[Sharḥ al-Shifāʼ fī shamāʼil Ṣāḥib al-iṣṭifāʼ, 18th century?].
([شرح الشفاء في شمائل صاحب الاصطفاء, القرن 18م؟].)

Name: [Sharḥ al-Shifāʼ fī shamāʼil Ṣāḥib al-iṣṭifāʼ, 18th century?].
Author: Qārī al-Harawī, ʻAlī ibn Sulṭān Muḥammad, -1605 or 1606.

İsim	[Sharḥ al-Shifāʼ fī shamāʼil Ṣāḥib al-iṣṭifāʼ, 18th century?].
İsim Orijinal	[شرح الشفاء في شمائل صاحب الاصطفاء, القرن 18م؟].
Yazar	Qārī al-Harawī, ʻAlī ibn Sulṭān Muḥammad, -1605 or 1606.
Basım Tarihi:	[17--]
Konu	Muḥammad,, Muḥammad, / Prophet,, Muḥammad, / Prophet, / -632, Muḥammad, / Prophet, / -632 / Early works to 1800., ʻIyāḍ ibn Mūsá,, ʻIyāḍ ibn Mūsá, / 1083-1149., ʻIyāḍ ibn Mūsá, / 1083-1149. / Shifāʼ fī taʻrīf ḥuqūq al-Muṣṭafá., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor., Hadith, Hadith / Criticism, interpretation, etc., Hadith / Criticism, interpretation, etc. / Early works to 1800., Religious life, Religious life / Islam, Religious life / Islam / Early works to 1800.
Tür	Kitap
Dil	Arapça
Dijital	Hayır
Yazma	Bilinmiyor
Sayfa Sayısı	423
Fiziksel Boyutlar	423 leaves : paper ; 245 x 175 (190 x 110) mm
Kütüphane:	HathiTrust Dijital Kütüphanesi
Kayıt Numarası	005983144
Lokasyon	University of Michigan
Notlar	About: Fine copy of al-Qārī al-Harawī's commentary on ʻIyāḍ ibn Mūsá's treatise on the devotional obligations of Muslims towards the Prophet. Two volumes in one. Description provided mainly by Sarah Mirza. \| Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 27 Origin: Lacks dated scribal colophon ; paper suggests 18th century. Accompanying materials: Slip of modern (acidic) notepaper with notes in black ink between pp.12-13 (not paginated). Former shelfmark: British Museum, London "No. 24 Sharh Kitab al-shifa." Binding: Pasteboards covered in brown leather (goat?) ; Type II binding (with flap) ; pastedowns and flyleaves in gold-flecked, mustard-colored laid paper over green linen lining ; upper and lower covers bear blind-stamped and gold-painted scalloped mandorla filled with floral vegetal composition (compare Déroche class. Nsd7) with pendants, gold-painted accents and tooled border ; sewn in red thread, two stations ; endbands in cream, head intact, tail mostly intact ; in fair condition ; binding and cover are sound ; some tide-lines from water-damage in margins of pages ; linen lining used for repair over leather over fore-edge and spine. Support: European laid paper with 11 laid lines per cm. (vertical) and chain lines spaced 22 mm. apart (horizontal) ; watermarks include lion passant holding flower/leaf (see p.12, 19, 33, etc.) and eagle (in profile, with crown on the head) within scrollwork (see p.15, 27, 45, etc.). Decoration: Elegant illuminated headpiece (ʻunwān) at opening on p.4, consisting of w-shaped piece filled with swirling floral motif in gold, green, blue, orange, and red set in a well of pink and blue bands separated by gold fillets ; written area of incipit and facing page surrounded by a frame consisting of wide gold band with outermost red fillet, elsewhere text surrounded by red rule-border ; textual dividers in the form