Sıhhat-ı âbâd, [early 18th century]. | Kütüphane.osmanlica.com

Sıhhat-ı âbâd, [early 18th century].
(صحت آباد, [اوائل القرن 18م].)

İsim Sıhhat-ı âbâd, [early 18th century].
İsim Orijinal صحت آباد, [اوائل القرن 18م].
Yazar Osmanzade Taip, Ahmet, 1660?-1724.
Basım Tarihi: [1708 to 1731]
Konu Manuscripts, Turkish, Manuscripts, Turkish / Michigan, Manuscripts, Turkish / Michigan / Ann Arbor., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor., Islam, Islam / Customs and practices, Islam / Customs and practices / Early works to 1800., Hadith, Hadith / Commentaries, Hadith / Commentaries / Early works to 1800., Hadith, Hadith / Criticism, interpretation, etc., Hadith / Criticism, interpretation, etc. / Early works to 1800., Headpieces (layout features)
Tür Kitap
Dil ara,ota
Dijital Hayır
Yazma Bilinmiyor
Sayfa Sayısı 24
Fiziksel Boyutlar 24 leaves : paper ; 242 x 135 (170 x 73) mm. bound to 242 x 138 mm
Kütüphane: HathiTrust Dijital Kütüphanesi
Kayıt Numarası 006814923
Lokasyon University of Michigan
Notlar About: Elegant copy of the commentary of Aḥmad Tāʼib ibn ʻUthmān, known as Osmanzade, on forty hadith. | Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 443 Origin: As appears in colophon on fol.24a (p.47), composition finished in the first part of Rabīʻ al-Akhīr 1120 [June 1708]. Copied by al-Sayyid ʻAbd Allāh, that is the renowned Ottoman calligrapher, Seyyid Abdullah of Yedikule (Yedikuleli Seyyid Abdullah Efendi, d.1731), favorite pupil of the celebrated calligrapher Hafız Osman Efendi (d.1698). Signed by the mudhahhib / müzehhip (gilder) in the lower edge of the frame on fol.24a (p.47) in a miniscule hand "ذهبه عبدي شاكر؟ سليمان مذهب شهرياري", seemingly Şakir Süleyman müzehhip Şehriyari. Former shelfmark: "345 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "234" inscribed in pencil on 'title page'. Binding: Pasteboards covered in dark green leather ; Type II binding (with flap) ; pastedowns, flyleaves (made endpapers) and interior of envelope flap in red surface-dyed paper ; upper and lower covers bear large central gold-stamped (recessed onlay) scalloped mandorla , pendants and corner pieces along with tooled and gold-painted rolled guilloché border with gold fillets ; vegetal design within the decorative elements has been accented with red paint and that of the mandorla evokes Déroche class. Nsd 7 ; design carries over to envelope flap ; chevron endbands in red and white have suffered some losses in good condition despite minor abrasion and edge wear though textblock has completely detached, some losses in spine lining and sewing. Support: non-European (early 18th century Persianate?) laid paper with laid lines running horizontally spaced roughly 7-8 laid lines per cm. and some sagging, no chain lines, burnished to glossy, some undissolved fibers ; flyleaves of European laid paper. Decoration: Superbly executed illuminated headpiece (ʻunwān) on fol.1b (p.2) consists of rectangular piece with cartouche carrying the title of the work in white surmounted by a w-shaped piece with a network of tīgh and flowers above, all filled with floral design in blue, gold, green, pink, orange, and red ; exquisite illuminated headpiece on fol.3a (p.5) consists of a w-shaped piece with cartouche carrying the section heading and floral decoration in blue, gold, white, pink, green, orange and red surmounted by tīgh in blue with red accents ; illuminated headpiece on fol.4b (p.8) consists of a rectangular piece with cartouche carrying the section heading for the first hadith surmounted by a semicircular piece with tīgh above in blue and red accents all filled with floral decoration in blue, gold, green, white, pink, orange, and red ; textual dividers in the form of gold rosettes and floral vegetal motifs appear hear and there throughout ; ruled in a frame consisting of gold bands and black fillets ; text rubricated with some sections headings, key words, etc. in red ; main section headings in white. Signed by the illuminator in the lower edge of the frame at close (fol.24a / p.47) "ذهبه عبدي شاكر؟ سليمان مذهب شهرياري" Script: Naskh ; fine Turkish hand ; slight tilt to the left ; seriffed with right sloping head-serif on lām of definite article, ṭāʼ, etc. but free-standing alif sans serif ; colophon more ligatured ; main section in headings tawqīʻ. Layout: Written in 21 lines per page ; frame-ruled. Collation: ii, 2 V (20), II (24), i ; two quinions and a binion ; catchwords present ; pagination in pencil, Western numerals (supplied during cataloguing). Colophon: "Authorial" and "Scribal," rectangular, reads "قد وقع الفراغ من تسويده بعون الله الملك المنان على يد مترجمه الفقير احمد بن عثمان المدرس باحدى المدارس الثمان في اوائل شهر ربيع الاخر لسنة عشرين ومائة والف كتبه الفقير الى رحمة ربه القدير الداعي بدوام الدولة العلية السيد عبد الله" Dedication: Ahmet III (1673-1736), son of Mehmet IV at opening (fol.1b-2a) "السلطان احمد خان بن السلاطان محمد خان". Explicit: "بو بنده كمينه ثنا معتاد لرى ميداذ سخنور يده تهمت خبط وخطا ايله تعيير اولنميه. بيت هركس مر هون بذل مقدور لنكانه دوئ خامه معذور. تاريخ ختام صحت اباد فيلسوف سخن اراى خرد فهم ايدوب ما حصل معنانى ديدى تاريخنى بو تاليفك صحت اباد شفاپيرانى" Incipit: "الحمد لله رب العالمين والصلوة والسلام على سيدنا محمد وعلى اله واصحابه اجمعين باحسان الى يوم الدين بعد هذا باعث جمع حديث اربعين ..." Title from headpiece on fol.1b. Ms. codex. Inscription on fol.1a dated 5 Dhū al-Ḥijjah 1213 [May 1799], reads "اللهم يا غفار الذنوب فاغفر ذنوب عبدك المصطفى بن الحاج محمد امين بن عبد الرحيم بن عبد الرحمن بن محمود ذلوى رحمهم الله رحمة واسعة بحرمت احاديث حبيبك يا غفار الذنوب في ٥ ذ سنة ١٢١٣" ; relatively clean copy.
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Sıhhat-ı âbâd, [early 18th century].

(صحت آباد, [اوائل القرن 18م].)
Yazar Osmanzade Taip, Ahmet, 1660?-1724.
Basım Tarihi [1708 to 1731]
Konu Manuscripts, Turkish, Manuscripts, Turkish / Michigan, Manuscripts, Turkish / Michigan / Ann Arbor., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor., Islam, Islam / Customs and practices, Islam / Customs and practices / Early works to 1800., Hadith, Hadith / Commentaries, Hadith / Commentaries / Early works to 1800., Hadith, Hadith / Criticism, interpretation, etc., Hadith / Criticism, interpretation, etc. / Early works to 1800., Headpieces (layout features)
Tür Kitap
Dil ara,ota
Dijital Hayır
Yazma Bilinmiyor
Sayfa Sayısı 24
Fiziksel Boyutlar 24 leaves : paper ; 242 x 135 (170 x 73) mm. bound to 242 x 138 mm
Kütüphane HathiTrust Dijital Kütüphanesi
Kayıt Numarası 006814923
Lokasyon University of Michigan
Notlar About: Elegant copy of the commentary of Aḥmad Tāʼib ibn ʻUthmān, known as Osmanzade, on forty hadith. | Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 443 Origin: As appears in colophon on fol.24a (p.47), composition finished in the first part of Rabīʻ al-Akhīr 1120 [June 1708]. Copied by al-Sayyid ʻAbd Allāh, that is the renowned Ottoman calligrapher, Seyyid Abdullah of Yedikule (Yedikuleli Seyyid Abdullah Efendi, d.1731), favorite pupil of the celebrated calligrapher Hafız Osman Efendi (d.1698). Signed by the mudhahhib / müzehhip (gilder) in the lower edge of the frame on fol.24a (p.47) in a miniscule hand "ذهبه عبدي شاكر؟ سليمان مذهب شهرياري", seemingly Şakir Süleyman müzehhip Şehriyari. Former shelfmark: "345 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "234" inscribed in pencil on 'title page'. Binding: Pasteboards covered in dark green leather ; Type II binding (with flap) ; pastedowns, flyleaves (made endpapers) and interior of envelope flap in red surface-dyed paper ; upper and lower covers bear large central gold-stamped (recessed onlay) scalloped mandorla , pendants and corner pieces along with tooled and gold-painted rolled guilloché border with gold fillets ; vegetal design within the decorative elements has been accented with red paint and that of the mandorla evokes Déroche class. Nsd 7 ; design carries over to envelope flap ; chevron endbands in red and white have suffered some losses in good condition despite minor abrasion and edge wear though textblock has completely detached, some losses in spine lining and sewing. Support: non-European (early 18th century Persianate?) laid paper with laid lines running horizontally spaced roughly 7-8 laid lines per cm. and some sagging, no chain lines, burnished to glossy, some undissolved fibers ; flyleaves of European laid paper. Decoration: Superbly executed illuminated headpiece (ʻunwān) on fol.1b (p.2) consists of rectangular piece with cartouche carrying the title of the work in white surmounted by a w-shaped piece with a network of tīgh and flowers above, all filled with floral design in blue, gold, green, pink, orange, and red ; exquisite illuminated headpiece on fol.3a (p.5) consists of a w-shaped piece with cartouche carrying the section heading and floral decoration in blue, gold, white, pink, green, orange and red surmounted by tīgh in blue with red accents ; illuminated headpiece on fol.4b (p.8) consists of a rectangular piece with cartouche carrying the section heading for the first hadith surmounted by a semicircular piece with tīgh above in blue and red accents all filled with floral decoration in blue, gold, green, white, pink, orange, and red ; textual dividers in the form of gold rosettes and floral vegetal motifs appear hear and there throughout ; ruled in a frame consisting of gold bands and black fillets ; text rubricated with some sections headings, key words, etc. in red ; main section headings in white. Signed by the illuminator in the lower edge of the frame at close (fol.24a / p.47) "ذهبه عبدي شاكر؟ سليمان مذهب شهرياري" Script: Naskh ; fine Turkish hand ; slight tilt to the left ; seriffed with right sloping head-serif on lām of definite article, ṭāʼ, etc. but free-standing alif sans serif ; colophon more ligatured ; main section in headings tawqīʻ. Layout: Written in 21 lines per page ; frame-ruled. Collation: ii, 2 V (20), II (24), i ; two quinions and a binion ; catchwords present ; pagination in pencil, Western numerals (supplied during cataloguing). Colophon: "Authorial" and "Scribal," rectangular, reads "قد وقع الفراغ من تسويده بعون الله الملك المنان على يد مترجمه الفقير احمد بن عثمان المدرس باحدى المدارس الثمان في اوائل شهر ربيع الاخر لسنة عشرين ومائة والف كتبه الفقير الى رحمة ربه القدير الداعي بدوام الدولة العلية السيد عبد الله" Dedication: Ahmet III (1673-1736), son of Mehmet IV at opening (fol.1b-2a) "السلطان احمد خان بن السلاطان محمد خان". Explicit: "بو بنده كمينه ثنا معتاد لرى ميداذ سخنور يده تهمت خبط وخطا ايله تعيير اولنميه. بيت هركس مر هون بذل مقدور لنكانه دوئ خامه معذور. تاريخ ختام صحت اباد فيلسوف سخن اراى خرد فهم ايدوب ما حصل معنانى ديدى تاريخنى بو تاليفك صحت اباد شفاپيرانى" Incipit: "الحمد لله رب العالمين والصلوة والسلام على سيدنا محمد وعلى اله واصحابه اجمعين باحسان الى يوم الدين بعد هذا باعث جمع حديث اربعين ..." Title from headpiece on fol.1b. Ms. codex. Inscription on fol.1a dated 5 Dhū al-Ḥijjah 1213 [May 1799], reads "اللهم يا غفار الذنوب فاغفر ذنوب عبدك المصطفى بن الحاج محمد امين بن عبد الرحيم بن عبد الرحمن بن محمود ذلوى رحمهم الله رحمة واسعة بحرمت احاديث حبيبك يا غفار الذنوب في ٥ ذ سنة ١٢١٣" ; relatively clean copy.
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