[Taḥrīr al-Manṣūrī ʻalá Ṭayyibat al-nashr fī al-qirāʼāt al-ʻashr...etc., 18th century?].
([تحرير المنصوري على طيبة النشر في القراءات العشر...الخ, القرن 18م؟].)

Name: [Taḥrīr al-Manṣūrī ʻalá Ṭayyibat al-nashr fī al-qirāʼāt al-ʻashr...etc., 18th century?].
Author: Manṣūrī, ʻAlī ibn Sulaymān, -1722.

İsim	[Taḥrīr al-Manṣūrī ʻalá Ṭayyibat al-nashr fī al-qirāʼāt al-ʻashr...etc., 18th century?].
İsim Orijinal	[تحرير المنصوري على طيبة النشر في القراءات العشر...الخ, القرن 18م؟].
Yazar	Manṣūrī, ʻAlī ibn Sulaymān, -1722.
Basım Tarihi:	[17--?]
Konu	Ibn al-Jazarī, Muḥammad ibn Muḥammad,, Ibn al-Jazarī, Muḥammad ibn Muḥammad, / 1350-1429., Ibn al-Jazarī, Muḥammad ibn Muḥammad, / 1350-1429. / Ṭayyibat al-nashr fī al-qirāʼāt al-ʻashr., Qurʼan, Qurʼan / Readings, Qurʼan / Readings / Early works to 1800., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor., Arabic language, Arabic language / Grammar, Arabic language / Grammar / Early works to 1800.
Tür	Kitap
Dil	Arapça
Dijital	Hayır
Yazma	Bilinmiyor
Sayfa Sayısı	106
Fiziksel Boyutlar	106 leaves : paper ; 159 x 110 (120-140 x 65-70) mm
Kütüphane:	HathiTrust Dijital Kütüphanesi
Kayıt Numarası	006803215
Lokasyon	University of Michigan
Notlar	About: Collection of excerpts on Qur'anic readings, mainly from ʻAlī ibn Sulaymān al-Muqriʼ al-Manṣūrī's Taḥrīr on Ibn al-Jazarī's Ṭayyibat al-nashr fī al-qirāʼāt al-ʻashr preceded by a "lost" passage attributed to Ibn al-Jazarī from his al-Nashr fī al-qirāʼāt al-ʻashr. \| Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 259 Origin: No details on date of transcription or copyist supplied in text. Binding: Painted lacquerwork on heavy boards with black leather on spine ; Type III binding (without flap) ; doublures in painted lacquerwork with hinges in red leather and flyleaves in pink and blue marbled paper ; upper and lower covers bear paintings of identical composition yet mirror images of one another on a black background ; gold painted fillets define outer and inner frames consisting of a series of gold triangular shapes on bands of black ; the fillets intersect to form square compartments at the corners ; between these frames, an elaborate floral design consisting of an alternating succession of gold lozenges and four-petal flowers in blue, green and bronze ; each gold lozenge contains a central rosette in pink with white accents flanked by four smaller buds in pink and white, leaves in green, and two five-petal flowers in white and pink ; the main panel has a central cluster of two peony-like flowers in pink and yellow with adjacent tulip, poppy, other floral forms, and leaves in pink, white, blue-green, and olive green ; the remainder of the panel is filled with leaves, flowers (poppies, etc.) and buds in pink, white, and olive green ; upper and lower doublures also bear paintings of identical composition yet mirror images of one another on a dark green background (flecked in gold green) consisting of a tall narcissus-like plant with leaves in shades of green and at the head of a central stalk, flowers and buds in yellow with pink accents; gold painted fillets define a frame consisting of a series of oblique strokes in gold on the dark green background ; appears contemporaneous with text ; in fair condition ; much worn, leather of spine is cracked, brittle and detaching ; lacquer and paint of covers is chipped ; lacquer of doublures is