of red circles (resembling ه or numeral khamsah) ; overlining in red ; chapter and section headings rubricated. Script: Naskh ; fine Turkish hand ; mainly serifless, though occasional left-sloping head-serif appears on lām of definite article, alif of lām alif ligature, etc. ; mainly closed counters ; kāf mashkūlah (mashqūqah) preferred ; very slight effect of tilt to the left and of words descending to baseline (occasionally more apparent) ; dot of final nūn very often assimilated with bowl ; glosses in several other hands. Layout: Written in 33 lines per page ; frame-ruled. Collation: ii, VI (12), 18 V(192), VI (204), 11 V (314), V+3 (327), 2 IV(343), V+1 (354), 5 V(404), V+1 (415), IV (423), i ; chiefly quinions ; final leaf left blank ; lacks proper catchwords, but last word of final line on the verso of each leaf is usually repeated at the beginning of the first line on the following recto ; pagination in pencil, Western numerals (supplied during digitization ; skips two pages each between pp.45-46 and pp.99-100, drops from p.100 to p.61, skips ahead from p.378 to p.380 and from p.381 to p.383, drops from p.433 to p.424). Colophon: "Authorial," rectangular, reads: "فرغ مؤلفه رحمه [؟] سلفه اوسط رمضان المبارك عام احد عشر بعد الالف من الهجرة النبوية الى المدينة السكينة و ذلك بمكة المكرمة الامينة و انا الفقير الى بر ربه الباري علي بن سلطان محمد القاري الحنفي عاملهما الله بلطفه الخفي و كرمه الوفي و من احسن ما نظم في تحسين هذا الكتاب ما قاله بعض اولى الالباب من الاصحاب ... اصاب الله جامعه عياضا جنات الخلد فهي له جزاء و زاد محبه شرفا و فضلا و بلغه المهيمن ما شاء تم تم تم" Explicit: "فعذب ماؤها بعد ما كان مالحا فهو سبحانه حسبنا و نعم الوكيل ربنا و نعم الشفيع نبينا ونسأل الله دوام العافية وتوفيق تمام الطاعة وحسن الخاتمة والحمد لله اولا واخرا ... برحمتك يا ارحم الراحمين امين" Incipit: "الحمد لله اللذى انزل القرآن شفاء لما في الصدور و هدى و رحمة للمؤمنين و شفى به من مكان اشفى على شفائر جهنم من الكافرين و الصلوة و السلام على سيد المرسلين ... اما بعد فيقول افقر العباد الى كرم ربه الباري علي بن سلطان محمد القاري لما رايت كتاب الشفاء في شمائل صاحب الاصطفاء اجمع ما صنف في بابه مجملا في الاستيفاء لعدم امكان الوصول الى انتهاء الاستقصاء قصدت ان اخدمه بشرح يشرح ما يتعلق به من تحقيق الاعراب و البناء ... قال بسم الله الرحمن الريم اقتداء بالكلام المجيد" Title supplied by cataloguer from opening on p.4. Ms. codex. Bookplate of British Museum, London on interior of upper cover, "British Museum, London. No. 24 Sharh Kitab al-shifa." ; circular seal impression with figure of goat/gazelle in purple ink as well as inscription "254" in Western numerals on p.1 ; on 'title page' (p.3), a detailed waqf statement in the name of al-Sayyid ʻAbd Allāh Adīb (Abdullah Edip), known as Jannatʹzādah (Cennet-zade), qāḍī of Erzurum, accompanied by his seal (repeated on p.4), reads: "وقفت وقفا صحيحا شرعيا بشرط ان لا يخرج من بيت الكتب الذي بنيته في اتصال داري ان احتاجوا اشد الاحتياج بكفيل مرعى اورهن قوي وانا الفقير اليه عز شانه السيد عبد الله اديب الشهير بجنت زاده القاضي بمدينة ارضروم عفى عنه في سنة اثنى وستين ومائتين والف" ; numerous glosses in several hands.

