Divan- şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725]

Name: Divan- şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725]
Author: Nabi (1642-1712.)

İsim	Divan- şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725]
Yazar	Nabi (1642-1712.)
Basım Tarihi:	1724
Basım Yeri	Place of publication not identified -
Konu	Turkish poetry-Early works to 1800 Manuscripts, Turkish-Michigan-Ann Arbor Manuscrits turcs-Michigan-Ann Arbor Manuscripts, Turkish. Turkish poetry. ; Michigan- Ann Arbor. https://id.oclc.org/worldcat/entity/E39PBJxGWFhh8FVyVXdtj94rMP ; Headpieces (layout features)-, Early works.
Tür	Kitap
Dil	fas,ota
Dijital	Hayır
Yazma	Hayır
Fiziksel Boyutlar	1 online resource (244 leaves) : paper
Kütüphane:	Üniversite Kütüphaneleri Ağı - REBIUN
Kayıt Numarası	b2FpOmNlbGVicmF0aW9uOmVzLmJhcmF0ei5yZW4vMzcxNDk0MjY
Tarih	1724
Notlar	Ms. codex Title from inscription below headpiece on fol.1b Collation: i,12 V (120), IV (128), I (130), 6 V (190), IV+1 (199), 3 V (229), V+1 (240), 2 I (244), i ; chiefly quinions; leaves falling between the various sections of poetry left partially blank (though without missing text) and leaves following close of text intially left blank but now carry additional matter including lines of poetry, lines on Ebussuud Efendi, etc. ; catchwords present; pagination in pencil, Western numerals (supplied during cataloguing) Layout: Written in 23 lines per page; written area consists of a broad single column most often divided into two columns and framed thusly, though this layout varies ; in certain sections a centered column of two hemistiches of verse alternates with verse laid in two columns, divided at each hemistich ; headings usually appear centered on the single column or across its width; frame-ruled Script: Nastalīq (talik) ; elegant Ottoman hand ; characteristically serifless with gentle effect of words descending to baseline, point of final and free-standing nūn set at mouth of tall, wide, angled bowl, occasionally nearly assimilated with it, hā mudghamah looking like two inverted commas, pointing (for two and three dots) often in conjoined dots or strokes Decoration: Illuminated headpiece (unwān / sarlawḥ) on fol.1b consists of a scalloped semi-circular piece (dome) flanked by scalloped accents filled by a vegetal pattern in gold, blue, red, and black on fields of gold and blue ; dome and flanking pieces are outlined in a blue fillet and surmounted by vertical stalks (ṭīgh) in blue positioned at alternating spandrels ; entire piece is bordered by an elaborate frame consisting of a band of blue with minute cross or diamond shapes flanked by narrow gold bands outlined by fillets ; elaborate frames appear throughout, consisting of gold band (of at least three thicknesses) bordered by black fillets surround both the entire written area for each folio as well as the columns of text within ; text rubricated with titles, headings, etc. in red Support: European laid paper, mainly with laid lines running vertically spaced roughly 11-12 laid lines per cm, single chain lines running horizontally spaced roughly 25-26 mm. apart, and watermark of three hats (tre cappeli) or caps (see p.38, 58, 230, 232, etc.), well-burnished, thin though quite sturdy; very few if any inclusions ; countermark of "V d" under trefoil appears in p.136 Binding: Pasteboards covered in light brown leather ; Type II binding (with flap) ; board linings and interior of envelope flap in pink tinted laid paper ; interior of foreedge flap in light brown leather ; upper and lower covers carry central blind-stamped scalloped mandorla (elongated) and pendants with vegetal pattern (compare Déroche class. OSd 8) accented with gold and red paint, bordered by fillet with strokes and dots at apices and sprandels of scallops in gold paint ; frame of striated s-shaped stamps painted gold and bordered by two gold fillets also in gold paint ; at corners and midpoints of frame, dots and strokes in gold paint ; foreedge flap decorated with fillets and heavy vegetal pattern (vine) in gold paint ; in fair condition with significant wear and pest damage but intact and still well-attached to text block Former shelfmark: From spine label and inscription on fol.1a (p.1), "IL 132 a1" (likely supplied by Yahuda, see acquisitions slip) Accompanying materials: a. Inventory cataloguing slip in hand of Winifred Smeaton Thomas. -- b. Acquisitions slip from Yahuda Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 679 \| digitized 2024. HathiTrust Digital Library committed to preserve pda MiAaHDL \| Use copy. Restrictions unspecified star. MiAaHDL
Örnek Metin	Collected poems (ghazalīyāt, qaṣāyid, rubāiyāt, etc.) of Nabi, followed by a few additional excerpts at close of codex
Ek fiziksel biçim bağlantısı	Original (OCoLC)1194826745
Doğrudan edinim kaynağı	Acquired in 1926 from the bookseller Isaac Benjamin S.E. Yahuda via purchase transacted on his behalf by Abraham Shalom Yahuda (1877-1951), his younger brother
Başlık varyantları	Dīvān-i shīrīn-i ādā-yi Nābī 880-04 From inscription in pencil on front flyleaf: Dīvān-i Nābī

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Divan- şirin-i edâ-yi Nabi, [1137, i.e. 1724 or 1725]

Yazar Nabi (1642-1712.)

