulsa -- Danny Seymour: A loud song -- Michael Abramson: Palante -- More on color: readers speak out -- A manifesto for photography education., 1972. Danny Lyon and Geoff Winningham: barred doors, bared mats -- Paul Strand (II) -- Bernadette Mayer: "Memory" -- Thomas Barrow and Charles Gatewood -- Duane Michals (II): The journey of the spirit after death -- Who will be the replacements? -- Bea Nettles -- Judy Dater -- Beuford Smith: he records the texture of black life -- Not seeing Atget for the trees -- Robert Frank: The lines of my hand -- Ed Ruscha (I): "My books end up in the trash" -- Ed Ruscha (II): "I'm not really a photographer" -- Van Deren Coke: The painter and the photograph -- Ansel Adams: let me make one thing perfectly clear -- Robert D'Alessandro: New York's funky epiphanies -- Diane Arbus (II): her portraits are self-portraits -- Bob Adelman and Susan Hall: Down home -- 1973. Robert Delford Brown: an introduction -- Life may have died, but photography lives on -- Ralph Gibson: Deja-vu -- Minor White: Octave of prayer (I) -- Minor White: Octave of prayer (II) -- Michael Lesy (I): Wisconsin death trip -- Must they "progress" so fast? -- Shouldn't we be more concerned? -- "Photography: recent acquisitions" -- Clarence John Laughlin -- Bill Dane -- Emmet Gowin., 1974. Julio Mitchel -- W. Eugene Smith: "Minamata" -- Michael Martone: Dark light -- New Japanese photography -- Paul Diamond -- Abigail Heyman and Imogen Cunningham -- "From today, painting is dead": a requiem -- Art critics: our weakest link -- Reinventing photography -- 1975. My camera in the olive grove: prolegomena to the legitimization of photography by the academy -- Because it feels so good when I stop: concerning a continuing personal encounter with photography criticism -- 1976. Where's the money? -- The indigenous vision of Manuel Alvarez Bravo -- On plagiarism -- "Violated" instants: Lucas Samaras and Les Krims -- Novel pictures: the photofiction of Wright Morris -- The directorial mode: notes toward a definition -- 1977. Humanizing history: Michael Lesy's Real life -- Visual recycling: Irving Penn's "Street material" -- Lament for the walking wounded -- 1978. No future for you? Speculations on the next decade in photography.
ISBN	0195025164, 9780195025163

Kaynağa git The Institute for Advanced Study (IAS)

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The Institute for Advanced Study (IAS)

Kaynağa git

Light readings : a photography critic's writings, 1968-1978 / A.D. Coleman.

Basım Tarihi 1979

Basım Yeri New York - Oxford University Press, 1979.

Konu Photographic criticism., Photography, Artistic

Tür Kitap

Dil Arapça

Dijital Hayır

Yazma Hayır

Sayfa Sayısı 283

Fiziksel Boyutlar 24 cm

Kütüphane The Institute for Advanced Study (IAS)

Kayıt Numarası 3100001~!118636~!4866

Lokasyon HS-SS Stacks

Tarih 1979

Notlar Includes bibliographical references and index., Also issued online.. Includes bibliographical references and index., Also issued online.. 118636. xvi, 283 pages, 16 unnumbered leaves of plates : illustrations ; 24 cm

İçindekiler 1968. Latent image -- Paul Strand (I) -- Jerry Uelsmann (I) -- Christmas gift: "Harlem on my mind" -- Richard Kirstel (I): "pas de deux" -- Critique -- 1970. James Van DerZee -- Roy DeCarava: "Thru black eyes" -- "Photography into sculpture": sheer anarchy, or a step forward? -- Inside the museum, infinity goes up on trial -- Holography: a prophecy -- The horrors of Hiroshima -- Roger Minick: Delta west -- Robert Heinecken: a man for all dimensions -- Bruce Davidson: East 100th Street -- Duane Michals (I): Sequences -- Richard Kirstel (II): Is this the Scopes trial of photography? -- 1971. Jerry Uelsmann (II): he captures dreams, visions, hallucinations -- Les Krims: four photographs that drove a man to crime -- Fundi: the nuances of the moment -- Peter Bunnell: money, space, and time, or the curator as juggler -- Jan Van Raay: the crest of a tidal wave -- Photography and conceptual art -- Harvey Stromberg: the sneakiest show in town -- Diane Arbus (I): the mirror is broken -- "I have a blind spot about color photographs" -- Larry Clark: Tulsa -- Danny Seymour: A loud song -- Michael Abramson: Palante -- More on color: readers speak out -- A manifesto for photography education., 1972. Danny Lyon and Geoff Winningham: barred doors, bared mats -- Paul Strand (II) -- Bernadette Mayer: "Memory" -- Thomas Barrow and Charles Gatewood -- Duane Michals (II): The journey of the spirit after death -- Who will be the replacements? -- Bea Nettles -- Judy Dater -- Beuford Smith: he records the texture of black life -- Not seeing Atget for the trees -- Robert Frank: The lines of my hand -- Ed Ruscha (I): "My books end up in the trash" -- Ed Ruscha (II): "I'm not really a photographer" -- Van Deren Coke: The painter and the photograph -- Ansel Adams: let me make one thing perfectly clear -- Robert D'Alessandro: New York's funky epiphanies -- Diane Arbus (II): her portraits are self-portraits -- Bob Adelman and Susan Hall: Down home -- 1973. Robert Delford Brown: an introduction -- Life may have died, but photography lives on -- Ralph Gibson: Deja-vu -- Minor White: Octave of prayer (I) -- Minor White: Octave of prayer (II) -- Michael Lesy (I): Wisconsin death trip -- Must they "progress" so fast? -- Shouldn't we be more concerned? -- "Photography: recent acquisitions" -- Clarence John Laughlin -- Bill Dane -- Emmet Gowin., 1974. Julio Mitchel -- W. Eugene Smith: "Minamata" -- Michael Martone: Dark light -- New Japanese photography -- Paul Diamond -- Abigail Heyman and Imogen Cunningham -- "From today, painting is dead": a requiem -- Art critics: our weakest link -- Reinventing photography -- 1975. My camera in the olive grove: prolegomena to the legitimization of photography by the academy -- Because it feels so good when I stop: concerning a continuing personal encounter with photography criticism -- 1976. Where's the money? -- The indigenous vision of Manuel Alvarez Bravo -- On plagiarism -- "Violated" instants: Lucas Samaras and Les Krims -- Novel pictures: the photofiction of Wright Morris -- The directorial mode: notes toward a definition -- 1977. Humanizing history: Michael Lesy's Real life -- Visual recycling: Irving Penn's "Street material" -- Lament for the walking wounded -- 1978. No future for you? Speculations on the next decade in photography.

