Khulāṣat al-Khamsah, [955, i.e. 1548].
(خلاصة الخمسه, [955ه, 1548م].)

Name: Khulāṣat al-Khamsah, [955, i.e. 1548].
Author: Niẓāmī Ganjavī, 1140 or 1141-1202 or 1203.

İsim	Khulāṣat al-Khamsah, [955, i.e. 1548].
İsim Orijinal	خلاصة الخمسه, [955ه, 1548م].
Yazar	Niẓāmī Ganjavī, 1140 or 1141-1202 or 1203.
Basım Tarihi:	[1548]
Konu	Manuscripts, Persian, Manuscripts, Persian / Michigan, Manuscripts, Persian / Michigan / Ann Arbor., Persian poetry, Persian poetry / 747-1500., Epic poetry, Persian, Epic poetry, Persian / Early works to 1800., Headpieces (layout features)
Tür	Kitap
Dil	Farsça
Dijital	Hayır
Yazma	Bilinmiyor
Sayfa Sayısı	46
Fiziksel Boyutlar	46 leaves : paper ; 190 x 115 (125 x 55) mm
Kütüphane:	HathiTrust Dijital Kütüphanesi
Kayıt Numarası	006806324
Lokasyon	University of Michigan
Notlar	About: Excerpts from the five masnavis of Niẓāmī known as the Khamsah. compiler is not known. The work is divided into 37 chapters (باب) each addressing a subject relating to piety, ethics, or etiquette and containing verses from one or more of the five masnavis illustrating that chapter's topic. Table of contents of fol.3b-4a outlines the list of chapter topics. For a similar abridgement of Khamsah-i Niẓāmī, see Isl. Ms. 288. Description provided by Derek Mancini-Lander. \| Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 289 Origin: According to colophon on fol.45a, copying finished in Shawwāl 955 [November-December 1548]. Copyist is not named. Accompanying materials: Binding: Pasteboard covered in red-brown leather and marbled paper; Type III binding (without flap); doublures covered in yellow laid paper (chain lines 22 mm apart; 16 laid lines per 20 mm); not original to codex; in good condition. Support: non-European (Persian) laid paper with laid lines running horizontally at roughly 9 laid lines per cm., chain lines not visible. Decoration: Illuminated frontispiece (fol.1b-2a) features vegetal designs, executed in lapis lazuli and gold, which are nearly mirror-images of each other; consist of three, linked, vertically-oriented, circular patterns of vines emerging from a large, seven-pointed leaf at the center of the central circular figure; the workmanship is of the highest caliber; illuminated headpiece on incipit page (fol.2b) consists of a single lapis-lazuli arched semi-circular piece dominated by two cartouches in gold; the lower carries the title of the work, the upper one carries a small, light-blue and gold flower, which serves as the anchor-point for a gold, circular pattern of vines that rotate out from that figure and surround the cartouche beneath it; vines are ornamented with tiny golden leaves and pink, red, green, and black flowers; upward slopes of the arch are mirrored by two thick bands of gold at the bottom of the headpiece, which serve to further frame the cartouche; entire headpiece is framed by a thick band containing a golden braid, adorned with small figures in light-blue, green, red, pink, and brown that recall precious stones; a thinner frame in lapis-lazuli embellished with tiny white stars surrounds the headpiece and entire opening of fol.2b-3a; text of opening (dībāchah) is decorated with golden cloud-bands that are further enhanced with tiny red, green, blue, and pink flowers; throught, text is bordered by frame in lapis-lazuli and gold band; chapter headings and titles are framed with a single gold band; hemistiches are separated by two fine golden bands, spaced 4 mm apart. Script: Nasta'līq; single hand. Layout: Written in 14 lines per page; single column of text with panel for each hemistich. Collation: i, IV-1 (7), IV (15), V (25), III (31), IV (39), III+1 (46); catchwords present; pagination in pencil, Western numerals. Colophon: "Scribal," rectangular, reads: "تمت الکتاب بعون الله الملك الوهاب في تاريخ شهر شوال سنه خمس و خمسين و تسعمايه الهجريه غريق رحمت يزدان کسى ام که کاتب را باحمدی کند شاد" Explicit: "با هستگی کار عالم بساز که در کار کرمى نيايد بكار" Incipit: "بعد از حمد باری تعالى عز اسمه و در دو بهترين کاينات محمد مصطفى صلى الله عليه و آله و سلم بر اصحاب دين و دولت و ارباب ملك و مكنت" Title from headpiece on fol.2b. Ms. codex. On fol.1a, a single, circular seal-impression dated 1224 (or 1223 [1808 or 9]) with extremely tiny 6-pointed star and simple, vegetal design above inscription in nastaʻlīq, reads "السيد ابراهيم ادهم" in name of al-Sayyid Ibrāhīm Adʹham (İbrahim Ethem).

