Hawassi manai mubin ile temkin...

Name: Hawassi manai mubin ile temkin...
Author: Nepoznat,

İsim	Hawassi manai mubin ile temkin...
Yazar	Nepoznat,
Tür	Kitap
Dil	Türkçe
Dijital	Evet
Yazma	Hayır
Kütüphane:	Phaidra - Belgrad Üniversitesi
Kayıt Numarası	o-911
Tarih	2012-03-14T08:01:06.972Z
Örnek Metin	Hafiz is a highly controversial figure in Persian literature. The controversy is centered on whether Hafiz uses allegorical symbolism alongside profane love to convey Sufic messages to those knowledgeable to decipher his thoughts. Many scholars in the West have rejected the attribution of any sufistic value to the poetry of Hafiz. On the contrary, many scholars and critics in the Easthave not given anything but sufistic values to the same poetry. Hafiz is undeniably the master of the art of the ghazal (sonnet). The ghazal, of course, does not begin with Hafiz but, it is, certainly, a genre which he developed and perfected. His Suficghazals usually contain seven beyts with the poet's penname usually appearing in the last beyts. His Suficghazals, that have more than seven beyts, have, over the centuries, engaged the attention of the analysts and interpreters.
Lisans	Ovo delo je licencirano pod uslovima licenceCreative Commons CC BY 2.0 AT - Creative Commons Autorstvo 2.0 Austria License. http://creativecommons.org/licenses/by/2.0/at/legalcode

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Hawassi manai mubin ile temkin...

Yazar Nepoznat,

Tür Kitap

Dil Türkçe

Dijital Evet

Yazma Hayır

Kütüphane Phaidra - Belgrad Üniversitesi

Kayıt Numarası o-911

Tarih 2012-03-14T08:01:06.972Z

Örnek Metin Hafiz is a highly controversial figure in Persian literature. The controversy is centered on whether Hafiz uses allegorical symbolism alongside profane love to convey Sufic messages to those knowledgeable to decipher his thoughts. Many scholars in the West have rejected the attribution of any sufistic value to the poetry of Hafiz. On the contrary, many scholars and critics in the Easthave not given anything but sufistic values to the same poetry. Hafiz is undeniably the master of the art of the ghazal (sonnet). The ghazal, of course, does not begin with Hafiz but, it is, certainly, a genre which he developed and perfected. His Suficghazals usually contain seven beyts with the poet's penname usually appearing in the last beyts. His Suficghazals, that have more than seven beyts, have, over the centuries, engaged the attention of the analysts and interpreters.

Lisans Ovo delo je licencirano pod uslovima licenceCreative Commons CC BY 2.0 AT - Creative Commons Autorstvo 2.0 Austria License. http://creativecommons.org/licenses/by/2.0/at/legalcode