Prophet Khiżr bathing Iskandar’s horse in the Water of Life | Kütüphane.osmanlica.com

Prophet Khiżr bathing Iskandar’s horse in the Water of Life

İsim Prophet Khiżr bathing Iskandar’s horse in the Water of Life
Yazar Niẓāmī Ganjavī, 1140 or 1141-1202 or 1203
Basım Yeri India -
Konu Alexander, the Great, 356 B.C.-323 B.C., ( lcna ), اسکندر کبیر, ۳۵۶ ق م - ۳۲۳ ق م, Bucephalus (horse), بوکفالوس, خضر, Khiżr, شەرەفنامە, Sharafnama, شرفنامه, Kurdish literature, ( lcsh ), ادبیات کردی, الأدب الكردي, الخضر, एशिया -- भारत, ایشیا -- بھارت, এশিয়া -- ভারত, ஆசியா -- இந்தியா, એશિયા -- ભારત, ഏഷ്യ -- ഇന്ത്യ, आशिया -- भारत, ఆసియా -- భారతదేశం, ಏಷ್ಯಾ -- ಭಾರತ
Tür Kitap
Dil Farsça
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar H18 x W12 cm in
Kütüphane: SOAS Londra Üniversitesi
Kayıt Numarası LOAA005784
Lokasyon Archives and Special Collections
Notlar VIAF (name authority) : Niẓāmī Ganjavī, 1140 or 1141-1202 or 1203 : 2474895, The National Gallery of Scotland notes: "In Hindu tradition, Krishna and Balarama are brothers. Krishna means ‘black’ or ‘dark one’ in Sanskrit, terms which refer to his complexion, and he is often shown as blue or black in colour. Balarama is normally depicted as being fair-skinned and traditionally wears blue garments. Krishna’s identifying attributes include a flute and peacock feathers, and although this image features peacocks on both sides of the work, the blue colour of the figure on the left and the fact he is holding a flute can identify him as Krishna. Roy has used the earthy colours and stylised shapes of Indian folk art.", The 'Objects of instruction : the treasures of SOAS' exhibition was funded through a generous gift from the Foyle Foundation and with the support of the Arts & Humanities Research Council., Source: A. Contadini (ed.), Objects of Instruction : Treasures of the School of Oriental and African Studies. London : SOAS, University of London, 2007, p.78, no.59., From: Niẓāmī Ganjavi. Sharafnāma (Book of Honour), Folio 81r of MS 24952 - VIAF (name authority) : Niẓāmī Ganjavī, 1140 or 1141-1202 or 1203 : 2474895, The National Gallery of Scotland notes: "In Hindu tradition, Krishna and Balarama are brothers. Krishna means ‘black’ or ‘dark one’ in Sanskrit, terms which refer to his complexion, and he is often shown as blue or black in colour. Balarama is normally depicted as being fair-skinned and traditionally wears blue garments. Krishna’s identifying attributes include a flute and peacock feathers, and although this image features peacocks on both sides of the work, the blue colour of the figure on the left and the fact he is holding a flute can identify him as Krishna. Roy has used the earthy colours and stylised shapes of Indian folk art.", The 'Objects of instruction : the treasures of SOAS' exhibition was funded through a generous gift from the Foyle Foundation and with the support of the Arts & Humanities Research Council., Source: A. Contadini (ed.), Objects of Instruction : Treasures of the School of Oriental and African Studies. London : SOAS, University of London, 2007, p.78, no.59., From: Niẓāmī Ganjavi. Sharafnāma (Book of Honour), Folio 81r of MS 24952 - The Sharafnāma is the first half of Niẓāmī’s story of Iskandar, or Alexander the Great. This illustrated copy originally had twelve miniatures. Nine folios with miniatures have been extracted from the manuscript, and they are now owned by the Victoria Art Gallery, Bath City Council. These have been on loan to the Bristol City Museum and Art Gallery since 1976. The colophon mentions a date of 880 AH (1475 CE). However, although this may be the correct date of the text, the miniatures were produced in the Mughal Emperor Akbar’s imperial studio in the 1590s. Two of the folios with miniatures are inscribed with the artist’s name: Makrā on fol. 27v and Shiyām on fol. 81r illustrated here (Text by Emily Shovelton, from the exhibition catalogue: Objects of instruction : treasures of the School of Oriental and African Studies, Anna Contadini, Editor. London : SOAS, University of London, 2007.) ( en )
Koordinatlar 22, x, 79
Malzemeler Opaque watercolour and ink on paper, ( medium )
Hak Yönetimi All applicable rights reserved by the source institution and holding location.
Mekânsal Kapsam Asia --, India
Kaynağa git SOAS Londra Üniversitesi SOAS University of London
SOAS University of London SOAS Londra Üniversitesi
Kaynağa git

