The Italian Renaissance and cultural memory / Patricia Emison.

İsim	The Italian Renaissance and cultural memory / Patricia Emison.
Basım Tarihi:	2012
Basım Yeri	New York - Cambridge University Press, 2012.
Konu	Art, Renaissance -- Italy, Art, Renaissance -- Italy -- Influence.
Tür	Kitap
Dil	Arapça
Dijital	Hayır
Yazma	Hayır
Sayfa Sayısı	238
Fiziksel Boyutlar	26 cm
Kütüphane:	The Institute for Advanced Study (IAS)
Kayıt Numarası	3100001~!114795~!4730
Lokasyon	HS-SS Stacks
Tarih	2012
Notlar	Includes bibliographical references (pages 221-224) and index.. 114795. xiii, 238 pages, 8 pages of unnumbered plates : illustrations (some color) ; 26 cm
Örnek Metin	"Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance from 1300 to 1600 synthesizing the considerable evolution in our understanding of the epoch since the foundational 19th-century studies of Burckhardt and Wölfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes Renaissance style self-consciously modern aspect. She sets the art against the literary and political interests of the time, and analyzes works both of very familiar artists Leonardo, Michelangelo, and Raphael and of lesser-known figures, including Cima and Barocci. An understanding emerges of both the period's long-standing fame and its various historical debts. Moving beyond the Renaissance, Emison unfolds the varying and layered significance it has held from the Old Master era through Impressionism, Modernism, and Post-Modernism"--Provided by publisher.
İçindekiler	Introduction -- A historiographical overview -- Not only rebirth --Truth and likeness -- Visualizing ideas -- Why did the high Renaissance happen? -- Revolutionary norms of beauty -- "Genius" -- Epilogue.
ISBN	9781107005266 (hardback), 1107005264 (hardback)

Kaynağa git The Institute for Advanced Study (IAS)

Aramaya Dön

The Institute for Advanced Study (IAS)

Kaynağa git

The Italian Renaissance and cultural memory / Patricia Emison.

Basım Tarihi 2012

Basım Yeri New York - Cambridge University Press, 2012.

Konu Art, Renaissance -- Italy, Art, Renaissance -- Italy -- Influence.

Tür Kitap

Dil Arapça

Dijital Hayır

Yazma Hayır

Sayfa Sayısı 238

Fiziksel Boyutlar 26 cm

Kütüphane The Institute for Advanced Study (IAS)

Kayıt Numarası 3100001~!114795~!4730

Lokasyon HS-SS Stacks

Tarih 2012

Notlar Includes bibliographical references (pages 221-224) and index.. 114795. xiii, 238 pages, 8 pages of unnumbered plates : illustrations (some color) ; 26 cm

Örnek Metin "Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance from 1300 to 1600 synthesizing the considerable evolution in our understanding of the epoch since the foundational 19th-century studies of Burckhardt and Wölfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes Renaissance style self-consciously modern aspect. She sets the art against the literary and political interests of the time, and analyzes works both of very familiar artists Leonardo, Michelangelo, and Raphael and of lesser-known figures, including Cima and Barocci. An understanding emerges of both the period's long-standing fame and its various historical debts. Moving beyond the Renaissance, Emison unfolds the varying and layered significance it has held from the Old Master era through Impressionism, Modernism, and Post-Modernism"--Provided by publisher.

İçindekiler Introduction -- A historiographical overview -- Not only rebirth --Truth and likeness -- Visualizing ideas -- Why did the high Renaissance happen? -- Revolutionary norms of beauty -- "Genius" -- Epilogue.

ISBN 9781107005266 (hardback), 1107005264 (hardback)