Nazm- Dilârâ, [1231, i.e. 1815 or 1816]

Name: Nazm- Dilârâ, [1231, i.e. 1815 or 1816]
Author: Osman Şakir (d. 1818?)

İsim	Nazm- Dilârâ, [1231, i.e. 1815 or 1816]
Yazar	Osman Şakir (d. 1818?)
Basım Tarihi:	1815
Basım Yeri	Istanbul, 1815 or 1816 -
Konu	Persian language-Dictionaries-Turkish Manuscripts, Turkish-Michigan-Ann Arbor Manuscripts, Persian-Michigan-Ann Arbor Manuscrits persans-Michigan-Ann Arbor Manuscrits turcs-Michigan-Ann Arbor Manuscripts, Persian. Manuscripts, Turkish. Persian language. ; Michigan- Ann Arbor. https://id.oclc.org/worldcat/entity/E39PBJxGWFhh8FVyVXdtj94rMP ; Headpiece (layout features)-, Dictionaries.
Tür	Kitap
Dil	fas,ota
Dijital	Hayır
Yazma	Hayır
Fiziksel Boyutlar	1 online resource (52 leaves) : paper
Kütüphane:	Üniversite Kütüphaneleri Ağı - REBIUN
Kayıt Numarası	b2FpOmNlbGVicmF0aW9uOmVzLmJhcmF0ei5yZW4vMzc2NTAzNjY
Tarih	1815
Notlar	Ms. codex Title from margin of incipit page (p.2) and opening matter (p.15) Dedication: As appears in opening matter on p.7, composed for Sultan Mahmud II (r.1223-55/1808-39) Collation: V+I (12), 4 V(52), i ; exclusively quinions, with single bifolium added to opening quinion ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing Layout: Written in 13 lines per page ; frame-ruled (impression of misṭarah / ruling board evident) Script: Naskh ; elegant Ottoman hand ; partially seriffed with right-sloping head-serif on ascenders other than alif, effect of tilt to the left, curvilinear descenders (some sweeping), mainly open counters, elongation of horizontal strokes, pointing in conjoined or distinct dots ; fully vocalized Decoration: Illuminated headpiece (unwān / sarlawḥ) at opening on p.2 consisting of w-shaped piece filled with swirling floral vegetal motifs in gold, white, pink, yellow, orange and red on fields of gold and dark blue all set in a well of bands in white (with black scallop pattern) , yellow (with black crosses) and pink (with red lozenges and cross-hatching) and surmounted by vertical stalks (tīgh) in red and gold ; appearing at openings of subsequent sections are rectangular pieces with gold cartouches (carrying headings in red, blue-green or white) flanked by similar floral motifs and surrounded by colored bands ; written area (often tinted pale green, pale pink, etc.) surrounded by gold frame, with a second gold band defining the margin ; margins tinted (pastel blue, yellow, pink, green, etc.) and gold-flecked ; textual dividers in the form of gold rosettes with red and light blue accents ; keywords rubricated, chrysographed or in blue-green, orange-red or red-brown ; illuminated tailpiece flanks seal impression of author at close Support: European wove paper with watermark "J ROSE 1801 [or 1804?]" visible (see p.2, 4, 22, 24, 52, 58, 70, 80, 88, 102) ; highly burnished with margins silver-flecked and tinted pastel blue, pink, green, yellow, etc Binding: Pasteboards faced in dark indigo textile (silk) and edged in red leather (silk faced, leather edged, framed binding) ; Type II binding (with flap) ; possibly two-piece binding (split in spine leather may lie where one flange overlaps the other) ; pastedowns and flyleaves (front flyleaf missing) in a marbled (kumlu or klçkl ebru in red) European laid paper (three crescents watermark visible in back flyleaf) ; upper and lower covers carry fine gold-tooled scalloped mandorla (filled with symmetrical vegetal composition) and pendants, all in red leather onlays, with gold-painted stroke accents and tooled chain or guilloché roll border in a series of s-shaped stamps flanked by gold-painted rules ; design continues on envelope flap ; sewn chiefly in yellow thread, two stations (added bifolium in opening gathering sewn in dark brown thread, see p.8) ; worked chevron endbands in yellow and pink, in fair condition with tailband detaching ; overall in fairly good condition with minor abrasion of textile, lifting of onlay in pendant on lower cover, splitting and lifting of leather at fore edge flap joint (meeting lower cover) and spine, etc Former shelfmark: "12 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on interior of upper cover Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 414 \| digitized 2024. HathiTrust Digital Library committed to preserve pda MiAaHDL \| Use copy. Restrictions unspecified star. MiAaHDL
Örnek Metin	Elegant autograph copy of the versified Persian-Turkish glossary of the müderris Osman Şakir (whose name appears in Īḍāḥ al-maknūn as Uthmān Shukrī, d.1818?). Apparently inspired by the popular Tuhfe-yi Vehbî (used for many years in Ottoman schools) of Sünbülzâde Vehbi Mehmet Efendi (d.1809), see opening matter on p.5-15
Ek fiziksel biçim bağlantısı	Original (OCoLC)1194761638
Doğrudan edinim kaynağı	Purchase ; Acquired by purchase (funds donated by Horace Rackham). ; 1924
Başlık varyantları	Naẓm-i Dilārā

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Nazm- Dilârâ, [1231, i.e. 1815 or 1816]

Yazar Osman Şakir (d. 1818?)

