Yazar
Muhammad Zuhuri, ظهوري, نور الدين محمد، ١٥٣٧-١٦١٦, (, contributor, ), Ẓuhūrī, Nūr al-Dīn Muḥammad, 1537 or 1538-1616 or 1617, (, contributor, )
Yazar Orijinal
ظهوري نور الدين محمد، ١٥٣٧١٦١٦
Basım Tarihi
[19th century]
Basım Yeri
Kashmir, India -
Konu
Illumination of books and manuscripts, Ottoman, ( lcsh ), Asya -- Türkiye, Asiya -- Türkiyə, آسيا -- تركيا, Ասիա -- Թուրքիա, Азия -- Турция, Ασία -- Τουρκία
Tür
Kitap
Dil
Farsça
Dijital
Evet
Yazma
Hayır
Fiziksel Boyutlar
H23 x W13.6 cm in
Kütüphane
SOAS Londra Üniversitesi
Kayıt Numarası
LOAA005802
Lokasyon
Archives and Special Collections
Tarih
[19th century]
Notlar
VIAF (name authority) : Ẓuhūrī, Nūr al-Dīn Muḥammad, 1537 or 1538-1616 or 1617 : 314808021, The 'Objects of instruction : the treasures of SOAS' exhibition was funded through a generous gift from the Foyle Foundation and with the support of the Arts & Humanities Research Council., Source: A. Contadini (ed.), Objects of Instruction : Treasures of the School of Oriental and African Studies. London : SOAS, University of London, 2007, p.108, no.86, From: Muhammad Zuhūrī, Divan - VIAF (name authority) : Ẓuhūrī, Nūr al-Dīn Muḥammad, 1537 or 1538-1616 or 1617 : 314808021, The 'Objects of instruction : the treasures of SOAS' exhibition was funded through a generous gift from the Foyle Foundation and with the support of the Arts & Humanities Research Council., Source: A. Contadini (ed.), Objects of Instruction : Treasures of the School of Oriental and African Studies. London : SOAS, University of London, 2007, p.108, no.86, From: Muhammad Zuhūrī, Divan - The cover is painted in a wonderfully colourful agglomeration of flowers in reds, pinks and blues on a gold ground with small stylised birds appearing here and there. The outer border has a meander of flowers and is separated from the central panel. The doublures are in white painted lacquer with a large gold rosette in the centre. The production of lacquer in India dates from the seventeenth century, but the continual exchange of artists between Iran and India during this period makes it difficult to distinguish Indian from Iranian production. By the nineteenth century a localised Kashmiri style had evolved distinguished by its use of strong colours and elaborate floral patterns whose origins may be found in the Iranian bird and flower lacquer painting of the eighteenth century (Text by Alison Ohta, from the exhibition catalogue: Objects of instruction : treasures of the School of Oriental and African Studies, Anna Contadini, Editor. London : SOAS, University of London, 2007.) ( en )
Koordinatlar
39, x, 35
Malzemeler
Lacquer., ( medium )
Hak Yönetimi
All applicable rights reserved by the source institution and holding location.
Mekânsal Kapsam
Asia --, Turkey
