[Hüsn-ü hat risalesi, ca. 1772]

Name: [Hüsn-ü hat risalesi, ca. 1772]
Author: Mehmet bin Tacettin (d. 1587.)

İsim	[Hüsn-ü hat risalesi, ca. 1772]
Yazar	Mehmet bin Tacettin (d. 1587.)
Basım Tarihi:	1772
Basım Yeri	Istanbul?, ca. 1772 -
Konu	Islamic calligraphy-Turkey-Technique-Early works to 1800 Calligraphy, Turkish-Technique-Early works to 1800 Writing, Arabic-Technique-Early works to 1800 Manuscripts, Turkish-Michigan-Ann Arbor Manuscrits turcs-Michigan-Ann Arbor Écriture arabe-Technique-Ouvrages avant 1800 Islamic calligraphy-Technique. Manuscripts, Turkish. ; Michigan- Ann Arbor. https://id.oclc.org/worldcat/entity/E39PBJxGWFhh8FVyVXdtj94rMP Turkey. https://id.oclc.org/worldcat/entity/E39PBJxmHG9jJjCTM3y4pFRqcP ; Headpieces (layout features)-, Early works.
Tür	Kitap
Dil	Osmanlıca
Dijital	Hayır
Yazma	Hayır
Fiziksel Boyutlar	1 online resource (28 leaves) : paper
Kütüphane:	Üniversite Kütüphaneleri Ağı - REBIUN
Kayıt Numarası	b2FpOmNlbGVicmF0aW9uOmVzLmJhcmF0ei5yZW4vMzczNzkxNTM
Tarih	1772
Notlar	Ms. codex Title supplied by cataloguer Collation: i, 2 V(20), IV (28), i ; two quinions followed by a quaternion ; catchwords present Layout: Written in 9 lines per page ; frame-ruled Script: Naskh (nesih) and thluth (sülüs) ; exquisite specimen of Ottoman calligraphy executed by Kebecizade Mehmet Vasfi Efendi (d. 1831) Decoration: Elegant illuminated headpiece (unwān / sarlawḥ) at opening consisting of a composition of vegetal forms (resembling plumes) in white with shades of lavender, blue, pink, etc. accents surmounted by floral forms in shades of pink with green leaves, all on a gold ground set in a well defined by red and yellow interlace ; written area of incipit and facing page surrounded by a heavy gold frame with inner and outer gold bands defined by black fillets and outermost blue fillet ; written area elsewhere surrounded by a narrower gold frame defined by black fillets with outermost blue fillet ; textual dividers in the form of illuminated rosettes with red and blue accents ; keywords and headings rubricated ; circles (or hā evoking familiar rhomboid dots) and lines indicating size, proportion and angle for the large sample letters entered in the margins are also rubricated Support: European laid paper with 11 laid lines per cm (vertical), chain lines spaced 23-24 mm. apart (horizontal), and watermarks of griffin [?], "FIN DE LA SONE EN DAUPHINE" and "1772" ; well-sized and burnished, thin and crisp though sturdy, buff (dull yellow) in color Binding: Pasteboards covered in dark royal blue leather ; Type III binding (without flap) ; pastedowns and flyleaves in sky blue surface-dyed, textured and coated paper (embossed with scrolling vegetal designs) ; upper and lower covers carry central gold-flecked cartouche with gold-painted cornerpieces and stamped borders of gold defined by gold fillets ; sewn in pale yellow thread, two stations ; overall in fairly good condition with minor abrasion ; repairs in blue Japanese paper Former shelfmark: "469 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf Origin: As appears in colophon, copy executed by Mehmet Vasfi (i.e. Kebecizade Mehmet Vasfi Efendi, d. 1831) student of Ebubekir Raşit Efendi (d.1782). Date of transcription not specified, though date in watermark suggests ca. 1772 ; decoration, hand, etc. are consistent with late 18th century dating Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 401 \| digitized 2024. HathiTrust Digital Library committed to preserve pda MiAaHDL \| Use copy. Restrictions unspecified star. MiAaHDL
Örnek Metin	Exquisite copy of a treatise on calligraphy (addressing chiefly nesih and sülüs) attributed to Tacbeyzade [Taçbeyzade, Tacizade, Taczade] Mehmet bin Tacettin [Mehmed b.Taceddin] (d.1587) executed by the calligrapher Kebecizade Mehmet Vasfi Efendi (d. 1831). The text opens with preparing the pen and the origins of the scripts and their names (returning to Ibn al-Bawwāb and Yāqūt al-Mustaṣamī with some sayings attributed to them), followed by the müfredat (single and double letters) and the mürekkebat (words and phrases of more than two letters). Sample letters marked with the proper proportions and angles are provided in the margins
Ek fiziksel biçim bağlantısı	Original (OCoLC)1354989181
Doğrudan edinim kaynağı	Purchase ; Acquired by purchase (funds donated by Horace Rackham). ; 1924
Başlık varyantları	Hüsn-i hat risalesi Risale-yi hüsn-i hat Risale-yi hat

Kaynağa git Üniversite Kütüphaneleri Ağı - REBIUN Red de Bibliotecas Universitarias - REBIUN

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[Hüsn-ü hat risalesi, ca. 1772]

Yazar Mehmet bin Tacettin (d. 1587.)