Basım Tarihi 1815

Basım Yeri Istanbul, 1815 or 1816 -

Konu Persian language-Dictionaries-Turkish Manuscripts, Turkish-Michigan-Ann Arbor Manuscripts, Persian-Michigan-Ann Arbor Manuscrits persans-Michigan-Ann Arbor Manuscrits turcs-Michigan-Ann Arbor Manuscripts, Persian. Manuscripts, Turkish. Persian language. ; Michigan- Ann Arbor. https://id.oclc.org/worldcat/entity/E39PBJxGWFhh8FVyVXdtj94rMP ; Headpiece (layout features)-, Dictionaries.

Tür Kitap

Dil fas,ota

Dijital Hayır

Yazma Hayır

Fiziksel Boyutlar 1 online resource (52 leaves) : paper

Kütüphane Üniversite Kütüphaneleri Ağı - REBIUN

Kayıt Numarası b2FpOmNlbGVicmF0aW9uOmVzLmJhcmF0ei5yZW4vMzc2NTAzNjY

Tarih 1815

Notlar Ms. codex Title from margin of incipit page (p.2) and opening matter (p.15) Dedication: As appears in opening matter on p.7, composed for Sultan Mahmud II (r.1223-55/1808-39) Collation: V+I (12), 4 V(52), i ; exclusively quinions, with single bifolium added to opening quinion ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing Layout: Written in 13 lines per page ; frame-ruled (impression of misṭarah / ruling board evident) Script: Naskh ; elegant Ottoman hand ; partially seriffed with right-sloping head-serif on ascenders other than alif, effect of tilt to the left, curvilinear descenders (some sweeping), mainly open counters, elongation of horizontal strokes, pointing in conjoined or distinct dots ; fully vocalized Decoration: Illuminated headpiece (unwān / sarlawḥ) at opening on p.2 consisting of w-shaped piece filled with swirling floral vegetal motifs in gold, white, pink, yellow, orange and red on fields of gold and dark blue all set in a well of bands in white (with black scallop pattern) , yellow (with black crosses) and pink (with red lozenges and cross-hatching) and surmounted by vertical stalks (tīgh) in red and gold ; appearing at openings of subsequent sections are rectangular pieces with gold cartouches (carrying headings in red, blue-green or white) flanked by similar floral motifs and surrounded by colored bands ; written area (often tinted pale green, pale pink, etc.) surrounded by gold frame, with a second gold band defining the margin ; margins tinted (pastel blue, yellow, pink, green, etc.) and gold-flecked ; textual dividers in the form of gold rosettes with red and light blue accents ; keywords rubricated, chrysographed or in blue-green, orange-red or red-brown ; illuminated tailpiece flanks seal impression of author at close Support: European wove paper with watermark "J ROSE 1801 [or 1804?]" visible (see p.2, 4, 22, 24, 52, 58, 70, 80, 88, 102) ; highly burnished with margins silver-flecked and tinted pastel blue, pink, green, yellow, etc Binding: Pasteboards faced in dark indigo textile (silk) and edged in red leather (silk faced, leather edged, framed binding) ; Type II binding (with flap) ; possibly two-piece binding (split in spine leather may lie where one flange overlaps the other) ; pastedowns and flyleaves (front flyleaf missing) in a marbled (kumlu or klçkl ebru in red) European laid paper (three crescents watermark visible in back flyleaf) ; upper and lower covers carry fine gold-tooled scalloped mandorla (filled with symmetrical vegetal composition) and pendants, all in red leather onlays, with gold-painted stroke accents and tooled chain or guilloché roll border in a series of s-shaped stamps flanked by gold-painted rules ; design continues on envelope flap ; sewn chiefly in yellow thread, two stations (added bifolium in opening gathering sewn in dark brown thread, see p.8) ; worked chevron endbands in yellow and pink, in fair condition with tailband detaching ; overall in fairly good condition with minor abrasion of textile, lifting of onlay in pendant on lower cover, splitting and lifting of leather at fore edge flap joint (meeting lower cover) and spine, etc Former shelfmark: "12 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on interior of upper cover Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 414 | digitized 2024. HathiTrust Digital Library committed to preserve pda MiAaHDL | Use copy. Restrictions unspecified star. MiAaHDL

Örnek Metin Elegant autograph copy of the versified Persian-Turkish glossary of the müderris Osman Şakir (whose name appears in Īḍāḥ al-maknūn as Uthmān Shukrī, d.1818?). Apparently inspired by the popular Tuhfe-yi Vehbî (used for many years in Ottoman schools) of Sünbülzâde Vehbi Mehmet Efendi (d.1809), see opening matter on p.5-15

Ek fiziksel biçim bağlantısı Original (OCoLC)1194761638

Doğrudan edinim kaynağı Purchase ; Acquired by purchase (funds donated by Horace Rackham). ; 1924

Başlık varyantları Naẓm-i Dilārā