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[Sharḥ al-Shifāʼ fī shamāʼil Ṣāḥib al-iṣṭifāʼ, 18th century?].

([شرح الشفاء في شمائل صاحب الاصطفاء, القرن 18م؟].)

Yazar Qārī al-Harawī, ʻAlī ibn Sulṭān Muḥammad, -1605 or 1606.

Basım Tarihi [17--]

Konu Muḥammad,, Muḥammad, / Prophet,, Muḥammad, / Prophet, / -632, Muḥammad, / Prophet, / -632 / Early works to 1800., ʻIyāḍ ibn Mūsá,, ʻIyāḍ ibn Mūsá, / 1083-1149., ʻIyāḍ ibn Mūsá, / 1083-1149. / Shifāʼ fī taʻrīf ḥuqūq al-Muṣṭafá., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor., Hadith, Hadith / Criticism, interpretation, etc., Hadith / Criticism, interpretation, etc. / Early works to 1800., Religious life, Religious life / Islam, Religious life / Islam / Early works to 1800.

Tür Kitap

Dil Arapça

Dijital Hayır

Yazma Bilinmiyor

Sayfa Sayısı 423

Fiziksel Boyutlar 423 leaves : paper ; 245 x 175 (190 x 110) mm

Kütüphane HathiTrust Dijital Kütüphanesi

Kayıt Numarası 005983144

Lokasyon University of Michigan

Notlar About: Fine copy of al-Qārī al-Harawī's commentary on ʻIyāḍ ibn Mūsá's treatise on the devotional obligations of Muslims towards the Prophet. Two volumes in one. Description provided mainly by Sarah Mirza. | Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 27 Origin: Lacks dated scribal colophon ; paper suggests 18th century. Accompanying materials: Slip of modern (acidic) notepaper with notes in black ink between pp.12-13 (not paginated). Former shelfmark: British Museum, London "No. 24 Sharh Kitab al-shifa." Binding: Pasteboards covered in brown leather (goat?) ; Type II binding (with flap) ; pastedowns and flyleaves in gold-flecked, mustard-colored laid paper over green linen lining ; upper and lower covers bear blind-stamped and gold-painted scalloped mandorla filled with floral vegetal composition (compare Déroche class. Nsd7) with pendants, gold-painted accents and tooled border ; sewn in red thread, two stations ; endbands in cream, head intact, tail mostly intact ; in fair condition ; binding and cover are sound ; some tide-lines from water-damage in margins of pages ; linen lining used for repair over leather over fore-edge and spine. Support: European laid paper with 11 laid lines per cm. (vertical) and chain lines spaced 22 mm. apart (horizontal) ; watermarks include lion passant holding flower/leaf (see p.12, 19, 33, etc.) and eagle (in profile, with crown on the head) within scrollwork (see p.15, 27, 45, etc.). Decoration: Elegant illuminated headpiece (ʻunwān) at opening on p.4, consisting of w-shaped piece filled with swirling floral motif in gold, green, blue, orange, and red set in a well of pink and blue bands separated by gold fillets ; written area of incipit and facing page surrounded by a frame consisting of wide gold band with outermost red fillet, elsewhere text surrounded by red rule-border ; textual dividers in the form of red circles (resembling ه or numeral khamsah) ; overlining in red ; chapter and section headings rubricated. Script: Naskh ; fine Turkish hand ; mainly serifless, though occasional left-sloping head-serif appears on lām of definite article, alif of lām alif ligature, etc. ; mainly closed counters ; kāf mashkūlah (mashqūqah) preferred ; very slight effect of tilt to the left and of words descending to baseline (occasionally more apparent) ; dot of final nūn very often assimilated with bowl ; glosses in several other hands. Layout: Written in 33 lines per page ; frame-ruled. Collation: ii, VI (12), 18 V(192), VI (204), 11 V (314), V+3 (327), 2 IV(343), V+1 (354), 5 V(404), V+1 (415), IV (423), i ; chiefly quinions ; final leaf left blank ; lacks proper catchwords, but last word of final line on the verso of each leaf is usually repeated at the beginning of the first line on the following recto ; pagination in pencil, Western numerals (supplied during digitization ; skips two pages each between pp.45-46 and pp.99-100, drops from p.100 to p.61, skips ahead from p.378 to p.380 and from p.381 to p.383, drops from p.433 to p.424). Colophon: "Authorial," rectangular, reads: "فرغ مؤلفه رحمه [؟] سلفه اوسط رمضان المبارك عام احد عشر بعد الالف من الهجرة النبوية الى المدينة السكينة و ذلك بمكة المكرمة الامينة و انا الفقير الى بر ربه الباري علي بن سلطان محمد القاري الحنفي عاملهما الله بلطفه الخفي و كرمه الوفي و من احسن ما نظم في تحسين هذا الكتاب ما قاله بعض اولى الالباب من الاصحاب ... اصاب الله جامعه عياضا جنات الخلد فهي له جزاء و زاد محبه شرفا و فضلا و بلغه المهيمن ما شاء تم تم تم" Explicit: "فعذب ماؤها بعد ما كان مالحا فهو سبحانه حسبنا و نعم الوكيل ربنا و نعم الشفيع نبينا ونسأل الله دوام العافية وتوفيق تمام الطاعة وحسن الخاتمة والحمد لله اولا واخرا ... برحمتك يا ارحم الراحمين امين" Incipit: "الحمد لله اللذى انزل القرآن شفاء لما في الصدور و هدى و رحمة للمؤمنين و شفى به من مكان اشفى على شفائر جهنم من الكافرين و الصلوة و السلام على سيد المرسلين ... اما بعد فيقول افقر العباد الى كرم ربه الباري علي بن سلطان محمد القاري لما رايت كتاب الشفاء في شمائل صاحب الاصطفاء اجمع ما صنف في بابه مجملا في الاستيفاء لعدم امكان الوصول الى انتهاء الاستقصاء قصدت ان اخدمه بشرح يشرح ما يتعلق به من تحقيق الاعراب و البناء ... قال بسم الله الرحمن الريم اقتداء بالكلام المجيد" Title supplied by cataloguer from opening on p.4. Ms. codex. Bookplate of British Museum, London on interior of upper cover, "British Museum, London. No. 24 Sharh Kitab al-shifa." ; circular seal impression with figure of goat/gazelle in purple ink as well as inscription "254" in Western numerals on p.1 ; on 'title page' (p.3), a detailed waqf statement in the name of al-Sayyid ʻAbd Allāh Adīb (Abdullah Edip), known as Jannatʹzādah (Cennet-zade), qāḍī of Erzurum, accompanied by his seal (repeated on p.4), reads: "وقفت وقفا صحيحا شرعيا بشرط ان لا يخرج من بيت الكتب الذي بنيته في اتصال داري ان احتاجوا اشد الاحتياج بكفيل مرعى اورهن قوي وانا الفقير اليه عز شانه السيد عبد الله اديب الشهير بجنت زاده القاضي بمدينة ارضروم عفى عنه في سنة اثنى وستين ومائتين والف" ; numerous glosses in several hands.