Basım Tarihi 1724

Basım Yeri Place of publication not identified -

Konu Turkish poetry-Early works to 1800 Manuscripts, Turkish-Michigan-Ann Arbor Manuscrits turcs-Michigan-Ann Arbor Manuscripts, Turkish. Turkish poetry. ; Michigan- Ann Arbor. https://id.oclc.org/worldcat/entity/E39PBJxGWFhh8FVyVXdtj94rMP ; Headpieces (layout features)-, Early works.

Tür Kitap

Dil fas,ota

Dijital Hayır

Yazma Hayır

Fiziksel Boyutlar 1 online resource (244 leaves) : paper

Kütüphane Üniversite Kütüphaneleri Ağı - REBIUN

Kayıt Numarası b2FpOmNlbGVicmF0aW9uOmVzLmJhcmF0ei5yZW4vMzcxNDk0MjY

Tarih 1724

Notlar Ms. codex Title from inscription below headpiece on fol.1b Collation: i,12 V (120), IV (128), I (130), 6 V (190), IV+1 (199), 3 V (229), V+1 (240), 2 I (244), i ; chiefly quinions; leaves falling between the various sections of poetry left partially blank (though without missing text) and leaves following close of text intially left blank but now carry additional matter including lines of poetry, lines on Ebussuud Efendi, etc. ; catchwords present; pagination in pencil, Western numerals (supplied during cataloguing) Layout: Written in 23 lines per page; written area consists of a broad single column most often divided into two columns and framed thusly, though this layout varies ; in certain sections a centered column of two hemistiches of verse alternates with verse laid in two columns, divided at each hemistich ; headings usually appear centered on the single column or across its width; frame-ruled Script: Nastalīq (talik) ; elegant Ottoman hand ; characteristically serifless with gentle effect of words descending to baseline, point of final and free-standing nūn set at mouth of tall, wide, angled bowl, occasionally nearly assimilated with it, hā mudghamah looking like two inverted commas, pointing (for two and three dots) often in conjoined dots or strokes Decoration: Illuminated headpiece (unwān / sarlawḥ) on fol.1b consists of a scalloped semi-circular piece (dome) flanked by scalloped accents filled by a vegetal pattern in gold, blue, red, and black on fields of gold and blue ; dome and flanking pieces are outlined in a blue fillet and surmounted by vertical stalks (ṭīgh) in blue positioned at alternating spandrels ; entire piece is bordered by an elaborate frame consisting of a band of blue with minute cross or diamond shapes flanked by narrow gold bands outlined by fillets ; elaborate frames appear throughout, consisting of gold band (of at least three thicknesses) bordered by black fillets surround both the entire written area for each folio as well as the columns of text within ; text rubricated with titles, headings, etc. in red Support: European laid paper, mainly with laid lines running vertically spaced roughly 11-12 laid lines per cm, single chain lines running horizontally spaced roughly 25-26 mm. apart, and watermark of three hats (tre cappeli) or caps (see p.38, 58, 230, 232, etc.), well-burnished, thin though quite sturdy; very few if any inclusions ; countermark of "V d" under trefoil appears in p.136 Binding: Pasteboards covered in light brown leather ; Type II binding (with flap) ; board linings and interior of envelope flap in pink tinted laid paper ; interior of foreedge flap in light brown leather ; upper and lower covers carry central blind-stamped scalloped mandorla (elongated) and pendants with vegetal pattern (compare Déroche class. OSd 8) accented with gold and red paint, bordered by fillet with strokes and dots at apices and sprandels of scallops in gold paint ; frame of striated s-shaped stamps painted gold and bordered by two gold fillets also in gold paint ; at corners and midpoints of frame, dots and strokes in gold paint ; foreedge flap decorated with fillets and heavy vegetal pattern (vine) in gold paint ; in fair condition with significant wear and pest damage but intact and still well-attached to text block Former shelfmark: From spine label and inscription on fol.1a (p.1), "IL 132 a1" (likely supplied by Yahuda, see acquisitions slip) Accompanying materials: a. Inventory cataloguing slip in hand of Winifred Smeaton Thomas. -- b. Acquisitions slip from Yahuda Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 679 | digitized 2024. HathiTrust Digital Library committed to preserve pda MiAaHDL | Use copy. Restrictions unspecified star. MiAaHDL

Örnek Metin Collected poems (ghazalīyāt, qaṣāyid, rubāiyāt, etc.) of Nabi, followed by a few additional excerpts at close of codex

Ek fiziksel biçim bağlantısı Original (OCoLC)1194826745

Doğrudan edinim kaynağı Acquired in 1926 from the bookseller Isaac Benjamin S.E. Yahuda via purchase transacted on his behalf by Abraham Shalom Yahuda (1877-1951), his younger brother

Başlık varyantları Dīvān-i shīrīn-i ādā-yi Nābī 880-04 From inscription in pencil on front flyleaf: Dīvān-i Nābī