cracked and crazed ; housed in box for protection. Support: At least three varieties of European laid paper ; front and back flyleaves (single bifolium following initial marbled paper flyleaf and preceding final marbled paper flyleaf) are of European laid paper with watermark partially visible (lion rampart in shield - compare Heawood 3133 and 3135), few inclusions, 27-28 mm. between the single chainlines ; the beginning and latter quires are in a European laid paper with watermarks partially visible (see grapes watermark in fol.12, watermark in fol.78b-79a and in fol.94 has name "...ARDONI" [?] with crown above and grape below ; compare Heawood 2399), laid lines running horizontally spaced roughly 14 laid lines per cm., single chain lines running vertically spaced roughly 21-24 mm. apart, relatively few inclusions, burnished and crisp character ; central quires are in a European laid paper with laid lines running horizontally spaced roughly 12 laid lines per cm., single chain lines running vertically spaced roughly 26-27 mm. apart, virtually no inclusions, and a lighter "whiter" cream color than the other paper. Decoration: Partially rubricated with overlinings, section headings, etc. in red. Script: Naskh ; at least four Turkish (and Persian?) hands, though perhaps supplied by one or two copyists ; first work appears to be supplied in two hands and the line thickness changes at least once ; the first hand is very round, nearly unpointed, mainly serifless, with slight effect of words descending to baseline ; hand changes on fol.8a (p.15) to a stiffer hand better pointed with initially some right sloping head serifs, then mainly serifless ; second work is supplied in a heavy Turkish hand with slight tilt to left, mainly serifless but occasional serifs on alif of lām alif ligature (looking like numeral ۹) ; passages following this work appear in the same rounded, unpointed hand of first work ; next work is supplied in another very fine hand, virtually serifless and also in the rounded, unpointed hand of the first work and the hand of second work ; next work is supplied in a similar fashion with same rounded, unpointed hand supplying the closing text. Layout: Written in 15 lines per page ; frame-ruled (impression of ruling board evident). Collation: iii, VI+1 (13), 7 V (83), VI (95), V+1 (106), iii ; chiefly quinions ; leaves at beginning and end of textblock left blank, as well as between the various works ; catchwords present in the various works though cut off in some places ; pagination in pencil, Western numerals, supplied during cataloguing. Explicit: "لابي عمرو في غاية ابي العلا وللدوري من التبصرة ومثلها لكن مع التسهيل في الكامل والله اعلم" Incipit: " هذا من النشر الكبير المفقود في اكثر النسخ قبل فرش الحروف رواية ورش اذا قرى له من طريق الازرق... [تحرير المنصوري] الحمد لله رب العالمين وصلى الله وسلم على سيدنا محمد وعلى اله وصحبه اجمعين وبعد فيقول العبد الفقير الى الله تعالى علي المنصوري غفر الله تعالى له ولوالديه ولجميع المسلمين هذا ما يسر جمعه في بعض الايات عن تحرير الطرق والروايات من طريق طيبة النشر في القراءات العشر" Title supplied by cataloguer. Ms. codex. Conspicuous lack of ownership marks ; inscription in pencil on verso of front flyleaf "388 T. De M. [i.e. Tammaro De Marinis]" ; inscription in purple pencil "67..." on fol.105b (p.210) ; some marginal correctionsو notabilia (side heads) and glosses throughout.

