Yazar
شیخ محمود چشتی / Shaykh Mahmud Chishti
Yazar Orijinal
شیخ محمود چشتی
Basım Tarihi
1882
Basım Yeri
Printer: Lucknow (India) / لکھنؤ (انڈیا) -
Matbaʿ Munshi Nawal Kishore / مطبع منشی نول کشور
Konu
Islam | Tazkiyat al-Nafs | Sufism | Chishti order | Maʿarifah | Spiritual wayfaring | Meditation; Shah Miranji Shahpuri | Shaykh Mahmud Chishti | Shah Kamal al-Din Bayabani | Shaykh Burhan
Tür
Kitap
Dil
Farsça
Dijital
Evet
Yazma
Hayır
Sayfa Sayısı
104
Fiziksel Boyutlar
24.5 cm x 16 cm
Kütüphane
UCLA Dijital Kütüphanesi
Demirbaş Numarası
1657
Kayıt Numarası
z1ph1tpj
Lokasyon
Sufi Shrine Libraries of the Afghan-Pakistan Frontier - Shah Mohammad Ghous Academy, Peshawar
Tarih
1882
Notlar
This book discusses the path of the spiritual journey (suluk). The author, Shaykh Mahmud Chishti, was a disciple of Shah Burhan and of Muʿazzam Shah Miranjami Shahpuri, who in turn was a disciple of Shah Kamal al-Din Bayabani. The inclusion of 'Chishti' in the name indicates an affiliation with the Chishti Sufi order.The book outlines the beginning of the spiritual path, discussing the physical body and its four elements: water, air, earth, and fire, and their effects on the development of traits (khasaʾil). It describes the connection of the heart (qalb) with the body, employing Sufi perspectives and examples, and elaborates on the stages of the self (nafs), including the nafs al-ammarah, with evidence from the Qurʾan and prophetic traditions (hadith). The book also addresses the innate instincts connected to the body, progressing to the higher state of the soul (ruh). It covers the adoption of the shariʿah, the practice of dhikr (remembrance) both vocal and silent, the Name of the Divine (ism dhat), the realm of Nasut, the concept of the Oneness of Existence (daʾirah wahid al-wujud), and other Sufism-related topics such as miracles (karamat), spiritual perfection (kamal), love (ʿishq), and the Muhammadan Reality (haqiqat Muhammadiyah). | Digitization for the Sufi Shrine Libraries of the Afghan-Pakistan Frontier collection was sponsored by the Modern Endangered Archives Program with funding from Arcadia. | public domain