[DE-SBB] Ms. or. fol. 405 — Beksa Jebeng — Beksa Jebeng

Name: [DE-SBB] Ms. or. fol. 405 — Beksa Jebeng — Beksa Jebeng
Author: Amengku Buwana

İsim	[DE-SBB] Ms. or. fol. 405 — Beksa Jebeng — Beksa Jebeng
Yazar	Amengku Buwana <II>
Basım Yeri	Staatsbibliothek zu Berlin - Preußischer Kulturbesitz - Staatsbibliothek zu Berlin - Preußischer Kulturbesitz
Tür	Kitap
Dil	Cava dili
Dijital	Evet
Yazma	Evet
Sayfa Sayısı	25
Fiziksel Boyutlar	33,5 x 21 cm
Kütüphane:	Kalamos
Demirbaş Numarası	Ms. or. fol. 405
Kayıt Numarası	DE1Book_manuscript_00002542
Lokasyon	Staatsbibliothek zu Berlin - Preußischer Kulturbesitz
Notlar	recently bound in brown paper stamped with crest of arms — The script of the original text is good quadratic Yogyakarta kraton script. The text was corrected and amplified in several places. Some European paper leaves are included in the binding. They contain only a note, written in old-fashioned German script, describing the text as: “Javanisches Gedicht”. — paper — Libretto of a ballet called Beksa Jebeng, performed at the Yogyakarta Court. The leaves are in disorder (mistake of the binder). The beginning is found on p. 33 (bound upside down). Several leaves, written in cursive script, are inserted and attached to the original ms. The text contains the descriptions of the dancers and the narrative of the play, both in rhythmic prose in theatrical style, to be said by the dalang, the wayang performer, and moreover indications of the gamelan music to be played. The play is said to be taken from the Surya Raja, a book written by the second King of Yogyakarta, Amengku Buwana II (reigned 1793-1828), while still crown-prince. The subject-matter of the ballet is a fight fought chiefly by female warriors. The parties in the war are called realms of Java and the oversea realm of Endra Buwana. The narrative part of the text contains a great number of names of princes, princesses and countries. It seems possible that the tale contained an allusion to Yogyakarta dynastic history of the second half of the 18th century, but it is difficult to specify the correspondence. Probably the dancing was executed exclusively by women. No talking or singing of the dancers is mentioned. Jebeng is the name of a small shield to be kept in the left hand; it is, in a stylized shape, one of the stage properties of the Javanese ballet (see Pigeaud, “Javaanse Volksvertoningen”, 1938, Register).
Örnek Metin	The text on 19r: // Punika pemut kalanegenan beksa Jebeng ingkang rumiyin gon sekar barang, anunten kaucapaken. Payo ta abdi dalem wulang ingkang kakresaaken cariyos wonten ing ngresadalem inggih kakresakaken anyariyosaken kagengan dalem serat surya raja malih, inggih kapethik kedhek kemawon, …
Sınıf numarası	Ms. or. fol. 405
Koleksiyon	Staatsbibliothek zu Berlin - Preußischer Kulturbesitz
Editör	Datenübernahme SBB
Lisans	CC0 1.0
Düzenleme durumu	First input complete
Katalog	VOHD 31, 228, Titik/Hanstein (Seite 354 - 355)

Kaynağa git Kalamos Qalamos

Aramaya Dön

Kalamos

Kaynağa git

[DE-SBB] Ms. or. fol. 405 — Beksa Jebeng — Beksa Jebeng

Yazar Amengku Buwana <II>

Basım Yeri Staatsbibliothek zu Berlin - Preußischer Kulturbesitz - Staatsbibliothek zu Berlin - Preußischer Kulturbesitz

Tür Kitap

Dil Cava dili

Dijital Evet

Yazma Evet

Sayfa Sayısı 25

Fiziksel Boyutlar 33,5 x 21 cm

Kütüphane Kalamos

Demirbaş Numarası Ms. or. fol. 405

Kayıt Numarası DE1Book_manuscript_00002542

Lokasyon Staatsbibliothek zu Berlin - Preußischer Kulturbesitz

Notlar recently bound in brown paper stamped with crest of arms — The script of the original text is good quadratic Yogyakarta kraton script. The text was corrected and amplified in several places. Some European paper leaves are included in the binding. They contain only a note, written in old-fashioned German script, describing the text as: “Javanisches Gedicht”. — paper — Libretto of a ballet called Beksa Jebeng, performed at the Yogyakarta Court. The leaves are in disorder (mistake of the binder). The beginning is found on p. 33 (bound upside down). Several leaves, written in cursive script, are inserted and attached to the original ms. The text contains the descriptions of the dancers and the narrative of the play, both in rhythmic prose in theatrical style, to be said by the dalang, the wayang performer, and moreover indications of the gamelan music to be played. The play is said to be taken from the Surya Raja, a book written by the second King of Yogyakarta, Amengku Buwana II (reigned 1793-1828), while still crown-prince. The subject-matter of the ballet is a fight fought chiefly by female warriors. The parties in the war are called realms of Java and the oversea realm of Endra Buwana. The narrative part of the text contains a great number of names of princes, princesses and countries. It seems possible that the tale contained an allusion to Yogyakarta dynastic history of the second half of the 18th century, but it is difficult to specify the correspondence. Probably the dancing was executed exclusively by women. No talking or singing of the dancers is mentioned. Jebeng is the name of a small shield to be kept in the left hand; it is, in a stylized shape, one of the stage properties of the Javanese ballet (see Pigeaud, “Javaanse Volksvertoningen”, 1938, Register).

Örnek Metin The text on 19r: // Punika pemut kalanegenan beksa Jebeng ingkang rumiyin gon sekar barang, anunten kaucapaken. Payo ta abdi dalem wulang ingkang kakresaaken cariyos wonten ing ngresadalem inggih kakresakaken anyariyosaken kagengan dalem serat surya raja malih, inggih kapethik kedhek kemawon, …

Sınıf numarası Ms. or. fol. 405

Koleksiyon Staatsbibliothek zu Berlin - Preußischer Kulturbesitz

Editör Datenübernahme SBB

Lisans CC0 1.0

Düzenleme durumu First input complete

Katalog VOHD 31, 228, Titik/Hanstein (Seite 354 - 355)