Study of polyphony in the Abdul Wahab al-Issawi's novel Al-Diwan al-Isberti based on Bakhtin's idea

Name: Study of polyphony in the Abdul Wahab al-Issawi's novel Al-Diwan al-Isberti based on Bakhtin's idea
Author: Ali Sayadani, Hassan Esmailzade Bavany, Shahla Heidari

İsim	Study of polyphony in the Abdul Wahab al-Issawi's novel Al-Diwan al-Isberti based on Bakhtin's idea
Yazar	Ali Sayadani, Hassan Esmailzade Bavany, Shahla Heidari
Tür	Kitap
Dil	Arapça
Dijital	Evet
Yazma	Hayır
Kütüphane:	Danimarka Kraliyet Kütüphanesi
Demirbaş Numarası	ISSN: 2008-9023, EISSN: 2538-3280, DOI: 10.22075/lasem.2021.23090.1281
Kayıt Numarası	cdi_doaj_primary_oai_doaj_org_article_531724c773f341698bf09624c7be830e
Lokasyon	DOAJ Directory of Open Access Journals
Notlar	Polyphony in literary criticism was first introduced by the Russian theorist Mikhail Bakhtin. And in the second half of the twentieth century, it began with a study of Dostoevsky's novels through which Bakhtin discovered the foundations of freedom of expression. And the rule of the hegemonic system denied the third-person narrator. These bases include: Polyphony and Hetero glossia. And multilingualism is divided into components such as: Hybridation, Stratification, Parody, Dialogic Genre, Special dialogues. Because polyphony has prevailed in the novel Al-Diwan al-Isberti, this novel is written by in Algeria novelist. This article was reviewed by descriptive-analytical method. Al-Issawi illustrated all the political and social events using the five fictional characters of the novel, the history of the islands from 1815 to 1833. Some of these characters are taken from real people of that period. With these phone, he narrates the events of Ottoman domination and French colonization. The novel won the Booker Prize for Arabic Novel in 2020. Al-Issawi chose polyphony for this novel to quote history from several perspectives. The most important results obtained from this study are the existence of the literary pen of the novel. In the dialogism, there is a mixture of the hybrrization component, and a little parody, and there is also the dialogic genre and hetero glassia. The study of this fusion has generally been less considered by researchers in a text.
Görüntüle	دراسات في اللغة العربيّة وآدابها, 2021-09, Vol.12 (33), p.103-130

Kaynağa git Danimarka Kraliyet Kütüphanesi Royal Danish Library

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Study of polyphony in the Abdul Wahab al-Issawi's novel Al-Diwan al-Isberti based on Bakhtin's idea

Yazar Ali Sayadani, Hassan Esmailzade Bavany, Shahla Heidari

Tür Kitap

Dil Arapça

Dijital Evet

Yazma Hayır

Kütüphane Danimarka Kraliyet Kütüphanesi

Demirbaş Numarası ISSN: 2008-9023, EISSN: 2538-3280, DOI: 10.22075/lasem.2021.23090.1281

Kayıt Numarası cdi_doaj_primary_oai_doaj_org_article_531724c773f341698bf09624c7be830e

Lokasyon DOAJ Directory of Open Access Journals

Notlar Polyphony in literary criticism was first introduced by the Russian theorist Mikhail Bakhtin. And in the second half of the twentieth century, it began with a study of Dostoevsky's novels through which Bakhtin discovered the foundations of freedom of expression. And the rule of the hegemonic system denied the third-person narrator. These bases include: Polyphony and Hetero glossia. And multilingualism is divided into components such as: Hybridation, Stratification, Parody, Dialogic Genre, Special dialogues. Because polyphony has prevailed in the novel Al-Diwan al-Isberti, this novel is written by in Algeria novelist. This article was reviewed by descriptive-analytical method. Al-Issawi illustrated all the political and social events using the five fictional characters of the novel, the history of the islands from 1815 to 1833. Some of these characters are taken from real people of that period. With these phone, he narrates the events of Ottoman domination and French colonization. The novel won the Booker Prize for Arabic Novel in 2020. Al-Issawi chose polyphony for this novel to quote history from several perspectives. The most important results obtained from this study are the existence of the literary pen of the novel. In the dialogism, there is a mixture of the hybrrization component, and a little parody, and there is also the dialogic genre and hetero glassia. The study of this fusion has generally been less considered by researchers in a text.

Görüntüle دراسات في اللغة العربيّة وآدابها, 2021-09, Vol.12 (33), p.103-130