Basım Tarihi 1772

Basım Yeri Istanbul?, ca. 1772 -

Konu Islamic calligraphy-Turkey-Technique-Early works to 1800 Calligraphy, Turkish-Technique-Early works to 1800 Writing, Arabic-Technique-Early works to 1800 Manuscripts, Turkish-Michigan-Ann Arbor Manuscrits turcs-Michigan-Ann Arbor Écriture arabe-Technique-Ouvrages avant 1800 Islamic calligraphy-Technique. Manuscripts, Turkish. ; Michigan- Ann Arbor. https://id.oclc.org/worldcat/entity/E39PBJxGWFhh8FVyVXdtj94rMP Turkey. https://id.oclc.org/worldcat/entity/E39PBJxmHG9jJjCTM3y4pFRqcP ; Headpieces (layout features)-, Early works.

Tür Kitap

Dil Osmanlıca

Dijital Hayır

Yazma Hayır

Fiziksel Boyutlar 1 online resource (28 leaves) : paper

Kütüphane Üniversite Kütüphaneleri Ağı - REBIUN

Kayıt Numarası b2FpOmNlbGVicmF0aW9uOmVzLmJhcmF0ei5yZW4vMzczNzkxNTM

Tarih 1772

Notlar Ms. codex Title supplied by cataloguer Collation: i, 2 V(20), IV (28), i ; two quinions followed by a quaternion ; catchwords present Layout: Written in 9 lines per page ; frame-ruled Script: Naskh (nesih) and thluth (sülüs) ; exquisite specimen of Ottoman calligraphy executed by Kebecizade Mehmet Vasfi Efendi (d. 1831) Decoration: Elegant illuminated headpiece (unwān / sarlawḥ) at opening consisting of a composition of vegetal forms (resembling plumes) in white with shades of lavender, blue, pink, etc. accents surmounted by floral forms in shades of pink with green leaves, all on a gold ground set in a well defined by red and yellow interlace ; written area of incipit and facing page surrounded by a heavy gold frame with inner and outer gold bands defined by black fillets and outermost blue fillet ; written area elsewhere surrounded by a narrower gold frame defined by black fillets with outermost blue fillet ; textual dividers in the form of illuminated rosettes with red and blue accents ; keywords and headings rubricated ; circles (or hā evoking familiar rhomboid dots) and lines indicating size, proportion and angle for the large sample letters entered in the margins are also rubricated Support: European laid paper with 11 laid lines per cm (vertical), chain lines spaced 23-24 mm. apart (horizontal), and watermarks of griffin [?], "FIN DE LA SONE EN DAUPHINE" and "1772" ; well-sized and burnished, thin and crisp though sturdy, buff (dull yellow) in color Binding: Pasteboards covered in dark royal blue leather ; Type III binding (without flap) ; pastedowns and flyleaves in sky blue surface-dyed, textured and coated paper (embossed with scrolling vegetal designs) ; upper and lower covers carry central gold-flecked cartouche with gold-painted cornerpieces and stamped borders of gold defined by gold fillets ; sewn in pale yellow thread, two stations ; overall in fairly good condition with minor abrasion ; repairs in blue Japanese paper Former shelfmark: "469 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf Origin: As appears in colophon, copy executed by Mehmet Vasfi (i.e. Kebecizade Mehmet Vasfi Efendi, d. 1831) student of Ebubekir Raşit Efendi (d.1782). Date of transcription not specified, though date in watermark suggests ca. 1772 ; decoration, hand, etc. are consistent with late 18th century dating Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 401 | digitized 2024. HathiTrust Digital Library committed to preserve pda MiAaHDL | Use copy. Restrictions unspecified star. MiAaHDL

Örnek Metin Exquisite copy of a treatise on calligraphy (addressing chiefly nesih and sülüs) attributed to Tacbeyzade [Taçbeyzade, Tacizade, Taczade] Mehmet bin Tacettin [Mehmed b.Taceddin] (d.1587) executed by the calligrapher Kebecizade Mehmet Vasfi Efendi (d. 1831). The text opens with preparing the pen and the origins of the scripts and their names (returning to Ibn al-Bawwāb and Yāqūt al-Mustaṣamī with some sayings attributed to them), followed by the müfredat (single and double letters) and the mürekkebat (words and phrases of more than two letters). Sample letters marked with the proper proportions and angles are provided in the margins

Ek fiziksel biçim bağlantısı Original (OCoLC)1354989181

Doğrudan edinim kaynağı Purchase ; Acquired by purchase (funds donated by Horace Rackham). ; 1924

Başlık varyantları Hüsn-i hat risalesi Risale-yi hüsn-i hat Risale-yi hat