Religion, National Identity and the Empire Narrative in "Harim-e- Sultan" TV Series

Name: Religion, National Identity and the Empire Narrative in "Harim-e- Sultan" TV Series
Author: Mohammad Minavandchal

İsim	Religion, National Identity and the Empire Narrative in "Harim-e- Sultan" TV Series
Yazar	Mohammad Minavandchal
Konu	Religion
Tür	Kitap
Dil	Farsça
Dijital	Evet
Yazma	Hayır
Kütüphane:	Danimarka Kraliyet Kütüphanesi
Demirbaş Numarası	ISSN: 2252-0252, EISSN: 2588-6460, DOI: 10.30497/rc.2019.2361
Kayıt Numarası	cdi_doaj_primary_oai_doaj_org_article_7f4f50552c84495c8dc81aa580991ddd
Lokasyon	DOAJ Directory of Open Access Journals
Notlar	The "Harim-e- Sultan" (King’s Sanctuary) TV series, originally titled "The Magnificent Century", a 2011-2014 Turkish product, was a popular TV series that has been broadcast by various Persian-language satellite channels. In this research, we have studied the content of the series using the method of narrative analysis of communication texts. The sampling of the study consists of 21 related scenes that have been selected with a purposive sampling method from among 60 episodes. The important characteristics and functions of the narrative, the manner of narrative and its distinction from the story in the novel Sultanah, the series’ frameworking, identity and narrative relationship, and the most important emotional and dramatic factors in the narrative of the series were identified. Finally, an analysis of the elements of historical narrative of the life of "King Solomon”, which appealed to Iranian viewers, has been presented. Though the story of the series tells about the events of the previous days of the Ottoman rule in the sixteenth century, its language and visual discourse and storytelling style are modern, and the audience in no way feels a sense of remoteness and strangeness with the story characters. In other words, the series attempts to present the narrative of the past with a modern outlook and by adopting modern signs it inspires in the viewer a sense of contemporariness.
Görüntüle	Dīn va irtibāṭāt = Religion and communication, 2019-02, Vol.25 (2), p.229-252

Kaynağa git Danimarka Kraliyet Kütüphanesi Royal Danish Library

Aramaya Dön

Danimarka Kraliyet Kütüphanesi

Kaynağa git

Religion, National Identity and the Empire Narrative in "Harim-e- Sultan" TV Series

Yazar Mohammad Minavandchal

Konu Religion

Tür Kitap

Dil Farsça

Dijital Evet

Yazma Hayır

Kütüphane Danimarka Kraliyet Kütüphanesi

Demirbaş Numarası ISSN: 2252-0252, EISSN: 2588-6460, DOI: 10.30497/rc.2019.2361

Kayıt Numarası cdi_doaj_primary_oai_doaj_org_article_7f4f50552c84495c8dc81aa580991ddd

Lokasyon DOAJ Directory of Open Access Journals

Notlar The "Harim-e- Sultan" (King’s Sanctuary) TV series, originally titled "The Magnificent Century", a 2011-2014 Turkish product, was a popular TV series that has been broadcast by various Persian-language satellite channels. In this research, we have studied the content of the series using the method of narrative analysis of communication texts. The sampling of the study consists of 21 related scenes that have been selected with a purposive sampling method from among 60 episodes. The important characteristics and functions of the narrative, the manner of narrative and its distinction from the story in the novel Sultanah, the series’ frameworking, identity and narrative relationship, and the most important emotional and dramatic factors in the narrative of the series were identified. Finally, an analysis of the elements of historical narrative of the life of "King Solomon”, which appealed to Iranian viewers, has been presented. Though the story of the series tells about the events of the previous days of the Ottoman rule in the sixteenth century, its language and visual discourse and storytelling style are modern, and the audience in no way feels a sense of remoteness and strangeness with the story characters. In other words, the series attempts to present the narrative of the past with a modern outlook and by adopting modern signs it inspires in the viewer a sense of contemporariness.

Görüntüle Dīn va irtibāṭāt = Religion and communication, 2019-02, Vol.25 (2), p.229-252