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Khulāṣat al-Khamsah, [955, i.e. 1548].

(خلاصة الخمسه, [955ه, 1548م].)

Yazar Niẓāmī Ganjavī, 1140 or 1141-1202 or 1203.

Basım Tarihi [1548]

Konu Manuscripts, Persian, Manuscripts, Persian / Michigan, Manuscripts, Persian / Michigan / Ann Arbor., Persian poetry, Persian poetry / 747-1500., Epic poetry, Persian, Epic poetry, Persian / Early works to 1800., Headpieces (layout features)

Tür Kitap

Dil Farsça

Dijital Hayır

Yazma Bilinmiyor

Sayfa Sayısı 46

Fiziksel Boyutlar 46 leaves : paper ; 190 x 115 (125 x 55) mm

Kütüphane HathiTrust Dijital Kütüphanesi

Kayıt Numarası 006806324

Lokasyon University of Michigan

Notlar About: Excerpts from the five masnavis of Niẓāmī known as the Khamsah. compiler is not known. The work is divided into 37 chapters (باب) each addressing a subject relating to piety, ethics, or etiquette and containing verses from one or more of the five masnavis illustrating that chapter's topic. Table of contents of fol.3b-4a outlines the list of chapter topics. For a similar abridgement of Khamsah-i Niẓāmī, see Isl. Ms. 288. Description provided by Derek Mancini-Lander. | Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 289 Origin: According to colophon on fol.45a, copying finished in Shawwāl 955 [November-December 1548]. Copyist is not named. Accompanying materials: Binding: Pasteboard covered in red-brown leather and marbled paper; Type III binding (without flap); doublures covered in yellow laid paper (chain lines 22 mm apart; 16 laid lines per 20 mm); not original to codex; in good condition. Support: non-European (Persian) laid paper with laid lines running horizontally at roughly 9 laid lines per cm., chain lines not visible. Decoration: Illuminated frontispiece (fol.1b-2a) features vegetal designs, executed in lapis lazuli and gold, which are nearly mirror-images of each other; consist of three, linked, vertically-oriented, circular patterns of vines emerging from a large, seven-pointed leaf at the center of the central circular figure; the workmanship is of the highest caliber; illuminated headpiece on incipit page (fol.2b) consists of a single lapis-lazuli arched semi-circular piece dominated by two cartouches in gold; the lower carries the title of the work, the upper one carries a small, light-blue and gold flower, which serves as the anchor-point for a gold, circular pattern of vines that rotate out from that figure and surround the cartouche beneath it; vines are ornamented with tiny golden leaves and pink, red, green, and black flowers; upward slopes of the arch are mirrored by two thick bands of gold at the bottom of the headpiece, which serve to further frame the cartouche; entire headpiece is framed by a thick band containing a golden braid, adorned with small figures in light-blue, green, red, pink, and brown that recall precious stones; a thinner frame in lapis-lazuli embellished with tiny white stars surrounds the headpiece and entire opening of fol.2b-3a; text of opening (dībāchah) is decorated with golden cloud-bands that are further enhanced with tiny red, green, blue, and pink flowers; throught, text is bordered by frame in lapis-lazuli and gold band; chapter headings and titles are framed with a single gold band; hemistiches are separated by two fine golden bands, spaced 4 mm apart. Script: Nasta'līq; single hand. Layout: Written in 14 lines per page; single column of text with panel for each hemistich. Collation: i, IV-1 (7), IV (15), V (25), III (31), IV (39), III+1 (46); catchwords present; pagination in pencil, Western numerals. Colophon: "Scribal," rectangular, reads: "تمت الکتاب بعون الله الملك الوهاب في تاريخ شهر شوال سنه خمس و خمسين و تسعمايه الهجريه غريق رحمت يزدان کسى ام که کاتب را باحمدی کند شاد" Explicit: "با هستگی کار عالم بساز که در کار کرمى نيايد بكار" Incipit: "بعد از حمد باری تعالى عز اسمه و در دو بهترين کاينات محمد مصطفى صلى الله عليه و آله و سلم بر اصحاب دين و دولت و ارباب ملك و مكنت" Title from headpiece on fol.2b. Ms. codex. On fol.1a, a single, circular seal-impression dated 1224 (or 1223 [1808 or 9]) with extremely tiny 6-pointed star and simple, vegetal design above inscription in nastaʻlīq, reads "السيد ابراهيم ادهم" in name of al-Sayyid Ibrāhīm Adʹham (İbrahim Ethem).