İçindekiler (Liste) 1968. Latent image -- Paul Strand (I) -- Jerry Uelsmann (I) -- Christmas gift: "Harlem on my mind" -- Richard Kirstel (I): "pas de deux" -- Critique -- 1970. James Van DerZee -- Roy DeCarava: "Thru black eyes" -- "Photography into sculpture": sheer anarchy, or a step forward? -- Inside the museum, infinity goes up on trial -- Holography: a prophecy -- The horrors of Hiroshima -- Roger Minick: Delta west -- Robert Heinecken: a man for all dimensions -- Bruce Davidson: East 100th Street -- Duane Michals (I): Sequences -- Richard Kirstel (II): Is this the Scopes trial of photography? -- 1971. Jerry Uelsmann (II): he captures dreams, visions, hallucinations -- Les Krims: four photographs that drove a man to crime -- Fundi: the nuances of the moment -- Peter Bunnell: money, space, and time, or the curator as juggler -- Jan Van Raay: the crest of a tidal wave -- Photography and conceptual art -- Harvey Stromberg: the sneakiest show in town -- Diane Arbus (I): the mirror is broken -- "I have a blind spot about color photographs" -- Larry Clark: Tulsa -- Danny Seymour: A loud song -- Michael Abramson: Palante -- More on color: readers speak out -- A manifesto for photography education., 1972. Danny Lyon and Geoff Winningham: barred doors, bared mats -- Paul Strand (II) -- Bernadette Mayer: "Memory" -- Thomas Barrow and Charles Gatewood -- Duane Michals (II): The journey of the spirit after death -- Who will be the replacements? -- Bea Nettles -- Judy Dater -- Beuford Smith: he records the texture of black life -- Not seeing Atget for the trees -- Robert Frank: The lines of my hand -- Ed Ruscha (I): "My books end up in the trash" -- Ed Ruscha (II): "I'm not really a photographer" -- Van Deren Coke: The painter and the photograph -- Ansel Adams: let me make one thing perfectly clear -- Robert D'Alessandro: New York's funky epiphanies -- Diane Arbus (II): her portraits are self-portraits -- Bob Adelman and Susan Hall: Down home -- 1973. Robert Delford Brown: an introduction -- Life may have died, but photography lives on -- Ralph Gibson: Deja-vu -- Minor White: Octave of prayer (I) -- Minor White: Octave of prayer (II) -- Michael Lesy (I): Wisconsin death trip -- Must they "progress" so fast? -- Shouldn't we be more concerned? -- "Photography: recent acquisitions" -- Clarence John Laughlin -- Bill Dane -- Emmet Gowin., 1974. Julio Mitchel -- W. Eugene Smith: "Minamata" -- Michael Martone: Dark light -- New Japanese photography -- Paul Diamond -- Abigail Heyman and Imogen Cunningham -- "From today, painting is dead": a requiem -- Art critics: our weakest link -- Reinventing photography -- 1975. My camera in the olive grove: prolegomena to the legitimization of photography by the academy -- Because it feels so good when I stop: concerning a continuing personal encounter with photography criticism -- 1976. Where's the money? -- The indigenous vision of Manuel Alvarez Bravo -- On plagiarism -- "Violated" instants: Lucas Samaras and Les Krims -- Novel pictures: the photofiction of Wright Morris -- The directorial mode: notes toward a definition -- 1977. Humanizing history: Michael Lesy's Real life -- Visual recycling: Irving Penn's "Street material" -- Lament for the walking wounded -- 1978. No future for you? Speculations on the next decade in photography.

ISBN 0195025164, 9780195025163