Prophet Khiżr bathing Iskandar’s horse in the Water of Life

Yazar Niẓāmī Ganjavī, 1140 or 1141-1202 or 1203
Basım Yeri India -
Konu Alexander, the Great, 356 B.C.-323 B.C., ( lcna ), اسکندر کبیر, ۳۵۶ ق م - ۳۲۳ ق م, Bucephalus (horse), بوکفالوس, خضر, Khiżr, شەرەفنامە, Sharafnama, شرفنامه, Kurdish literature, ( lcsh ), ادبیات کردی, الأدب الكردي, الخضر, एशिया -- भारत, ایشیا -- بھارت, এশিয়া -- ভারত, ஆசியா -- இந்தியா, એશિયા -- ભારત, ഏഷ്യ -- ഇന്ത്യ, आशिया -- भारत, ఆసియా -- భారతదేశం, ಏಷ್ಯಾ -- ಭಾರತ
Tür Kitap
Dil Farsça
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar H18 x W12 cm in
Kütüphane SOAS Londra Üniversitesi
Kayıt Numarası LOAA005784
Lokasyon Archives and Special Collections
Notlar VIAF (name authority) : Niẓāmī Ganjavī, 1140 or 1141-1202 or 1203 : 2474895, The National Gallery of Scotland notes: "In Hindu tradition, Krishna and Balarama are brothers. Krishna means ‘black’ or ‘dark one’ in Sanskrit, terms which refer to his complexion, and he is often shown as blue or black in colour. Balarama is normally depicted as being fair-skinned and traditionally wears blue garments. Krishna’s identifying attributes include a flute and peacock feathers, and although this image features peacocks on both sides of the work, the blue colour of the figure on the left and the fact he is holding a flute can identify him as Krishna. Roy has used the earthy colours and stylised shapes of Indian folk art.", The 'Objects of instruction : the treasures of SOAS' exhibition was funded through a generous gift from the Foyle Foundation and with the support of the Arts & Humanities Research Council., Source: A. Contadini (ed.), Objects of Instruction : Treasures of the School of Oriental and African Studies. London : SOAS, University of London, 2007, p.78, no.59., From: Niẓāmī Ganjavi. Sharafnāma (Book of Honour), Folio 81r of MS 24952 - VIAF (name authority) : Niẓāmī Ganjavī, 1140 or 1141-1202 or 1203 : 2474895, The National Gallery of Scotland notes: "In Hindu tradition, Krishna and Balarama are brothers. Krishna means ‘black’ or ‘dark one’ in Sanskrit, terms which refer to his complexion, and he is often shown as blue or black in colour. Balarama is normally depicted as being fair-skinned and traditionally wears blue garments. Krishna’s identifying attributes include a flute and peacock feathers, and although this image features peacocks on both sides of the work, the blue colour of the figure on the left and the fact he is holding a flute can identify him as Krishna. Roy has used the earthy colours and stylised shapes of Indian folk art.", The 'Objects of instruction : the treasures of SOAS' exhibition was funded through a generous gift from the Foyle Foundation and with the support of the Arts & Humanities Research Council., Source: A. Contadini (ed.), Objects of Instruction : Treasures of the School of Oriental and African Studies. London : SOAS, University of London, 2007, p.78, no.59., From: Niẓāmī Ganjavi. Sharafnāma (Book of Honour), Folio 81r of MS 24952 - The Sharafnāma is the first half of Niẓāmī’s story of Iskandar, or Alexander the Great. This illustrated copy originally had twelve miniatures. Nine folios with miniatures have been extracted from the manuscript, and they are now owned by the Victoria Art Gallery, Bath City Council. These have been on loan to the Bristol City Museum and Art Gallery since 1976. The colophon mentions a date of 880 AH (1475 CE). However, although this may be the correct date of the text, the miniatures were produced in the Mughal Emperor Akbar’s imperial studio in the 1590s. Two of the folios with miniatures are inscribed with the artist’s name: Makrā on fol. 27v and Shiyām on fol. 81r illustrated here (Text by Emily Shovelton, from the exhibition catalogue: Objects of instruction : treasures of the School of Oriental and African Studies, Anna Contadini, Editor. London : SOAS, University of London, 2007.) ( en )
Koordinatlar 22, x, 79
Malzemeler Opaque watercolour and ink on paper, ( medium )
Hak Yönetimi All applicable rights reserved by the source institution and holding location.
Mekânsal Kapsam Asia --, India
SOAS University of London
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