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[Taḥrīr al-Manṣūrī ʻalá Ṭayyibat al-nashr fī al-qirāʼāt al-ʻashr...etc., 18th century?].

([تحرير المنصوري على طيبة النشر في القراءات العشر...الخ, القرن 18م؟].)

Yazar Manṣūrī, ʻAlī ibn Sulaymān, -1722.

Basım Tarihi [17--?]

Konu Ibn al-Jazarī, Muḥammad ibn Muḥammad,, Ibn al-Jazarī, Muḥammad ibn Muḥammad, / 1350-1429., Ibn al-Jazarī, Muḥammad ibn Muḥammad, / 1350-1429. / Ṭayyibat al-nashr fī al-qirāʼāt al-ʻashr., Qurʼan, Qurʼan / Readings, Qurʼan / Readings / Early works to 1800., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor., Arabic language, Arabic language / Grammar, Arabic language / Grammar / Early works to 1800.

Tür Kitap

Dil Arapça

Dijital Hayır

Yazma Bilinmiyor

Sayfa Sayısı 106

Fiziksel Boyutlar 106 leaves : paper ; 159 x 110 (120-140 x 65-70) mm

Kütüphane HathiTrust Dijital Kütüphanesi

Kayıt Numarası 006803215

Lokasyon University of Michigan

Notlar About: Collection of excerpts on Qur'anic readings, mainly from ʻAlī ibn Sulaymān al-Muqriʼ al-Manṣūrī's Taḥrīr on Ibn al-Jazarī's Ṭayyibat al-nashr fī al-qirāʼāt al-ʻashr preceded by a "lost" passage attributed to Ibn al-Jazarī from his al-Nashr fī al-qirāʼāt al-ʻashr. | Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 259 Origin: No details on date of transcription or copyist supplied in text. Binding: Painted lacquerwork on heavy boards with black leather on spine ; Type III binding (without flap) ; doublures in painted lacquerwork with hinges in red leather and flyleaves in pink and blue marbled paper ; upper and lower covers bear paintings of identical composition yet mirror images of one another on a black background ; gold painted fillets define outer and inner frames consisting of a series of gold triangular shapes on bands of black ; the fillets intersect to form square compartments at the corners ; between these frames, an elaborate floral design consisting of an alternating succession of gold lozenges and four-petal flowers in blue, green and bronze ; each gold lozenge contains a central rosette in pink with white accents flanked by four smaller buds in pink and white, leaves in green, and two five-petal flowers in white and pink ; the main panel has a central cluster of two peony-like flowers in pink and yellow with adjacent tulip, poppy, other floral forms, and leaves in pink, white, blue-green, and olive green ; the remainder of the panel is filled with leaves, flowers (poppies, etc.) and buds in pink, white, and olive green ; upper and lower doublures also bear paintings of identical composition yet mirror images of one another on a dark green background (flecked in gold green) consisting of a tall narcissus-like plant with leaves in shades of green and at the head of a central stalk, flowers and buds in yellow with pink accents; gold painted fillets define a frame consisting of a series of oblique strokes in gold on the dark green background ; appears contemporaneous with text ; in fair condition ; much worn, leather of spine is cracked, brittle and detaching ; lacquer and paint of covers is chipped ; lacquer of doublures is cracked and crazed ; housed in box for protection. Support: At least three varieties of European laid paper ; front and back flyleaves (single bifolium following initial marbled paper flyleaf and preceding final marbled paper flyleaf) are of European laid paper with watermark partially visible (lion rampart in shield - compare Heawood 3133 and 3135), few inclusions, 27-28 mm. between the single chainlines ; the beginning and latter quires are in a European laid paper with watermarks partially visible (see grapes watermark in fol.12, watermark in fol.78b-79a and in fol.94 has name "...ARDONI" [?] with crown above and grape below ; compare Heawood 2399), laid lines running horizontally spaced roughly 14 laid lines per cm., single chain lines running vertically spaced roughly 21-24 mm. apart, relatively few inclusions, burnished and crisp character ; central quires are in a European laid paper with laid lines running horizontally spaced roughly 12 laid lines per cm., single chain lines running vertically spaced roughly 26-27 mm. apart, virtually no inclusions, and a lighter "whiter" cream color than the other paper. Decoration: Partially rubricated with overlinings, section headings, etc. in red. Script: Naskh ; at least four Turkish (and Persian?) hands, though perhaps supplied by one or two copyists ; first work appears to be supplied in two hands and the line thickness changes at least once ; the first hand is very round, nearly unpointed, mainly serifless, with slight effect of words descending to baseline ; hand changes on fol.8a (p.15) to a stiffer hand better pointed with initially some right sloping head serifs, then mainly serifless ; second work is supplied in a heavy Turkish hand with slight tilt to left, mainly serifless but occasional serifs on alif of lām alif ligature (looking like numeral ۹) ; passages following this work appear in the same rounded, unpointed hand of first work ; next work is supplied in another very fine hand, virtually serifless and also in the rounded, unpointed hand of the first work and the hand of second work ; next work is supplied in a similar fashion with same rounded, unpointed hand supplying the closing text. Layout: Written in 15 lines per page ; frame-ruled (impression of ruling board evident). Collation: iii, VI+1 (13), 7 V (83), VI (95), V+1 (106), iii ; chiefly quinions ; leaves at beginning and end of textblock left blank, as well as between the various works ; catchwords present in the various works though cut off in some places ; pagination in pencil, Western numerals, supplied during cataloguing. Explicit: "لابي عمرو في غاية ابي العلا وللدوري من التبصرة ومثلها لكن مع التسهيل في الكامل والله اعلم" Incipit: " هذا من النشر الكبير المفقود في اكثر النسخ قبل فرش الحروف رواية ورش اذا قرى له من طريق الازرق... [تحرير المنصوري] الحمد لله رب العالمين وصلى الله وسلم على سيدنا محمد وعلى اله وصحبه اجمعين وبعد فيقول العبد الفقير الى الله تعالى علي المنصوري غفر الله تعالى له ولوالديه ولجميع المسلمين هذا ما يسر جمعه في بعض الايات عن تحرير الطرق والروايات من طريق طيبة النشر في القراءات العشر" Title supplied by cataloguer. Ms. codex. Conspicuous lack of ownership marks ; inscription in pencil on verso of front flyleaf "388 T. De M. [i.e. Tammaro De Marinis]" ; inscription in purple pencil "67..." on fol.105b (p.210) ; some marginal correctionsو notabilia (side heads) and glosses throughout.